Wylder's Hand - Part 4
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Part 4

There is, near the Hall, a very pretty glen, called Redman's Dell, very steep, with a stream running at the bottom of it, but so thickly wooded that in summer time you can only now and then catch a glimpse of the water gliding beneath you. Deep in this picturesque ravine, buried among the thick shadows of tall old trees, runs the narrow mill-road, which lower down debouches on the end of the village street. There, in the transparent green shadow, stand the two mills--the old one with A.D.

1679, and the Wylder arms, and the eternal 'resurgam' projecting over its door; and higher up, on a sort of platform, the steep bank rising high behind it, with its towering old wood overhanging and surrounding, upon a site where one of king Arthur's knights, of an autumn evening, as he rode solitary in quest of adventures, might have seen the peeping, gray gable of an anchorite's chapel dimly through the gilded stems, and heard the drowsy tinkle of his vesper-bell, stands an old and small two-storied brick and timber house; and though the sun does not very often glimmer on its windows, it yet possesses an air of sad, old-world comfort--a little flower-garden lies in front with a paling round it. But not every kind of flowers will grow there, under the lordly shadow of the elms and chestnuts.

This sequestered tenement bears the name of Redman's Farm; and its occupant was that Miss Lake whom I had met last night at Brandon Hall, and whose pleasure it was to live here in independent isolation.

There she is now, busy in her tiny garden, with the birds twittering about her, and the yellow leaves falling; and her thick gauntlets on her slender hands. How fresh and pretty she looks in that sad, sylvan solitude, with the background of the dull crimson brick and the climbing roses. Bars of sunshine fall through the branches above, across the thick tapestry of blue, yellow, and crimson, that glow so richly upon their deep green ground.

There is not much to be done just now, I fancy, in the gardening way; but work is found or invented--for sometimes the hour is dull, and that bright, spirited, and at heart, it may be, bitter exile, will make out life somehow. There is music, and drawing. There are flowers, as we see, and two or three correspondents, and walks into the village; and her dark cousin, Dorcas, drives down sometimes in the pony-carriage, and is not always silent; and indeed, they are a good deal together.

This young lady's little Eden, though overshadowed and encompa.s.sed with the solemn sylvan cloister of nature's building, and vocal with sounds of innocence--the songs of birds, and sometimes those of its young mistress--was no more proof than the Mesopotamian haunt of our first parents against the intrusion of darker spirits. So, as she worked, she lifted up her eyes, and beheld a rather handsome young man standing at the little wicket of her garden, with his gloved hand on the latch. A man of fashion--a town man--his dress bespoke him: smooth cheeks, light brown curling moustache, and eyes very peculiar both in shape and colour, and something of elegance of finish in his other features, and of general grace in the _coup d'oeil_, struck one at a glance. He was smiling silently and slily on Rachel, who, with a little cry of surprise, said--

'Oh, Stanley! is it you?'

And before he could answer, she had thrown her arms about his neck and kissed him two or three times. Laughingly, half-resisting, the young man waited till her enthusiastic salutation was over, and with one gloved hand caressingly on her shoulder, and with the other smoothing his ruffled moustache, he laughed a little more, a quiet low laugh. He was not addicted to stormy greetings, and patted his sister's shoulder gently, his arm a little extended, like a man who tranquillises a frolicsome pony.

'Yes, Radie, you see I've found you out;' and his eye wandered, still smiling oddly, over the front of her quaint habitation.

'And how have you been, Radie?'

'Oh, very well. No life like a gardener's--early hours, work, air, and plenty of quiet.' And the young lady laughed.

'You are a wonderful la.s.s, Radie.'

'Thank you, dear.'

'And what do you call this place?'

'"The Happy Valley," _I_ call it. Don't you remember "Ra.s.selas?"'

'No,' he said, looking round him; 'I don't think I was ever there.'

'You horrid dunce!--it's a book, but a stupid one--so no matter,' laughed Miss Rachel, giving him a little slap on the shoulder with her slender fingers.

His reading, you see, lay more in circulating library lore, and he was not deep in Johnson--as few of us would be, I'm afraid, if it were not for Boswell.

'It's a confounded deal more like the "Valley of the Shadow of Death," in "Pilgrim's Progress"--you remember--that old Tamar used to read to us in the nursery,' replied Master Stanley, who had never enjoyed being quizzed by his sister, not being blessed with a remarkably sweet temper.

'If you don't like my scenery, come in, Stanley, and admire my decorations. You must tell me all the news, and I'll show you my house, and amaze you with my housekeeping. Dear me, how long it is since I've seen you.'

So she led him in by the arm to her tiny drawing-room; and he laid his hat and stick, and gray paletot, on her little marquetrie-table, and sat down, and looked languidly about him, with a sly smile, like a man amused.

'It is an odd fancy, living alone here.'

'An odd necessity, Stanley.'

'Aren't you afraid of being robbed and murdered, Radie?' he said, leaning forward to smell at the pretty bouquet in the little gla.s.s, and turning it listlessly round. 'There are lots of those burglar fellows going about, you know.'

'Thank you, dear, for reminding me. But, somehow, I'm not the least afraid. There hasn't been a robbery in this neighbourhood, I believe, for eight hundred years. The people never think of shutting their doors here in summer time till they are going to bed, and then only for form's sake; and, beside, there's nothing to rob, and I really don't much mind being murdered.'

He looked round, and smiled on, as before, like a man contemptuously amused, but sleepily withal.

'You are very oddly housed, Radie.'

'I like it,' she said quietly, also with a glance round her homely drawing-room.

'What do you call this, your boudoir or parlour?'

'I call it my drawing-room, but it's anything you please.'

'What very odd people our ancestors were,' he mused on. 'They lived, I suppose, out of doors like the cows, and only came into their sheds at night, when they could not see the absurd ugliness of the places they inhabited. I could not stand upright in this room with my hat on. Lots of rats, I fancy, Radie, behind that wainscoting? What's that horrid work of art against the wall?'

'A sh.e.l.l-work cabinet, dear. It is not beautiful, I allow. If I were strong enough, or poor old Tamar, I should have put it away; and now that you're here, Stanley, I think I'll make you carry it out to the lobby for me.'

'I should not like to touch it, dear Radie. And pray how do you amuse yourself here? How on earth do you get over the day, and, worse still, the evenings?'

'Very well--well enough. I make a very good sort of a nun, and a capital housemaid. I work in the garden, I mend my dresses, I drink tea, and when I choose to be dissipated, I play and sing for old Tamar--why did not you ask how she is? I do believe, Stanley, you care for no one, but' (she was going to say yourself, she said instead, however, but) 'perhaps, the least in the world for me, and that not very wisely,' she continued, a little fiercely, 'for from the moment you saw me, you've done little else than try to disgust me more than I am with my penury and solitude. What do you mean? You always have a purpose--will you ever learn to be frank and straightforward, and speak plainly to those whom you ought to trust, if not to love? What are you driving at, Stanley?'

He looked up with a gentle start, like one recovering from a reverie, and said, with his yellow eyes fixed for a moment on his sister, before they dropped again to the carpet.

'You're miserably poor, Rachel: upon my word, I believe you haven't clear two hundred a year. I'll drink some tea, please, if you have got any, and it isn't too much trouble; and it strikes me as very curious you like living in this really very humiliating state.'

'I don't intend to go out for a governess, if that's what you mean; nor is there any privation in living as I do. Perhaps you think I ought to go and housekeep for you.'

'Why--ha, ha!--I really don't know, Radie, where I shall be. I'm not of any regiment now.'

'Why, you have not sold out?' She flushed and suddenly grew pale, for she was afraid something worse might have happened, having no great confidence in her brother.

But she was relieved.

'I _have_ sold my commission.'

She looked straight at him with large eyes and compressed lips, and nodded her head two or three times, just murmuring, 'Well! well! well!'

'Women never understand these things. The army is awfully expensive--I mean, of course, a regiment like ours; and the interest of the money is better to me than my pay; and see, Rachel, there's no use in lecturing _me_--so don't let us quarrel. We're not very rich, you and I; and we each know our own affairs, you yours, and I mine, best.'

There was something by no means pleasant in his countenance when his temper was stirred, and a little thing sometimes sufficed to do so.

Rachel treated him with a sort of deference, a little contemptuous perhaps, such as spoiled children receive from indulgent elders; and she looked at him steadily, with a faint smile and arched brows, for a little while, and an undefinable expression of puzzle and curiosity.

'You are a very amusing brother--if not a very cheery or a very useful one, Stanley.'

She opened the door, and called across the little hall into the homely kitchen of the mansion.

'Tamar, dear, Master Stanley's here, and wishes to see you.'

'Oh! yes, poor dear old Tamar; ha, ha!' says the gentleman, with a gentle little laugh, 'I suppose she's as frightful as ever, that worthy woman.

Certainly she _is_ awfully like a ghost. I wonder, Radie, you're not afraid of her at night in this cheerful habitation. _I_ should, I know.'

'A ghost _indeed_, the ghost of old times, an ugly ghost enough for many of us. Poor Tamar! she was always very kind to _you_, Stanley.'