Regeane walked across the empty forum, her feet knowing the stones but not really feeling them. She wore the shift and worn, brown dress she'd borrowed from Chiara. Remingus stood with the boy Robert had killed, the one who had instigated and carried out the murder of the girl he loved.

"He is here with us."

"Yes," Regeane answered. "So I see."

"Tell Robert his mercy was not a vain act," the boy said. "I am not in hell."

"Isn't this hell?" Regeane asked. The chill in her body was piercing. The chill in her heart was deeper still.

She had begun to weep. The tears running down her cheeks were droplets of ice, freezing cold against her skin.

"No," Remingus said. "No, this is not hell nor do I know what hell is. But there is no hope here, so there is no sorrow. And he is with us. This is all we had left to ask."

And Regeane looked out from Remingus's eyes as he hung on the Carthaginian cross, looked into the sun. She tried to close her eyes-or Remingus's eyes-and realized she/he had no eyelids. They had been cut away. And even the hardened Roman officers who retrieved his body for burial had been astounded at the things that had been done to him before he was put on the cross. The Carthaginians had exercised all their ingenuity in making him suffer, but still he won. And a door that had been open when Hannibal crossed the Alps swung shut, closing with a finality that rang down through the ages. And so did his pain.

The benediction of her tears blurred away the scene she saw, and when her vision cleared, Hildegard stood in front of her-as she had at the convent when Sister Hildegard came to be seated with her sisters in love, and Regeane hadn't noticed she was dead. The younger woman had guided the elder to her place and put plate and cup before what, to the other nuns, was only empty air.

Now Hildegard reached out and touched Regeane's face with fingers soft and dry as new silk. "Regeane, go to Rome. Lucilla wants you."

Regeane awoke. The night air was cold and clear. The stars hung in splendor across the sky. Her mind as usual mapped them, and the wolf told her it was close to dawn.Chiara had thrown aside her covers and was now curled up against the cold. As Regeane watched, the blanket was lifted, placed over her, and tucked in, rather in the same way a mother covers a child who has become restless in the night.

"Bear?" Regeane asked.

"Yes. Once Armine asked if I sat; well, I don't sit and I don't sleep, either. That Hugo carcass has to do both, but while it does, I'm at loose ends. I know something came to greet you, because you weren't in your blankets a few moments ago."

"I'm going to Rome," Regeane said.

"Alone? Is that wise?"

"Probably not," Regeane said, "but I'm going anyway. Make my excuses for me."

"Ah yes, as if you left the table early after dinner. A minor matter. Nothing to it."

"I hope not," Regeane said. "Take care of her."

"I will. Will we ever meet again?"

"I don't know, bear. But whatever happens, fare thee well.

And when you and Armine become bankers, try not to cheat too many people."

Regeane heard an angry snort and knew the bear had more to say but she was wolf-the change was very easy at that hour-and was gone.

From where she sat, all Lucilla could see was a patch of blue sky, but she knew she was in a world of trouble.

Adalgisus had, once they'd reached Verona, tried to hide her from Gerberga, the Frankish queen. To this end, he had placed Lucilla on the top floor of a house overlooking the square. It was a house of ill repute.

He felt she would be safe there, since the Frankish queen was a snobbish woman who paid little attention to any but the notables of the city, though there were a number of wealthy women there who would have given their souls to have entertained her in their houses. Gerberga stuck her nose in the air and pretended that only the Lombard lord, one Syagrius, was worthy of her notice. He was an individual of ancient Roman lineage whose great-grandfather had the sagacity to marry a lady who styled herself a Lombard princess-her father had had a lot of loot, and she wound up being his only heir. Syagrius called himself a duke. Dux, in the current terminology, a war lord. His family had seen to it that his brother was the archbishop of Verona, thus keeping things in the family, so to speak.

So Adalgisus, Syagrius, and Karl the bishop were the only people the haughty Gerberga would lower herself to associate with. Everybody else was on the outside looking in.

"With any luck," Adalgisus had said gleefully to Lucilla, "she will never know you're here."

Since the lofty Gerberga was in daily attendance at mass, Lucilla got a good look at her every day when she was carried to the church in a sedan chair. She was escorted by four maids and two ladies-in-waiting and her two sons, each accompanied by a nurse and tutor.

"You're her lover?" Lucilla asked Adalgisus on the first morning they went by."Why?" he asked. He was looking very vain. "I didn't think you cared."

Lucilla, who wanted to say she hoped so, because Gerberga was welcome to him, simpered and purred.

"My darling, I love preening myself that I am the rival of a queen. How amazing."

Adalgisus pulled her away from the window. "Come, sweet, my love, tell me some more stories about...

torture."

Lucilla gritted her teeth but Adalgisus was busy putting a hickey on her neck. She'd quickly found what buttons to push on the Lombard king's son. She could always stoke his fires to a white heat by recounting the horrors the public executioner practiced on those who annoyed the powerful in Rome.

Even Hadrian, who was no fan of torture, used it on occasion, for the same reasons everyone else did: to make an example of someone who indulged in spectacularly vicious criminal behavior, or to persuade the occasional recalcitrant to impart information that they preferred to keep to themselves. Lucilla reckoned herself safe if she could keep Adalgisus's sex life interesting in the immediate future.

She wasn't, and she found out why a few days later.

They kicked open the door near dawn.

Two men.

Lucilla was able to get a robe on-a heavy woolen overgown-and she managed to hide a knife and her medicines. She was hauled before the bishop.

He looked at Lucilla for a very long time, beating a steady tattoo on the arm of his chair with his fingers.

"Are you sure this is the one?" he finally asked.

"Grifo and Myra, the proprietors, say the prince visits her rooms every day," one of the soldiers answered.

"She's a bit older than I would expect," the bishop said.

"They say the prince is wild about her. He remains with her for a long time," the man holding Lucilla's arm twisted up between her shoulder blades told the bishop.

"I suppose there's something to be said for experience," the bishop said. Then he studied Lucilla's face.

His eyes frightened her. There was nothing in them.

"Let me go," Lucilla said. "I have money."

"Not here," the bishop said.

"In Rome. I could make it worth your while. I have influence also."

"Oh? I know who you are. And you don't have enough of either money or influence to make me betray the king's secret."

I'm a dead woman, Lucilla thought.

"Come here." The bishop beckoned one of the soldiers holding her arms.

The soldier went to his chair. They spoke in low voices.Lucilla stood quiet. They hadn't tied or chained her, perhaps because she hadn't given them a fight. They were alone in the bishop's hall. In the distance Lucilla could hear the bustle of servants. But besides her, the bishop, and the two soldiers, there was no one else in the room. Do it, something in her mind told her. Think too much and you're lost.

With lightning quickness she twisted away, out of the soldier's grip, but she hadn't been able to see he held a clubbed mace in his other hand. He was fast; a second later it crashed into the side of her head.

She felt the blow. It was so hard she felt a terrible stab of fear that her skull was crushed, then paralysis, and at last darkness.

She awakened in another place, staring up through a steel grating at the sky. She'd been hit so hard that even lifting her head brought fierce, overwhelming pain. So she simply lay quiet, drifting in and out of consciousness for almost a day and a half. When the nausea and dizziness did abate enough for her to sit up, she began almost to wish the blow had killed her.

The cell was somewhere in the ruins of the old Roman city. Most of it was underground. The grating above was its only connection to the outside world. It was floored with overgrown mossy stone, with walls of the same ubiquitous terra-cotta brick the Romans had used to build everything from aqueducts to palaces. It ran some little way underground back into the ruins. There the walls and floor ran out and a fill of rubble and stony soil blocked any possible way of escape.

When Lucilla crawled back to the light, she found they had left her a jug of wine and a basket with a few hard, small loaves of bread. She went to take a sip of the wine and the smell made her jerk her head back. It was laced with opium, heavily laced with opium. Enough, by the odor, rather pleasant than otherwise, to kill two or three people.

There was one large flat stone, part of a very big column of some temple or other. It was round and fluted at the edges. It made a comfortable seat. She sat down and despaired, closing her eyes and letting her mind drift. She knew what the bishop intended and how she'd been caught. Bishop Karl probably owned the whorehouse. There was a definite affinity between the ecclesiastical establishment and houses of prostitution. The bishop of Ravenna had owned the first brothel into which she had been sold as a sixteen year old, and the bishop was careful to collect his percentage and his ground rents. Such business establishments were lucrative, to say the least. And since Christianity became part of the limited urban scene in the west long before it proliferated into the country-side, much church property was in the cities.

So were most brothels. The church, the first corporate body in the west, owned a lot of them.

She should have remembered, but she'd accepted Adalgisus's word that she was safe. She should have known better than that, also. Now she was being invited by the bishop Karl to commit suicide. The wine jug was a sort of mercy left with her so that she could take that road in preference to death by starvation and thirst.

Above, the patch of blue sky was beginning to darken. Night was coming on. Lucilla sat on the figment of ruined Roman imperium, the column drum, sunk deep in physical and emotional misery and despair. She believed in her heart that she was going to die.

Memories drifted across her mind like cloud shadows across summer meadows: vague, fragmentary, and disconnected.

Like a great many others, Lucilla regretted her inability to completely turn off her mind and rest in mental silence and peace. Her father had been a prosperous farmer in the mountainous region of Italy known as the Abruzzi. He was a hard man. She realized now that, given the world he lived in, only a hard mancould have survived. The life of a farmer in the mountains was not one forgiving of the weak or even the lazy. Her mother had been a kind and good woman, but she went in mortal terror of her husband.

But Lucilla had been a happy, hard-working child until her father caught her alone in the barn when she was sixteen years old. At first she'd wondered why he was touching her. He was not an affectionate man. But when he threw her down in a pile of hay, she understood, and she fought back. But he threatened her with a horsewhip-no idle threat, as he had one he used to discipline difficult animals, children, and occasionally his wife.

Lucilla lay still. It had been painful, but he had exclaimed at her tightness and been pleased. Like many another girl, Lucilla had tried to turn to the people in her life for help, but her older brother wouldn't even listen. All her older sister said was that it was time she did her share to keep him occupied. Her mother said she didn't believe her. Lucilla decided later it must have been pretense because then and at later times she would never meet Lucilla's eyes, never look her directly in the face. So Lucilla tried to harden herself to the situation. She tried not to care.

But then he began to sneak up to the high pastures to pleasure himself with her tight, young body. To her this was an unbearable pollution. She had charge of their sheep and few cattle because she was fearless.

Nothing, not wolves who moved in the cold night or the big mountain eagle who hunted young lambs, nothing was ever allowed to disturb the stock she guarded. And should any stray from the flock, she would climb sheer slopes that wouldn't offer good hand-holds to a fly, or cross treacherous scree, moving through the dangerous rocks more surely than a mountain goat to bring them safely back.

This was her domain, where she was alone with the wind and the silence, the beauties of wildflowers in spring or the vast ocean of stars on cold autumn nights. The second time he came, she saw him on the footpath from her perch on the mountain. She had collected a large pile of rocks solely for this purpose.

She pelted him with them until he turned tail and ran. That evening when she returned the flocks to the barn near the farmhouse, she expected that she would get a beating, probably a dreadful one. She thought he might even kill her, but she felt it was worth it simply to keep her own world hers. But she wasn't beaten. She wasn't killed. Instead she was sold to a slave dealer and in turn, since she was strong and still pretty when she reached the city-a lot of the children they dragged down from the mountains weren't, by the time they reached the coast-she was sold into the sex trade.

Antonius, her son, wasn't only her son, he was also her half brother. If she could have gotten her hands on her father, she would have seen to it that he died in torment. She would still, if she looked into his face tomorrow. But she understood why he had done what he had to her. A tyrant loves nothing so much as ruling, and her father was a tyrant, dreadful as any who ever scarred the pages of human history. They cannot bear to be opposed because it loosens their grip on those they rule. And he saw, mirrored in her, his own strength and determination. So he had needed, as he saw it, to destroy her. He tried and very nearly succeeded-because he knew she would never fully yield.

It was dark now and the sky was bathed in the star blaze. No, she would never drink that flask of wine.

Whatever a being does, it cannot deny its essential nature, and she could not deny hers. Yes, she would probably die. But she would die trying to live.

She inventoried her possessions. She still had the knife, more opium and valerian, her cotton shift and woolen gown. Among the debris on the stone floor was some dried grass and a few pieces of wood. She selected one of the pieces of wood and made a notch in it. She would try to keep a tally of the days.

Then she piled the dried grass into a bed. A mouthful of the wine wouldn't kill her, and it would probably stop the headache she had and let her sleep.

So she drank that much, then stoppered the flask and put it aside with the bread. She was too nauseatedto try to eat anyway. Then she lay down and went to sleep.

Regeane traveled by night and slept by day. She tried to put the woman out of her mind and become only the wolf. Matrona had told her this was possible, and it worked most of the time. But the things she'd learned from the bear haunted her mind.

Near any human dwelling, she saw shadows. A festively twined temple appeared in her mind even as her eyes gazed on ruins; she could see the brightly painted ornaments and statuary with eyes of crystal, jewelry of gold leaf and semi-precious stones, flesh covered in ivory. Jewels of brass or glass inlaid on the togas and gowns; the painted green leaves of ivy, artichoke, and acanthus decorating the capitals and dados in red or blue glowed before her as if newly created and first exposed shining in the sun.

Sometimes people long dead appeared before her, but these-unlike other ghosts she had seen-were utterly unaware of her presence. So she found her way, as Hugo had, to the coast, and unlike Hugo, she found the solitude a source of renewal. She had, she knew, come into her own. The criticisms Maeniel had made of her no longer applied. She was a competent hunter and could always find something to eat.

She fished well and easily even in the surf.

Other wolf packs were no longer a problem, thanks to her experience with the bear. She would use her augmented sense of temporal positioning to investigate quickly the activity of any pack in the immediate vicinity, finding herself thereafter usually able to predict their movements. The same was true of prey animals. To become aware of a deer was to know where it had been in the last few hours and, therefore, she often knew where it was going.

Her senses, preternaturally acute because she was human and wolf, now stretched even further. Leaping and dancing in the surf near where Hugo had camped, she found that she could sense the presence of each and every living thing: a school of small fish flashing through the shadows, trying to outrun a feeding barracuda; a dozen mussels clinging to rocks in a shallow tide pool; the dark cold intelligence of something cruising the edge of the deeps. Even the ephemeral, feathery jellyfish, wave-borne flotsam and jetsam of the water column, registered on her consciousness.

She turned human and swam along a big sandbar that stretched out far into the sea, drifting among waves burnished by moonlight, then swam ashore near a rocky promontory and had a meal of raw shellfish and whitebait before she resumed her wolf form and slept in a sand cave near the deserted and ruined city where Hugo had his fateful meeting with the bear.

The next day she had to be more careful, because she was approaching the thickly settled countryside near Rome. She found a hilltop and scanned the low, rolling landscape, watching and letting her perceptions range until she felt she'd found a safe route. Then she curled up in an abandoned badger den until dark.

Not long after dawn she was leaping the wall to Lucilla's villa and gliding through the beautiful herb and flower gardens near Lucilla's triclinium. She was pleased when she saw Dulcinia sitting on a bench with a cup of her preferred tea.

Dulcinia looked up when she saw the wolf trotting toward her in a friendly way along the path. "A dog,"

she murmured. "I didn't know Lucilla had a dog... That's not a dog, it's a-"

Just at that moment, Regeane chose to assume human form. "Dulcinia, would you-"

That was as far as she got, because Dulcinia let out a terrible scream and leaped to her feet. Regeane, her mind still involved with the wolf, heard feet running toward them from every direction. She snatched Dulcinia's mantle and wrapped it around herself just as what seemed the entire staff of the villadescended on the garden, at least half bearing weapons or the nearest heavy or sharp object within reach. Dulcinia staggered against a yew tree, hand on her breast, gasping for her breath.

"I'm sorry," Regeane said. "I thought Lucilla would have told you I could do ... that."

"Do that?" Dulcinia shrieked. "Do that? I didn't know anyone could do that!"

"You mean she didn't tell-"

Just then a wave of servants, soldiers, and farm laborers working on the grounds arrived, accompanied by a few strangers or passersby who had heard the commotion and came to see what was happening.

Explanations were in order. Regeane, who was stifling laughter, said, "I startled the lady Dulcinia."

Dulcinia gave her a withering look. "Startled? Yes, I suppose nearly frightening me into a heart seizure might be described as startling... but I can't think the lady Regeane means me any harm."

She looked down at the broken glass beaker on the flag-stones. "Except for the lady Lucilla's cup, I don't think any harm was done. Will someone please bring me some wine? I feel the need for a bit of a restorative."

Then she left her position against the yew tree and, being careful to avoid the broken glass, she staggered back to the bench and sat down. The crowd dispersed. A tray was carried out, bearing wine and glasses. One of the maids came and swept up the broken glass, carefully collecting the pieces and carrying them away to see if they could be mended. Glass was valuable, a luxury for the rich. Breaking something was a serious matter.

"Where is Lucilla?" Regeane asked. "I came to see Lucilla. I received a message telling me to go to Rome."

Dulcinia gulped half a cup of wine. "She's not here. A message? Who gave you the message? Have you been in contact with her? Do you know where she is? If you do, in heaven's name, tell me. Everyone is very disturbed; we've been-"

"Dulcinia, slow down. No, I don't know where Lucilla is, and the person who gave me the message to go to Rome was... was... Well, let me put it this way. If the wolf bothered you, this one would really-"