She repeated that she would "chuck" herself into the river--"_Se fich a l'eau_" is not the French of Racine. I remonstrated. She retorted that if she could not keep the master's house in order there was nothing left to live for. Much better be dead than eat your heart out in misery.

"You are talking like a wicked girl," said I severely, "and it will be my duty to tell the master."

She gave her eyes a final dab with my handkerchief which she restored to me with an air of scornful resentment.

"If you do, you will be infamous, and I will never speak to you again as long as I live."

I descended from my Rhadamanthine seat and reflected that the betrayal of Blanquette's confidence would not be a gallant action. I maintained my dignity, however.

"Then I must hear nothing more about you drowning yourself."

"We will not talk of it any longer," said Blanquette, frigidly. "I am going to cook the dinner."

As the prim salon provided little interest for an idle youth, I followed her into the slip of a kitchen, where I lounged in great contentment and discomfort. Blanquette relapsed into her fatalistic att.i.tude towards life and seemed to dismiss the disastrous subject from her mind. While she prepared the simple meal she entertained me with an account of the farm near Chartres. There were so many cows, so many ducks and hens and so many pigs. She rose at five every morning and milked the cows. Oh, she had milked cows as a child and had not forgotten the art. It was difficult for those who did not know. _Tiens!_ She demonstrated with finger and thumb and a lettuce how it was done.

"I shall not forget it," said I.

"It is good to know things," she remarked seriously.

"One never can tell," said I, "when a cow will come to you weeping to be milked: especially in the Rue des Saladiers."

"That is true," replied Blanquette. "The oddest things happen sometimes."

Light satire was lost on Blanquette.

After dinner she continued the recital of her adventures for the Master's delectation. The old couple no longer able to look after the farm were desirous of selling it, so that they could retire to Evreux where their only son who had married a rich wife kept a prosperous hotel.

"Do you know what they said, Master. 'Why does not Monsieur Paragot, who must be very rich, buy it from us and come to live in the country instead of that dirty Paris?' _C'est drole, hein?_"

"Why do they think I am very rich?"

"That is what I asked them. They said if a man did not work he must be either rich or a rogue; and they know you are not a rogue, _mon Maitre_."

"They flatter me," said Paragot. "Would you like to live in the country, Blanquette?"

"Oh yes!" she cried with conviction. "_Il y a des betes. J'adore ca._ And then it smells so good."

"It does," he sighed. "I haven't smelt it for over three years. Ah! to have the scent of the good wet earth in one's nostrils and the sound of bees in one's ears. For two pins I would go gipsying again. If I were a rich man, my little Blanquette, I would buy the farm, and give it you as your dowry, and sometimes you would let me come and stay with you."

"But as I shall never marry, _mon Maitre_, there will be no need of a dowry."

She said it smilingly, as if she welcomed her lot as a predestined old maid. There was not a sign on her plain pleasant face of the torment raging in her bosom. In my youthful ignorance I did not know whether to deplore woman's deceit or to admire her stout-heartedness.

"My child," said Paragot, "no human being can, without arrogance, say what he will or what he will not do. Least of all a woman."

Having uttered this profound piece of wisdom my master went to bed.

During the next few weeks Paragot suffered the boredom of a provisional condition of existence. He went to bed early, for lack of evening entertainment, and rose late in the morning for lack of daily occupation. With what he termed "the c.r.a.pulous years," he had divested himself of his former a.s.sociates and habits. Friends that would harmonise with his gloves and umbrella he had none as yet. If he ordered an _aperitif_ before the midday meal, it was on the terrace of a cafe on the Boulevard Saint-Germain, where he sat devouring newspapers in awful solitude. Sometimes he took Blanquette for a sedate walk; but no longer Blanquette _en cheveux_. He bought her a mystical headgear composed as far as I could see of three plums and a couple of feathers, which the girl wore with an air of happy martyrdom. He discoursed to her on the weather and the political situation. At this period he began to develop republican sympathies. Formerly he had swung, according to the caprice of the moment, from an irreconcilable nationalism to a fantastic anarchism. Now he was proud to identify himself with the once despised _bourgeoisie_. He would have taken to his bosom the draper papa of Hedwige of Ca.s.sel.

Most of his time he spent in the studio at Menilmontant; there at any rate he was at ease. We were not too disreputable for the umbrella, and though he deprecated the loose speech of Bringard and Bonnet who had returned to Paris, and the queer personal habits of Cazalet, he appeared to find solace in our society. At any rate the visits gave him occupation. He also posed for the body of M. Thiers in an historical picture which Bringard proposed to exhibit at the Salon the following spring.

"_L'homme propose et Dieu expose_," said Paragot.

"If he is anything of a judge this ought to be hung on the line," said Bonnet.

I regret to say the picture was rejected.

At last the time came for the Melford visit. Paragot consulted Ewing and myself earnestly as to his outfit, and though he clung to his frock-coat suit as a garb of ceremony, we succeeded in sending him away with a semblance of English country-house attire. He took with him my portrait of Joanna, packed in a wooden case and bearing, to my great pride, the legend, "Precious. Work of Art. With great care," in French and English.

When he had gone I moved my belongings from my attic to the Rue des Saladiers, and gave myself up to the ministrations of Blanquette.

A little while later I received from my dear lady an invitation to visit Melford and paint the portrait of her mother, who regarded my portrait of Joanna as a work of genius. If you are a young artist it makes your head spin very pleasantly to hear yourself alluded to as a genius. Later in life you do not quite like it, for you have bitter knowledge of your limitations and are mortally afraid your kind flatterers will find you out. But at twenty you really do not know whether you are a genius or not. Mrs. Rushworth, however, backed her opinion with a hundred guineas.

A hundred guineas! When I read the words I uttered a wild shriek which brought Blanquette in a fright from the bedroom. It was a commission, Joanna explained, and I was to accept it just like any other artist, and I was to stay with them, again like any other artist, during the sittings.

"I am to go to England to paint another portrait, Blanquette. How much do you think I shall be paid for it?"

"Much?" queried Blanquette, in her deliberate way.

I indicated with swinging arms a balloon of gold. Blanquette reflected.

"Fifty francs?"

"Two thousand six hundred and twenty five francs," I cried.

Blanquette sat down in order to realise the sum. It was difficult for her to conceive thousands of francs.

"That will make you rich for the rest of your life."

"It is only the beginning," I exclaimed hopefully.

Blanquette shook a reproachful head.

"There are some folks who are never satisfied," she said.

CHAPTER XIX

WHEN I arrived at Melford my head was full of painting and self-importance; and for the first week or so, Mrs. Rushworth, my subject, occupied the centre of my stage. She was a placid lady of sixty, whose hair, once golden, had turned a flossy white, and whose apple cheeks, though still retaining their plumpness, had grown waxen and were criss-crossed by innumerable tiny lines. The light blue of her eyes had faded, and the rich redness of her lips had turned to faint coral. One could trace how Time had day by day touched her with light but unfaltering fingers, now abstracting a fleck of brightness, now lowering by an imperceptible shade a tone of colour, until she had become what I saw her, still the pink and white beauty, but with rose all deadened into white, like a sick pink pearl. Her pink and white character had also suffered the effacement of the years. She was as dainty and as negative as a piece of Dresden China. She loved to dress in lilac and old lace: and that is how I painted her, regarding her as a bit of exquisite decoration to be treated flat like a panel of Puvis de Chavannes.

My young head, I say, was full of the masterpiece I was about to execute, and though I found much joy in renewed intercourse with my beloved lady and my master, I took no particular note of their relations. We met at meals, sometimes in the afternoons, and always of evenings, when I played dutiful piquet with Mrs. Rushworth, while Joanna made music on the piano, and Paragot read Jane Austen in an arm-chair by the fire. To me the quietude of the secluded English home had an undefinable charm like the smell of lavender, for which I have always had a cat-like affection. Not having the Bohemian temperament--I am now the most smugly comfortable painter in Europe--I was perfectly happy. I took no thought of Paragot, whose temperament was essentially Bohemian; and how he enjoyed the gentle monotony of the days it did not occur to me to consider. Outwardly he shewed no sign of impatience. A dean might have taken him as a model of decorum, and when he drove of afternoons with Joanna in the dog-cart, no dyspeptic bishop could have a.s.sumed his air of grim urbanity. But after a while I realised that the old Paragot still smouldered within him; and now and then it burst into unregenerate flame.

Mrs. Rushworth had inherited from her father an old Georgian Bath-stone house at the end of the High Street of Melford. He had been the Duke of Wilts.h.i.+re's agent and a person of note in the town. Mrs. Rushworth also was a person of note, and her beautiful daughter, the Countess, a lady of fortune, became a person of greater note still. Now on Tuesday afternoons Mrs. Rushworth was "at home." We saw a vast deal of Society, ladies of county families, parsons' wives, doctors' wives and the female belongings of the gentlemen farmers round about. There were also a stray hunting man, a curate or two and Major Walters. The callers sat about the drawing room in little groups drinking tea and discoursing on unimportant and unintelligible matters, and seemed oddly shy of Paragot and myself, whom Joanna always introduced most graciously. They preferred to talk among themselves. I considered them impolite, which no doubt they were; but I have since reflected that Paragot was an unusual guest at an English country tea-party, and if there is one thing more than another that an English country tea-party resents, it is the unusual. I am sure that a square m.u.f.fin would be considered an indelicacy. On the second of these Tuesday gatherings which I was privileged to attend, Joanna presented me to two well-favoured young women, the daughters, I gathered, of people who had country places near by.

"Mr. Pradel is the artist from Paris who is painting mamma's portrait,"