"We're hoping you might tell us whether my friend was here last night," I say, putting on the sweet, polite voice I use to get grown-ups to do what I want.

"Young lady, do you have any bloody idea how many people were here last night? It was a full house." Felix directs his attention back to his book.

I turn away from the ticket booth and let out a long sigh. It doesn't look like we're going to get anywhere.

"A full house?" Jason asks, undeterred by the lack of information. "Now, Felix, how many people is that?"

Felix jabs a finger to the wrinkled, weathered sign that reads MAXIMUM CAPACITY: 1500 in the corner of his tiny ticket booth. "Last night we was chock-full of schoolkids, so there's no way I could tell yer if your lad was here."

"Schoolkids?" Jason presses his nose against the window, straining to see the papers on Felix's desk.

Felix slams his book down onto the counter and whips off his glasses. I can tell he was hoping this conversation would be over by now.

Felix leans in close to the glass. It almost looks like he and Jason might bump noses. "Yes, young man. A whole gaggle 'a kids from St. Bonaventure's Academy. Some kind of class assignment or some rubbish."

My ears perk up at the mention of a class trip. There were definitely some prep school boys at the party. I can picture the little gold crests on their blazers. Chris could have been one of them!

"Excuse me, um, sir?" I say, putting my grown-up voice back on and bumping Jason out of the way with my hip. "Could you possibly point me toward St. Bonaventure's?"

"Get the phone number," Jason whispers behind me. "Get the phone number!"

"Okay!" I snap, giving him a jab with my elbow. "And, um, maybe you have the phone number? That would be great, too. I promise, after that, we'll leave you to your book."

Felix looks at me with eyes narrowed, like he doesn't quite believe we'll ever leave him alone. His gaze settles on Jason, and he smartly realizes that Jason is a professional when it comes to being annoying. Seconds later, he's pulled up the phone number.

"Gimme a pen," Jason says, fishing unsuccessfully in his pockets for one. What comes out instead is a handful of change, some pieces of lint, and half a pack of gum.

I reach into my bag, pull out my pencil case, and offer Jason one of my fully sharpened number twos.

"Who carries pencils?" he asks, looking at it like I've offered him a quill and scroll.

"I do," I reply, my mouth set in a straight line. I want the phone number, and I don't want any guff with it. I haven't carried pens around since ninth grade, when, while cutting through the gym en route to the library, I found myself in the middle of a full-contact game of dodgeball. The next thing I knew, I was on my butt, the pen in my back pocket spilling dark red ink all over the back of my white linen pants. Evie went around telling everyone I got my period, and convinced a few boys-including Jason-to deliver tampons to my locker. I've been Team Pencil ever since.

"Do you want it or not?" I ask. I hold it out to Jason point-side first, visions of jamming it right into his eyeball bouncing through my head.

"Yes please, Miss Lichtenstein, ma'am," he says, doing some kind of ridiculous bow to me (his left eye coming perilously close to the sharpened point, I might add). He snatches the pencil from my hand, along with the mini spiral notebook I also keep tucked in my purse. He leans over, the pad perched on his knee, and starts to jot down the phone number. He barely gets the first number down before I hear the telltale snap. He picks up the pencil and stares wide-eyed at the now-empty tip.

"It broke!" he says.

"You pressed too hard," I inform him.

"This is why people use pens, Book Licker. Why don't you have a freaking pen?"

"Pens leak."

"Pencils break."

"Yeah, but you can always sharpen them. What do you do with a broken pen?"

"Sharpen them? Who carries around a pencil sharpener? What is this, 1943?"

I reach into my pencil case and produce a small red pencil sharpener. Then I take the pencil from his hand and, looking him straight in the eye, jam it into the sharpener and give it three hard twists.

"You're whacked," he says, snatching the pencil back from me.

When we've got the number down, we thank Felix (who grunts back at us) and step away from the window. Jason pulls out his phone, sets it to speaker, and dials the number. I lean in close, not wanting to miss a minute.

"Hullo?" A cheerful female voice chirps out of the speaker.

There's a moment of silence, as we forgot to discuss which one of us was going to do the talking. I'm overtaken by sudden panic and can only let out a gurgle, so Jason jumps in.

"Y-yes ma'am, hello," he stammers, clearing his throat. "Um, I'm looking for a student of yours. I thought possibly you could help me."

"It's possible," she says, a smile still in her voice. "What's the student's name?"

"Chris," Jason says before giving me a panicked look. I wonder what he's worried about when the woman on the other end of the line continues.

"Last name?" she chirps. Oh. Right.

"Um, that's the thing," he says, giving a little laugh to smooth things over. "We're not totally sure. You see, my friend met him-"

"Him?" the voice cuts in.

"Yes ma'am," Jason replies, "and, well-"

"Oh dear," she says. "I'm afraid you must have rung the wrong number. St. Bonaventure's is a girls' academy. No boys here, I'm afraid."

The air goes right out of my lungs. Our only clue, and now it leads to nothing. Jason mumbles a polite thank-you into the phone and snaps it shut, then shoves it back into his pocket.

"This is a bust," I say, staring back up at the Globe. "We're no closer to finding Chris than we were when we got here."

It's starting to drizzle, and despite my obsessive packing and checking this morning, I still managed to forget my mini umbrella back at the hotel. I really need to get my head on straight; this is so unlike me.

"Well, I don't know about you, but I'm starving," Jason says as he hops under a nearby doorway to avoid the rain. "What do you say we find someplace to eat and wait out this weather?"

"Sure," I reply. My stomach does feel kind of hollow, and I still haven't made any progress on my search for the best fish-and-chips. I reach for my guidebook in my messenger bag, but Jason reaches out a lanky arm and swats my hand away.

"Dude, it's raining," he says. "This is no time for guidebooks. We must be spontaneous. We might have to pick a place we haven't read a single review about." He puts on a shocked expression, his hands pressed to his cheeks. "Gasp! Can you take it?"

We circle around the theater and find a Starbucks. I definitely did not come all the way across the ocean to have the same overpriced beverages and baked goods I can have every other day of my life, but unfortunately, as we're standing in front of the ubiquitous green sign, the sky opens up and the rain really starts to come down.

The tinkle of a tiny bell announces our arrival to the nearly empty 'bucks. There're the same display of white-and-green mugs, the same towers of ground coffee, the same glass case of pastries as in the nine billion other Starbucks stores I've visited in my life. The one notable difference, though, is the array of artwork hanging on the walls. Near the counter, above the containers of straws and drink sleeves, a spidery metal sculpture that looks like it was made out of wire hangers takes up almost an entire wall. There's a portrait of the queen done entirely in M&M's and a matching Margaret Thatcher done in Starburst wrappers. There's something in the corner that looks like the artist unspooled an entire roll of toilet paper and stapled it to the wall. Underneath each piece is a tiny white card noting the artist and how much the work is selling for. And there are a lot of zeroes after each pound sign. I wonder what Phoebe would think of this display. It would certainly silence her parents' fears that a career as an artist is a "one-way ticket to living in a cardboard box," as her dad is fond of saying.

"Do you think people actually buy this stuff?" I whisper to Jason.

"The real question is how they're going to get that toilet paper off the wall in one piece," he replies, and I can't help giggling.

We make our way through the maze of tiny round tables until we're at a glass case filled with baked goodies on brightly colored ceramic plates. Hanging overhead is a series of vintage chalkboards, drinks and prices scrawled across in a carefully careless-looking script.

"So what are you going to get?" I ask, surveying the offerings.

"I don't know yet. You? Cuppa tea?" he asks, affecting an English accent.

"Ugh, no," I reply, wrinkling my nose. "Tea is gross."

"Seriously," he says, checking out the baked goods. "Tastes like yard." The girl behind the counter, who has pierced eyebrows and electric-blue bangs, rolls her eyes.

"I want one of those," Jason says, jamming a finger against the glass case toward a large fluffy-looking scone dotted with chunks of chocolate.

"Make that two," I say, my mouth already beginning to water.

"Make that four," he says, pulling out his wallet. "My treat."

Jason grabs our plate, piled high with baked goods, and I grab two glasses of water. We park at a small cafe table in the corner by the window. As we take our seats, I notice that Jason has deposited his wad of purple gum on the edge of the white porcelain plate. I grimace and reach over to scoot my scones to the other side. Jason already has crammed half a scone into his mouth, and as much as I want to give him a dirty look, it's hard to glare with my own mouth stuffed full of pastry. As we chew quietly, our eyes glued to our snacks, I again think of how strange it is to be sitting elbow to elbow across the table from Jason. We're usually sitting at opposite ends of the cafeteria.

But I feel surprisingly relaxed. The silence between us is strangely comfortable. We've reached some kind of truce, and it's not bad. From one window I can see collections of tourists gathering outside the Globe, some with dignified umbrellas, but most draped in those horrible trash bag-like ponchos you can buy in tourist-trap shops. They're trying to wedge themselves under various ledges overhanging the buildings around the theater, but there are too many of them. They're starting to seek shelter in the Starbucks, and as they pour through the door, I imagine they're an army of angry, overstuffed trash bags staging an invasion.

"So, can I interest you in a diorama containing plastic dinosaurs and old tubes of ChapStick?" Jason asks through bites. He gestures at the piece of what can generously be termed "art" hanging on the wall over my head.

"You know, I really think that would tie my bedroom together." I laugh, rolling my eyes.

Then, out of nowhere, Jason asks, "What's MTB?"

Cue a thousand mini explosions in my brain.

"Excuse me?" I choke, and bits of scone fly out the corner of my mouth. I desperately hope he didn't see.

"MTB," he repeats casually, swiping the debris off the edge of the table. Great.

"Where did you hear that?" I flip through my mental file of memories, wondering if he might have overheard me talking to Phoebe, or if maybe I-or should I say uber-Julia-drunkenly blurted out something between my model stories? Oh God ...

"Oh, one of those girls in the tower said it. I had no idea what it meant," he says, taking a very large bite of his scone. "I figured it was some British thing. And what with all your book learnin', I thought you might know."

"Hardee har har," I retort. I pause to break off another chunk of scone. Really I'm stalling, hoping that he'll get distracted by something else and let it go.

"Come on," Jason presses. "Tell me."

"I dunno," I say cautiously. "I mean, when Phoebs and I use it, we mean 'meant to be.' "

Now it's Jason's turn to choke.

"What?" I say, instantly defensive.

"So when you say 'MTB,' do you mean, like, guys?"

I clear my throat a couple of times and try to sound casual. "Yeah," I reply. "I mean, we might say, 'So-and-so are totally MTB,' as in, that couple is totally meant to be. Or 'That guy is totally my MTB,' meaning that we're totally meant to be together."

Jason snorts. I can tell he doesn't buy it. "So do you have an MTB?" he asks.

The question startles me. I mean, I've been saying Mark is my MTB for as long as I can remember, but there's no way I can tell Jason that. Fortunately, I don't have to come up with a response, because Jason charges on.

"Meant to be ...," he says with a little chuckle. He takes a stack of brown raw-sugar packets from the container on our table and starts slapping them against his palm to loosen the sugar. "What a load of crap."

"What do you mean?"

"You can't actually believe that. I mean, you're smart. You know stuff. So you've gotta know that it's all a big fairy tale. A marketing tool. Chick flicks and Hallmark cards and Valentine's Day and diamond rings. Bullshit." He rips the tops off the three sugar packets, tips his head back, and pours them into his mouth. Great. With all that sugar, now he's going to go supersonic.

"You don't think you'll ever fall in love?" I ask, leaning back in my chair, the metal curlicues digging into my back.

"Sure, I think I'll fall in love," he says. He crumples the empty packets in his fist, then drops them. They bounce and scatter across the table. He ignores them, scraping together a little mountain of crumbs on the plate, licking his finger, and pressing it into the pile. "Many, many times. And when I do, I don't think it's going to be about fate or destiny or 'meant to be.' "

"Then what will it be about?" I fire back. I reach for the wrappers, gathering them up and placing them on our plate. Why am I always picking up his trash?

"I don't know, I've never been in love," he says, pulling apart chunks of his remaining scone, "but I imagine it'll be about her thinking it's funny when I make a fool of myself and laughing at my dumb jokes and liking the same music."

"So you're looking for someone just like you?"

"Sure." He shrugs. Then he grins widely. "But with boobs."

I instinctively cross my arms over my own (sort of flat) chest.

"Nice," I say, narrowing my eyes at him.

"Whatever. Point is, maybe some people wouldn't want to be around me all day, but there are people out there who would. And they're smart and funny. And they like some of the things I like and hate some of the things I hate, but they also introduce me to all kinds of new things. That's as close to 'meant to be' as I can imagine."

"So there's no 'the one'?"

"Nope," he says. "Ones. Plural. Many ones. Which makes me a lucky guy." Another grin spreads across his face and he winks at me.

"You're gross," I reply. I toss my napkin at him. He catches it in midair.

"I'm right," he says. He chucks the napkin back at me.

"You're not." I duck, and the napkin sails over my shoulder and bounces off the window.

"We'll see," he replies.

I want to say something clever and cutting, but all I can do is mutter back, "I guess we will."

"Flirtation is no different from mounting a good argument or coming out ahead in a deal," he says. He starts batting the last chunk of his scone back and forth across the table with his fingers. "It's manipulation, Julia. Good convincing. Hell, it's practically theater."

Suddenly, I feel almost sorry for him. Manipulation? Theater? This is what he thinks when he thinks of love? It's sad, really. Everyone knows that Jason's dad and stepmom split in an epic disaster of a divorce. Jason's dad is a pretty big-deal lawyer in Boston, so the details were splashed all over the Internet. There were quite a lot of name-calling (his) and some rumored cheating (hers), as well as a very public tossing of a plate of risotto at a charity function (also hers). I don't know anything about his biological mother-no one does-but I know that now he never sees his stepmom, who had been around since Jason was little. Can you imagine? She was practically his mother, and now she's gone. According to Sarah Finder, his dad is always running around with one leggy blonde or another, each younger than the one before. No wonder Jason has a warped view of love.

I guess that's Reason Number 725 that Jason and I are completely and totally different.

Probably only a few more minutes and we can head out. I reach into my bag, now slung over the back of my chair, to pull out Pride and Prejudice.

"GOOOOOOOAL!"