"More or less r.e.t.a.r.ded," Tony said.

"And now he's deceased," Payne said, "making him number eight."

"No warrants?" Coughlin went on.

His investigator's mind is still on high speed.

"No, sir. Not on the deceased. His brother, however, is in the wind."

"How's that?"

"Kenneth J. 'Kenny' Jones, black male, age twenty-two, skipped out on a charge of possession with intent to distribute. Jumped his two-thousand-dollar bail after getting picked up in Germantown. Like his brother Reggie, Kenny's not the sharpest knife in the drawer. Tried to sell crack cocaine to a couple of our guys working an undercover task force."

Coughlin snorted, thought a moment, then said, "Maybe the doer popped the wrong brother by mistake?"

"Possible."

"And the others who'd been pop-and-dropped all had some s.e.xual crime component?"

"Yes, sir. All but the lawyer. And all the others had been shot."

"But not the Jones boy? He was strangled."

Harris nodded. "Correct."

Coughlin looked at Hollaran. "You're thinking what I'm thinking?"

Frank Hollaran had worked with Denny Coughlin so many years he could finish his sentences.

"That it's possible?" Hollaran asked. "Sure, boss. If somehow they'd heard about the pop-and-drops. But I doubt it's happened in this case. Not enough time has elapsed. It can happen, probably will happen, especially with the cash rewards being offered."

"What're we talking about?" Payne asked.

"Copycats. Folks who mimic crimes they see in the news. That fifteen minutes of fame Andy Warhol talked about."

Quaire, gesturing again at the newspaper on Washington's desk, put in: "And now we have-cue the dramatic music-the Halloween Homicides."

Payne offered: "Playing devil's advocate, maybe it's not so much a copycat as it is someone taking up Frank Fuller on the hefty bounty he offers for-what's his phrase?-the evildoers evildoers."

"Think that through, Matthew," Washington said. "Who is going to claim those rewards? At least for the dead critters? They'd be admitting to murder."

Payne shrugged.

"Regardless," Coughlin said, "Jerry Carlucci is going to want to know what we're doing about the problem. He's planning on having a press conference at noon in the Executive Command Center. What he talks about depends on what he hears from us. And I'm sure he will denounce Fuller's bounty."

"Isn't denouncing the bounty a bit hypocritical?" Payne asked.

"In what way?" Coughlin said.

"The Philadelphia Police Department is in bed with, for example, the FBI and the DEA, which do offer big rewards for fingering bad guys. And that nationwide Crimestoppers program pays five or ten grand for information leading to a conviction-just call their toll-free number. It pays up even if you remain anonymous. It'd make my job a h.e.l.luva lot easier if someone called with something on these pop-and-drops."

"We do ask for tips on catching criminals, Matty," Coughlin said reasonably, "but we don't encourage killing. There's a difference, one somebody needs to point out to Frank Fuller." He sighed deeply. "But good point. Carlucci will have to spin it in a positive way."

He glanced at his watch. "Okay, everyone follow me upstairs. This was just the dress rehearsal."

Payne didn't move, causing Coughlin to raise an eyebrow in question.

" 'Everyone' as in everyone?" Matt asked. "Am I allowed to leave the office?"

Coughlin, his voice taking an official tone, then said, "As of this moment, Sergeant Payne, a.s.suming you can at some point soon get a decent shower and shave, I hereby order your release from desk duty."

Coughlin looked around the office.

"Everyone think they can follow that order?"

There was a chorus of "Yes, sir."

[FOUR].

5550 Ridgewood Street, Philadelphia Sunday, November 1, 9:35 A.M.

There were three official emergency vehicles parked at the curb in front of the Bazelon's row house, all with various doors open and the red-and-blue light bars on their roofs flashing. Two were white Chevy Impala squad cars a.s.signed to the Twelfth District, and the third was a somewhat battered white Ford panel van that had a blue-and-gold stripe running the length of the vehicle and blue block lettering that spelled out MEDICAL EXAMINER.

On the wooden front porch of the row house, two Philadelphia Police Department blue shirts were on either side of a rocking chair, one a male standing and writing notes and the other a female down on one knee. The young woman cop was speaking softly to eighteen-year-old Sasha Bazelon, who sat in the rocker, her face in her hands, her body visibly shaking as she sobbed.

Standing nearby on the sidewalk was a small crowd of fifteen people, mostly adult men and women holding Bibles, all watching with looks of deep sadness or abject helplessness. A couple of the women were dabbing at their cheeks with white cotton handkerchiefs. They wore what Mrs. Joelle Bazelon would have said was their Sunday Go-to-Meeting Clothing.

Any other week, Joelle Bazelon also would have been in her church clothes, usually a dark-colored billowing cotton dress, joining the group as it made the regular walk to worship at the Church of Christ three blocks over, at Warrington and South Fifty-sixth Street.

This morning, however, the sixty-two-year-old widow's cold dead body, clad in a rumpled housecoat, was about to be removed from her living room couch and placed inside a heavy-duty vinyl bag by two technicians from the Medical Examiner's Office.

The techs were dressed alike in black jeans, white knit polos, and stained, well-worn white lab coats that were thigh-length with two big patch pockets on the front. They had transparent blue plastic booties covering their black athletic shoes. Their hands wore tan-colored synthetic polymer gloves.

The body bag was on a heavy-duty, metal-framed gurney that had been positioned alongside the couch, its oversize rubber wheels locked to prevent it from rolling.

The tech who was lifting the body by holding the lower legs-just above the swollen and bruised ankles-was Kim Soo. A small-bodied man with short spiked black hair and puffy round facial features, he'd been born in Philly twenty-eight years earlier to parents from South Korea who became naturalized Americans.

Soo had spent the last two hours carefully photographing the row house with a big, bulky, professional-level Nikon digital camera, its body badly scratched and dinged. He'd moved through the residence fluidly with the camera, doc.u.menting the scene. The strobe had been so intense that its pulsing flashes were easily seen by the small crowd on the sidewalk.

Soo's face was stonelike as he looked at the lead technician, Javier Iglesia. Soo had known Iglesia going back to South Philly High, where Kim had been two grades behind him.

Iglesia, a beefy but fit thirty-year-old of Puerto Rican ancestry, was normally a very talkative sort, always ready with an opinion on anything. Now, however, holding the body at the shoulders, Iglesia was being unusually quiet.

Finally, Iglesia said, "I knew being a tech for the ME wasn't going to be all glory, Kim. But days like this, when it gets personal, I honest to G.o.d genuinely hate this d.a.m.ned job."

Iglesia looked at Soo, who said, "I know."

After getting a stronger grip on the housecoat, Iglesia said, "Ready? On three. One, two, three . . ." three . . ."

The lifting took considerable exertion, and they both grunted with effort as the body began to budge. The "lift" was actually more of a slide off the couch, then a slight drop to the black vinyl body bag that was positioned on the gurney.

The big-boned, obese body made for a fairly tight fit in the body bag. It also made the bag more or less droop over the gurney's tubular frame.

"Princ.i.p.al Bazelon was a good and decent woman," Javier said then. "I remember the year before she retired-it was my first year at Shaw Middle School. This woman was so strict, but also so kind."

Soo nodded, his face looking sympathetic.

"I'll tell you," he went on, "she was a major influence on me back then. And so many others. She taught me a lot. 'A fool thinks himself to be wise, but a wise man knows himself to be a fool.' That's Shakespeare. She got me reading him."

He looked down at the body in the bag. "And now this?"

"I'll tell you something," Iglesia said, then glanced around to see if anyone could be listening. He went on in a softer voice: "What I think is, she didn't just die in her sleep, is what I think." He paused. "No, I know she didn't. Just look at her wrists and ankles. Bruised and swollen from something. Tied with something, some rope, something that's been taken off. And that's called tampering with evidence." He paused again, then nodded as he added, "Mitch.e.l.l will make it. He misses nothing."

The medical examiner, their boss, was Dr. Howard H. Mitch.e.l.l, a very busy bald man with a dark sense of humor. He was usually found in a well-worn rumpled suit and tie, either performing an autopsy or dealing with the paperwork of a place that had to deal with an average of a murder a day, plus the questionable deaths, such as that of Mrs. Joelle Bazelon.

Iglesia shook his head, then closed the top flap and began working the web straps over the bag that would secure the load to the gurney.

That done, he and Soo grabbed the tubular handles at each end of the height-adjustable gurney and lifted, once again grunting under the weight. They raised the top of the gurney to about the level of their waists. They wanted it high enough to have better control while wheeling it, but not so high that the center of gravity could cause the gurney to become ungainly and top-heavy and dump onto its side.

Kim Soo unlocked the rubber wheels, and he pushed as Javier Iglesia began pulling the gurney toward the open front door.

As they went, Javier shook his head and quietly said, "I was there when they threw Princ.i.p.al Bazelon's big retirement go-away thing. It was a big deal, it was. She was a big deal. And whatever happened to her, this just isn't right. What I think is that girl of hers isn't saying what really happened."

After Iglesia and Soo had first arrived at the house and were processing the scene before preparing to remove the deceased, Javier had overheard a good bit of what Sasha Bazelon had been telling the two blue shirts.

Iglesia had been impressed with her-at eighteen, she was a year younger than his baby sister-and while she was just shy of hysterical, it was clear that on any other day, the slender, light-brown-skinned young woman would be absolutely beautiful.

The five of them had all been in the living room, the two cops interviewing the girl while the techs did their work.

Officer Geoffrey Pope, nineteen years old, was a rail-thin five-nine with closely cropped blond hair and a youthful face. Javier knew he had exactly one year on the Philadelphia Police Department.

Corporal Charlene Crowe was a black, stout thirty-year-old with a friendly face and warm smile. She stood a head shorter than Sasha, and she had to look up at the girl while asking questions. The shoulder patches of Crowe's blue uniform shirt had two blue chevrons outlined in silver.

In fits and starts, interspersed with crying jags, Sasha had told Corporal Crowe, "I came home late last night from my friend's house down the street. Grammy was sound asleep on the couch, snoring. So I quietly went to my room. When I came downstairs this morning, she was still there. But no longer breathing. When I checked for a pulse, her body felt cold and hard."

And then came the waterworks.

And then she'd basically repeated what she'd said.

And then came the waterworks again.

Javier found it curious that Sasha almost never looked Corporal Crowe in the eyes, and when she did it was for only a split second-then she'd bury her face in her hands and sob.

It wasn't that he felt the tears were not authentic.

The girl was clearly in deep emotional distress, and d.a.m.n near inconsolable.

She's shaking to her core, she's crying so much.

But . . . there's something that's just not right, something that's missing, not being said.

Yet when asked if anything at all suspicious had happened in the last days, weeks, even months, she'd said there'd been nothing.

She said, "Grammy got sick a lot, mostly from her diabetes. And her weight. I guess . . . I guess her heart just couldn't take it anymore."

Kim Soo and Javier Iglesia rolled the gurney out the front door and the wooden boards of the porch creaked under all the weight. The two uniforms talking with Sasha Bazelon looked over their shoulders and made eye contact with the medical examiner techs.

Sasha looked up from her hands, saw the packed body bag strapped to the gurney, and let out a wail.

"Officer Pope," Javier Iglesia said, "when you get a moment?"

Javier dipped his head once sideways, in the direction of the white Ford panel van.

Pope nodded.

Soo and Iglesia wheeled the gurney past the small crowd, trying to remain professional and not make eye contact. But then a tiny, ancient-looking black lady-Javier thought she easily could be in her nineties-held her Bible up to her forehead and cried, "Go with G.o.d, sweet Joelle. Rest in peace. Praise be the Lord!"

Javier saw that she was clearly upset, but unlike the other younger women had her crying under control.

A strong and brave lady, Iglesia thought as they made eye contact, and with sad eyes and thin pensive lips, he nodded. Iglesia thought as they made eye contact, and with sad eyes and thin pensive lips, he nodded. Far braver than I. Far braver than I.

"Amen," he said softly to her.

As Kim swung open the two rear doors of the white Ford panel van, Javier said, "You know, this and South Philly have been my home all my life. And it's all changing. It's all slowly going to s.h.i.t."

"Mine, too. The whole city is," Kim replied. "So, what's your point?"

"My point is, good people are getting hurt. And someone needs to step up, is my point. I mean, I know we did pot and stuff at South Philly High. But now dealers are selling to middle schoolers, and not just pot, but bad stuff like candy smack."

"Candy smack?"

"Yeah. I mean black tar heroin, is what I mean. Cheap deadly s.h.i.t from Mexico, mixed with sugar. And other junk. And then the kids get hooked, then need money to go score more, so then they go rob some old lady, maybe tie her up and kill her. That's what I mean, man!"