"It's beautiful, just beautiful," she sighed. And then, appalled at the length of all the poem, at the volume of the mystery, she rolled the ma.n.u.script and put it away. Again she dipped in the drawer, seeking the clue among the cherished fragments of her mother's hidden soul.

This time it was a small package, wrapped in tissue paper and tied with ribbon. She opened it carefully, with the deep gravity and circ.u.mstance of a priest before an altar. Appeared a little red-satin Spanish girdle, whale-boned like a tiny corset, pointed, the pioneer finery of a frontier woman who had crossed the plains. It was hand-made after the California-Spanish model of forgotten days. The very whalebone had been home-shaped of the raw material from the whaleships traded for in hides and tallow. The black lace tr.i.m.m.i.n.g her mother had made. The triple edging of black velvet strips--her mother's hands had sewn the st.i.tches.

Saxon dreamed over it in a maze of incoherent thought. This was concrete. This she understood. This she worshiped as man-created G.o.ds have been worshiped on less tangible evidence of their sojourn on earth.

Twenty-two inches it measured around. She knew it out of many verifications. She stood up and put it about her waist. This was part of the ritual. It almost met. In places it did meet. Without her dress it would meet everywhere as it had met on her mother. Closest of all, this survival of old California-Ventura days brought Saxon in touch. Hers was her mother's form. Physically, she was like her mother. Her grit, her ability to turn off work that was such an amazement to others, were her mother's. Just so had her mother been an amazement to her generation--her mother, the toy-like creature, the smallest and the youngest of the strapping pioneer brood, who nevertheless had mothered the brood. Always it had been her wisdom that was sought, even by the brothers and sisters a dozen years her senior. Daisy, it was, who had put her tiny foot down and commanded the removal from the fever flatlands of Colusa to the healthy mountains of Ventura; who had backed the savage old Indian-fighter of a father into a corner and fought the entire family that Vila might marry the man of her choice; who had flown in the face of the family and of community morality and demanded the divorce of Laura from her criminally weak husband; and who on the other hand, had held the branches of the family together when only misunderstanding and weak humanness threatened to drive them apart.

The peacemaker and the warrior! All the old tales trooped before Saxon's eyes. They were sharp with detail, for she had visioned them many times, though their content was of things she had never seen. So far as details were concerned, they were her own creation, for she had never seen an ox, a wild Indian, nor a prairie schooner. Yet, palpitating and real, shimmering in the sun-flashed dust of ten thousand hoofs, she saw pa.s.s, from East to West, across a continent, the great hegira of the land-hungry Anglo-Saxon. It was part and fiber of her. She had been nursed on its traditions and its facts from the lips of those who had taken part. Clearly she saw the long wagon-train, the lean, gaunt men who walked before, the youths goading the lowing oxen that fell and were goaded to their feet to fall again. And through it all, a flying shuttle, weaving the golden dazzling thread of personality, moved the form of her little, indomitable mother, eight years old, and nine ere the great traverse was ended, a necromancer and a law-giver, willing her way, and the way and the willing always good and right.

Saxon saw Punch, the little, rough-coated Skye-terrier with the honest eyes (who had plodded for weary months), gone lame and abandoned; she saw Daisy, the chit of a child, hide Punch in the wagon. She saw the savage old worried father discover the added burden of the several pounds to the dying oxen. She saw his wrath, as he held Punch by the scruff of the neck. And she saw Daisy, between the muzzle of the long-barreled rifle and the little dog. And she saw Daisy thereafter, through days of alkali and heat, walking, stumbling, in the dust of the wagons, the little sick dog, like a baby, in her arms.

But most vivid of all, Saxon saw the fight at Little Meadow--and Daisy, dressed as for a gala day, in white, a ribbon sash about her waist, ribbons and a round-comb in her hair, in her hands small water-pails, step forth into the sunshine on the flower-grown open ground from the wagon circle, wheels interlocked, where the wounded screamed their delirium and babbled of flowing fountains, and go on, through the sunshine and the wonder-inhibition of the bullet-dealing Indians, a hundred yards to the waterhole and back again.

Saxon kissed the little, red satin Spanish girdle pa.s.sionately, and wrapped it up in haste, with dewy eyes, abandoning the mystery and G.o.dhead of mother and all the strange enigma of living.

In bed, she projected against her closed eyelids the few rich scenes of her mother that her child-memory retained. It was her favorite way of wooing sleep. She had done it all her life--sunk into the death-blackness of sleep with her mother limned to the last on her fading consciousness. But this mother was not the Daisy of the plains nor of the daguerreotype. They had been before Saxon's time. This that she saw nightly was an older mother, broken with insomnia and brave with sorrow, who crept, always crept, a pale, frail creature, gentle and unfaltering, dying from lack of sleep, living by will, and by will refraining from going mad, who, nevertheless, could not will sleep, and whom not even the whole tribe of doctors could make sleep. Crept--always she crept, about the house, from weary bed to weary chair and back again through long days and weeks of torment, never complaining, though her unfailing smile was twisted with pain, and the wise gray eyes, still wise and gray, were grown unutterably larger and profoundly deep.

But on this night Saxon did not win to sleep quickly; the little creeping mother came and went; and in the intervals the face of Billy, with the cloud-drifted, sullen, handsome eyes, burned against her eyelids. And once again, as sleep welled up to smother her, she put to herself the question IS THIS THE MAN?

CHAPTER VII

The work in the ironing-room slipped off, but the three days until Wednesday night were very long. She hummed over the fancy starch that flew under the iron at an astounding rate.

"I can't see how you do it," Mary admired. "You'll make thirteen or fourteen this week at that rate."

Saxon laughed, and in the steam from the iron she saw dancing golden letters that spelled WEDNESDAY.

"What do you think of Billy?" Mary asked.

"I like him," was the frank answer.

"Well, don't let it go farther than that."

"I will if I want to," Saxon retorted gaily.

"Better not," came the warning. "You'll only make trouble for yourself.

He ain't marryin'. Many a girl's found that out. They just throw themselves at his head, too."

"I'm not going to throw myself at him, or any other man."

"Just thought I'd tell you," Mary concluded. "A word to the wise."

Saxon had become grave.

"He's not... not..." she began, than looked the significance of the question she could not complete.

"Oh, nothin' like that--though there's nothin' to stop him. He's straight, all right, all right. But he just won't fall for anything in skirts. He dances, an' runs around, an' has a good time, an' beyond that--nitsky. A lot of 'em's got fooled on him. I bet you there's a dozen girls in love with him right now. An' he just goes on turnin'

'em down. There was Lily Sanderson--you know her. You seen her at that Slavonic picnic last summer at Sh.e.l.lmound--that tall, nice-lookin'

blonde that was with Butch Willows?"

"Yes, I remember her," Saxon said. "What about her?"

"Well, she'd been runnin' with Butch Willows pretty steady, an' just because she could dance, Billy dances a lot with her. Butch ain't afraid of nothin'. He wades right in for a showdown, an' nails Billy outside, before everybody, an' reads the riot act. An' Billy listens in that slow, sleepy way of his, an' Butch gets hotter an' hotter, an' everybody expects a sc.r.a.p.

"An' then Billy says to Butch, 'Are you done?' 'Yes,' Butch says; 'I've said my say, an' what are you goin' to do about it?' An' Billy says--an'

what d'ye think he said, with everybody lookin' on an' Butch with blood in his eye? Well, he said, 'I guess nothin', Butch.' Just like that.

Butch was that surprised you could knocked him over with a feather. 'An'

never dance with her no more?' he says. 'Not if you say I can't, Butch,'

Billy says. Just like that.

"Well, you know, any other man to take water the way he did from Butch--why, everybody'd despise him. But not Billy. You see, he can afford to. He's got a rep as a fighter, an' when he just stood back 'an' let Butch have his way, everybody knew he wasn't scared, or backin'

down, or anything. He didn't care a rap for Lily Sanderson, that was all, an' anybody could see she was just crazy after him."

The telling of this episode caused Saxon no little worry. Hers was the average woman's pride, but in the matter of man-conquering prowess she was not unduly conceited. Billy had enjoyed her dancing, and she wondered if that were all. If Charley Long bullied up to him would he let her go as he had let Lily Sanderson go? He was not a marrying man; nor could Saxon blind her eyes to the fact that he was eminently marriageable. No wonder the girls ran after him. And he was a man-subduer as well as a woman-subduer. Men liked him. Bert Wanhope seemed actually to love him. She remembered the Butchertown tough in the dining-room at Weasel Park who had come over to the table to apologize, and the Irishman at the tug-of-war who had abandoned all thought of fighting with him the moment he learned his ident.i.ty.

A very much spoiled young man was a thought that flitted frequently through Saxon's mind; and each time she condemned it as ungenerous. He was gentle in that tantalizing slow way of his. Despite his strength, he did not walk rough-shod over others. There was the affair with Lily Sanderson. Saxon a.n.a.lysed it again and again. He had not cared for the girl, and he had immediately stepped from between her and Butch. It was just the thing that Bert, out of sheer wickedness and love of trouble, would not have done. There would have been a fight, hard feelings, Butch turned into an enemy, and nothing profited to Lily. But Billy had done the right thing--done it slowly and imperturbably and with the least hurt to everybody. All of which made him more desirable to Saxon and less possible.

She bought another pair of silk stockings that she had hesitated at for weeks, and on Tuesday night sewed and drowsed wearily over a new shirtwaist and earned complaint from Sarah concerning her extravagant use of gas.

Wednesday night, at the Orindore dance, was not all undiluted pleasure.

It was shameless the way the girls made up to Billy, and, at times, Saxon found his easy consideration for them almost irritating. Yet she was compelled to acknowledge to herself that he hurt none of the other fellows' feelings in the way the girls hurt hers. They all but asked him outright to dance with them, and little of their open pursuit of him escaped her eyes. She resolved that she would not be guilty of throwing herself at him, and withheld dance after dance, and yet was secretly and thrillingly aware that she was pursuing the right tactics. She deliberately demonstrated that she was desirable to other men, as he involuntarily demonstrated his own desirableness to the women.

Her happiness came when he coolly overrode her objections and insisted on two dances more than she had allotted him. And she was pleased, as well as angered, when she chanced to overhear two of the strapping young cannery girls. "The way that little sawed-off is monopolizin' him," said one. And the other: "You'd think she might have the good taste to run after somebody of her own age." "Cradle-s.n.a.t.c.her," was the final sting that sent the angry blood into Saxon's cheeks as the two girls moved away, unaware that they had been overheard.

Billy saw her home, kissed her at the gate, and got her consent to go with him to the dance at Germania Hall on Friday night.

"I wasn't thinkin' of goin'," he said. "But if you'll say the word...

Bert's goin' to be there."

Next day, at the ironing boards, Mary told her that she and Bert were dated for Germania Hall.

"Are you goin'?" Mary asked.

Saxon nodded.

"Billy Roberts?"

The nod was repeated, and Mary, with suspended iron, gave her a long and curious look.

"Say, an' what if Charley Long b.u.t.ts in?"

Saxon shrugged her shoulders.

They ironed swiftly and silently for a quarter of an hour.

"Well," Mary decided, "if he does b.u.t.t in maybe he'll get his. I'd like to see him get it--the big stiff! It all depends how Billy feels--about you, I mean."