"No," he muttered. "Little smoke--little smoke--little smoke. What else?"

He thrust his chin forward toward the advertis.e.m.e.nt, whereunder the last of the Blaudett's Cathedral pastilles fumed in its holder. "Ah!" Then with relief:--

The little smoke that dies in moonlight cold.

Evidently he was snared by the rhymes of his first verse, for he wrote and rewrote "gold--cold--mould" many times. Again he sought inspiration from the advertis.e.m.e.nt, and set down, without erasure, the line I had overheard:

And threw warm gules on Madeleine's young breast.

As I remembered the original it is "fair"--a trite word--instead of "young," and I found myself nodding approval, though I admitted that the attempt to reproduce "its little smoke in pallid moonlight died" was a failure.

Followed without a break ten or fifteen lines of bald prose--the naked soul's confession of its physical yearning for its beloved--unclean as we count uncleanliness; unwholesome, but human exceedingly; the raw material, so it seemed to me in that hour and in that place, whence Keats wove the twenty-sixth, seventh, and eighth stanzas of his poem. Shame I had none in overseeing this revelation; and my fear had gone with the smoke of the pastille.

"That's it," I murmured. "That's how it's blocked out. Go on! Ink it in, man. Ink it in!"

Mr. Shaynor returned to broken verse wherein "loveliness" was made to rhyme with a desire to look upon "her empty dress." He picked up a fold of the gay, soft blanket, spread it over one hand, caressed it with infinite tenderness, thought, muttered, traced some s.n.a.t.c.hes which I could not decipher, shut his eyes drowsily, shook his head, and dropped the stuff.

Here I found myself at fault, for I could not then see (as I do now) in what manner a red, black, and yellow Austrian blanket coloured his dreams.

In a few minutes he laid aside his pen, and, chin on hand, considered the shop with thoughtful and intelligent eyes. He threw down the blanket, rose, pa.s.sed along a line of drug-drawers, and read the names on the labels aloud. Returning, he took from his desk Christie's _New Commercial Plants_ and the old Culpepper that I had given him, opened and laid them side by side with a clerky air, all trace of pa.s.sion gone from his face, read first in one and then in the other, and paused with pen behind his ear.

"What wonder of Heaven's coming now?" I thought.

"Manna--manna--manna," he said at last, under wrinkled brows. "That's what I wanted. Good! Now then! Now then! Good! Good! Oh, by G.o.d, that's good!"

His voice rose and he spoke rightly and fully without a falter:--

Candied apple, quince and plum and gourd, And jellies smoother than the creamy curd, And lucent syrups tinct with cinnamon, Manna and dates in Argosy transferred From Fez; and spiced dainties, every one From silken Samarcand to cedared Lebanon.

He repeated it once more, using "blander" for "smoother" in the second line; then wrote it down without erasure, but this time (my set eyes missed no stroke of any word) he subst.i.tuted "soother" for his atrocious second thought, so that it came away under his hand as it is written in the book--as it is written in the book.

A wind went shouting down the street, and on the heels of the wind followed a spurt and rattle of rain.

After a smiling pause--and good right had he to smile--he began anew, always tossing the last sheet over his shoulder:--

"The sharp rain falling on the window-pane, Rattling sleet--the wind-blown sleet."

Then prose: "It is very cold of mornings when the wind brings rain and sleet with it. I heard the sleet on the window-pane outside, and thought of you, my darling. I am always thinking of you. I wish we could both run away like two lovers into the storm and get that little cottage by the sea which we are always thinking about, my own dear darling. We could sit and watch the sea beneath our windows. It would be a fairyland all of our own--a fairy sea--a fairy sea...."

He stopped, raised his head, and listened. The steady drone of the Channel along the sea-front that had borne us company so long leaped up a note to the sudden fuller surge that signals the change from ebb to flood. It beat in like the change of step throughout an army--this renewed pulse of the sea--and filled our ears till they, accepting it, marked it no longer.

"A fairyland for you and me Across the foam--beyond ...

A magic foam, a perilous sea."

He grunted again with effort and bit his underlip. My throat dried, but I dared not gulp to moisten it lest I should break the spell that was drawing him nearer and nearer to the high-water mark but two of the sons of Adam have reached. Remember that in all the millions permitted there are no more than five--five little lines--of which one can say: "These are the pure Magic. These are the clear Vision. The rest is only poetry."

And Mr. Shaynor was playing hot and cold with two of them!

I vowed no unconscious thought of mine should influence the blindfold soul, and pinned myself desperately to the other three, repeating and re-repeating:

A savage spot as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon lover.

But though I believed my brain thus occupied, my every sense hung upon the writing under the dry, bony hand, all brown-fingered with chemicals and cigarette-smoke.

Our windows fronting on the dangerous foam,

(he wrote, after long, irresolute s.n.a.t.c.hes), and then--

"Our open cas.e.m.e.nts facing desolate seas Forlorn--forlorn--"

Here again his face grew peaked and anxious with that sense of loss I had first seen when the Power s.n.a.t.c.hed him. But this time the agony was tenfold keener. As I watched it mounted like mercury in the tube. It lighted his face from within till I thought the visibly scourged soul must leap forth naked between his jaws, unable to endure. A drop of sweat trickled from my forehead down my nose and splashed on the back of my hand.

"Our windows facing on the desolate seas And pearly foam of magic fairyland--"

"Not yet--not yet," he muttered, "wait a minute.

_Please_ wait a minute. I shall get it then--"

Our magic windows fronting on the sea, The dangerous foam of desolate seas ..

For aye.

"_Ouh_, my G.o.d!"

From head to heel he shook--shook from the marrow of his bones outwards--then leaped to his feet with raised arms, and slid the chair screeching across the tiled floor where it struck the drawers behind and fell with a jar. Mechanically, I stooped to recover it.

As I rose, Mr. Shaynor was stretching and yawning at leisure.

"I've had a bit of a doze," he said. "How did I come to knock the chair over? You look rather--"

"The chair startled me," I answered. "It was so sudden in this quiet."

Young Mr. Cash.e.l.l behind his shut door was offendedly silent.

"I suppose I must have been dreaming," said Mr. Shaynor.

"I suppose you must," I said. "Talking of dreams--I--I noticed you writing--before--"

He flushed consciously.

"I meant to ask you if you've ever read anything written by a man called Keats."

"Oh! I haven't much time to read poetry, and I can't say that I remember the name exactly. Is he a popular writer?"

"Middling. I thought you might know him because he's the only poet who was ever a druggist. And he's rather what's called the lover's poet."

"Indeed. I must dip into him. What did he write about?"

"A lot of things. Here's a sample that may interest you."

Then and there, carefully, I repeated the verse he had twice spoken and once written not ten minutes ago.

"Ah. Anybody could see he was a druggist from that line about the tinctures and syrups. It's a fine tribute to our profession."