"I'll be in Chicago to-morrow, barring wrecks."

"You might have let me show you our more or less fair city."

"I've shown it to myself. I've seen Riverside Drive at sunset, and at night. That alone would have been enough. But I've seen Fulton market, too, and the Grand street stalls, and Washington Square, and Central Park, and Lady Duff-Gordon's inner showroom, and the Night Court, and the Grand Central subway horror at six p. m., and the gambling on the Curb, and the bench sleepers in Madison Square--Oh, Clancy, the misery----"

"Heh, wait a minute! All this, alone?"

"Yes. And one more thing. I've landed Horn & Udell, which means nothing to you, but to me it means that by Spring my department will be a credit to its stepmother; a real success."

"I knew it would be a success. So did you. Anything you might attempt would be successful. You'd have made a successful lawyer, or cook, or actress, or hydraulic engineer, because you couldn't do a thing badly.

It isn't in you. You're a superlative sort of person. But that's no reason for being any of those things. If you won't admit a debt to humanity, surely you'll acknowledge you've an obligation to yourself."

"Preaching again. Good-by."

"f.a.n.n.y, you're afraid to see me."

"Don't be ridiculous. Why should I be?"

"Because I say aloud the things you daren't let yourself think. If I were to promise not to talk about anything but flannel bands----"

"Will you promise?"

"No. But I'm going to meet you at the clock at the Grand Central Station fifteen minutes before train time. I don't care if every infants' wear manufacturer in New York had a prior claim on your time. You may as well be there, because if you're not I'll get on the train and stay on as far as Albany. Take your choice."

He was there before her. f.a.n.n.y, following the wake of a redcap, picked him at once from among the crowd of clock-waiters. He saw her at the same time, and started forward with that singularly lithe, springy step which was, after all, just the result of perfectly trained muscles in coordination. He was wearing New York clothes--the right kind, f.a.n.n.y noted.

Their hands met. "How well you look," said f.a.n.n.y, rather lamely.

"It's the clothes," said Heyl, and began to revolve slowly, coyly, hands out, palms down, eyelids drooping, in delicious imitation of those ladies whose business it is to revolve thus for fashion.

"Clancy, you idiot! All these people! Stop it!"

"But get the grace! Get the easy English hang, at once so loose and so clinging."

f.a.n.n.y grinned, appreciatively, and led the way through the gate to the train. She was surprisingly glad to be with him again. On discovering that, she began to talk rapidly, and about him.

"Tell me, how do you manage to keep that fresh viewpoint? Everybody else who comes to New York to write loses his ident.i.ty. The city swallows him up. I mean by that, that things seem to strike you as freshly as they did when you first came. I remember you wrote me an amazing letter."

"For one thing, I'll never be anything but a foreigner in New York.

I'll never quite believe Broadway. I'll never cease to marvel at Fifth avenue, and Cooper Union, and the Bronx. The time may come when I can take the subway for granted, but don't ask it of me just yet."

"But the other writers--and all those people who live down in Washington Square?"

"I never see them. It's sure death. Those Greenwichers are always taking out their own feelings and a.n.a.lyzing them, and pawing them over, and pa.s.sing them around. When they get through with them they're so thumb-marked and greasy that no one else wants them. They don't get enough golf, those Greenwichers. They don't get enough tennis. They don't get enough walking in the open places. Gosh, no! I know better than to fall for that kind of thing. They spend hours talking to each other, in dim-lighted attics, about Souls, and Society, and the Joy of Life, and the Greater Good. And they know all about each other's insides. They talk themselves out, and there's nothing left to write about. A little of that kind of thing purges and cleanses. Too much of it poisons, and clogs. No, ma'am! When I want to talk I go down and chin with the foreman of our composing room. There's a chap that has what I call conversation. A philosopher, and knows everything in the world.

Composing room foremen always are and do. Now, that's all of that. How about f.a.n.n.y Brandeis? Any sketches? Come on. Confess. Grand street, anyway."

"I haven't touched a pencil, except to add up a column of figures or copy an order, since last September, when you were so sure I couldn't stop."

"You've done a thousand in your head. And if you haven't done one on paper so much the better. You'll jam them back, and stifle them, and screw the cover down tight on every natural impulse, and then, some day, the cover will blow off with a loud report. You can't kill that kind of thing, f.a.n.n.y. It would have to be a wholesale ma.s.sacre of all the centuries behind you. I don't so much mind your being disloyal to your tribe, or race, or whatever you want to call it. But you've turned your back on yourself; you've got an obligation to humanity, and I'll nag you till you pay it. I don't care if I lose you, so long as you find yourself. The thing you've got isn't merely racial. G.o.d, no! It's universal. And you owe it to the world. Pay up, f.a.n.n.y! Pay up!"

"Look here!" began f.a.n.n.y, her voice low with anger; "the last time I saw you I said I'd never again put myself in a position to be lectured by you, like a schoolgirl. I mean it, this time. If you have anything else to say to me, say it now. The train leaves"--she glanced at her wrist--"in two minutes, thank Heaven, and this will be your last chance."

"All right," said Heyl. "I have got something to say. Do you wear hatpins?"

"Hatpins!" blankly. "Not with this small hat, but what----"

"That means you're defenseless. If you're going to prowl the streets of Chicago alone get this: If you double your fist this way, and tuck your thumb alongside, like that, and aim for this spot right here, about two inches this side of the chin, bringing your arm back, and up, quickly, like a piston, the person you hit will go down, limp. There's a nerve right here that communicates with the brain. That blow makes you see stars, bright lights, and fancy colors. They use it in the comic papers."

"You ARE crazy," said f.a.n.n.y, as though at last a.s.sured of a long-suspected truth. The train began to move, almost imperceptibly.

"Run!" she cried.

Heyl sped up the aisle. At the door he turned. "It's called an uppercut," he shouted to the amazement of the other pa.s.sengers. And leaped from the train.

f.a.n.n.y sank into her seat, weakly. Then she began to laugh, and there was a dash of hysteria in it. He had left a paper on the car seat. It was the Star. f.a.n.n.y crumpled it, childishly, and kicked it under the seat.

She took off her hat, arranged her belongings, and sat back with eyes closed. After a few moments she opened them, fished about under the seat for the crumpled copy of the Star, and read it, turning at once to his column. She thought it was a very unpretentious thing, that column, and yet so full of insight, and sagacity, and whimsical humor. Not a guffaw in it, but a smile in every fifth line. She wondered if those years of illness, and loneliness, with weeks of reading, and tramping, and climbing in the Colorado mountains had kept him strangely young, or made him strangely old.

She welcomed the hours that lay between New York and Chicago. They would give her an opportunity to digest the events of the past ten days.

In her systematic mind she began to range them in the order of their importance. Horn & Udell came first, of course, and then the line of maternity dresses she had selected to take the place of the hideous models carried under Slosson's regime. And then the slip-over pinafores.

But somehow her thoughts became jumbled here, so that faces instead of garments filled her mind's eye. Again and again there swam into her ken the face of that woman of fifty, in decent widow's weeds, who had stood there in the Night Court, charged with drunkenness on the streets. And the man with the frost-bitten fingers in Madison Square. And the dog in the sweater. And the feverish concentration of the piece-work sewers in the window of the loft building.

She gave it up, selected a magazine, and decided to go in to lunch.

There was nothing spectacular about the welcome she got on her return to the office after this first trip. A firm that counts its employees by the thousands, and its profits in tens of millions, cannot be expected to draw up formal resolutions of thanks when a heretofore flabby department begins to show signs of red blood.

Ella Monahan said, "They'll make light of it--all but Fenger. That's their way."

Slosson drummed with his fingers all the time she was giving him the result of her work in terms of style, material, quant.i.ty, time, and price. When she had finished he said, "Well, all I can say is we seem to be going out of the mail order business and into the imported novelty line, de luxe. I suppose by next Christmas the grocery department will be putting in artichoke hearts, and truffles and French champagne by the keg for community orders."

To which f.a.n.n.y had returned, sweetly, "If Oregon and Wyoming show any desire for artichokes and champagne I don't see why we shouldn't."

Fenger, strangely enough, said little. He was apt to be rather curt these days, and almost irritable. f.a.n.n.y attributed it to the reaction following the strain of the Christmas rush.

One did not approach Fenger's office except by appointment. f.a.n.n.y sent word to him of her return. For two days she heard nothing from him. Then the voice of the snuff-brown secretary summoned her. She did not have to wait this time, but pa.s.sed directly through the big bright outer room into the smaller room. The Power House, f.a.n.n.y called it.

Fenger was facing the door. "Missed you," he said.

"You must have," f.a.n.n.y laughed, "with only nine thousand nine hundred and ninety-nine to look after."

"You look as if you'd been on a vacation, instead of a test trip."

"So I have. Why didn't you warn me that business, as transacted in New York, is a series of social rites? I didn't have enough white kid gloves to go round. No one will talk business in an office. I don't see what they use offices for, except as places in which to receive their mail.

You utter the word 'Business,' and the other person immediately says, 'Lunch.' No wholesaler seems able to quote you his prices until he has been sustained by half a dozen Cape Cods. I don't want to see a restaurant or a rose silk shade for weeks."

Fenger tapped the little pile of papers on his desk. "I've read your reports. If you can do that on lunches, I'd like to see what you could put over in a series of dinners."

"Heaven forbid," said f.a.n.n.y, fervently. Then, for a very concentrated fifteen minutes they went over the reports together. f.a.n.n.y's voice grew dry and lifeless as she went into figures.

"You don't sound particularly enthusiastic," Fenger said, when they had finished, "considering that you've accomplished what you set out to do."