"You must wait a little."

"Wait a little! Wait a little! What does he think a fellow is--a graven image?" grumbled Ricardo half audibly.

Heyst went into the bedroom, and shut the door after him with a bang.

Coming from the light, he could not see a thing in there at first; yet he received the impression of the girl getting up from the floor. On the less opaque darkness of the shutter-hole, her head detached itself suddenly, very faint, a mere hint of a round, dark shape without a face.

"I am going, Lena. I am going to confront these scoundrels." He was surprised to feel two arms falling on his shoulders. "I thought that you--" he began.

"Yes, yes!" the girl whispered hastily.

She neither clung to him, nor yet did she try to draw him to her. Her hands grasped his shoulders, and she seemed to him to be staring into his face in the dark. And now he could see something of her face, too--an oval without features--and faintly distinguish her person, in the blackness, a form without definite lines.

"You have a black dress here, haven't you, Lena?" he asked, speaking rapidly, and so low that she could just hear him.

"Yes--an old thing."

"Very good. Put it on at once."

"But why?"

"Not for mourning!" There was something peremptory in the slightly ironic murmur. "Can you find it and get into it in the dark?"

She could. She would try. He waited, very still. He could imagine her movements over there at the far end of the room; but his eyes, accustomed now to the darkness, had lost her completely. When she spoke, her voice surprised him by its nearness. She had done what he had told her to do, and had approached him, invisible.

"Good! Where's that piece of purple veil I've seen lying about?" he asked.

There was no answer, only a slight rustle.

"Where is it?" he repeated impatiently.

Her unexpected breath was on his cheek.

"In my hands."

"Capital! Listen, Lena. As soon as I leave the bungalow with that horrible scoundrel, you slip out at the back--instantly, lose no time!--and run round into the forest. That will be your time, while we are walking away, and I am sure he won't give me the slip. Run into the forest behind the fringe of bushes between the big trees. You will know, surely, how to find a place in full view of the front door. I fear for you; but in this black dress, with most of your face m.u.f.fled up in that dark veil, I defy anybody to find you there before daylight. Wait in the forest till the table is pushed into full view of the doorway, and you see three candles out of four blown out and one relighted--or, should the lights be put out here while you watch them, wait till three candles are lighted and then two put out. At either of these signals run back as hard as you can, for it will mean that I am waiting for you here."

While he was speaking, the girl had sought and seized one of his hands. She did not press it; she held it loosely, as it were timidly, caressingly. It was no grasp; it was a mere contact, as if only to make sure that he was there, that he was real and no mere darker shadow in the obscurity. The warmth of her hand gave Heyst a strange, intimate sensation of all her person. He had to fight down a new sort of emotion, which almost unmanned him. He went on, whispering sternly:

"But if you see no such signals, don't let anything--fear, curiosity, despair, or hope--entice you back to this house; and with the first sign of dawn steal away along the edge of the clearing till you strike the path. Wait no longer, because I shall probably be dead."

The murmur of the word "Never!" floated into his ear as if it formed itself in the air.

"You know the path," he continued. "Make your way to the barricade. Go to w.a.n.g--yes, to w.a.n.g. Let nothing stop you!" It seemed to him that the girl's hand trembled a little. "The worst he can do to you is to shoot you, but he won't. I really think he won't, if I am not there. Stay with the villagers, with the wild people, and fear nothing. They will be more awed by you than you can be frightened of them. Davidson's bound to turn up before very long. Keep a look-out for a pa.s.sing steamer. Think of some sort of signal to call him."

She made no answer. The sense of the heavy, brooding silence in the outside world seemed to enter and fill the room--the oppressive infinity of it, without breath, without light. It was as if the heart of hearts had ceased to beat and the end of all things had come.

"Have you understood? You are to run out of the house at once," Heyst whispered urgently.

She lifted his hand to her lips and let it go. He was startled.

"Lena!" he cried out under his breath.

She was gone from his side. He dared not trust himself--no, not even to the extent of a tender word.

Turning to go out he heard a thud somewhere in the house. To open the door, he had first to lift the curtain; he did so with his face over his shoulder. The merest trickle of light, coming through the keyhole and one or two cracks, was enough for his eyes to see her plainly, all black, down on her knees, with her head and arms flung on the foot of the bed--all black in the desolation of a mourning sinner. What was this? A suspicion that there were everywhere more things than he could understand crossed Heyst's mind. Her arm, detached from the bed, motioned him away. He obeyed, and went out, full of disquiet.

The curtain behind him had not ceased to tremble when she was up on her feet, close against it, listening for sounds, for words, in a stooping, tragic att.i.tude of stealthy attention, one hand clutching at her breast as if to compress, to make less loud the beating of her heart. Heyst had caught Mr. Jones's secretary in the contemplation of his closed writing-desk. Ricardo might have been meditating how to break into it; but when he turned about suddenly, he showed so distorted a face that it made Heyst pause in wonder at the upturned whites of the eyes, which were blinking horribly, as if the man were inwardly convulsed.

"I thought you were never coming," Ricardo mumbled.

"I didn't know you were pressed for time. Even if your going away depends on this conversation, as you say, I doubt if you are the men to put to sea on such a night as this," said Heyst, motioning Ricardo to precede him out of the house.

With feline undulations of hip and shoulder, the secretary left the room at once. There was something cruel in the absolute dumbness of the night. The great cloud covering half the sky hung right against one, like an enormous curtain hiding menacing preparations of violence. As the feet of the two men touched the ground, a rumble came from behind it, preceded by a swift, mysterious gleam of light on the waters of the bay.

"Ha!" said Ricardo. "It begins."

"It may be nothing in the end," observed Heyst, stepping along steadily.

"No! Let it come!" Ricardo said viciously. "I am in the humour for it!"

By the time the two men had reached the other bungalow, the far-off modulated rumble growled incessantly, while pale lightning in waves of cold fire flooded and ran off the island in rapid succession. Ricardo, unexpectedly, dashed ahead up the steps and put his head through the doorway.

"Here he is, governor! Keep him with you as long as you can--till you hear me whistle. I am on the track."

He flung these words into the room with inconceivable speed, and stood aside to let the visitor pa.s.s through the doorway; but he had to wait an appreciable moment, because Heyst, seeing his purpose, had scornfully slowed his pace. When Heyst entered the room it was with a smile, the Heyst smile, lurking under his martial moustache.

CHAPTER ELEVEN

Two candles were burning on the stand-up desk. Mr. Jones, tightly enfolded in an old but gorgeous blue silk dressing-gown, kept his elbows close against his sides and his hands deeply plunged into the extraordinarily deep pockets of the garment. The costume accentuated his emaciation. He resembled a painted pole leaning against the edge of the desk, with a dried head of dubious distinction stuck on the top of it.

Ricardo lounged in the doorway. Indifferent in appearance to what was going on, he was biding his time. At a given moment, between two flickers of lightning, he melted out of his frame into the outer air. His disappearance was observed on the instant by Mr. Jones, who abandoned his nonchalant immobility against the desk, and made a few steps calculated to put him between Heyst and the doorway.

"It's awfully close," he remarked

Heyst, in the middle of the room, had made up his mind to speak plainly.

"We haven't met to talk about the weather. You favoured me earlier in the day with a rather cryptic phrase about yourself. 'I am he that is,'

you said. What does that mean?"

Mr. Jones, without looking at Heyst, continued his absentminded movements till, attaining the desired position, he brought his shoulders with a thump against the wall near the door, and raised his head. In the emotion of the decisive moment his haggard face glistened with perspiration. Drops ran down his hollow cheeks and almost blinded the spectral eyes in their bony caverns.

"It means that I am a person to be reckoned with. No--stop! Don't put your hand into your pocket--don't."

His voice had a wild, unexpected shrillness. Heyst started, and there ensued a moment of suspended animation, during which the thunder's deep ba.s.s muttered distantly and the doorway to the right of Mr. Jones flickered with bluish light. At last Heyst shrugged his shoulders; he even looked at his hand. He didn't put it in his pocket, however. Mr.

Jones, glued against the wall, watched him raise both his hands to the ends of his horizontal moustaches, and answered the note of interrogation in his steady eyes.