So Rachel sat down to her desk and began to write; but she could not get into the spirit of her letter; on the contrary, her mind wandered away, and she found herself listening, every now and then, and at last she fancied that old Tamar, about whom that dream, and her unexpected appearance at the door, had given her a sort of spectral feeling that night, was up and watching her; and the idea of this white sentinel outside her door excited her so unpleasantly, that she opened it, but found no Tamar there; and then she revisited the kitchen, but that was empty too, and the fire taken down. And, finally, she pa.s.sed into the old woman's bed-chamber, whom she saw, her white head upon her pillow, dreaming again, perhaps. And so, softly closing her door, she left her to her queer visions and deathlike slumber.

CHAPTER XVII.

RACHEL LAKE SEES WONDERFUL THINGS BY MOONLIGHT FROM HER WINDOW.

Though Rachel was unfit for letter-writing, she was still more unfit for slumber. She leaned her temple on her hand, and her rich light hair half covered her fingers, and her amazing interview with Dorcas was again present with her, and the same feeling of bewilderment. The suddenness and the nature of the disclosures were dream-like and unreal, and the image of Dorcas remained impressed upon her sight; not like Dorcas, though the same, but something ghastly, wan, glittering, and terrible, like a priestess at a solitary sacrifice.

It was late now, not far from one o'clock, and around her the terrible silence of a still night. All those small sounds lost in the hum of midday life now came into relief--a ticking in the wainscot, a crack now and then in the joining of the furniture, and occasionally the tap of a moth against the window pane from outside, sounds sharp and odd, which made her wish the stillness of the night were not so intense.

As from her little table she looked listlessly through the window, she saw against the faint glow of the moonlight, the figure of a man who seized the paling and vaulted into the flower garden, and with a few swift, stumbling strides over the flower-beds, reached the window, and placing his pale face close to the gla.s.s, she saw his eyes glittering through it; he tapped--or rather beat on the pane with his fingers--and at the same time he said, repeatedly: 'Let me in; let me in.'

Her first impression, when she saw this person cross the little fence at the road-side was, that Mark Wylder was the man. But she was mistaken; the face and figure were Stanley Lake's.

She would have screamed in the extremity of her terror, but that her voice for some seconds totally failed her; and recognising her brother, though like Rhoda, in Holy Writ, she doubted whether it was not his angel, she rose up, and with an awful e.j.a.c.u.l.a.t.i.o.n, she approached the window.

'Let me in, Radie; d-- you, let me in,' he repeated, drumming incessantly on the gla.s.s. There was no trace now of his sleepy jeering way. Rachel saw that something was very wrong, and beckoned him toward the porch in silence, and having removed the slender fastenings of the door, it opened, and he entered in a rush of damp night air. She took him by the hand, and he shook hers mechanically, like a man rescued from shipwreck, and plainly not recollecting himself well.

'Stanley, dear, what's the matter, in Heaven's name?' she whispered, so soon as she had got him into her little drawing-room.

'He has done it; d-- him, he has done it,' gasped Stanley Lake.

He looked in her face with a glazed and ashy stare. His hat remained on his head, overshadowing his face; and his boots were soiled with clay, and his wrapping coat marked, here and there, with the green of the stems and branches of trees, through which he had made his way.

'I see, Stanley, you've had a scene with Mark Wylder; I warned you of your danger--you have had the worst of it.'

'I spoke to him. He took a course I did not expect. I'm not well.'

'You've broken your promise. I see you have used _me_. How base; how stupid!'

'How could I tell he was such a _fiend_?'

'I told you how it would be. He has frightened you,' said Rachel, herself frightened.

'D-- him; I wish I had done as you said. I wish I had never come here.

Give me a gla.s.s of wine. He has ruined me.'

'You cruel, wretched creature!' said Rachel, now convinced that he had compromised her as he threatened.

'Yes, I was wrong; I'm sorry; things have turned out different. Who's that?' said Lake, grasping her wrist.

'Who--where--Mark Wylder?'

'No; it's nothing, I believe.'

'Where is he? Where have you left him?'

'Up there, at the pathway, near the stone steps.'

'Waiting there?'

'Well, yes; and I don't think I'll go back, Radie.'

'You _shall_ go back, Sir, and carry my message; or, no, I could not trust you. I'll go with you and see him, and disabuse him. How could you--how _could_ you, Stanley?'

'It was a mistake, altogether; I'm sorry, but I could not tell there was such a devil on the earth.'

'Yes, I told you so. _He_ has frightened _you_' said Rachel.

'He _has_, _maybe_. At any rate, I was a fool, and I think I'm ruined; and I'm afraid, Rachel, you'll be inconvenienced too.'

'Yes, you have made him savage and brutal; and between you, I shall be called in question, you wretched fool!'

Stanley was taking these hard terms very meekly for a savage young c.o.xcomb like him. Perhaps they bore no very distinct meaning just then to his mind. Perhaps it was preoccupied with more exciting ideas; or, it may be, his agitation and fear cried 'amen' to the reproach; at all events, he only said, in a pettish but deprecatory sort of way--

'Well, where's the good of scolding? how can I help it now?'

'What's your quarrel? why does he wait for you there? why has he sent you here? It must concern _me_, Sir, and I insist on hearing it all.'

'So you shall, Radie; only have patience just a minute--and give me a little wine or water--anything.'

'There is the key. There's some wine in the press, I think.'

He tried to open it, but his hand shook. He saw his sister look at him, and he flung the keys on the table rather savagely, with, I dare say, a curse between his teeth.

There was running all this time in Rachel's mind, and had been almost since the first menacing mention of Wylder's name by her brother, an indistinct remembrance of something unpleasant or horrible. It may have been mere fancy, or it may have referred to something long ago imperfectly heard. It was a spectre of mist, that evaporated before she could fix her eyes on it, but was always near her elbow.

Rachel took the key with a faint gleam of scorn on her face and brought out the wine in silence.

He took a tall-stemmed Venetian gla.s.s that stood upon the cabinet, an antique decoration, and filled it with sherry--a strange revival of old service! How long was it since lips had touched its brim before, and whose? Lovers', maybe, and how. How long since that cold crystal had glowed with the ripples of wine? This, at all events, was its last service. It is an old legend of the Venetian gla.s.s--its shivering at touch of poison; and there are those of whom it is said, 'the poison of asps is under their lips.'

'What's that?' e.j.a.c.u.l.a.t.ed Rachel, with a sudden shriek--that whispered shriek, so expressive and ghastly, that you, perhaps, have once heard in your life--and her very lips grew white.

'Hollo!' cried Lake. He was standing with his back to the window, and sprang forward, as pale as she, and grasped her, with a white leer that she never forgot, over his shoulder, and the Venice gla.s.s was shivered on the ground.

'Who's there?' he whispered.

And Rachel, in a whisper, e.j.a.c.u.l.a.t.ed the awful name that must not be taken in vain.

She sat down. She was looking at him with a wild, stern stare, straight in the face, and he still holding her arm, and close to her.

'I see it all now,' she whispered.

'Who--what--what is it?' said he.

'I could not have fancied _that_,' she whispered with a gasp.