Blocks, 4:

Buff, light brown, gray, reddish brown.

Inscription, bottom center (center plate):

"_Ill.u.s.trissimo & n.o.b: Viro D{no}: D{no}: / +Richardo Boyle+ Comti de Burlington & Cork &c. / Magnae Britanniae & Hiberniae Pari, Hiberniae Archi-thesaurario / Heredetario, n.o.bilisimi Ordinis Periscelidis Equiti &c. / Optimae Architecturae Instauratori ac Caeterarum Artium Liberalium / Moecenati munificentissimo. / Singolare hoc Opus a Jacobo Robusti depictam in Schola S: Rocci Venetiis / adservatum.

J: B: Jackson Anglus qui Ligno Coelavit humillime D. D. C. 1741._"

On shield, bottom center (center plate):

"+Honi SoitQuiMal y Pense+"

Below shield, bottom center (center plate):

"+Honor Virtutis Premium.+"

A bust portrait of a man in 18th-century dress is visible on the right knee of the woman with a child in the center background of the left sheet. It is not a likeness of Richard Boyle. Could this be a self-portrait by Jackson?

A trial proof of the key block, center sheet, is in the Rosenwald Collection, National Gallery of Art.

23.

_Miracle of St. Mark_, after Tintoretto [Le Bl. 15, N. 2]

Dimensions:

22 17 inches (left sheet), 22 17 inches (right sheet).

Blocks, 4:

Buff, light brown, dark brown, dark gray.

Inscription, lower left (left sheet):

"_Per ill.u.s.tri_ D{no} D{no} / +Eduardo Wright+, / _Armigero, / pulcrarum Artium ex-/cultori vel sollertissimo, / hoc_ Jacobi Robusti / _(communiter Tintoretto) / praeclarum opus in / suae argumentum ob-/ servantiae addicit, et / consecrat J. B. Jack?on._"

24.

_The Marriage at Cana_, after Veronese

Dimensions:

23 16 inches (left sheet), 23 16 inches (right sheet).

Blocks, 4:

Buff, dark buff, violet-brown, dark brown.

Inscription, lower left (left sheet):

"_Paulo Cagliari / Veron: Pinxit._"

Lower right (right sheet):

"Rev{mo.} D{no.} P. / _Leopoldo Capello Coen.o.bii D: Georgii / Ord: S: Benedict: / +Abbati+ / meritissimo. / J: B: Jackson_ / D. D. D."

Extreme lower right (right sheet):

"_J: B: Jackson Delin: Sculp. / & excudit Venetiis 1740._"

Jackson in the _Enquiry_ (p. 48) described this print, and the two preceding subjects, as being "in _Hugo's_ Manner with Improvements."

25.

_Presentation of the Virgin in the Temple_, after t.i.tian [Le Bl. 3, N. 18]

Dimensions:

22 15? inches (left sheet), 22 17? inches (center sheet), 22 17 inches (right sheet).

Blocks, 4:

Light grayish umber, medium brown, dark gray, dark brown.

Inscription, lower left (left sheet):

"_Opus hoc admiratione sane dignum, cunctorumq; approbatione / commendatum, ac Sacrarii Confratrum Caritatis Venetiarum / poti??imum ornamentum, a_ t.i.tiano Viccellio _Cadorensi, / Viro pingendi arte prae caeteris celeberrimo, coloribus quam / fieri potest ad naturale expressum, adumbratumq; pro viribus / exscribere studens J: B: Jackson delineavit, excudit, et ex?culpsit._ 1742."

Lower right, on streamer (right sheet):

"+Ducit Amor Patriae.+"

Lower right, in block (right sheet):

"Per Ill.u.s.tri, ac n.o.bili Viro D:{no} D:{no} / +Erasmo Philipps Barronetto+ / _Artium zelantissimo Fautori, et de re litteraria / optime merito, Tabulam hanc tenue debitae venerationis / suae argumentum, emeritissimo Patrono, et Mecaenati / commendat, et dicat / J: B: Jack?on._"

26.

_The Virgin in the Clouds and Six Saints_, after t.i.tian [Le Bl. 14, N. 17]

Dimensions:

23 14 inches.