She presses her finger to the doorbell. The door is a dark heavy wood with a stained gla.s.s rosary window. Inside the house, a chime trills and echoes. A moment later, the door swings open, revealing a woman in a cardinalred pantsuit and a blonde bob. She seems delighted to see us, smiling like she's had a sunbeam shoved down her throat. "Oh, wow, hey. You're super early. Odi's just finishing up something."

"Carmen is one of Mr Huron's proteges," Marabou says in answer to my raised eyebrow.

"Oh yaa, sorry," Carmen says, giving me a flash of white teeth. 'Are you, like, media?"

"Not anymore."

She loses interest instantly, although her sunbeam wavers only briefly. "Well, come on in. If you want to head out to the patio, I'll bring you guys some tea."

She turns and clatters away on a pair of shiny red platform heels, leading us through a house that seems too fusty for such a bright and cool young thing to be breezing through. Faded Persian carpets laid over wooden floors mute the clop of Carmen's shoes. The furniture is overbearing, heavy teaks and yellowwood railway sleepers. Sloth hugs me tighter, and I catch a s.n.a.t.c.h of a rank mineral smell, like week-old vase water.

We pa.s.s a dining room where the yellowwood table has places set for twelve under a huge chandelier that resembles a wedding cake turned upside-down. Lethargic dust motes swirl in sunlight that has managed to penetrate the choke of ivy and leaded gla.s.s. Someone has left a scattering of chocolate raisins to fossilise under the table.

"Did Mr Huron just move in?"

"Oh no, he's been here for ages and ages," Carmen says. "I know what you're thinking, though. Like, it's not very rock'n'roll."

"You know, that is exactly what I was thinking."

"I know, right? It weirded me out at first, when I came to audition? But it's part of Odi's philosophy? 'Cos it's actually about the music."

"As opposed to?"

"The image. The glitz. The glamour. All that interference interference."

The pa.s.sage is lined with framed plaques and awards, gold records, platinum records, SAMA and MTV and Kora certificates, with names familiar even to a music heathen like me. JumpFish. Detective Wolf. a.s.segai. Keleketla. Moro. Zakes Tsukudu. Lily n.o.bomvu. iJusi. Noxx. The

dates read 1981, 1986, 1988, 1989, 1990, 1992, 1995,

1998. And then a jump to 2003, 2004, 2005. 2008. "What's with the hiatus?" "Mr Huron has other business interests," Marabou says.

"And he was sick," Carmen chips in. "But don't worry, he's almost, like, totally over it now."

We pa.s.s a study, set up with a video edit suite, surrounded by bookshelves lined with files and weird bric-a-brac. And then the pa.s.sage ends abruptly in an authentically retro lounge with gla.s.s doors opening onto a bright patio overlooking the swimming pool. There is a hanging egg chair and a heavy silver coffee-table, only slightly scratched, hemmed in by low-rise chocolate brown leather couches. Two tall, slim speakers, designed to be f.u.c.k-off low-key, pump out syrupy R&B.

"Here we are," Carmen says, pushing open the gla.s.s doors onto the pool-side patio. She stoops to brush leaves off the cushions on the fussy ironwork chairs arranged around a matching table under a vine trellis. The very pretty view looks over and up at the koppie koppie, which is covered in scrub brush and succulent aloes. There is a low bunker-style building with gla.s.s sliding doors across the way at the foot of the hill. Definitely not original Herbert Baker.

"That's where the magic happens," she says, wafting a hand sales-model-style at the bunker. "The Moja studios. If you ask nicely, maybe Odi will give you the tour." She winks, adorably. "Be right back!" and clip-clops away into the cool dark of the house.

The pool is an enormous old-fashioned square, with mosaic tiles and a cla.s.sical water feature of two maidens pouring out a jug of water. But the tiles are chipped, the lapis-lazuli blue faded to a dull glaucoma. The brackish water is a vile green, a skin of rotting leaves cloying the surface. Lichen has crept over the two maidens. Moss clogs the folds of their robes and the crooks of their elbows, blanking out their features like a beauty mask gone wild. Like someone ate their faces.

I shrug Sloth off onto the table. He sprawls on his belly and curls his long claws through the ironwork curlicues. The Marabou folds herself into one of the dainty chairs, leaning forward so as not to put any weight on the Stork strapped to her back.

"You ever take him off?"

"It's a she. And only when I sleep."

"What happened to her legs?"

"She had a run-in with another animal. She came off worse. It wasn't a dogfight, if that's what you're thinking."

"I wasn't. I'm surprised it doesn't happen more often. Herbivores and carnivores all mixed up together. We should probably segregate."

"Mmm," she says, her attention drifting.

"What was the book?" I say, just making conversation. But the Stork raises its head sharply, looking down its beak at me.

"The book?" Marabou is off-hand, in stark contrast to the Bird's reaction.

"One of your lost things." I concentrate on the strands, but this time the image is frustratingly blurry. I can't read the writing on the gun anymore or make out the detail on the gloves, and the book could just as well be a piece of old brick. I fudge from memory. "The cover is torn. The pages are mouldy and swollen with damp. Something about a tree?"

"Is that how your talent works, you can see things?" She looks amused. "How practical. I don't know what the book was called. But one of the other girls used to read it to us in the container."

"Container?"

"They shipped us over. Packed like tuna fish." She strokes the Stork's throat and it rucks its head in appreciation. "Some of the tuna fish died. I started a different life."

"I could try to figure out what the book is. If you wanted. You could get another copy."

"What if it is not as good as I remember? Some things are better left lost."

"I hope you're not talking about my girl!" Mr Huron, I presume, emerges onto the balcony with a flourish. He's not so much a barrel of a man as a bagpipe, all his weight loaded in front, straining a t-shirt that bears the legend Depeche Mode Depeche Mode Rose Bowl Pasadena 1987 Rose Bowl Pasadena 1987. He's balding on top, but he's grown the rest of his hair and pulled it into a thin scraggly ponytail. The genuinely powerful, unlike the Vuyos of this world, don't give a f.u.c.k about making an impression.

"Sorry to keep you waiting. Amira. You're looking lovely. Botox working for you? Maybe you should try some on the bird. And you, you must be the new help," he says, engulfing my hand in his giant paws, like Mickey Mouse gloves. "Only kidding," he winks. "Mostly."

With a little moan, Sloth clambers off the table and into my lap. He's seeing what I'm seeing, belying the bigshot producer image a black tumour of lost things hanging over the man. A tumour that's eaten an octopus, but the fat black tentacles have been amputated, so all that's left are stumps. Dozens of them, squirming obscenely.

It's one of the worst hack jobs I've seen. There are ways to cut the threads. A good sangoma sangoma can do it. But they'll eventually grow back thicker and coa.r.s.er than ever. In the shadow of his black halo, his skin looks sallow, his jowls sunken, his eyes bright and flat. can do it. But they'll eventually grow back thicker and coa.r.s.er than ever. In the shadow of his black halo, his skin looks sallow, his jowls sunken, his eyes bright and flat.

"What's wrong with your animal?" Huron says, collapsing into one of the chairs and fingering a hole in his t-shirt.

"He's just shy around strangers," I say, stroking Sloth's head to calm him down.

"Amira and Mark brief you already?"

I have to force myself to look at his face rather than the writhing black stubs around his head. I concentrate on his fleshy lips, the large nose, slightly skew, as if he once broke it in a rugby game or a bar fight. "Actually, Mr Huron, I'm still waiting to hear what this is about. Before I make up my mind as to whether I even want to be briefed."

"Call me Odi, please. Short for Odysseus."

"Sure. Odi."

We're interrupted by Carmen holding a red plastic tray that looks like it was moulded out of the same material as her shoes. She sets down a clipboard and a pot of evilsmelling tea.

"Don't worry, it's non-alcoholic." Huron pours a cup and hands it to me with a smirk.

"You've done your research."

"Yes, I've heard all about your nasty habit. But it's not just you. Moja Records has a policy. No drink. No drugs. No neural spells."

"No interference interference." I take a sip gingerly. It tastes as foul and pungent as it smells.