Peter had the same idea. "She annoys me," he told his son in July, expressing in ever more distinct terms the ambivalence of his feelings all along. "I just wish the divorce was over and done with."

The novelist Auberon Waugh interviewed Peter in Gstaad. Peter's personal assistant, Michael Jeffery, was caring for him in Lynne's customary absence. Stephen Bach's trip to Gstaad had been business related, so Lynne had an interest in being present. Now she was in Philadelphia.

Waugh describes Michael Jeffery: "a young costume designer in tight corduroy trousers who wore a gold stud in one ear and walked with the unmistakable skip of a former ballet dancer. It is Mike who cooked him his meals, made sure he kept his appointments, and scolded him if he forgot to put his boots on when going out of doors. Without disrespect to either, one could say that he had found his mother-figure, although there seemed a certain amount of aggravation in the air between them." corduroy trousers who wore a gold stud in one ear and walked with the unmistakable skip of a former ballet dancer. It is Mike who cooked him his meals, made sure he kept his appointments, and scolded him if he forgot to put his boots on when going out of doors. Without disrespect to either, one could say that he had found his mother-figure, although there seemed a certain amount of aggravation in the air between them."

Peter was dressed for the interview in a "navy blue track suit with various bits of string attached." As for the house, Waugh writes, "The main floor was like an open-plan bungalow, with sitting room, kitchen, and dining areas, and another area where Mike Jeffery slept, his bed surrounded by impressive photographic equipment." Peter slept on the floor below. In the basement was a bomb shelter, which came with the house.

At Waugh's prompting, Peter named the four films of which he was proudest: I'm All Right, Jack I'm All Right, Jack; Dr. Strangelove Dr. Strangelove; The Party The Party; and Being There Being There. Waugh noted that, for Peter, Spike "remained-usually by telephone, and often at very long distance-the chief guru in his life." The other, of course, was Swami Venkesananda, who kept an ashram in Mauritius. But Waugh was skeptical of Peter's devotion to the swami: "I could not avoid the suspicion that part of his fascination is that Mr. Sellers could study his accents, his intonations and gestures, and practice them quietly to himself in the bathroom afterwards."

On Monday, July 21, Peter and Michael Jeffery flew to London from Geneva in Peter's private plane. They landed at Stansted Airport in Essex (Peter preferred to avoid Heathrow), drove down to London, and checked into the Dorchester. He wanted to stay in the Harlequin Suite, but it was already booked, so he made do with the Oliver Messel suite, named for-and designed by-the noted theater designer. In addition to his clothes, he made sure to bring along the script-in-progress for The Romance of the Pink Panther The Romance of the Pink Panther.

Peter had spoken to Spike before arriving in London, and Spike, rather morbidly, had told him, "'We're all getting old. How about one more dinner?' 'Yes, of course!' he said. 'One more dinner.'" Harry Secombe got "a message from Spike saying 'Let's go and have dinner with Peter before one of us is walking behind the coffin.'" The three old friends set up their reunion for the following night.

Before turning in, Peter, accompanied by Jeffery, climbed into a limousine, drove to North London, and paid his first visit to the Golders Green crematorium and memorial garden where Peg and Bill's ashes lay. limousine, drove to North London, and paid his first visit to the Golders Green crematorium and memorial garden where Peg and Bill's ashes lay.

He woke up early the next morning, showered and shaved, put on his loose blue workout suit, ordered some coffee and melba toast, called Michael Jeffery's room, ordered a massage, and then called Sue Evans, who arrived around 9 A A.M. Peter took a nap while Evans and Jeffery went over the day's affairs. His lawyer, Elwood Rickless, showed up and got Peter to sign a document setting up the long-delayed trust for the fifteen-year-old Victoria, and then it was time for lunch. Peter asked for a double order of grilled plaice, a salad, and a little cheese; he requested the double order of plaice because he was convinced that the Dorchester was stingy with its fish. After finishing his meal, Jeffery helped Peter select his outfit for the evening-black, black, and black (pants, shirt, lizardskin shoes)-topped with a black and white check jacket. Sue Evans got ready to leave. "Sue, don't go yet," he asked. "Sit on for a bit and talk to me."

Then, "I do feel frail. Really, I feel faint," he said, and before he got a chance to get back into bed, his face turned deep purple and then very pale, he closed his eyes, and he died.

"It's hard to say this, but he died at the right time," said Spike.

"Anything to avoid paying for the dinner," said Harry.

To be pedantic about it, Peter's clinical death was actually a more protracted process. He was rushed to Middlesex Hospital and hooked up to machines that kept him going for another thirty-six hours. Sue Evans called Michael, who was in London. Sarah was in Portugal. Victoria was in Sweden with her mother. They all had time to assemble at the hospital before the Widow Sellers arrived in dark glasses, fresh from the Western Hemisphere.

Peter's body didn't give up easily, but this time it had no choice. A little after midnight on July 24, it was over.

"Peter was a well-loved actor in Britain," Burt Kwouk observes. "The day he died, it seemed that the whole country came to a stop. Everywhere you went, the fact that Peter had died seemed like an umbrella over everything."

The headlines screamed, the newscasters intoned. And in a bit of irony both gruesome and cruel, thieves stole Lynne's crocodile handbag and matching wallet-they were gifts from Peter, she said-while she was shopping for a black dress the next day. both gruesome and cruel, thieves stole Lynne's crocodile handbag and matching wallet-they were gifts from Peter, she said-while she was shopping for a black dress the next day.

Peter's funeral was held at Golders Green on Saturday, July 26.

Anne was in Portugal with Ted Levy when Peter died. She didn't return to London, she says, "because I knew it would be a circus."

She was correct. The surge of fans, reporters, photographers, and morbid sightseers was magnificent in the pouring rain.

Britt made a discreet entrance in a blue Rolls Royce. Miranda, after placing a sympathy telephone call to Lynne (a call answered by Sue Evans) stayed away.

Peter's aunties, Ve and Do, were there, along with Spike, Harry, Michael Bentine, his cousins Ray Marks and Peter Ray, Canon John Hester, Lord Snowdon, Brother Cornelius, Dennis Selinger, Graham Stark, David Lodge, and Baron Evelyn de Rothschild.

As one of the Ray cousins said of the funeral, the wives were crying and the Goons were laughing. This was especially the case after Canon Hester, at Michael's suggestion, made an announcement at the end. Just before Peter's body was wheeled away to the furnace room to be turned into ash, Canon Hester solemnly told the assembled mourners that Peter wanted them to listen to one last song.

And so it was that Peter Sellers exited the world, riding in swingtime into the flames, to the tune of Glenn Miller's "In the Mood."

EPILOGUE.

Ever drifting down the stream- Lingering in the golden gleam- Life, what is it but a dream?

A memorial service for Peter Sellers took place at St. Martin in the Fields on September 8, 1980. It would have been Peter's fifty-fifth birthday. memorial service for Peter Sellers took place at St. Martin in the Fields on September 8, 1980. It would have been Peter's fifty-fifth birthday.

In addition to Lynne, Michael, Sarah, Victoria, Spike, Harry, David Lodge, Graham Stark, and Michael Bentine, guests included Lord Snowdon, David Niven, Michael Caine, Sam Spiegel, Herbert Lom, and about 490 less famous people.

Snowdon recited the twenty-third Psalm. Harry sang "Bread of Heaven." Niven offered the eulogy. "It was a joy and a privilege to have known him for so long," Niven said. "Yet how many of us really did know Peter? After twenty-five years of friendship, I had to ask myself." Niven noted with candor that some of Peter's many obituaries described him as having been "difficult, ungracious, despotic, bitter, depressed, lonely, in a constant state of turmoil, vexatious, quarrelsome, and neurotic." Niven acknowledged that, well, yes, Peter had been some of those things at least some of the time. But, he went on to say, "luckily he was not all these things all of the time, because if he had been, St. Martin's and the surrounding fields would be empty this morning instead of full."

According to the terms of Peter Sellers's last will and testament, 50,000 Swiss francs was to go to the city of Gstaad, 5,000 to his lawyer Anthony Humphries, 5,000 to his accountant Douglas Quick, and $2,000 each to Michael, Sarah, and Victoria Sellers. The rest of Peter's estate would proceed to Lynne Frederick.

Thanks to his tax lawyers and accountants, Peter's British estate was virtually worthless. His foreign estate hovered in the neighborhood of $9.6 million. virtually worthless. His foreign estate hovered in the neighborhood of $9.6 million.

On behalf of Michael, Sarah, and Victoria, Spike Milligan appealed personally to Lynne's sense of decency, but since she had none, she had none of Spike's appeal, so Peter's children were forced to contest his will in court, where they eventually lost. Lynne's point was simple: "Why can't they leave his memory alone?"

Six months after Peter's death, Lynne Frederick married David Frost. Then she divorced Frost and married a cardiologist. She got all the money.

"It all went up her nose," Anne Levy once said with uncharacteristic spite, not to mention exaggeration. Anne was referring to the fact that Lynne developed severe addictions to drugs and alcohol and died in 1994 at the age of thirty-nine. Yes, there was a lot of cocaine in the later years of Lynne Frederick. But there was even more money.

Lynne's mother, Iris, found the body. It was taken to the Los Angeles County Morgue, where it became Case Number 94-3840 and was tagged with a note reading, "history of alcohol and seizures."

Then Iris got the money.

Iris Frederick lives in a lovely home in Cheviot Hills, California. She controls all access to Peter Sellers's papers and personal effects, she has trademarked his name, and she is currently developing his property in the Seychelles as a high-end resort.

When Iris dies, Peter Sellers's fortune will all go to a girl named Cassie, the daughter Lynne had with the cardiologist.

Michael Sellers went on to write a book about his father, P.S. I Love You P.S. I Love You. He also coedited Sellers on Sellers Sellers on Sellers, a collection of reminiscences, and Hard Act to Follow Hard Act to Follow, in which he and some other sons and daughters of celebrities chronicle their wholly justified difficulties in being famous people's offspring.

Victoria Sellers turned up in the news in the spring of 1986 when she appeared nude in Playboy Playboy. The glossy magazine spread reveals her recreating famous moments from classic films: a bare-breasted "Ingrid Bergman" in white silk panties and high heels at the end of Casablanca Casablanca (1942); "Elizabeth Taylor" in (1942); "Elizabeth Taylor" in Cleopatra Cleopatra (1960), clad in a snake; and "Sophia Loren" in (1960), clad in a snake; and "Sophia Loren" in Yesterday, Today, and Tomorrow Yesterday, Today, and Tomorrow (1963) with her bush exposed. (1963) with her bush exposed.

Victoria was also indicted that spring for her role in a cocaine-trafficking gang. The ringleader was her agent. Facing twenty years in jail, she agreed to testify for the government and was placed on three years' probation. In the early 1990s, she and her friend and housemate, Heidi Fleiss, found employment as high-priced prostitutes; the so-called "Hollywood madam" scandal broke in 1993. gang. The ringleader was her agent. Facing twenty years in jail, she agreed to testify for the government and was placed on three years' probation. In the early 1990s, she and her friend and housemate, Heidi Fleiss, found employment as high-priced prostitutes; the so-called "Hollywood madam" scandal broke in 1993.

The following year, Victoria was questioned about a series of armed robberies committed by her boyfriend.

Sex Tips with Heidi Fleiss and Victoria Sellers was released on DVD in time for Christmas 2001. was released on DVD in time for Christmas 2001.

Sarah Sellers lives quietly in North London.

Anne Levy lives near her daughter.

After "Bino" Cicogna committed suicide, Britt Ekland continued to live a life of glamour and glory with such short- and long-term mates as Warren Beatty, Rod Stewart, George Hamilton, and the record producer Lou Adler, with whom she had a son.

Liza Minnelli went on to achieve some great performances (New York, New York, 1977, and Arthur Arthur, 1981) and equally well-publicized addictions.

Titi Wachtmeister moved on from Peter Sellers to King Carl Gustaf of Sweden. She returned to the public eye in the late 1980s when she launched a line of expensive T-shirts called "T-T's T's." She died of a brain hemorrhage in 1993.

Sinead Cusack married Jeremy Irons in 1978; the couple has two sons.

In 2000, Sophia Loren wrote a loving tribute to Peter Sellers for a British awards ceremony. She was, she wrote, "amused and permanently entertained by his wit and his vivid intelligence. After him nobody else has reached his level and his originality. I will always remember him with love and endless regrets."

Miranda Quarry is now Lady Nuttall.

Blake Edwards attempted to assume control of The Romance of the Pink Panther The Romance of the Pink Panther after Peter's death and offered the role of Inspector Clouseau to Dudley Moore, who turned it down. after Peter's death and offered the role of Inspector Clouseau to Dudley Moore, who turned it down.

Edwards then compiled a selection of outtakes from previous Pink Panther Pink Panther films, released it as films, released it as The Trail of the Pink Panther The Trail of the Pink Panther (1982), and was promptly sued by Lynne Frederick, who claimed that the film insulted the memory of her dear husband. A British court ordered the various producers of (1982), and was promptly sued by Lynne Frederick, who claimed that the film insulted the memory of her dear husband. A British court ordered the various producers of The Trail of the Pink Panther The Trail of the Pink Panther-Edwards, United Artists, and Lakeline Productions, which was owned by Julie Andrews-to pay $1 million in damages, 3.15 percent of the film's profits, and 1.36 percent of its gross receipts. Productions, which was owned by Julie Andrews-to pay $1 million in damages, 3.15 percent of the film's profits, and 1.36 percent of its gross receipts.

Edwards's more successful films after Peter's death include S.O.B. S.O.B. (1981) and (1981) and Victor/Victoria Victor/Victoria (1982), which he and Julie Andrews later turned into a smash Broadway musical. Edwards has recently rewritten (1982), which he and Julie Andrews later turned into a smash Broadway musical. Edwards has recently rewritten A Shot in the Dark A Shot in the Dark as a Broadway play and as a Broadway play and The Pink Panther The Pink Panther as a Broadway musical. as a Broadway musical.

In Hollywood, a cinematic remake-or postmillennial rethinking-of The Pink Panther The Pink Panther is in development for Mike Myers, who claims that his father used to provide him with comedy lessons that took the form of Mr. Myers waking up young Mike in the middle of the night and making him watch Peter Sellers's films on TV. is in development for Mike Myers, who claims that his father used to provide him with comedy lessons that took the form of Mr. Myers waking up young Mike in the middle of the night and making him watch Peter Sellers's films on TV.

Peter Sellers's roles in Lovesick Lovesick (1983) and (1983) and Unfaithfully Yours Unfaithfully Yours (1984) were taken by Dudley Moore. The rest of Peter's projects died with him. (1984) were taken by Dudley Moore. The rest of Peter's projects died with him.

David Lodge, Kenneth Griffith, and Graham Stark live in or around London. Roman Polanski lives in exile in Paris. Terry Southern died in 1995, Stanley Kubrick in 1999. Hal Ashby died in 1988. Michael Bentine died in 1996. Sir Harry Secombe and George Harrison died in 2001.

Spike Milligan died in February 2002.

New York March 2002

FILMOGRAPHY.

Penny Points to Paradise (1951). Harry Secombe (Harry Flakers), Alfred Marks (Edward Haynes), Peter Sellers (The Major, Arnold Fringe), Spike Milligan (Spike Donnelly), Paddy O'Neil (Christine Russell). Director: Tony Young; screenwriter: John Ormonde. Advance and Adelphi Films, 77 minutes. (1951). Harry Secombe (Harry Flakers), Alfred Marks (Edward Haynes), Peter Sellers (The Major, Arnold Fringe), Spike Milligan (Spike Donnelly), Paddy O'Neil (Christine Russell). Director: Tony Young; screenwriter: John Ormonde. Advance and Adelphi Films, 77 minutes.

Let's Go Crazy (1951). Peter Sellers (Groucho, Giuseppe, Crystal Jollibottom, Cedric, and Izzy Gozunk), with Manley and Austin, Keith Warwick, Jean Cavall, Pat Kaye and Betty Ankers, Maxim & Johnson, and Freddie Mirfield and his Garbage Men. Director: Alan Cullimore. Adelphi Films, 33 minutes. (1951). Peter Sellers (Groucho, Giuseppe, Crystal Jollibottom, Cedric, and Izzy Gozunk), with Manley and Austin, Keith Warwick, Jean Cavall, Pat Kaye and Betty Ankers, Maxim & Johnson, and Freddie Mirfield and his Garbage Men. Director: Alan Cullimore. Adelphi Films, 33 minutes.

Down Among the Z Men (1952). Harry Secombe (Harry Jones), Carole Carr (Carole Gayley), Peter Sellers (Colonel Bloodnok), Michael Bentine (Prof. Osric Pureheart), Spike Milligan (Private Eccles). Director: Maclean Rogers; screenwriters: Jimmy Grafton and Francis Charles; producer: E. J. Fancey; director of photography: Geoffrey Faithfull. E. J. Fancey Productions, 82 minutes. (1952). Harry Secombe (Harry Jones), Carole Carr (Carole Gayley), Peter Sellers (Colonel Bloodnok), Michael Bentine (Prof. Osric Pureheart), Spike Milligan (Private Eccles). Director: Maclean Rogers; screenwriters: Jimmy Grafton and Francis Charles; producer: E. J. Fancey; director of photography: Geoffrey Faithfull. E. J. Fancey Productions, 82 minutes.

The Super Secret Service (1953). Peter Sellers, Graham Stark, Dick Emery, Bryan Johnson, Raymond Francis, Anne Hayes, Dickie Martyn, Frank Hawkins, and the Ray Ellington Quartet. Director: Charles W. Green; screenwriters: Spike Milligan and Larry Stephens; producer: John H. Robertson. New Realm, 24 minutes. (1953). Peter Sellers, Graham Stark, Dick Emery, Bryan Johnson, Raymond Francis, Anne Hayes, Dickie Martyn, Frank Hawkins, and the Ray Ellington Quartet. Director: Charles W. Green; screenwriters: Spike Milligan and Larry Stephens; producer: John H. Robertson. New Realm, 24 minutes.

Beat the Devil (1953). Humphrey Bogart (Billy Dannreuther), Jennifer Jones (Gwendolen Chelm), Gina Lollobrigida (Maria Dannreuther), Robert Morley (Petersen), Peter Lorre (O'Hara), Peter Sellers (uncredited voices, including that of Humphrey Bogart). Director: John Huston; screenwriters: Truman Capote and John Huston; director of photography: Oswald Morris; producer: John Huston. Romulus/United Artists, 100 minutes. (1953). Humphrey Bogart (Billy Dannreuther), Jennifer Jones (Gwendolen Chelm), Gina Lollobrigida (Maria Dannreuther), Robert Morley (Petersen), Peter Lorre (O'Hara), Peter Sellers (uncredited voices, including that of Humphrey Bogart). Director: John Huston; screenwriters: Truman Capote and John Huston; director of photography: Oswald Morris; producer: John Huston. Romulus/United Artists, 100 minutes.

Orders Are Orders (1954). Margot Grahame (Wanda Sinclair), Maureen Swanson (Joanne Delamere), Brian Reece (Captain Harper), Raymond Huntley (Colonel Bellamy), Sid James (Ed Waggermeyer), Tony Hancock (Lt. Wilfred Cartroad), Peter Sellers (Private Goffin), Eric Sykes (Private Waterhouse), Donald Pleasence (Corporal Martin). Director: David Paltenghi; screenwriters: Geoffrey Orme and Eric Sykes, based on the play by Ian Hay and Anthony Armstrong; (1954). Margot Grahame (Wanda Sinclair), Maureen Swanson (Joanne Delamere), Brian Reece (Captain Harper), Raymond Huntley (Colonel Bellamy), Sid James (Ed Waggermeyer), Tony Hancock (Lt. Wilfred Cartroad), Peter Sellers (Private Goffin), Eric Sykes (Private Waterhouse), Donald Pleasence (Corporal Martin). Director: David Paltenghi; screenwriters: Geoffrey Orme and Eric Sykes, based on the play by Ian Hay and Anthony Armstrong; producer: Donald Taylor; director of photography: Arthur Grant. Group 3/British Lion, 78 minutes. producer: Donald Taylor; director of photography: Arthur Grant. Group 3/British Lion, 78 minutes.

Our Girl Friday (1954). Joan Collins (Sadie Patch), George Cole (Jimmy Carroll), Kenneth More (Pat Plunkett), Robertson Hare (Professor Gibble), Hermione Gingold (spinster), Peter Sellers (voice of cockatoo, uncredited). Director: Noel Langley; screenwriter: Noel Langley; producers: George Minter and Noel Langley. Renown Pictures, 87 minutes. Released in Britain as (1954). Joan Collins (Sadie Patch), George Cole (Jimmy Carroll), Kenneth More (Pat Plunkett), Robertson Hare (Professor Gibble), Hermione Gingold (spinster), Peter Sellers (voice of cockatoo, uncredited). Director: Noel Langley; screenwriter: Noel Langley; producers: George Minter and Noel Langley. Renown Pictures, 87 minutes. Released in Britain as The Adventures of Sadie The Adventures of Sadie.

Malaga (1954). Maureen O'Hara (Joanna Dane), Macdonald Carey (Van Logan), Binnie Barnes (Frisco), Guy Middleton (Soames Howard), and Peter Sellers (multiple voices, uncredited). Director: Richard Sale; screenwriter: Robert Westerby; director of photography: Christopher Challis; producers: Colin Lesslie and Mike Frankovich. Columbia Pictures, 84 minutes. Released in the U.S. as (1954). Maureen O'Hara (Joanna Dane), Macdonald Carey (Van Logan), Binnie Barnes (Frisco), Guy Middleton (Soames Howard), and Peter Sellers (multiple voices, uncredited). Director: Richard Sale; screenwriter: Robert Westerby; director of photography: Christopher Challis; producers: Colin Lesslie and Mike Frankovich. Columbia Pictures, 84 minutes. Released in the U.S. as Fire Over Africa Fire Over Africa.

John and Julie (1955). Colin Gibson (John), Lesley Dudley (Julie), Noelle Middleton (Miss Stokes), Moira Lister (Dora), Wilfrid Hyde-White (Sir James), Sidney James (Mr. Pritchett), Megs Jenkins (Mrs. Pritchett), Constance Cummings (Mrs. Davidson), Peter Sellers (Police Constable Diamond). Director: William Fairchild; screenwriter: William Fairchild; director of photography: Arthur Grant; producer, Herbert Mason. British Lion, 82 minutes. (1955). Colin Gibson (John), Lesley Dudley (Julie), Noelle Middleton (Miss Stokes), Moira Lister (Dora), Wilfrid Hyde-White (Sir James), Sidney James (Mr. Pritchett), Megs Jenkins (Mrs. Pritchett), Constance Cummings (Mrs. Davidson), Peter Sellers (Police Constable Diamond). Director: William Fairchild; screenwriter: William Fairchild; director of photography: Arthur Grant; producer, Herbert Mason. British Lion, 82 minutes.

The Ladykillers (1955). Katie Johnson (Mrs. Wilberforce), Alec Guinness (Professor Marcus), Cecil Parker (Major Courtney), Herbert Lom (Louis), Peter Sellers (Harry), Danny Green (One-Round), Jack Warner (police superintendent). Director: Alexander Mackendrick; screenwriter: William Rose; cinematography: Otto Heller; producer: Michael Balcon; associate producer, Seth Holt. Ealing Studios, 97 minutes. (1955). Katie Johnson (Mrs. Wilberforce), Alec Guinness (Professor Marcus), Cecil Parker (Major Courtney), Herbert Lom (Louis), Peter Sellers (Harry), Danny Green (One-Round), Jack Warner (police superintendent). Director: Alexander Mackendrick; screenwriter: William Rose; cinematography: Otto Heller; producer: Michael Balcon; associate producer, Seth Holt. Ealing Studios, 97 minutes.

The Case of the Mukkinese Battle Horn (1956). Peter Sellers (Quilt, Sir Jervis Fruit, Henry Crun), Spike Milligan (Brown, White, Minnie, Catchpole Burkington), and Dick Emery (Watchman, Nodule, Such, Ponk), with Pamela Thomas, Wally Thomas, Bill Hepper, and Gordon Phillott. Director: Joseph Sterling; screenwriters: Harry Booth, Jon Penington, and Larry Stephens, from a story by Larry Stephens, with additional material by Spike Milligan and Peter Sellers; director of photography: Gerald Gibbs; producers: Jon Pennington, Harry Booth, and Michael Deeley. Marlborough Pictures, 27 minutes. (1956). Peter Sellers (Quilt, Sir Jervis Fruit, Henry Crun), Spike Milligan (Brown, White, Minnie, Catchpole Burkington), and Dick Emery (Watchman, Nodule, Such, Ponk), with Pamela Thomas, Wally Thomas, Bill Hepper, and Gordon Phillott. Director: Joseph Sterling; screenwriters: Harry Booth, Jon Penington, and Larry Stephens, from a story by Larry Stephens, with additional material by Spike Milligan and Peter Sellers; director of photography: Gerald Gibbs; producers: Jon Pennington, Harry Booth, and Michael Deeley. Marlborough Pictures, 27 minutes.

The Man Who Never Was (1956). Clifton Webb (Lt. Comm. Ewen Montagu), Gloria Grahame (Lucy Sherwood), Peter Sellers (voice of Winston Churchill, uncredited). Director: Ronald Neame; screenwriter: Nigel Balchin, based on the book by Ewen Montagu; director of photography: Oswald Morris; producer: Andre Hakim. Twentieth Century-Fox/Sumar Film, 103 minutes. (1956). Clifton Webb (Lt. Comm. Ewen Montagu), Gloria Grahame (Lucy Sherwood), Peter Sellers (voice of Winston Churchill, uncredited). Director: Ronald Neame; screenwriter: Nigel Balchin, based on the book by Ewen Montagu; director of photography: Oswald Morris; producer: Andre Hakim. Twentieth Century-Fox/Sumar Film, 103 minutes.

Dearth of a Salesman (1957). Peter Sellers (Hector Dimwittie). Director: Leslie Arliss. A.B.-Pathe, 28 minutes. (1957). Peter Sellers (Hector Dimwittie). Director: Leslie Arliss. A.B.-Pathe, 28 minutes.

Insomnia Is Good for You (1957). Peter Sellers (Hector Dimwittie). Director: Leslie Arliss; screenwriters: Lewis Greifer, Mordecai Richler; director of photography: J. Burgoyne-Johnson. A.B.-Pathe, 26 minutes. (1957). Peter Sellers (Hector Dimwittie). Director: Leslie Arliss; screenwriters: Lewis Greifer, Mordecai Richler; director of photography: J. Burgoyne-Johnson. A.B.-Pathe, 26 minutes.

The Smallest Show on Earth (1957). Virginia McKenna (Jean), Bill Travers (Matt), Margaret Rutherford (Mrs. Fazackalee), Peter Sellers (Percy Quill), Bernard Miles (Old Tom), Francis De Wolff (Hardcastle). Director: Basil Dearden; screenwriter: John Eldridge and William Rose; director of photography: Douglas Slocombe; producers: Sidney Gilliat, Frank Launder, and Michael Relph. British Lion/Continental, 81 minutes. Originally released in the U.S. as (1957). Virginia McKenna (Jean), Bill Travers (Matt), Margaret Rutherford (Mrs. Fazackalee), Peter Sellers (Percy Quill), Bernard Miles (Old Tom), Francis De Wolff (Hardcastle). Director: Basil Dearden; screenwriter: John Eldridge and William Rose; director of photography: Douglas Slocombe; producers: Sidney Gilliat, Frank Launder, and Michael Relph. British Lion/Continental, 81 minutes. Originally released in the U.S. as Big Time Operators Big Time Operators.

The Naked Truth (1957). Terry-Thomas (Lord Henry Mayley), Peter Sellers (Sonny MacGregor), Peggy Mount (Flora Ransom), Shirley Eaton (Melissa Right), Dennis Price (Nigel Dennis), Georgina Cookson (Lady Lucy Mayley), Kenneth Griffith (Porter), David Lodge (Constable Johnson). Director: Mario Zampi; screenwriter: Michael Pertwee; director of photography: Stanley Pavey; producer: Mario Zampi. British Film/Rank Organisation, 91 minutes. Originally released in the U.S. as (1957). Terry-Thomas (Lord Henry Mayley), Peter Sellers (Sonny MacGregor), Peggy Mount (Flora Ransom), Shirley Eaton (Melissa Right), Dennis Price (Nigel Dennis), Georgina Cookson (Lady Lucy Mayley), Kenneth Griffith (Porter), David Lodge (Constable Johnson). Director: Mario Zampi; screenwriter: Michael Pertwee; director of photography: Stanley Pavey; producer: Mario Zampi. British Film/Rank Organisation, 91 minutes. Originally released in the U.S. as Your Past Is Showing Your Past Is Showing.

Up the Creek (1958). David Tomlinson (Lieutenant Fairweather), Peter Sellers (Chief Petty Officer Doherty), Wilfrid Hyde-White (Admiral Foley), Lionel Jeffries (Steady Barker), Lionel Murton (Perkins), Sam Kydd (Bates), John Warren (Cooky), Liliane Sottane (Susanne), and David Lodge (Scouse). Director: Val Guest; screenwiters: Val Guest, John Warren, and Len Heath; director of photography: Arthur Grant; producer: Henry Halsted. Byron/Exclusive, 83 minutes. (1958). David Tomlinson (Lieutenant Fairweather), Peter Sellers (Chief Petty Officer Doherty), Wilfrid Hyde-White (Admiral Foley), Lionel Jeffries (Steady Barker), Lionel Murton (Perkins), Sam Kydd (Bates), John Warren (Cooky), Liliane Sottane (Susanne), and David Lodge (Scouse). Director: Val Guest; screenwiters: Val Guest, John Warren, and Len Heath; director of photography: Arthur Grant; producer: Henry Halsted. Byron/Exclusive, 83 minutes.

tom thumb (1958). Russ Tamblyn (Tom Thumb), Alan Young (Woody), June Thorburn (Forest Queen), Terry-Thomas (Ivan), Peter Sellers (Tony), Bernard Miles (Father), Jessie Matthews (Mother), Peter Bull (the town crier), and the Puppetoons. Director: George Pal; screenwriter: Ladislas Fodor, based on the story by the Brothers Grimm; director of photography: Georges Perinal; producer: George Pal. Galaxy Pictures/MGM, 98 minutes. (1958). Russ Tamblyn (Tom Thumb), Alan Young (Woody), June Thorburn (Forest Queen), Terry-Thomas (Ivan), Peter Sellers (Tony), Bernard Miles (Father), Jessie Matthews (Mother), Peter Bull (the town crier), and the Puppetoons. Director: George Pal; screenwriter: Ladislas Fodor, based on the story by the Brothers Grimm; director of photography: Georges Perinal; producer: George Pal. Galaxy Pictures/MGM, 98 minutes.

Carlton-Browne of the F.O. (1959). Terry-Thomas (Cadogan deVere Carlton-Browne), Peter Sellers (Amphibulos), Luciana Paluzzi (Princess Ilyena), Ian Bannen (young king), Thorley Walters (Colonel Bellingham), Miles Malleson (resident advisor), Raymond Huntley (foreign secretary), John Le Mesurier (Grand Duke Alexis), and Irene Handl (Mrs. Carter). Directors: Jeffrey Dell and Roy Boulting; screenwriters: Jeffrey Dell and Roy Boulting; director of photography: Max Greene; producer: John Boulting. British Lion/Charter Films, 88 minutes. Released in the U.S. as (1959). Terry-Thomas (Cadogan deVere Carlton-Browne), Peter Sellers (Amphibulos), Luciana Paluzzi (Princess Ilyena), Ian Bannen (young king), Thorley Walters (Colonel Bellingham), Miles Malleson (resident advisor), Raymond Huntley (foreign secretary), John Le Mesurier (Grand Duke Alexis), and Irene Handl (Mrs. Carter). Directors: Jeffrey Dell and Roy Boulting; screenwriters: Jeffrey Dell and Roy Boulting; director of photography: Max Greene; producer: John Boulting. British Lion/Charter Films, 88 minutes. Released in the U.S. as Man in a Cocked Hat Man in a Cocked Hat.

The Running Jumping & Standing Still Film (1959). Peter Sellers (photographer), Dick Lester (painter), Spike Milligan (record player, etc.), and Graham (1959). Peter Sellers (photographer), Dick Lester (painter), Spike Milligan (record player, etc.), and Graham Stark (kite master), with Audrey Stark, Mario Fabrizi, Leo McKern, and David Lodge. Director: Dick Lester; "Thoughts by Spike Milligan, Peter Sellers, Mario Fabrizi, and Dick Lester; devised by Peter Sellers." 11 minutes. Stark (kite master), with Audrey Stark, Mario Fabrizi, Leo McKern, and David Lodge. Director: Dick Lester; "Thoughts by Spike Milligan, Peter Sellers, Mario Fabrizi, and Dick Lester; devised by Peter Sellers." 11 minutes.

The Mouse That Roared (1959). Peter Sellers (Tully Bascombe, Grand Duchess Gloriana XII, and the Prime Minister, Count Mountjoy), Jean Seberg (Helen Kokintz), William Hartnell (Will), David Kossoff (Professor Kokintz), Austin Willis (U.S. Secretary of Defense), Leo McKern (Benter), and Jacques Cey (ticket collector). Director: Jack Arnold; screenwriters: Roger MacDougall and Stanley Mann, based on the novel by Leonard Wibberley; director of photography: John Wilcox; producer: Walter Shenson. Highroad/Columbia Pictures, 83 minutes. (1959). Peter Sellers (Tully Bascombe, Grand Duchess Gloriana XII, and the Prime Minister, Count Mountjoy), Jean Seberg (Helen Kokintz), William Hartnell (Will), David Kossoff (Professor Kokintz), Austin Willis (U.S. Secretary of Defense), Leo McKern (Benter), and Jacques Cey (ticket collector). Director: Jack Arnold; screenwriters: Roger MacDougall and Stanley Mann, based on the novel by Leonard Wibberley; director of photography: John Wilcox; producer: Walter Shenson. Highroad/Columbia Pictures, 83 minutes.

I'm All Right, Jack (1959). Ian Carmichael (Stanley Windrush), Terry-Thomas (Major Hitchcock), Peter Sellers (Fred Kite, Sir John Kennaway), Richard Attenborough (Sidney De Vere Cox), Margaret Rutherford (Aunt Dolly), Dennis Price (Bertram Tracepurcel), Irene Handl (Mrs. Kite), Miles Malleson (Windrush, Sr.), Liz Fraser (Cynthia Kite), Marne Maitland (Mr. Mohammed), John Le Mesurier (Waters), Raymond Huntley (Magistrate), Victor Maddern (Knowles), Kenneth Griffith (Dai), David Lodge (card player), and Malcolm Muggeridge (himself). Director: John Boulting; screenwriters: John Boulting, Frank Harvey, and Alan Hackney, based on a novel by Alan Hackney; director of photography: Mutz Greenbaum; producer: Roy Boulting. British Lion, 101 minutes. (1959). Ian Carmichael (Stanley Windrush), Terry-Thomas (Major Hitchcock), Peter Sellers (Fred Kite, Sir John Kennaway), Richard Attenborough (Sidney De Vere Cox), Margaret Rutherford (Aunt Dolly), Dennis Price (Bertram Tracepurcel), Irene Handl (Mrs. Kite), Miles Malleson (Windrush, Sr.), Liz Fraser (Cynthia Kite), Marne Maitland (Mr. Mohammed), John Le Mesurier (Waters), Raymond Huntley (Magistrate), Victor Maddern (Knowles), Kenneth Griffith (Dai), David Lodge (card player), and Malcolm Muggeridge (himself). Director: John Boulting; screenwriters: John Boulting, Frank Harvey, and Alan Hackney, based on a novel by Alan Hackney; director of photography: Mutz Greenbaum; producer: Roy Boulting. British Lion, 101 minutes.

The Battle of the Sexes (1959). Peter Sellers (Mr. Martin), Robert Morley (Robert MacPherson), Constance Cummings (Angela Barrows), Jameson Clark (Andrew Darling), Ernest Thesiger (Old MacPherson), Donald Pleasence (Irwin Hoffman), and Moultrie Kelsall (Graham). Director: Charles Chrichton; screenwriter: Monja Danischewsky, based on "The Catbird Seat" by James Thurber; director of photography: Freddie Francis; producer: Monja Danischewsky. Bryanston / Continental / British Lion, 84 minutes. (1959). Peter Sellers (Mr. Martin), Robert Morley (Robert MacPherson), Constance Cummings (Angela Barrows), Jameson Clark (Andrew Darling), Ernest Thesiger (Old MacPherson), Donald Pleasence (Irwin Hoffman), and Moultrie Kelsall (Graham). Director: Charles Chrichton; screenwriter: Monja Danischewsky, based on "The Catbird Seat" by James Thurber; director of photography: Freddie Francis; producer: Monja Danischewsky. Bryanston / Continental / British Lion, 84 minutes.

Never Let Go (1960). Richard Todd (John Cummings), Peter Sellers (Lionel Meadows), Elizabeth Sellars (Ann Cummings), Adam Faith (Tommy Towers), Carol White (Jackie), Noel Willman (Inspector Thomas), and David Lodge (Cliff). Director: John Guillermin; screenwriter: Alun Falconer, from a story by John Guillermin and Peter de Sarigny; director of photography: Christopher Challis; producer: Peter de Sarigny. Independent Artists/Rank, 90 minutes. (1960). Richard Todd (John Cummings), Peter Sellers (Lionel Meadows), Elizabeth Sellars (Ann Cummings), Adam Faith (Tommy Towers), Carol White (Jackie), Noel Willman (Inspector Thomas), and David Lodge (Cliff). Director: John Guillermin; screenwriter: Alun Falconer, from a story by John Guillermin and Peter de Sarigny; director of photography: Christopher Challis; producer: Peter de Sarigny. Independent Artists/Rank, 90 minutes.

Two-Way Stretch (1960). Peter Sellers (Dodger Lane), David Lodge (Jelly Knight), Bernard Cribbins (Lennie Price), Wilfrid Hyde-White (Soapy Stevens), Maurice Denham (the governor), Lionel Jeffries (Crout), Irene Handl (Mrs. Price), Liz Fraser (Ethel), Beryl Reid (Miss Pringle), Mario Fabrizi (Jones). Director: Robert Day; screenwriters: John Warren and Len Heath, with (1960). Peter Sellers (Dodger Lane), David Lodge (Jelly Knight), Bernard Cribbins (Lennie Price), Wilfrid Hyde-White (Soapy Stevens), Maurice Denham (the governor), Lionel Jeffries (Crout), Irene Handl (Mrs. Price), Liz Fraser (Ethel), Beryl Reid (Miss Pringle), Mario Fabrizi (Jones). Director: Robert Day; screenwriters: John Warren and Len Heath, with additional dialogue by Alan Hackney; director of photography: Geoffrey Faithfull; producer: M. Smedley Aston. British Lion, 84 minutes. additional dialogue by Alan Hackney; director of photography: Geoffrey Faithfull; producer: M. Smedley Aston. British Lion, 84 minutes.

The Millionairess (1960). Sophia Loren (Epifania), Peter Sellers (Dr. Kabir), Alastair Sim (Sagamore), Vittorio De Sica (Joe), Dennis Price (Adrian), Gary Raymond (Alastair), Alfie Bass (fish curer), Miriam Karlin (Mrs. Joe), and Graham Stark (butler). Director: Anthony Asquith; screenwriter: Wolf Mankowitz, based on Riccardo Aragno's adaptation of George Bernard Shaw's play; director of photography: Jack Hildyard; producers: Dimitri de Grunwald and Pierre Rouve. Twentieth Century-Fox, 90 minutes. (1960). Sophia Loren (Epifania), Peter Sellers (Dr. Kabir), Alastair Sim (Sagamore), Vittorio De Sica (Joe), Dennis Price (Adrian), Gary Raymond (Alastair), Alfie Bass (fish curer), Miriam Karlin (Mrs. Joe), and Graham Stark (butler). Director: Anthony Asquith; screenwriter: Wolf Mankowitz, based on Riccardo Aragno's adaptation of George Bernard Shaw's play; director of photography: Jack Hildyard; producers: Dimitri de Grunwald and Pierre Rouve. Twentieth Century-Fox, 90 minutes.

Mr. Topaze (1961). Peter Sellers (Auguste Topaze), Herbert Lom (Castel Benac), Nadia Gray (Suzy), Leo McKern (Muche), Marita Hunt (baroness), John Neville (Roger), Billie Whitelaw (Ernestine), and Michael Sellers (Gaston). Director: Peter Sellers; screenwriter: Pierre Rouve, based on the play (1961). Peter Sellers (Auguste Topaze), Herbert Lom (Castel Benac), Nadia Gray (Suzy), Leo McKern (Muche), Marita Hunt (baroness), John Neville (Roger), Billie Whitelaw (Ernestine), and Michael Sellers (Gaston). Director: Peter Sellers; screenwriter: Pierre Rouve, based on the play Topaze Topaze by Marcel Pagnol; director of photography: John Wilcox; producers: Dimitri de Grunwald and Pierre Rouve. Twentieth Century-Fox, 97 minutes. Released in the U.S. as by Marcel Pagnol; director of photography: John Wilcox; producers: Dimitri de Grunwald and Pierre Rouve. Twentieth Century-Fox, 97 minutes. Released in the U.S. as I Like Money I Like Money.

Only Two Can Play (1962). Peter Sellers (John Lewis), Mai Zetterling (Elizabeth Gruffydd Williams), Virginia Maskell (Jean), Kenneth Griffith (Jenkins), Richard Attenborough (Probert), Raymond Huntley (Vernon Gruffydd Williams), Maudie Edwards (Mrs. Davies), John Le Mesurier (Salter), and Graham Stark (Hyman). Director: Sidney Gilliat; screenwriter: Bryan Forbes, based on Kingsley Amis's novel (1962). Peter Sellers (John Lewis), Mai Zetterling (Elizabeth Gruffydd Williams), Virginia Maskell (Jean), Kenneth Griffith (Jenkins), Richard Attenborough (Probert), Raymond Huntley (Vernon Gruffydd Williams), Maudie Edwards (Mrs. Davies), John Le Mesurier (Salter), and Graham Stark (Hyman). Director: Sidney Gilliat; screenwriter: Bryan Forbes, based on Kingsley Amis's novel That Uncertain Feeling That Uncertain Feeling; director of photography: John Wilcox; producer: Leslie Gilliat. British Lion/Vale/Kingsley/Columbia, 106 minutes.

The Road to Hong Kong (1962). Bing Crosby (Harry Turner), Bob Hope (Chester Babcock), Joan Collins (Diane), Robert Morley (spy leader), Dorothy Lamour (herself), and Peter Sellers (Indian neurologist, uncredited). Director: Norman Panama; screenwriters: Norman Panama and Melvin Frank; director of photography: Jack Hildyard; producer: Melvin Frank. Melnor Films/United Artists, 92 minutes. (1962). Bing Crosby (Harry Turner), Bob Hope (Chester Babcock), Joan Collins (Diane), Robert Morley (spy leader), Dorothy Lamour (herself), and Peter Sellers (Indian neurologist, uncredited). Director: Norman Panama; screenwriters: Norman Panama and Melvin Frank; director of photography: Jack Hildyard; producer: Melvin Frank. Melnor Films/United Artists, 92 minutes.

Lolita (1962). James Mason (Humbert Humbert), Shelley Winters (Charlotte Haze), Peter Sellers (Claire Quilty), Sue Lyon (Lolita), Gary Cockrell (Richard Schiller), Jerry Stovin (John Farlow), Diana Decker (Jean Farlow), and Marianne Stone (Vivian Darkbloom). Director: Stanley Kubrick; screenwriters: Vladimir Nabokov, based on his novel, and James B. Harris (uncredited); director of photography: Oswald Morris; producer: James B. Harris. Seven Arts/MGM, 152 minutes. (1962). James Mason (Humbert Humbert), Shelley Winters (Charlotte Haze), Peter Sellers (Claire Quilty), Sue Lyon (Lolita), Gary Cockrell (Richard Schiller), Jerry Stovin (John Farlow), Diana Decker (Jean Farlow), and Marianne Stone (Vivian Darkbloom). Director: Stanley Kubrick; screenwriters: Vladimir Nabokov, based on his novel, and James B. Harris (uncredited); director of photography: Oswald Morris; producer: James B. Harris. Seven Arts/MGM, 152 minutes.

Waltz of the Toreadors (1962). Peter Sellers (Gen. Leo Fitzjohn), Dany Robin (Ghislaine), Margaret Leighton (Emily Fitzjohn), John Fraser (Lt. Robert Finch), Cyril Cusack (Dr. Grogan), Prunella Scales (Estella Fitzjohn), Denise Coffey (Sidonia), Raymond Huntley (Ackroyd), John Le Mesurier (Rev. (1962). Peter Sellers (Gen. Leo Fitzjohn), Dany Robin (Ghislaine), Margaret Leighton (Emily Fitzjohn), John Fraser (Lt. Robert Finch), Cyril Cusack (Dr. Grogan), Prunella Scales (Estella Fitzjohn), Denise Coffey (Sidonia), Raymond Huntley (Ackroyd), John Le Mesurier (Rev. Grimsley). Director: John Guillermin; screenwriter: Wolf Mankowitz, based on the play by Jean Anouilh; director of photography: John Wilcox; producer: Peter de Sarigny. Rank Organization, 104 minutes. Released in the U.K. as Grimsley). Director: John Guillermin; screenwriter: Wolf Mankowitz, based on the play by Jean Anouilh; director of photography: John Wilcox; producer: Peter de Sarigny. Rank Organization, 104 minutes. Released in the U.K. as The Amorous General The Amorous General.

The Wrong Arm of the Law (1962). Peter Sellers (Pearly Gates), Lionel Jeffries (Inspector Parker), Bernard Cribbins (Nervous O'Toole), Davy Kaye (Trainer King), Nanette Newman (Valerie), Bill Kerr (Jack Coombes), Ed Devereaux (Bluey May), Reg Lye (Reg Denton), John Le Mesurier (assistant commissioner), Graham Stark (Sid Cooper), Michael Caine (uncredited), and Mario Fabrizi (uncredited). Director: Cliff Owen; screenwriters: Len Heath and John Warren, with additional dialogue by John Antrobus, Ray Galton, and Alan Simpson, from a story by Ivor Jay and William Whistance Smith; director of photography: Ernest Steward; producers: Aubrey Baring, Cecil F. Ford, E. M. Smedley-Aston, and Robert Velaise. Romulus/British Lion/Continental, 94 minutes. (1962). Peter Sellers (Pearly Gates), Lionel Jeffries (Inspector Parker), Bernard Cribbins (Nervous O'Toole), Davy Kaye (Trainer King), Nanette Newman (Valerie), Bill Kerr (Jack Coombes), Ed Devereaux (Bluey May), Reg Lye (Reg Denton), John Le Mesurier (assistant commissioner), Graham Stark (Sid Cooper), Michael Caine (uncredited), and Mario Fabrizi (uncredited). Director: Cliff Owen; screenwriters: Len Heath and John Warren, with additional dialogue by John Antrobus, Ray Galton, and Alan Simpson, from a story by Ivor Jay and William Whistance Smith; director of photography: Ernest Steward; producers: Aubrey Baring, Cecil F. Ford, E. M. Smedley-Aston, and Robert Velaise. Romulus/British Lion/Continental, 94 minutes.

The Dock Brief (1962). Peter Sellers (Wilfred Morgenhall), Richard Attenborough (Herbert Fowle), Beryl Reid (Doris Fowle), David Lodge (Frank Bateson), Frank Pettingell (Tuppy Morgan), Audrey Nicholson (young Morgenhall's girlfriend), Tristram Jellinek (Mr. Perkins), Eric Woodburn (Judge Banter). Director: James Hill; screenwriter: Pierre Rouve, based on the play by John Mortimer; cinematography: Edward Scaife; producer: Dimitri De Grunwald. MGM, 78 minutes. Released in the U.S. as (1962). Peter Sellers (Wilfred Morgenhall), Richard Attenborough (Herbert Fowle), Beryl Reid (Doris Fowle), David Lodge (Frank Bateson), Frank Pettingell (Tuppy Morgan), Audrey Nicholson (young Morgenhall's girlfriend), Tristram Jellinek (Mr. Perkins), Eric Woodburn (Judge Banter). Director: James Hill; screenwriter: Pierre Rouve, based on the play by John Mortimer; cinematography: Edward Scaife; producer: Dimitri De Grunwald. MGM, 78 minutes. Released in the U.S. as Trial and Error Trial and Error.

Heavens Above! (1963). Peter Sellers (The Rev. John Smallwood), Cecil Parker (Archdeacon Aspinall), Isabel Jeans (Lady Despard), Ian Carmichael (the other Smallwood), Bernard Miles (Simpson), Brock Peters (Matthew Robinson), Eric Sykes (Harry Smith), Irene Handl (Rene Smith), Kenneth Griffith (Rev. Owen Smith), and Geoffrey Hibbert (council official). Directors: John Boulting and Roy Boulting; screenwriters: John Boulting and Frank Harvey; cinematography: Mutz Greenbaum; producers: John Boulting and Roy Boulting. Charter Films, 105 minutes. (1963). Peter Sellers (The Rev. John Smallwood), Cecil Parker (Archdeacon Aspinall), Isabel Jeans (Lady Despard), Ian Carmichael (the other Smallwood), Bernard Miles (Simpson), Brock Peters (Matthew Robinson), Eric Sykes (Harry Smith), Irene Handl (Rene Smith), Kenneth Griffith (Rev. Owen Smith), and Geoffrey Hibbert (council official). Directors: John Boulting and Roy Boulting; screenwriters: John Boulting and Frank Harvey; cinematography: Mutz Greenbaum; producers: John Boulting and Roy Boulting. Charter Films, 105 minutes.