You'll never risk feeling the ugly.

So you give it up. You give it all up. You never want love again, no matter what kind it is, because no type of love will ever be worth living through the ugly love again.

I'll never let myself love anyone again, Rachel.

Ever.

chapter thirty-five.

TATE.

"Last load," Corbin says, picking up the remaining two boxes.

I hand Corbin the key to my new place. "I'll make one more walk-through and meet you over there." I open the door for Corbin, and he exits the apartment. I'm left staring at the door across the hall.

I haven't seen or spoken to him since last week. I've been selfishly hoping he would show up and apologize, but then again, what would he even be apologizing for? He never lied to me. He never verbalized promises that he broke.

The only times he wasn't brutally honest with me were the times he didn't speak. The times he looked at me and I a.s.sumed the feelings I saw in his eyes were more than what he was able to verbalize.

It's apparent now that I more than likely invented those feelings from him in order to match them to my own. The occasional emotion behind his eyes when we were together was obviously a figment of my own imagination. A figment of my hope.

I scan the apartment one last time to make sure I packed everything. When I step outside and lock Corbin's door behind me, my movements are taken over by something I'm unfamiliar with.

I can't tell if it's braveness or desperation, but my hand is balled into a fist, and that fist is knocking on his door.

I tell myself that I'm free to escape to the elevator if ten seconds pa.s.s and the door doesn't open.

Unfortunately, it opens after seven.

My thoughts begin to riot with rationalization as the door opens wider. Before rationalization wins and I dart away, Ian appears in the doorway. His eyes change from complacent to sympathetic when he sees me standing here.

"Tate," he says, capping my name off with a smile. I notice the shift of his gaze toward Miles's bedroom before his eyes fall back on mine. "Let me get him," he says.

I feel the ascent in the nod of my head, but my heart is making a descent, scaling down my chest, through my stomach, and straight to the floor.

"Tate's at the door," I hear Ian say. I inspect every word, every syllable, searching for a clue wherever I can find one. I want to know if he rolled his eyes when he said that or if he said it hopefully. If anyone knows how Miles would feel about me standing in his doorway, it would be Ian. Unfortunately, Ian's voice gives no indication of what Miles may feel about my presence.

I hear footsteps. I dissect the sound of the footsteps as they close in on the living room. Are they hurried footsteps? Are they hesitant? Are they angry?

When he reaches the door, my eyes fall to his feet first.

I get nothing from them. No clues that will help me find the confidence I so desperately need in this moment.

I can already tell my words will come out raspy and weak, but I force them up anyway. "I'm leaving," I say, still staring down at his feet. "I just wanted to say good-bye."

There's no immediate reaction from him, physically or verbally. My eyes finally make the brave journey up to his. When I see the stoic look on his face, I want to step back, but I'm afraid I'll trip over my heart.

I don't want him to watch me fall.

My regret over making the choice to knock consumes me with the brevity in his response.

"Good-bye, Tate."

chapter thirty-six.

MILES.

Present day Her eyes finally find the courage to meet mine, but I try not to see her. When I really look at her, it's too much. Every time I'm with her, her eyes and her mouth and her voice and her smile find every vulnerable spot on me to breach. To seize. To conquer. Every time I'm around her, I have to fight it, so I try not to see her with anything other than my eyes this time.

She says she's here to say good-bye, but that's not why she's here, and she knows it. She's here because she fell in love with me, even though I told her not to. She's here because she still has hope that I can love her back.

I want to, Tate. I want to love you so much it f.u.c.king hurts.

I don't even recognize my own voice when I tell her goodbye. The lack of emotion behind my words could be misconstrued as hateful. A far cry from the apathy I'm attempting to convey and an even farther cry from the urge I have to beg her not to go.

She immediately looks down at her feet. I can tell my response just killed her, but I've given her enough false hope. Every time I ever allowed her in, it hurts her that much more when I have to push her away.

But it's hard to feel bad for her, because as much as she's hurting, she doesn't know pain. She doesn't know it like I know it. I keep pain alive. I keep it in business. I keep it thriving with as much as I experience it.

She inhales and then looks back up at me with slightly redder, glossier eyes. "You deserve so much more than what you're allowing yourself to have." She stands on the tips of her toes and places her hands on my shoulders, then presses her lips to my cheek. "Good-bye, Miles."

She turns and walks toward the elevator, just as Corbin steps out to meet her. I see her lift one of her hands to wipe away her tears.

I watch her walk away.

I shut my door, expecting to feel even the slightest ripple of relief over the fact that I was able to let her walk away. Instead, I'm met with the only familiar sensation my heart is capable of feeling: pain.

"You're a G.o.dd.a.m.n idiot," Ian says from behind me. I turn around, and he's sitting on the arm of the couch, staring at me. "Why are you not going after her right now?"

Because, Ian, I hate this feeling. I hate every feeling she evokes in me, because it fills me with all the things I've spent the last six years avoiding.

"Why would I do that?" I ask as I head toward my room. I pause with the knock at my front door. I expel a frustrated breath before turning back to the door, not wanting to have to turn her away for a second time. I will, though. Even if I have to lay it out in terms that will hurt her even more, she needs to accept the fact that it's over. I let it go too far. h.e.l.l, I never should have allowed it to even begin, with us knowing it would more than likely end this way.

I open the door but find Corbin in my line of sight rather than Tate. I want to feel relieved by the fact that it's him standing here rather than her, but the fuming look on his face makes it impossible to feel relieved.

Before I can react, his fist connects with my mouth, and I stumble backward toward the couch. Ian breaks my fall, and I steady myself before turning to face the door again.

"What the h.e.l.l, Corbin?" Ian yells. He's holding me back, a.s.suming I want retaliation.

I don't. I deserved that.

Corbin trades looks between the two of us, finally settling on me. He pulls his fist up to his chest and rubs it with his other hand. "We all know I should have done that a long time ago." He grips the doork.n.o.b and pulls the door shut, disappearing back out into the hallway.

I shrug out of Ian's grasp and bring my hand up to my lip. I pull my fingers back, and they're tinged with blood.

"How about now?" Ian says, hopeful. "You gonna go after her now?"

I glare at him before turning to stalk off to my bedroom.

Ian laughs loudly. It's the kind of laugh that says, You're a G.o.dd.a.m.n idiot. Only he already said that, so he's kind of just repeating himself.

He follows me to my bedroom.

I'm really not in the mood for this conversation. Good thing I know how to look at people without actually seeing them.

I take a seat on my bed, and he walks into my room and leans against the door. "I'm tired of this, Miles. Six f.u.c.king years I've watched this zombie walk around in your place."

"I'm not a zombie," I say flatly. "Zombies can't fly."

Ian rolls his eyes, obviously not in the mood for jokes. Good thing, because I'm not really in the mood to make them.

He continues to glare at me, so I pick up my phone and lie back on the bed in order to pretend he isn't here.

"She's the first thing to breathe life back into you since the night you drowned in that f.u.c.king lake."

I'll hurt him. If he doesn't leave right this second, I'll f.u.c.king hurt him.

"Get out."

"No."

I look at him. I see him. "Get the h.e.l.l out, Ian."

He walks to my desk, pulls out the chair, and sits in it. "f.u.c.k you, Miles," he says. "I'm not finished."

"Get out!"

"No!"

I stop fighting him. I get up and walk out myself.

He follows me. "Let me ask you one question," he says, trailing me into the living room.

"And then you'll get out?"

He nods. "And then I'll get out."

"Fine."

He regards me silently for a few moments.

I patiently wait for his question so he can leave before I hurt him.

"What if someone told you they could erase that entire night from your memory, but in doing so, they also have to erase every single good thing. All the moments with Rachel. Every word, every kiss, every I love you. Every moment you had with your son, no matter how brief. The first moment you saw Rachel holding him. The first moment you held him. The first time you heard him cry or watched him sleep. All of it. Gone. Forever. If someone told you they could get rid of the ugly stuff, but you'd lose all the other stuff, too . . . would you do it?"

He thinks he's asking me something I've never asked myself before. Does he think I don't sit and wonder about this stuff every f.u.c.king day of my life?

"You didn't say I had to answer your question. You just asked if you could ask it. You can leave now."

I'm the worst kind of person.

"You can't answer it," he says. "You can't say yes."

"I also can't say no," I tell him. "Congratulations, Ian. You stumped me. Good-bye."

I begin to walk back to my room, but he says my name again. I stop and put my hands on my hips and drop my head. Why won't he stop with it, already? It's been six d.a.m.n years. He should know that night made me who I am now. He should know I'm not changing.

"If I would have asked you that a few months ago, you would have said yes before the question even left my mouth," he says. "Your answer has always been yes. You would have given up anything to not have to relive that night."

I turn around, and he's heading toward the door. He opens it, then pauses and faces me again. "If being with Tate for a few short months can make that pain bearable enough for you to answer with maybe, imagine what a lifetime with her could do for you."

He closes the door.

I close my eyes.

Something happens. Something inside me. It's as if his words have created an avalanche out of the glacier surrounding my heart. I feel chunks of hardened ice break off and fall next to all the other pieces that have detached since the moment I met Tate.

I step off the elevator and walk over to the empty chair next to Cap. He doesn't even acknowledge my presence with eye contact. He's staring across the lobby toward the exit.

"You just let her go," he says, not even attempting to hide the disappointment in his voice.

I don't respond.

He pushes on the arms of his chair with his hands, repositioning himself. "Some people . . . they grow wiser as they grow older. Unfortunately, most people just grow older." He turns to face me. "You're one of the ones just been growing older, because you are as stupid as you were the day you were born."

Cap knows me well enough to know this is what had to happen. He's known me all my life; having worked maintenance on my father's apartment buildings since before I was born. Before that, he worked for my grandfather doing the same thing. This pretty much guarantees he knows more about me and my family than even I do. "It had to happen, Cap," I say, excusing the fact that I let the only girl who has been able to reach me in more than six years just walk away.

"Had to happen, huh?" he grumbles.

As long as I've known him and as many nights as I've spent down here talking to him, he's never once given me an opinion about the decisions I've made for myself. He knows the life I chose after Rachel. He spouts off tidbits of wisdom here and there but never his opinion. He's listened to me vent about the situation with Tate for months, and he always sits quietly, patiently hearing me out, never giving me advice. That's what I like about him.

I feel that's all about to change.

"Before you give me a lecture, Cap," I say, interrupting him before he has the chance to continue. "You know she's better off." I turn and face him. "You know she is."