PART II

THE GOLDEN AGE OF ZEN

. . . . in which teachers of rural, Southern Ch'an begin to experiment with new ways to precipitate the "sudden" enlightenment experience, even bringing into question the role of meditation. Along with the search for new techniques goes the attempt to define precisely what enlightenment is and to formalize the transmission process. During this time, Ch'an monasteries become independent organizations and Ch'an a recognized, if eccentric, Buddhist sect. The iconoclastic, self- supporting Ch'an establishments ride out a persecution of Buddhism in the mid-ninth century that effectively destroys all other Buddhist schools in China. This is the great creative era of Ch'an, in which the sect secures its own ident.i.ty and creates its own texts for use by later generations.

Chapter Six

MA-TSU:

ORIGINATOR OF "SHOCK" ENLIGHTENMENT

_Ma-tsu (right) and Layman P'ang_

If Hui-neng was the Sixth Patriarch, then who was the seventh? Although several of his followers are mentioned in the Platform Sutra, the only one who seems to have made any difference in Ch'an history was Shen-hui (670-762), who successfully destroyed the Northern school of Shen-hsiu (605-706) and elevated Hui-neng. Although Shen-hui was given the accolade of Seventh Patriarch in some parts of the north, history was to be written elsewhere. Shen-hui's school of "Southern" Ch'an was soon compromising with the remaining Northern Ch'anists--conceding that the study of the sutras could go along hand in hand with sudden enlightenment--and he seems to have enjoyed a little too much his role as imperial socialite. The only member of Shen-hui's school to realize any historical prominence was Tsung-mi (780-841), whose fame attaches not to his original thought but rather to his scholarly writings describing the various sects of Ch'an.1 A litterateur and friend of the famous poet Po Chu-i (772-846), he also tried unsuccessfully to mediate between the followers of the step-by-step sutra-reading Buddhists of the cities and the all-at-once, anti-literary proponents of sudden enlightenment in the country, but he succeeded only in bringing the history of Northern Ch'an to a dignified close.2

The Chinese scholar Hu Shih skillfully pinpoints why the social success of Shen-hui's new "Southern" school in the north actually contributed to its decline. As he saw it: "The explanation is simple. Zennism could not flourish as an officially patronized religion, but only as an att.i.tude of mind, a method of thinking and a mode of living. An officially patronized teacher of Buddhism is obliged to perform all the traditional rituals and ceremonies which the true Zennist despises.

Shen-hui succeeded in establishing Zennism as a state religion, but by so doing he almost killed it. All further development of Chinese Zen had to come from those great teachers who valued simple life and intellectual freedom and independence more than worldly recognition."3 And in fact just such teachers had begun springing up like mushrooms.

On lonely mountaintops, teachers of sudden enlightenment were experimenting with new ways to transmit wordless insight. They seem to have despised traditional Buddhism, perhaps partly because Buddhism--by which is meant the cultural elitists and aristocrats in the capitals of Ch'ang-an and Loyang--had so long despised them. (Recall the Fifth Patriarch's greeting to Hui-neng: "If you're from the south, you must be a barbarian.") Although traditional Buddhism (including teachers of _dhyana_) continued to flourish, and the city of Ch'ang-an remained a model for Asian civilization, the political power of the T'ang government in the north gradually withered. And as it declined, so too did the fortunes of the traditional Ch'an establishments that had flourished under imperial patronage.

The new Ch'an teachers of the Southern school may have felt smug in their new prestige and independence, but they still were subject to the ingrained Chinese desire for a lineage. (Perhaps in the land of Confucius, spiritual ancestors were essential to dignity.) The triumph of the legend of Hui-neng in the north had not been lost on the Ch'anists elsewhere, and it effectively meant that for any Ch'an school to have respectability nationwide, it had to be able to trace its lineage back to this illiterate southerner and his temple at Ts'ao- ch'i. Unfortunately this turned out to be difficult, since by the time Hui-neng actually came to be recognized as the Sixth Patriarch, he had been dead for half a century and there were few Chinese who even knew firsthand of his existence--and none besides Shen-hui who ever claimed to have studied under him. How then could he be made the founder of the Ch'an schools blooming all over China?

The scholar Hu Shih has speculated somewhat knavishly on how Hui-neng's "lineage" may have been created after the fact: "By the last quarter of the eighth century, there began to be a great stampede of almost all the Ch'an schools to get on the bandwagon of the school of Hui-neng. .

. . Hui-neng died early in the eighth century, and his disciples were mostly unknown ascetics who lived and died in their hilly retreats. One could easily have paid a visit to some of them. So in the last decades of the century, some of those unknown names were remembered or discovered. Two of the names thus exhumed from obscurity were Huai-jang of the Heng Mountains in Hunan, and Hsing-ssu of the Ch'ing-yuan Mountains of Kiangsi. Neither of these names appeared in earlier versions of Hui-neng's life story."4

These two masters, Nan-yueh Huai-jang (677-744) of Hunan and Ch'ing- yuan Hsing-ssu (d. 740) of Kiangsi, were made the missing links between Hui-neng and the two schools of Ch'an that would one day become j.a.panese Rinzai and Soto, respectively. Since the lineage most important for the early years of Ch'an's Golden Age was that which would one day be the Rinzai school, the tradition of Huai-jang will be examined here first. As noted above, although the legend says that Huai-jang once studied under the Sixth Patriarch, Hui-neng, supporting historical evidence is not readily found. However, he is thought to have studied under another follower of the Fifth Patriarch Hung-jen and to have been a part of the general scene of Southern Ch'an.5 His actual function may have been to supply a direct line of descent between Hui- neng and the man who was to be the creator of Rinzai Zen as we know it today.

That man is the famous Ma-tsu Tao-i (709-788), who even if not a direct spiritual descendant of Hui-neng was certainly a product of the same exciting period of intellectual ferment. According to the more or less contemporary record left by the northern historian Tsung-mi, Ma-tsu (which means "Patriarch Ma") was a native of Szechuan who was ordained a monk at an early age by a Korean master in his home province.6 Young Ma traveled on, as was common with beginning Ch'an monks, and (so say the later legends) finally came to the monastery of Huai-jang, located on Mt. Nan-yueh. The story of their first encounter became a standard among later Ch'an masters, for it is a particularly effective discrediting of that onetime Ch'an mainstay, meditation, which became anathema to the more revolutionary Southern school.

As the story goes, Huai-jang one day came upon Ma-tsu absorbed in meditation and proceeded to question the purpose of his long bouts of _dhyana_. Ma-tsu immediately replied, "I want to become a Buddha, an enlightened being."

Saying nothing, Huai-jang quietly picked up a brick and started rubbing it on a stone. After a time Ma-tsu's curiosity bested him and he inquired, "Why are you rubbing that brick on a stone?"

Huai-jang replied, "I am polishing it into a mirror."

Ma-tsu probably knew by this time that he had been set up, but he had to follow through: "But how can you make a mirror by polishing a brick on a stone?"

The celebrated answer was: "How can you become enlightened by sitting in meditation?"