They were standing in the old orchard, on the bench where they had counted twenty-seven trees, neglected but of generous girth.
"And on top the bench, back of the house, we can grow berries." Saxon paused, considering a new thought. "If only Mrs. Mortimer would come up and advise us!--Do you think she would, Billy?"
"Sure she would. It ain't more 'n four hours' run from San Jose. But first we'll get our hooks into the place. Then you can write to her."
Sonoma Creek gave the long boundary to the little farm, two sides were worm fenced, and the fourth side was Wild Water.
"Why, we'll have that beautiful man and woman for neighbors," Saxon recollected. "Wild Water will be the dividing line between their place and ours."
"It ain't ours yet," Billy commented. "Let's go and call on 'em. They'll be able to tell us all about it."
"It's just as good as," she replied. "The big thing has been the finding. And whoever owns it doesn't care much for it. It hasn't been lived in for a long time. And--Oh, Billy--are you satisfied!"
"With every bit of it," he answered frankly, "as far as it goes. But the trouble is, it don't go far enough."
The disappointment in her face spurred him to renunciation of his particular dream.
"We'll buy it--that's settled," he said. "But outside the meadow, they's so much woods that they's little pasture--not more 'n enough for a couple of horses an' a cow. But I don't care. We can't have everything, an' what they is is almighty good."
"Let us call it a starter," she consoled. "Later on we can add to it--maybe the land alongside that runs up the Wild Water to the three knolls we saw yesterday."
"Where I seen my horses pasturin'," he remembered, with a flash of eye.
"Why not? So much has come true since we hit the road, maybe that'll come true, too.
"We'll work for it, Billy."
"We'll work like h.e.l.l for it," he said grimly.
They pa.s.sed through the rustic gate and along a path that wound through wild woods. There was no sign of the house until they came abruptly upon it, bowered among the trees. It was eight-sided, and so justly proportioned that its two stories made no show of height. The house belonged there. It might have sprung from the soil just as the trees had. There were no formal grounds. The wild grew to the doors. The low porch of the main entrance was raised only a step from the ground.
"Trillium Covert," they read, in quaint carved letters under the eave of the porch.
"Come right upstairs, you dears," a voice called from above, in response to Saxon's knock.
Stepping back and looking up, she beheld the little lady smiling down from a sleeping-porch. Clad in a rosy-tissued and flowing house gown, she again reminded Saxon of a flower.
"Just push the front door open and find your way," was the direction.
Saxon led, with Billy at her heels. They came into a room bright with windows, where a big log smoldered in a rough-stone fireplace. On the stone slab above stood a huge Mexican jar, filled with autumn branches and trailing fluffy smoke-vine. The walls were finished in warm natural woods, stained but without polish. The air was aromatic with clean wood odors. A walnut organ loomed in a shallow corner of the room. All corners were shallow in this octagonal dwelling. In another corner were many rows of books. Through the windows, across a low couch indubitably made for use, could be seen a restful picture of autumn trees and yellow gra.s.ses, threaded by wellworn paths that ran here and there over the tiny estate. A delightful little stairway wound past more windows to the upper story. Here the little lady greeted them and led them into what Saxon knew at once was her room. The two octagonal sides of the house which showed in this wide room were given wholly to windows. Under the long sill, to the floor, were shelves of books. Books lay here and there, in the disorder of use, on work table, couch and desk. On a sill by an open window, a jar of autumn leaves breathed the charm of the sweet brown wife, who seated herself in a tiny rattan chair, enameled a cheery red, such as children delight to rock in.
"A queer house," Mrs. Hale laughed girlishly and contentedly. "But we love it. Edmund made it with his own hands even to the plumbing, though he did have a terrible time with that before he succeeded."
"How about that hardwood floor downstairs?--an' the fireplace?" Billy inquired.
"All, all," she replied proudly. "And half the furniture. That cedar desk there, the table--with his own hands."
"They are such gentle hands," Saxon was moved to say.
Mrs. Hale looked at her quickly, her vivid face alive with a grateful light.
"They are gentle, the gentlest hands I have ever known," she said softly. "And you are a dear to have noticed it, for you only saw them yesterday in pa.s.sing."
"I couldn't help it," Saxon said simply.
Her gaze slipped past Mrs. Hale, attracted by the wall beyond, which was done in a bewitching honeycomb pattern dotted with golden bees. The walls were hung with a few, a very few, framed pictures.
"They are all of people," Saxon said, remembering the beautiful paintings in Mark Hall's bungalow.
"My windows frame my landscape paintings," Mrs. Hale answered, pointing out of doors. "Inside I want only the faces of my dear ones whom I cannot have with me always. Some of them are dreadful rovers."
"Oh!" Saxon was on her feet and looking at a photograph. "You know Clara Hastings!"
"I ought to. I did everything but nurse her at my breast. She came to me when she was a little baby. Her mother was my sister. Do you know how greatly you resemble her? I remarked it to Edmund yesterday. He had already seen it. It wasn't a bit strange that his heart leaped out to you two as you came drilling down behind those beautiful horses."
So Mrs. Hale was Clara's aunt--old stock that had crossed the Plains.
Saxon knew now why she had reminded her so strongly of her own mother.
The talk whipped quite away from Billy, who could only admire the detailed work of the cedar desk while he listened. Saxon told of meeting Clara and Jack Hastings on their yacht and on their driving trip in Oregon. They were off again, Mrs. Hale said, having shipped their horses home from Vancouver and taken the Canadian Pacific on their way to England. Mrs. Hale knew Saxon's mother or, rather, her poems; and produced, not only "The Story of the Files," but a ponderous sc.r.a.pbook which contained many of her mother's poems which Saxon had never seen.
A sweet singer, Mrs. Hale said; but so many had sung in the days of gold and been forgotten. There had been no army of magazines then, and the poems had perished in local newspapers.
Jack Hastings had fallen in love with Clara, the talk ran on; then, visiting at Trillium Covert, he had fallen in love with Sonoma Valley and bought a magnificent home ranch, though little enough he saw of it, being away over the world so much of the time. Mrs. Hale talked of her own Journey across the Plains, a little girl, in the late Fifties, and, like Mrs. Mortimer, knew all about the fight at Little Meadow, and the tale of the ma.s.sacre of the emigrant train of which Billy's father had been the sole survivor.
"And so," Saxon concluded, an hour later, "we've been three years searching for our valley of the moon, and now we've found it."
"Valley of the Moon?" Mrs. Hale queried. "Then you knew about it all the time. What kept you so long?"
"No; we didn't know. We just started on a blind search for it. Mark Hall called it a pilgrimage, and was always teasing us to carry long staffs.
He said when we found the spot we'd know, because then the staffs would burst into blossom. He laughed at all the good things we wanted in our valley, and one night he took me out and showed me the moon through a telescope. He said that was the only place we could find such a wonderful valley. He meant it was moonshine, but we adopted the name and went on looking for it."
"What a coincidence!" Mrs. Hale exclaimed. "For this is the Valley of the Moon."
"I know it," Saxon said with quiet confidence. "It has everything we wanted."
"But you don't understand, my dear. This is the Valley of the Moon. This is Sonoma Valley. Sonoma is an Indian word, and means the Valley of the Moon. That was what the Indians called it for untold ages before the first white men came. We, who love it, still so call it."
And then Saxon recalled the mysterious references Jack Hastings and his wife had made to it, and the talk tripped along until Billy grew restless. He cleared his throat significantly and interrupted.
"We want to find out about that ranch acrost the creek--who owns it, if they'll sell, where we'll find 'em, an' such things."
Mrs. Hale stood up.
"We'll go and see Edmund," she said, catching Saxon by the hand and leading the way.
"My!" Billy e.j.a.c.u.l.a.t.ed, towering above her. "I used to think Saxon was small. But she'd make two of you."
"And you're pretty big," the little woman smiled; "but Edmund is taller than you, and broader-shouldered."
They crossed a bright hall, and found the big beautiful husband lying back reading in a huge Mission rocker. Beside it was another tiny child's chair of red-enameled rattan. Along the length of his thigh, the head on his knee and directed toward a smoldering log in a fireplace, clung an incredibly large striped cat. Like its master, it turned its head to greet the newcomers. Again Saxon felt the loving benediction that abided in his face, his eyes, his hands--toward which she involuntarily dropped her eyes. Again she was impressed by the gentleness of them. They were hands of love. They were the hands of a type of man she had never dreamed existed. No one in that merry crowd of Carmel had prefigured him. They were artists. This was the scholar, the philosopher. In place of the pa.s.sion of youth and all youth's mad revolt, was the benignance of wisdom. Those gentle hands had pa.s.sed all the bitter by and plucked only the sweet of life. Dearly as she loved them, she shuddered to think what some of those Carmelites would be like when they were as old as he--especially the dramatic critic and the Iron Man.