"Such cruel suspicions!" says he. "Sir, my permit!"

He's got it, straight enough--a note to the lodge-keeper, signed by Mrs.

Vernon Markley, and statin' that the Unexcelled Film Company was to have the courtesy of the grounds any afternoon between the 15th and 25th.

"You see," explains Whitey, "we're staging an old English costume piece, and this Greek theater of Mrs. Markley's just fits in. Our president worked the deal for us. And we've got to do a thousand feet between now and five o'clock. Not in the same line, are you?"

And he glances towards our crowd, that's pilin' out of the cars and gazin' puzzled towards us.

"Do we look it?" says I. "No, what we was plannin' to pull off here was a weddin'. That's the groom there--my boss, Mr. Robert Ellins."

"Bob Ellins!" says Whitey. "Whe-e-ew!"

"Mrs. Markley must have forgot," says I. "Makes it kind of awkward for us, though."

"But see here," says Whitey. "A real wedding, you say? Why, that's odd!

That's our stunt, with merry villagers and all that stuff. Now, say, why couldn't we---- Let's see! Do you suppose Mr. Ellins would mind if----"

I got the idea in a flash.

"He won't mind anything," says I, "so long as he can be married merry.

He's leavin' that to me--the whole act."

"By Jove!" says Whitey. "The very thing, then. We'll---- But who else is this arriving? Look, coming in, two motor-buses full!"

"That's our band," says I.

"Great!" says Whitey. "Rovelli's, too! Say, this is going to be a bit of all right! Have him form 'em on between those cedars, out of range. Now we'll just get your folks into costume, let our company trail along as part of the wedding procession, and shoot the dear public the real thing, for once. What do you say?"

Course, considerin' how Mr. Robert had shied at a hundred or so spectators, this lettin' him in on a film exchange circuit might seem a little raw; but it was too good a chance to miss. Another minute, and I'm strollin' over, lookin' bland and innocent.

"Any hitch?" says Mr. Robert. "Have we got to the wrong place?"

"Not much," says I. "This is the right place at the right time. Didn't you tell me to go as far as I liked, so long as I made it merry?"

"So I did, Torchy," he admits.

"Then prepare to cut loose," says I. "This way, everybody, and get on your weddin' clothes!"

For a second or so Mr. Robert hangs back. He glances doubtful at Miss Hampton. But say, she's a good sport, she is.

"Come along, Robert," says she. "I'm sure Torchy has planned something unique."

I didn't dispute her. It was all of that. First we groups the ladies on the south veranda behind a lot of screens, and herds the men around the corner. Then we unpacks them suitcases of Whitey's and distributes the things. Such regalias, too! What Mr. Robert draws is mostly two colored tights, spangled trunks, a gorgeous cape, peak-toed shoes of red leather, and a sword. Maybe he didn't look some spiffy in it!

You should have seen Ferdie, though, with a tow-colored wig clapped down over his ears and his spindle shanks revealed to a cold and cruel world in a pair of faded pink ballet trousers. For the Reverend Percy they dug out a fuzzy brown bathrobe with a hood, and tied a rope around his waist. Me, I'm dolled up in green tights and a leather coat, and get a bugle to carry.

How frisky a few freak clothes make you feel, don't they? Mr. Robert begins cuttin' up at once, and even Ferdie shows signs of wantin' to indulge in frivolous motions, if he only knew how. The reg'lar movie people gets the idea this is goin' to be some kind of a lark, and they joins in, too. When the ladies appeared they sure looked stunnin'. Miss Hampton has on a fancy flarin' collar two feet high, and a skirt like a balloon; but she's a star in it just the same. Sister Marjorie, who's a bit husky anyway, looks like a human hay-stack in that rig. And Vee--well, say, she'd be a winner in any date costume you could name.

Meanwhile Whitey has posted his camera men in the shrubbery, where they can get the focus without bein' seen, and has rounded us up for a little preliminary coachin'.

"Remember," says he, "what we're supposed to be doing is a wedding, back in the days of Robin Hood, with all the merry villagers given a day off.

So make it snappy. We want action, lots of it. Let yourselves go. Laugh, kick up your heels, let out the hi-yi-yips! Now, then! Are you ready?"

"Wait until I start the band," says I. "Hey, there, Mr. Rovelli! Music cue! Something zippy and raggy. Shoot it!"

Say, I don't know how them early English parties used to put it over when they got together for a mad, gladsome romp on the greensward, but if they had anything on us they must have been double-jointed. For, with Mr. Robert and Miss Hampton skippin' along hand in hand, Vee and me keepin' step behind, a couple of movie ladies rushin' the Reverend Percy over the gra.s.s rapid, and the other couples with arms linked, doin'

fancy steps to a jingly fox-trot--well, take it from me, it was gay doin's.

And when we'd galloped around over the lawn until we'd bunched for the weddin' picture in front of this Greek theater effect, the Reverend Percy had barely breath enough left to go through his lines. He does, though, with Mr. Robert addin' joshin' remarks; and we winds up by givin' the bride and groom three rousin' cheers and peltin' 'em with roses as they makes a run through the double line we forms.

Yep, that was some weddin', if I do say it. And the sit-down luncheon I'd ordered at the Country Club in Mr. Robert's name wa'n't any skimpy affair, even though we did spring an extra number on 'em offhand. For the boss insists on goin' just as we are, in our costumes, and luggin'

along all the movie people. The reckless way he buys fizz for 'em, too!

And, by the time the party breaks up, Whitey Weeks is so full of grat.i.tude and enthusiasm and other things that he near bubbles over.

"Torchy," says he, wringin' my hand fraternal, "you have given my company the time of their lives. They're all strong for you. And, say, I've got a thousand feet of film that's simply going to knock 'em cold at the first-run houses. Any time I can----"

"Don't mention it," says I. "Specially about that film. The boss don't know yet that you had the camera goin'. Thought it was only rehearsin', I guess. All he's sure of now is that he's been married merry. And if he ever forgets just how merry, for a dime he can go take a look and refresh his mem'ry, can't he? But I'm bettin' he never forgets."

THE END

JOHN FOX, JR'S. STORIES OF THE KENTUCKY MOUNTAINS

THE TRAIL OF THE LONESOME PINE.

Ill.u.s.trated by F. C. Yohn.

The "lonesome pine" from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but the _foot-prints of a girl_. And the girl proved to be lovely, piquant, and the trail of these girlish foot-prints led the young engineer a madder chase than "the trail of the lonesome pine."

THE LITTLE SHEPHERD OF KINGDOM COME Ill.u.s.trated by F. C. Yohn.

This is a story of Kentucky, in a settlement known as "Kingdom Come."

It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.

"Chad," the "little shepherd" did not know who he was nor whence he came--he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery--a charming waif, by the way, who could play the banjo better that anyone else in the mountains.

A KNIGHT OF THE c.u.mBERLAND.

Ill.u.s.trated by F. C. Yohn.

The scenes are laid along the waters of the c.u.mberland, the lair of moonshiner and feudsman. The knight is a moonshiner's son, and the heroine a beautiful girl perversely christened "The Blight." Two impetuous young Southerners' fall under the spell of "The Blight's"

charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers.

Included in this volume is "h.e.l.l fer-Sartain" and other stories, some of Mr. Fox's most entertaining c.u.mberland valley narratives.