There was a King in Egypt - Part 26
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Part 26

"Poor old Freddy! I shall be relieved when the thing is over, when he can settle down to regular work again. There will be lots to do, won't there?"

"You look tired," Mike said. Meg's eyes were deeply shadowed.

"Do you wonder? I've lived three thousand years in half an hour. I've been born again, so to speak. I really feel only half here. Oh, Mike," she said, impulsively, "I wish I knew more! I should so like to quite believe, to understand. I can never be the same again, not my careless, young, old self." She sighed.

"Do you regret it?"

"No, only I feel different, not quite so close to earth, lonely. I can't explain. I wonder how Lazarus felt? I know I'm alive, dearest, and here with you, but--don't laugh or think me hysterical--in some other way, a way I can't speak about, I feel as if I had been dead and come back. I've seen what no one else has, I've been where neither you nor Freddy have been."

"With those whose existence is in 'the hills of the West.'"

"A cold tub will do me good, dearest." Meg hurried off.

The sun was pouring its full wonder over the land. The mystery of the dawn was as if it had never been. Egypt was bathed in light, the fullest light that ever was on land or sea.

CHAPTER XIII

The great hour had arrived. Margaret and Michael were on their way to see the inside of the tomb, which had proved to be greater by far in importance and splendour than even the Arab soothsayer had predicted.

It was, in fact, a tomb of unique interest, a tomb whose history was to baffle the most expert Egyptologists. Freddy had kept the wonder of it a secret from Mike and Margaret. He had told them practically nothing.

He wished to give them a surprise.

It had been inspected and photographed and all the necessary formalities had been gone through, and now, after an admirably borne period of waiting, Michael and Margaret were to be allowed to visit it.

Freddy was to await their arrival on the actual site, either the tomb itself or outside it.

As Michael and Margaret hurried through the valley and climbed the hill, leading down into the side valley which held the tomb, they spoke very little to each other. Their hearts were full of an intense excitement. Freddy's silence had prepared them for something unusual.

The sun was blazing like a furnace in the valley; a hot wind was blowing from the Sahara. Meg and Michael were too excited to be conscious of their surroundings. Their feet took them mechanically to the scene of operations.

The tomb had been photographed before any modern had set foot in it.

Very hot and very excited, they at last arrived at its entrance, which was guarded by two important-looking Egyptian policemen in modern uniforms. Until Michael and Margaret had satisfactorily proved to them that they had come to a.s.sist Effendi Lampton and that they were members of his camp, they were not permitted to go near the aperture.

Their ident.i.ty being established, they at last began their descent down the deep shaft into the tomb. The hot air which ascended in puffs from the depths below scorched their faces. Meg felt stifled. Still hotter air met them as they continued their descent.

One of the Arab workmen helped Meg by going on in front and making himself into a pillar for her to rest against when she lost her footing. Her feet slipped and stumbled in the soft debris, yet pluckily she always managed to reach the stately Arab. Each time she reached him, she would halt and take a little breath, and with renewed forces she would stumble on a few paces further. It was a very undignified proceeding and an exhausting one.

At last they reached the level of the tomb; they could safely raise their eyes. As they did so, Meg gave a sharp cry of surprise. Never in all the world had she imagined such a wonderful, wonderful sight. A glitter of gold and white and the gleam of precious stones and the brilliant hues of vivid enamels, caught her eyes. Freddy was holding an electric torch in one hand, while with the other he picked up as fast as he could from the ground the bits of carnelian and turquoise and blue _lapis-lazuli_ which lay scattered at his feet. Margaret could see nothing clearly; after the darkness, things were all blurred.

But she recognized the friendly cigarette-boxes; they were there, and Freddy was filling them as fast as his one hand would allow him.

Thousands of mummy-beads powdered the floor with bright blue. The white walls showed a wealth of colour in their paintings.

Freddy was in his white flannels; his modern athletic figure seemed oddly incongruous. He looked up as they appeared.

"Hallo, Meg! Take care--stay where you are--don't move one step further."

He instantly stopped his work and came to their a.s.sistance.

"You can't walk too softly or be too careful. All these things are as brittle as burnt egg-sh.e.l.ls--the slightest jar may shatter them to atoms." His voice was full of eager happiness.

"Oh, Freddy," Meg said. "It's too wonderful! I never imagined such a scene. You darling!" She hugged his arm.

"Wait a bit," Freddy said. "There's better things to come. I say, Mike, keep your coat close to you--that's right. Now, step like cats."

All three became silent as they picked their way gingerly; their advance required a nicety and precision of step which permitted of no talking or examination of the scene which enthralled them.

At last they reached an inner chamber, the actual tomb itself. An exclamation of amazement burst from both Michael and Margaret simultaneously. It certainly was an extraordinary scene which met their gaze.

"Good heavens!" Mike said, while Meg caught hold of Freddy's arm. She was afraid lest their loud cry might shatter the vision before their eyes. Would it vanish with the coming of the light as the figure of Akhnaton had vanished two mornings before?

A queen, dressed as a bride, in all the magnificence of old Theban splendour, lay stretched at full length on the floor; her arms were folded across her breast, her face dignified by the repose of death, the repose of a Buddha, whose eyes have seen beyond.

This royal effigy was so magnificent, its colours were so untarnished, that light seemed to radiate from the still figure. Here the might of royalty had defied time.

Meg and Mike saw nothing but the bridal figure; they had eyes for it alone, its pathos, its dignity.

Freddy pointed to a coffin which lay near the queen. It was empty; one side of it had been smashed open. A brown and shrivelled mummy, a ghastly object, had fallen out. It lay quite close to the brilliant effigy. Surely this was the skeleton at the feast?

Meg shrank back. In the hot tomb a chill struck her heart. This poor brown object was the real queen. Here time had triumphed.

She looked again, while Freddy held the torch nearer. A vulture with outstretched wings, the ancient emblem of divine protection, cut out of flat gold, sat upon the forehead of the mummy. Its left claw had slipped into the empty eye-socket. A row of long white teeth gaped threateningly up to the roof. The lips had dried and withered until they had become as hard as brown leather. Alas for human vanity!

Those lips had once been a lover's, those lips had once responded to human caresses and desires!

Meg's flesh shrank. It was horrible. It was wrong to pry upon this pitiful object which centuries had hidden from man's sight, this humiliation of royal power. Nothing could have ill.u.s.trated more vividly the mockery and the futility of human greatness. The ghastly cheeks, covered with something which had once been human flesh, the menacing teeth, the embalmed skull, sickened Meg.

For relief she turned her eyes once more to the sublime effigy, to the waiting bride. Her chamber had been furnished with the lavish indulgence of an ardent bridegroom.

Michael was standing by Margaret's side. Her hand caught his; human contact was essential.

The coffin which had once held the mummy had rested on a beautiful wooden trestle, which had been covered with a golden canopy. The legs of the trestle had given way, probably with the weight of the coffin, for the wood had become as brittle and dry as fine egg-sh.e.l.l. With the fall the mummied body had rolled out and landed on the ground.

This, Freddy conjectured, was the explanation of the apparent desecration of the tomb.

After they had looked at all that Freddy could show them until more work had been accomplished, at the two figures which occupied the tomb, the one so abject and distressing the other so magnificent and romantic, and at the furniture which appeared to Meg to have been made only the day before, in spite of Freddy's warning that a breath of cold air would disperse it before their eyes, he told them that "time was up."

Meg's astonishment had increased with the examination of every object--the carved wooden armchair, which appeared to belong to the best Empire period; the exquisite wedding-chest, of lacquer, the blues and greens of its floral decorations still daringly brilliant and vivid--they were far brighter and more perfect than any decorations which a faker of antiquities would dare to perpetrate.

"But, surely," she said at last, when they had come to the end, "this furniture's just pure Empire? Look at it, Mike." She pointed to the exquisite armchair, an object too beautiful and rare for mere human forms to rest in; then she made him examine the couch. A portion of its fine cane seating had given way. Had a ghostly form sat on it? "I thought the French copied their Empire furniture from ancient Greek models?" she said.

"Well, if they did, here we have it in all its perfection," Freddy said. "In Egypt you'll find the originals of more than Empire furniture. The thing is, where did the Egyptians get their models from? None of the Louis's ever gave their Pompadours, nor Napoleon his Josephine, anything as beautiful as that." He pointed to the casket.

"And the very air which keeps us alive will destroy these," said Meg.

"It's odd, the way which things that have existed intact for three thousand years without air will be killed by it!"

"Have you any definite ideas about that figure?" Mike referred to the mummy. "Whose is it?"