"He will never master her. She will go on and on, after we are dead, through the ages, wooing men to--destruction----"

Becky shivered. "I hate to think of things--after we are dead."

"Do you? I don't. I like to think way beyond the ages to the time when there shall be no more sea----"

He pulled himself up abruptly. "I am talking rather dismally, I am afraid, about death and destruction. You won't want to walk with me again."

"Oh, yes, I shall. And I want to see your pictures."

"You may not care for them. Lots of people don't. But I have to work in my own way----"

As they walked back, he told her what he was trying to do. As she listened, Becky seemed to have two minds, one that caught his words, and answered them, and another which went back and back to the things which had happened since she had last walked this bluff with the wind in her face and the sound of the sea in her ears.

It seemed to her as if a lifetime had elapsed since last she had looked at the Sankaty light.

II

When Becky wrote to Randy, she had a great deal to say about Archibald Cope.

"He is trying to paint the moor. He wants to get its meaning, and then make other people see what it means. He doesn't look in the least like that, Randy--as if he were finding the spirit of things. He has red hair and wears correct clothes, and says the right things, and you feel as if he ought to be in Wall Street buying bonds. But here he is, refusing to believe that anything he has done is worth while until he does it to his own satisfaction.

"We walked to Tom Never's Head yesterday. It was one of those clear silver days, a little cloudy and without much color. The cranberries are ripe and the moor was carpeted with them. When we got to Tom Never's we sat on the edge of the bluff, and Mr. Cope told me what he meant about the moor. It has its moods, he said. On a quiet, cloudy morning, it is a Quaker lady. With the fog in, it is a White Spirit.

There are purple twilights when it is--Cleopatra, and windy nights with the sun going down blood-red, when it is--Medusa---- He says that the trouble with the average picture is that it is just--paint. I am not sure that I understand it all, but it is terribly interesting. And when he had talked a lot about that, he talked of the history of the island. He said that he should never be satisfied until somebody put a bronze statue of an Indian right where we stood, with his back to the sea. And when I said, 'Why with his back to it?' he said, 'Wasn't the sea cruel to the red man? It brought a conquering race in ships.'

"I told him then about our Indians in Virginia, and that some of us had a bit of red blood in our veins, and I told him that you and I always used the old Indian war cry when we called to each other, and he asked, 'Who is Randy?' and I said that you were an old friend, and that we had spent much of our childhood together."

As a matter of fact, Cope had been much interested in her account of young Paine. "Do you mean to say that he is still living on all that land?"

"Yes."

"Master of his own domain. I can't see it. The way I like to live is with a paint box, and a bag; and nothing to keep me from moving on."

"We aren't like that in the South."

"Do you like to stay in one place?"

"I never have. I have always been handed around."

"Would you like a home of your own?"

"Of course--after I am married."

"North, south, east or west?"

She put the question to him seriously. "Do you think it would make any difference if you loved a man, where you lived?"

"Well, of course, there might be difficulties--on a desert island."

"Not if you loved him."

"My sister wouldn't agree with you."

"Why not?"

"She is very modern. She says that love has nothing to do with it.

Not romantic love. She says that when she marries she shall choose a man who lives in New York, who likes to go to Europe, and who hates the tropics. He must fancy pale gray walls and willow-green draperies, and he must loathe Florentine furniture. He must like music and painting, and not care much for books. He must adore French cooking, and have a prejudice against heavy roasts. He must be a Republican and High Church. She is sure that with such a man she would be happy. The dove of peace would hover over the household, because she and her husband would have nothing to quarrel about."

"Of course she doesn't mean it."

"She thinks she does."

"She won't if she is ever really in love."

He glanced at her. "Then you believe in the desert island?"

"I think I do----"

She stood up. "Did you feel a drop of rain? And Grandfather is waving."

The Admiral on the porch of the closed Lodge was calling to them to come under shelter.

It was a gentle rain, and they decided to walk home in it. They went at a smart pace, which they moderated as Cope showed signs of fatigue.

"It's a beastly nuisance," he said, "to give out. I wish you would go on ahead, and let me rest here----"

They rested with him. The two men talked, and Becky was rather silent.

When they started on again, Cope said to her, "Are you tired? It is a long walk."

"No," she said, "I am not tired. And I have been thinking a lot about the things you said to me."

He was not a conceited man, and he was aware that it was the things which he had said to her which had set her mind to work, not any personal fascination. She was quaint and charming, and he was glad that she had come. He had been lonely since his sister left. And his loneliness had fear back of it.

It was because of this conversation with Cope that Becky ended her letter to Randy with the following paragraph:

"Mr. Cope has a sister, Louise. She thinks that people ought to marry because they like the same things. She thinks that if two people care for the same furniture and the same religion and the same things to eat, that life will be lovely. She couldn't love a man enough to live on a desert island with him, because she adores New York. Of course, there is something in that, and if it is so, you and I ought to be very happy, Randy. We like old houses and the Virginia hills, and lots of books, and fireplaces--and dogs and horses and hot biscuits and fried chicken. It sounds awfully funny to put it that way, doesn't it, and practical? But perhaps Louise Cope is right, and one isn't likely, of course, to have the desert island test. Do you _really_ think that anybody could be happy on a desert island, Randy?"

Randy replied promptly.

"If you were in love with me, Becky, you wouldn't be asking questions.

You would believe that we could be blissful on a desert island. I believe it. It may not be true, yet I feel that a hut on a mountain top would be heaven for me if you were in it, Becky. In a way Cope's sister is right. The chances for happiness are greatest with those who have similar tastes, but not fried chicken tastes or identical religious opinions. These do not mean so much, but it would mean a great deal that we think alike about honesty and uprightness and truth and courage----

"And now, Becky, I might as well say it straight from the shoulder. I haven't the least right in the world to let you feel that you are engaged to me. I shall never marry you unless you love me--unless you love me so much that you would have the illusion of happiness with me on a desert island.

"I have no right to let you tie yourself to me. The whole thing is artificial and false. You are strong enough to stand alone. I want you to stand alone, Becky, for your own sake. I want you to tell yourself that Dalton isn't worth one single thought of yours. Tell yourself the truth, Becky, about him. It is the only way to own your soul.