As he came in out of the barn on this spring day, he turned to look up at the roof with a curse. Something had angered him. He did not stop to comb his hair after washing at the pump, but came into the neat kitchen and surlily took a seat at the table.

Mrs. Miner, a slender little woman, quite ladylike in appearance, had the dinner all placed in steaming abundance upon the table, and the children, sitting side by side, watched their father in silence. There was an air of foreboding, of apprehension, over them all, as if they feared some brutal outbreak on his part.

He placed his elbows on the table. His sleeves were rolled up, displaying his red and much sunburned arms. He wore no coat, and his face was sullen, and held, besides, a certain vicious quality, like that of a bad-tempered dog.

He had not spoken to his wife directly for many weeks. For years it had been his almost constant habit to address her through the children, by calling her "she" or "your mother." He had done this so long that even the little ones were startled when he said, looking straight at her:

"Say, what are you going to do about that roof?"

Mrs. Miner turned her large gray eyes upon him in sudden confusion.

"Excuse me, Tom, I didn't----"

"I said 'What you goin' t' do with that roof?'" he repeated brutally.

"What roof?" she asked timidly.

"What roof?" he repeated after her. "Why, the barn, of course! It's leakin' and rottin' my oats. It's none o' my business," he went on, his voice containing an undercurrent of vicious insult. "Only I thought you'd like to know it's worse than ever. You can do as you like about it," he said again, and there was a peculiar tone in his voice, as if, by using that tone, he touched her upon naked nerves somewhere. "I guess I can cover the oats up."

A stranger would not have known what it all meant, and yet there was something in what he said that made his wife turn white. But she answered quietly:

"I'll send word to the carpenter this forenoon. I'm sorry," she went on, the tears coming to her eyes. She turned away and looked out of the window, while he ate on indifferently. At last she turned with a sudden impulse: "O Tom, why can't we be friends again? For the children's sake, you ought to----"

"Oh, shut up!" he snarled. "Good G.o.d! Can't you let a thing rest? Suits me well enough. I ain't complainin'. So, just shut up."

He rose with a slam and went out. The two children sat with hushed breath. They knew him too well to cry out.

Mrs. Miner sat for a long time at the table without moving. At last she rose and went sighfully at work. "Morty, I want you to run down to Mr.

Wilber's and ask him to come up and see me about some work." She stood at the window and watched the boy as he stepped lightly down the road.

"How much he looks like his father, in spite of his sunny temper!" she thought, and it was not altogether a pleasant thing to think of, though she did not allow such a thought to take definite shape.

The young carpenter whom Wilber sent to fill Mrs. Miner's order walked with the gay feet of youth as he pa.s.sed out of the little town toward the river. When he came to the bridge, he paused and studied the scene with slow, delighted eyes. The water came down over its dam with a leap of buoyant joy, as if leaping to freedom. Over the dam it lay in a quiet pool, mirroring every bud and twig. Below, it curved away between low banks, with bushes growing to the water's edge, where the pickerel lay.

But the young man seemed to be saddened by the view of the mill, which had burned some years before. It seemed like the charred body of a living thing, this heap of blackened and twisted shafts and pulleys, lying half buried in tangles of weeds.

It appealed so strongly to young Morris that he uttered an unconscious sigh as he walked on across the bridge and clambered the shelving road, which was cut out of the yellow sandstone of the hillside.

The road wound up the sandy hillside and came at length to a beautiful broad terrace of farm land that stretched back to the higher bluffs. The house toward which the young fellow turned was painted white, and had the dark-green blinds which transplanted New-Englanders carry with them wherever they go.

Soldierly Lombardy poplar trees stood in the yard, and beds of flowers lined the walk. Mrs. Miner was at work in the beds when he came up.

"Good day," he said cordially. "Glorious spring weather, isn't it?" He smiled pleasantly. "Is this Mrs. Miner?"

"Yes, sir." She looked at him wonderingly.

"I'm one of Wilber's men," he explained. "He couldn't get away, so he sent me up to see what needed doing."

"Oh," she said, with a relieved tone. "Very well; will you go look at it?"

They walked, side by side, out toward the barn, which had the look of great age in its unpainted decay. It was gray as granite and worn fuzzy with sleet and snow. The young fellow looked around at the gra.s.s, the dandelions, the vague and beautiful shadows flung down upon the turf by the scant foliage of the willows and apple trees, and took off his hat, as if in the presence of something holy. "What a lovely place!" he said--"all but the mill down there; it seems too bad it burnt up. I hate to see a ruin, most of all, one of a mill." She looked at him in surprise, perceiving that he was not at all an ordinary carpenter. He had a thoughtful face, and the workman's dress he wore could not entirely conceal a certain delicacy of limb. His voice had a touch of cultivation in it.

"The work I want done is on the barn," she said at length. "Do you think it needs reshingling?"

He looked up at it critically, his head still bare. She was studying him carefully now, and admired his handsome profile. There was something fine and powerful in the poise of his head.

"You haven't been working for Mr. Wilber long," she said.

He turned toward her with a smile of gratification, as if he knew she had detected something out of the ordinary in him.

"No, I'm just out of Beloit," he said, with ready confidence. "You see that I'm one of these fellows who have to work my pa.s.sage. I put in my vacations at my trade." He looked up at the roof again, as if checking himself. "Yes, I should think from here that it would have to be reshingled."

She sighed resignedly, and he knew she was poor. "Well, I suppose you had better do it."

She thought of him pleasantly, as he walked off down the road after the lumber and tools that were necessary. And, in his turn, he wondered whether she were a widow or not. It promised to be a pleasant job. She was quite handsome, in a serious way, he decided--very womanly and dignified. Perhaps this was his romance, he thought, with the ready imagination upon this point of a youth of twenty-one.

He returned soon with a German teamster, who helped him unload his lumber and erect his stagings. When noon came he was working away on the roof, tearing the old shingles off with a spade.

He was a little uncertain about his dinner. It was the custom to board carpenters when they were working on a farm, but this farm was so near town, possibly Mrs. Miner would not think it necessary. He decided, however, to wait till one o'clock, to be sure. At half past twelve, a man came in out of the field with a team--a short man, with curly hair, curly chin beard, and mustache. He walked with a little swagger, and his legs were slightly bowed. Morris called him "a little feller," and catalogued him by the slant on his hat.

"Say," called Morris suddenly, "won't you come up here and help me raise my staging?"

The man looked up with a muttered curse of surprise. "Who the h.e.l.l y'

take me for? Hired man?" he asked, and then, after a moment, continued, in a tone which was an insult: "You don't want to rip off the whole broad side of that roof. Ain't y' got any sense? Come a rain, it'll raise h.e.l.l with my hay."

"It ain't going to rain," Morris replied. He wanted to give him a sharp reply, but concluded not to do so. This was evidently the husband. His romance was very short.

"Tom, won't you call the man in?" asked Mrs. Miner, as her husband came up to the kitchen door.

"No, call 'im yourself. You've got a gullet."

Mrs. Miner's face clouded a little, but she composed herself. "Morty, run out and tell the carpenter to come to dinner."

"Boss is in a temper," Morris thought, as he listened to Miner's reply.

He came up to the well, where Morty brought him a clean towel, and waited to show him into the kitchen.

Miner was just sitting down to the table when Morris entered. His sleeves were rolled up. He had his old white hat on his head. He lounged upon one elbow on the table. His whole bearing was swinish.

"What do I care?" he growled, as if in reply to some low-voiced warning his wife had uttered. "If he don't like it, he can lump it, and if you don't like my ways," he said, turning upon her, "all you've got to do is to say so, and I git out."

Morris was amazed at all this. He could not persuade himself that he had rightly understood what had been said. There was something beneath the man's words which puzzled him and forbade his inquiry. He sat down near the oldest child and opposite Mrs. Miner. Miner began to eat, and Morris was speaking pleasantly to the child nearest him, when he heard an oath and a slap. He looked up to see Miner's hat falling from Mrs. Miner's cheek.

She had begun a silent grace, and her husband had thrown his hat in her face. She kept her eyes upon her plate, and her lips moved as if in prayer, though a flush of red streamed up her neck and covered her cheek.

Morris leaped up, his eyes burning into Miner's face. "H'yere!" he shouted, "what's all this? Did you strike her?"

"Set down!" roared Miner. "You're too fresh."

"I'll let you know how fresh I am," said the young fellow, shaking his brawny fist in Miner's face.

Mrs. Miner rose, with a ghastly smile on her face, which was now as pale as it had been flushed. "Please don't mind him; he's only fooling."