Year's Best Scifi 9 - Year's Best Scifi 9 Part 1
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Year's Best Scifi 9 Part 1

YEAR'S BEST SF9.

EDITED BY.

DAVID G. HARTWELL.

and KATHRYN CRAMER.

Introduction.

Well, 2003 is past-another good year to be reading SF, both in pro and semi-professional publications.

And as 2004 began, the President of the United States proposed a broad new initiative in space traveland exploration for the near future. Surely this must bode well for space adventures in fiction, and there is much strength to build on in SF already.

The year 2003 was a very strong one for science fiction novels and stories, and there were many shorter stories in consideration. So we repeat, for readers new to this series, our usual disclaimer: This selection of science fiction stories represents the best that was published during the year 2003. It would take several more volumes this size to have nearly all of the best short stories-though, even then, not all the best novellas. And we believe that representing the best from year to year, while it is not physically possible to encompass it all in one even very large book, also implies presenting some substantial variety of excellences, and we left some worthy stories out in order to include others in this limited space.

Our general principle for selection: This book is full of science fiction-every story in the book is clearly that and not something else. We have a high regard for horror, fantasy, speculative fiction, and slipstream, and postmodern literature. We (Kathryn Cramer and David G. Hartwell) edit the Year's Best Fantasy in paperback from Eos as a companion volume to this one-look for it if you enjoy short fantasy fiction, too. But here, we choose science fiction.

Science fiction in shorter forms was vigorous and perhaps even growing in 2003, though sometimes not in easily accessible places. Certainly, the electronic fiction websites such as Infinite Matrix, Strange Horizons, and SciFiction continued to publish much excellent work, though a majority of it was fantasy or horror. And the professional and semi-professional magazines persisted, though most of them did not thrive in sales or subscriptions, and were a center of interest for SF readers. But the small press really expanded this past year, both in book form and in a proliferation of little magazines, in the U.S. and throughout the world.

Books and magazines of high quality from Canada, Australia, and the UK, often anthologies and short story collections, drew our attention. We have to say that this year was perhaps the best in a decade for original anthologies and story collections-even though most of them will not be found in local bookstores because they are available on the whole only by direct mail or internet order, or from specialty dealers at SF conventions. Still, the total of good SF stories, and perhaps even the total of all SF stories, increased noticeably last year.

But-and this is a significant but-the majority of small press publications contained only a minority of science fiction genre stories, and the bulk of the rest were speculative literature, fantasy, horror, magical realism, allegories, or uses of SF tropes and images in the context of mainstream or postmodern fiction. This commonly derived from a "breaking the bounds of genre" attitude on the part of the editors and publishers of small press short fiction, and many of their writers. Distinguished examples of this trend are Trampoline, Polyphony, Descant, Open Space, and Album Zutique #1 .

And somewhat to our amusement, this attitude was contradicted by one of the bastions of mainstream literary fiction, McSweeney's magazine, which published a genre fiction issue, McSweeney's Thrilling Tales, in 2003, edited by Michael Chabon. It was filled mainly with genre stories (SF, horror, fantasy, western, mystery and detective, men's adventure) by literary writers, although certain ambitious genre figures of some acknowledged literary accomplishment, including Harlan Ellison, Michael Moorcock, and Karen Joy Fowler, were included. Each year we find ourselves pointing with some irony at the areas of growth in SF as if they were double-edged swords. While many of the ambitious insiders want to break out, at least some ambitious outsiders are breaking in, and some of them at the top of the genre.

The SF magazines struggled to maintain circulation and not allow their subscriber base to erode, while publishing on the whole good-to-excellent stories. Not enough people paid attention, in our opinion. More of you should be reading at least one of the SF magazines regularly, if not two or three.

We have remarked in the past that the average paperback anthology of fantasy or SF does not contain as many good stories as the average issue of Asimov's or Fantasy & Science Fiction .

Two of the main resources for keeping track of short fiction disappeared for part or all of the year.

The ISFDB (the Internet SF Data Base), the largest database of SF story titles on the internet, lost its home and was dormant, though it is back now. And Tangent Online, the most comprehensive review medium for short fiction, fell silent in the second half of the year, although a new editor was announced atthe end of 2003. There were regular reviews elsewhere of individual magazines and anthologies, but less than half of the information on current short fiction that has been dependably available for the last six or eight years could be had in 2003. Of course, such information has always depended on volunteer labor, but it does give one pause to think of the fragility of our efforts, and that devoted and hard-working volunteers do sometimes just run out of energy and stop, or seek paying work.

We remarked above what a good year it was for anthologies, and some examples are Live without a Net (edited by Lou Anders), Stars (edited by Janis Ian and Mike Resnick), and Space, Inc (edited by Julie Czerneda). Other are mentioned in the various story notes.

And from all this we have chosen some fine stories to entertain you. We try in each volume of this series to represent the varieties of tones and voices and attitudes that keep the genre vigorous and responsive to the changing realities out of which it emerges, in science and daily life. This is a book about what's going on now in SF. The stories that follow show, and the story notes point out, the strengths of the evolving genre in the year 2003.

David G. Hartwell & Kathryn Cramer

Amnesty

OCTAVIA E. BUTLER.

Octavia E. Butler lives in the Seattle, Washington area. She grew up in California and attended courses in SF writing taught by Harlan Ellison and Theodore Sturgeon, and the Clarion SF Writing workshop. After years of work, culminating in the early 1980s with two exceptional novels, Kindred and Wild Seed, her career began to peak. She won the 1984 Hugo Award for the short story "Speech Sounds." Her story "Bloodchild," about human male slaves who incubate their alien masters'eggs, won the 1985 Hugo Award and the Nebula Award, and both are collected in Bloodchild and Other Stories (1995). Then, in 1995, she was awarded a McArthur Grant, a large cash prize often called the "genius grant," given annually in the arts and sciences, which brought her worldwide notice. She also entered a new, strong phase of her career with the novel Parable of the Sower. Her early stories are collected in Bloodchild. She is now certainly one of the notable figures in the SF field and one of our leading writers.

"Amnesty" was published electronically at SciFiction, the SCIFI.com website, which is now the highest paying market for SF and fantasy and so had some of the very best short fiction in 2003. It is a return to the powerful themes of her fine novella, "Bloodchild," a story about finding the courage and strength to compromise and transcend in the face of an oppressive and horrible situation.

The stranger-Community, globular, easily twelve feet high and wide glided down into the vast, dimly lit food production hall of Translator Noah Cannon's employer. The stranger was incongruously quick and graceful, keeping to the paths, never once brushing against the raised beds of fragile, edible fungi. It looked, Noah thought, a little like a great, black, moss-enshrouded bush with such a canopy of irregularly-shaped leaves, shaggy mosses, and twisted vines that no light showed through it. It had a few thick, naked branches growing out, away from the main body, breaking the symmetry and making the Community look in serious need of pruning.

The moment Noah saw it and saw her employer, a somewhat smaller, better-maintained-looking dense, black bush, back away from her, she knew she would be offered the new job assignment she had been asking for.

The stranger-Community settled, flattening itself at bottom, allowing its organisms of mobility to migrate upward and take their rest. The stranger-Community focused its attention on Noah, electricity flaring and zigzagging, making a visible display within the dark vastness of its body. She knew that theelectrical display was speech, although she could not read what was said. The Communities spoke in this way between themselves and within themselves, but the light they produced moved far too quickly for her to even begin to learn the language. The fact that she saw the display, though, meant that the communications entities of the stranger-Community were addressing her. Communities used their momentarily inactive organisms to shield communication from anyone outside themselves who was not being addressed.

She glanced at her employer and saw that its attention was focused away from her. It had no noticeable eyes, but its entities of vision served it very well whether she could see them or not. It had drawn itself together, made itself look more like a spiny stone than a bush. Communities did this when they wished to offer others privacy or simply disassociate themselves from the business being transacted.

Her employer had warned her that the job that would be offered to her would be unpleasant not only because of the usual hostility of the human beings she would face, but because the subcontractor for whom she would be working would be difficult. The subcontractor had had little contact with human beings. Its vocabulary in the painfully created common language that enabled humans and the Communities to speak to one another was, at best, rudimentary, as was its understanding of human abilities and limitations. Translation: by accident or by intent, the subcontractor would probably hurt her.

Her employer had told her that she did not have to take this job, that it would support her if she chose not to work for this subcontractor. It did not altogether approve of her decision to try for the job anyway. Now its deliberate inattention had more to do with disassociation than with courtesy or privacy.

"You're on your own," its posture said, and she smiled. She could never have worked for it if it had not been able to stand aside and let her make her own decisions. Yet it did not go about its business and leave her alone with the stranger. It waited.

And here was the subcontractor signaling her with lightning.

Obediently, she went to it, stood close to it so that the tips of what looked like moss-covered outer twigs and branches touched her bare skin. She wore only shorts and a halter top. The Communities would have preferred her to be naked, and for the long years of her captivity, she had had no choice.

She had been naked. Now she was no longer a captive, and she insisted on wearing at least the basics.

Her employer had come to accept this and now refused to lend her to subcon-tractors who would refuse her the right to wear clothing.

This subcontractor enfolded her immediately, drawing her upward and in among its many selves, first hauling her up with its various organisms of manipulation, then grasping her securely with what appeared to be moss. The Communities were not plants, but it was easiest to think of them in those terms since most of the time, most of them looked so plantlike.

Enfolded within the Community, she couldn't see at all. She closed her eyes to avoid the distraction of trying to see or imagining that she saw. She felt herself surrounded by what felt like long, dry fibers, fronds, rounded fruits of various sizes, and other things that produced less identifiable sensations. She was at once touched, stroked, massaged, compressed in the strangely comfortable, peaceful way that she had come to look forward to whenever she was employed. She was turned and handled as though she weighed nothing. In fact, after a few moments, she felt weightless. She had lost all sense of direction, yet she felt totally secure, clasped by entities that had nothing resembling human limbs. Why this was pleasurable, she never understood, but for twelve years of captivity, it had been her only dependable comfort. It had happened often enough to enable her to endure everything else that was done to her.

Fortunately, the Communities also found it comforting-even more than she did.

After a while, she felt the particular rhythm of quick warning pressures across her back. The Communities liked the broad expanse of skin that the human back offered.

She made a beckoning motion with her right hand to let the Community know that she was paying attention.

There are six recruits, it signaled with pressures against her back. You will teach them.

I will, she signed, using her hands and arms only. The Communities liked her signs to be small, confined gestures when she was enfolded and large, sweeping hand, arm, and whole-body efforts when she was outside and not being touched. She had wondered at first if this was because they couldn't seevery well. Now she knew that they could see far better than she could-could see over great distances with specialized entities of vision, could see most bacteria and some viruses, and see colors from ultraviolet through infrared.

In fact the reason that they preferred large gestures when she was out of contact and unlikely to hit or kick anyone was because they liked to watch her move. It was that simple, that odd. In fact, the Communities had developed a real liking for human dance performances and for some human sports events-especially individual performances in gymnastics and ice skating.

The recruits are disturbed, the subcontractor said. They may be dangerous to one another. Calm them.

I will try, Noah said. I will answer their questions and reassure them that they have nothing to fear.

Privately, she suspected that hate might be a more prevalent emotion than fear, but if the subcontractor didn't know that, she wouldn't tell it.

Calm them. The subcontractor repeated. And she knew then that it meant, literally, "Change them from disturbed people to calm, willing workers." The Communities could change one another just by exchanging a few of their individual entities-as long as both exchanging communities were willing. Too many of them assumed that human beings should be able to do something like this too, and that if they wouldn't, they were just being stubborn.

Noah repeated, I will answer their questions and reassure them that they have nothing to fear. That's all I can do.

Will they be calm?

She drew a deep breath, knowing that she was about to be hurt-twisted or torn, broken or stunned. Many Communities punished refusal to obey orders-as they saw it-less harshly than they punished what they saw as lying. In fact, the punishments were left over from the years when human beings were captives of uncertain ability, intellect, and perception. People were not supposed to be punished any longer, but of course they were. Now, Noah thought it was best to get whatever punishment there might be out of the way at once. She could not escape. She signed stolidly, Some of them may believe what I tell them and be calm. Others will need time and experience to calm them.

She was, at once, held more tightly, almost painfully-"held hard" as the Communities called it, held so that she could not move even her arms, could not harm any members of the Community by thrashing about in pain. Just before she might have been injured by the squeezing alone, it stopped.

She was hit with a sudden electrical shock that convulsed her. It drove the breath out of her in a hoarse scream. It made her see flashes of light even with her eyes tightly closed. It stimulated her muscles into abrupt, agonizing contortions.

Calm them, the Community insisted once again.

She could not answer at first. It took her a moment to get her now sore and shaking body under control and to understand what was being said to her. It took her a moment more to be able to flex her hands and arms, now free again, and finally to shape an answer-the only possible answer in spite of what it might cost.

I will answer their questions and reassure them that they have nothing to fear.

She was held hard for several seconds more, and knew that she might be given another shock. After a while, though, there were several flashes of light that she saw out of the corner of her eye, but that did not seem to have anything to do with her. Then without any more communication, Noah was passed into the care of her employer, and the subcontractor was gone.

She saw nothing as she was passed from darkness to darkness. There was nothing to hear but the usual rustle of Communities moving about. There was no change of scent, or if there was, her nose was not sensitive enough to detect it. Yet somehow, she had learned to know her employer's touch. She relaxed in relief.

Are you injured? her employer signed.

No, she answered. Just aching joints and other sore places. Did I get the job?

Of course you did. You must tell me if that subcontractor tries to coerce you again. It knows better.

I've told it that if it injures you, I will never allow you to work for it again. Thank you.

There was a moment of stillness. Then the employer stroked her, calming her and pleasing itselves.

You insist on taking these jobs, but you can't use them to make the changes you want to make. You know that. You cannot change your people or mine.

I can, a little, she signed. Community by Community, human by human. I would work faster if I could.

And so you let subcontractors abuse you. You try to help your own people to see new possibilities and understand changes that have already happened but most of them won't listen and they hate you.

I want to make them think. I want to tell them what human governments won't tell them. I want to vote for peace between your people and mine by telling the truth. I don't know whether my efforts will do any good, in the long run, but I have to try.

Let yourself heal. Rest enfolded until the subcontractor returns for you.

Noah sighed, content, within another moment of stillness. Thank you for helping me, even though you don't believe.

I would like to believe. But you can't succeed. Right now groups of your people are looking for ways to destroy us.

Noah winced. I know. Can you stop them without killing them?

Her employer shifted her. Stroked her. Probably not, it signed. Not again.

"Translator," Michelle Ota began as the applicants trailed into the meeting room, "do these...these things...actually understand that we're intelligent?"

She followed Noah into the meeting room, waited to see where Noah would sit, and sat next to her.

Noah noticed that Michelle Ota was one of only two of the six applicants who was willing to sit near her even for this informal question-and-answer session. Noah had information that they needed. She was doing a job some of them might wind up doing someday, and yet that job-translator and personnel officer for the Communities-and the fact that she could do it was their reason for distrusting her. The second person who wanted to sit near her was Sorrel Trent. She was interested in alien spirituality-whatever that might be.

The four remaining job candidates chose to leave empty seats between themselves and Noah.

"Of course the Communities know we're intelligent," Noah said.

"I mean I know you work for them," Michelle Ota glanced at her, hesitated then went on. "I want to work for them too. Because at least they're hiring. Almost nobody else is. But what do they think of us?"

"They'll be offering some of you contracts soon," Noah said. "They wouldn't waste time doing that if they'd mistaken you for cattle." She relaxed back into her chair, watching some of the six other people in the room get water, fruit or nuts from the sideboards. The food was good and clean and free to them whether or not they were hired. It was also, she knew, the first food most of them had had that day.

Food was expensive and in these depressed times, most people were lucky to eat once a day. It pleased her to see them enjoying it. She was the one who had insisted there be food in the meeting rooms for the question and answer sessions.

She herself was enjoying the rare comfort of wearing shoes, long black cotton pants, and a colorful flowing tunic. And there was furniture designed for the human body-an upholstered armchair with a high back and a table she could eat from or rest her arms on. She had no such furniture in her quarters within the Mojave Bubble. She suspected that she could have at least the furniture now, if she asked her employer for it, but she had not asked, would not ask. Human things were for human places.

"But what does a contract mean to things that come from another star system?" Michelle Ota demanded.

Rune Johnsen spoke up. "Yes, it's interesting how quickly these beings have taken up local, terrestrial ways when it suits them. Translator, do you truly believe they will consider themselves bound by anything they sign? Although without hands, God knows how they manage to sign anything."

"They will consider both themselves and you bound by it if both they and you sign it," Noah said."And, yes, they can make highly individual marks that serve as signatures. They spent a great deal of their time and wealth in this country with translators, lawyers, and politicians, working things out so that each Community was counted as a legal 'person,' whose individual mark would be accepted. And for twenty years since then, they've honored their contracts."

Rune Johnsen shook his blond head. "In all, they've been on earth longer than I've been alive, and yet it feels wrong that they're here. It feels wrong that they exist. I don't even hate them, and still it feels wrong. I suppose that's because we've been displaced again from the center of the universe. We human beings, I mean. Down through history, in myth and even in science, we've kept putting ourselves in the center, and then being evicted."

Noah smiled, surprised and pleased. "I noticed the same thing. Now we find ourselves in a kind of sibling rivalry with the Communities. There is other intelligent life. The universe has other children. We knew it, but until they arrived here, we could pretend otherwise."

"That's crap!" another woman said. Thera Collier, her name was, a big, angry red-haired young woman. "The weeds came here uninvited, stole our land, and kidnapped our people." She had been eating an apple. She slammed it down hard on the table, crushing what was left of it, spattering juice.

"That's what we need to remember. That's what we need to do something about."

"Do what?" Another woman asked. "We're here to get jobs, not fight."

Noah searched her memory for the new speaker's name and found it. Piedad Ruiz-a small, brown woman who spoke English clearly, but with a strong Spanish accent. She looked with her bruised face and arms as though she had taken a fairly serious beating recently, but when Noah had asked her about it before the group came into the meeting room, she held her head up and said she was fine and it was nothing. Probably someone had not wanted her to apply for work at the bubble. Considering the rumors that were sometimes spread about the Communities and why they hired human beings, that was not surprising.

"What have the aliens told you about their coming here, Translator," Rune Johnsen asked. He was, Noah remembered from her reading of the short biography that had been given to her with his job application, the son of a small businessman whose clothing store had not survived the depression brought about by the arrival of the Communities. He wanted to look after his parents and he wanted to get married. Ironically, the answer to both those problems seemed to be to go to work for the Communities for a while. "You're old enough to remember the things they did when they arrived," he said. "What did they tell you about why they abducted people, killed people...."

"They abducted me," Noah admitted.

That silenced the room for several seconds. Each of the six potential recruits stared at her, perhaps wondering or pitying, judging or worrying, perhaps even recoiling in horror, suspicion, or disgust. She had received all these reactions from recruits and from others who knew her history. People had never been able to be neutral about abductees. Noah tended to use her history as a way to start questions, accusations, and perhaps thought.

"Noah Cannon," Rune Johnsen said, proving that he had at least been listening when she introduced herself. "I thought that name sounded familiar. You were part of the second wave of abductions. I remember seeing your name on the lists of abductees. I noticed it because you were listed as female. I had never run across a woman named Noah before."

"So they kidnapped you, and now you work for them?" This was James Hunter Adio, a tall, lean, angry-looking young black man. Noah was black herself and yet James Adio had apparently decided the moment they met that he didn't like her. Now he looked not only angry, but disgusted.