The Saki Megapack - The Saki Megapack Part 7
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The Saki Megapack Part 7

"It's very disrespectful," said Crefton; "it says she's a witch. Such things ought not to be written up."

"It's true, every word of it," said his listener with considerable satisfaction, adding as a special descriptive note of her own, "the old toad."

And as she hobbled away through the farmyard she shrilled out in her cracked voice, "Martha Pillamon is an old witch!"

"Did you hear what she said?" mumbled a weak, angry voice somewhere behind Crefton's shoulder. Turning hastily, he beheld another old crone, thin and yellow and wrinkled, and evidently in a high state of displeasure. Obviously this was Martha Pillamon in person. The orchard seemed to be a favourite promenade for the aged women of the neighbourhood.

"'Tis lies, 'tis sinful lies," the weak voice went on. "'Tis Betsy Croot is the old witch. She an' her daughter, the dirty rat. I'll put a spell on 'em, the old nuisances."

As she limped slowly away her eye caught the chalk inscription on the barn door.

"What's written up there?" she demanded, wheeling round on Crefton.

"Vote for Soarker," he responded, with the craven boldness of the practised peacemaker.

The old woman grunted, and her mutterings and her faded red shawl lost themselves gradually among the tree-trunks. Crefton rose presently and made his way towards the farm-house. Somehow a good deal of the peace seemed to have slipped out of the atmosphere.

The cheery bustle of tea-time in the old farm kitchen, which Crefton had found so agreeable on previous afternoons, seemed to have soured to-day into a certain uneasy melancholy. There was a dull, dragging silence around the board, and the tea itself, when Crefton came to taste it, was a flat, lukewarm concoction that would have driven the spirit of revelry out of a carnival.

"It's no use complaining of the tea," said Mrs. Spurfield hastily, as her guest stared with an air of polite inquiry at his cup. "The kettle won't boil, that's the truth of it."

Crefton turned to the hearth, where an unusually fierce fire was banked up under a big black kettle, which sent a thin wreath of steam from its spout, but seemed otherwise to ignore the action of the roaring blaze beneath it.

"It's been there more than an hour, an' boil it won't," said Mrs. Spurfield, adding, by way of complete explanation, "we're bewitched."

"It's Martha Pillamon as has done it," chimed in the old mother; "I'll be even with the old toad. I'll put a spell on her."

"It must boil in time," protested Crefton, ignoring the suggestions of foul influences. "Perhaps the coal is damp."

"It won't boil in time for supper, nor for breakfast to-morrow morning, not if you was to keep the fire a-going all night for it," said Mrs. Spurfield. And it didn't. The household subsisted on fried and baked dishes, and a neighbour obligingly brewed tea and sent it across in a moderately warm condition.

"I suppose you'll be leaving us, now that things has turned up uncomfortable," Mrs. Spurfield observed at breakfast; "there are folks as deserts one as soon as trouble comes."

Crefton hurriedly disclaimed any immediate change of plans; he observed, however, to himself that the earlier heartiness of manner had in a large measure deserted the household. Suspicious looks, sulky silences, or sharp speeches had become the order of the day. As for the old mother, she sat about the kitchen or the garden all day, murmuring threats and spells against Martha Pillamon. There was something alike terrifying and piteous in the spectacle of these frail old morsels of humanity consecrating their last flickering energies to the task of making each other wretched. Hatred seemed to be the one faculty which had survived in undiminished vigour and intensity where all else was dropping into ordered and symmetrical decay. And the uncanny part of it was that some horrid unwholesome power seemed to be distilled from their spite and their cursings. No amount of sceptical explanation could remove the undoubted fact that neither kettle nor saucepan would come to boiling-point over the hottest fire. Crefton clung as long as possible to the theory of some defect in the coals, but a wood fire gave the same result, and when a small spirit-lamp kettle, which he ordered out by carrier, showed the same obstinate refusal to allow its contents to boil he felt that he had come suddenly into contact with some unguessed-at and very evil aspect of hidden forces. Miles away, down through an opening in the hills, he could catch glimpses of a road where motor-cars sometimes passed, and yet here, so little removed from the arteries of the latest civilization, was a bat-haunted old homestead, where something unmistakably like witchcraft seemed to hold a very practical sway.

Passing out through the farm garden on his way to the lanes beyond, where he hoped to recapture the comfortable sense of peacefulness that was so lacking around house and hearth-especially hearth-Crefton came across the old mother, sitting mumbling to herself in the seat beneath the medlar tree. "Let un sink as swims, let un sink as swims," she was, repeating over and over again, as a child repeats a half-learned lesson. And now and then she would break off into a shrill laugh, with a note of malice in it that was not pleasant to hear. Crefton was glad when he found himself out of earshot, in the quiet and seclusion of the deep overgrown lanes that seemed to lead away to nowhere; one, narrower and deeper than the rest, attracted his footsteps, and he was almost annoyed when he found that it really did act as a miniature roadway to a human dwelling. A forlorn-looking cottage with a scrap of ill-tended cabbage garden and a few aged apple trees stood at an angle where a swift flowing stream widened out for a space into a decent sized pond before hurrying away again through the willows that had checked its course. Crefton leaned against a tree-trunk and looked across the swirling eddies of the pond at the humble little homestead opposite him; the only sign of life came from a small procession of dingy-looking ducks that marched in single file down to the water's edge. There is always something rather taking in the way a duck changes itself in an instant from a slow, clumsy waddler of the earth to a graceful, buoyant swimmer of the waters, and Crefton waited with a certain arrested attention to watch the leader of the file launch itself on to the surface of the pond. He was aware at the same time of a curious warning instinct that something strange and unpleasant was about to happen. The duck flung itself confidently forward into the water, and rolled immediately under the surface. Its head appeared for a moment and went under again, leaving a train of bubbles in its wake, while wings and legs churned the water in a helpless swirl of flapping and kicking. The bird was obviously drowning. Crefton thought at first that it had caught itself in some weeds, or was being attacked from below by a pike or water-rat. But no blood floated to the surface, and the wildly bobbing body made the circuit of the pond current without hindrance from any entanglement. A second duck had by this time launched itself into the pond, and a second struggling body rolled and twisted under the surface. There was something peculiarly piteous in the sight of the gasping beaks that showed now and again above the water, as though in terrified protest at this treachery of a trusted and familiar element. Crefton gazed with something like horror as a third duck poised itself on the bank and splashed in, to share the fate of the other two. He felt almost relieved when the remainder of the flock, taking tardy alarm from the commotion of the slowly drowning bodies, drew themselves up with tense outstretched necks, and sidled away from the scene of danger, quacking a deep note of disquietude as they went. At the same moment Crefton became aware that he was not the only human witness of the scene; a bent and withered old woman, whom he recognized at once as Martha Pillamon, of sinister reputation, had limped down the cottage path to the water's edge, and was gazing fixedly at the gruesome whirligig of dying birds that went in horrible procession round the pool. Presently her voice rang out in a shrill note of quavering rage: "'Tis Betsy Croot adone it, the old rat. I'll put a spell on her, see if I don't."

Crefton slipped quietly away, uncertain whether or no the old woman had noticed his presence. Even before she had proclaimed the guiltiness of Betsy Croot, the latter's muttered incantation "Let un sink as swims" had flashed uncomfortably across his mind. But it was the final threat of a retaliatory spell which crowded his mind with misgiving to the exclusion of all other thoughts or fancies. His reasoning powers could no longer afford to dismiss these old-wives' threats as empty bickerings. The household at Mowsle Barton lay under the displeasure of a vindictive old woman who seemed able to materialize her personal spites in a very practical fashion, and there was no saying what form her revenge for three drowned ducks might not take. As a member of the household Crefton might find himself involved in some general and highly disagreeable visitation of Martha Pillamon's wrath. Of course he knew that he was giving way to absurd fancies, but the behaviour of the spirit-lamp kettle and the subsequent scene at the pond had considerably unnerved him. And the vagueness of his alarm added to its terrors; when once you have taken the Impossible into your calculations its possibilities become practically limitless.

Crefton rose at his usual early hour the next morning, after one of the least restful nights he had spent at the farm. His sharpened senses quickly detected that subtle atmosphere of things-being-not-altogether-well that hangs over a stricken household. The cows had been milked, but they stood huddled about in the yard, waiting impatiently to be driven out afield, and the poultry kept up an importunate querulous reminder of deferred feeding-time; the yard pump, which usually made discordant music at frequent intervals during the early morning, was to-day ominously silent. In the house itself there was a coming and going of scuttering footsteps, a rushing and dying away of hurried voices, and long, uneasy stillnesses. Crefton finished his dressing and made his way to the head of a narrow staircase. He could hear a dull, complaining voice, a voice into which an awed hush had crept, and recognized the speaker as Mrs. Spurfield.

"He'll go away, for sure," the voice was saying; "there are those as runs away from one as soon as real misfortune shows itself."

Crefton felt that he probably was one of "those," and that there were moments when it was advisable to be true to type.

He crept back to his room, collected and packed his few belongings, placed the money due for his lodgings on a table, and made his way out by a back door into the yard. A mob of poultry surged expectantly towards him; shaking off their interested attentions he hurried along under cover of cowstall, piggery, and hayricks till he reached the lane at the back of the farm. A few minutes' walk, which only the burden of his portmanteaux restrained from developing into an undisguised run, brought him to a main road, where the early carrier soon overtook him and sped him onward to the neighbouring town. At a bend of the road he caught a last glimpse of the farm; the old gabled roofs and thatched barns, the straggling orchard, and the medlar tree, with its wooden seat, stood out with an almost spectral clearness in the early morning light, and over it all brooded that air of magic possession which Crefton had once mistaken for peace.

The bustle and roar of Paddington Station smote on his ears with a welcome protective greeting.

"Very bad for our nerves, all this rush and hurry," said a fellow-traveller; "give me the peace and quiet of the country."

Crefton mentally surrendered his share of the desired commodity. A crowded, brilliantly over-lighted music-hall, where an exuberant rendering of "1812" was being given by a strenuous orchestra, came nearest to his ideal of a nerve sedative.

THE TALKING-OUT OF TARRINGTON.

"Heavens!" exclaimed the aunt of Clovis, "here's some one I know bearing down on us. I can't remember his name, but he lunched with us once in Town. Tarrington-yes, that's it. He's heard of the picnic I'm giving for the Princess, and he'll cling to me like a lifebelt till I give him an invitation; then he'll ask if he may bring all his wives and mothers and sisters with him. That's the worst of these small watering-places; one can't escape from anybody."

"I'll fight a rearguard action for you if you like to do a bolt now," volunteered Clovis; "you've a clear ten yards start if you don't lose time."

The aunt of Clovis responded gamely to the suggestion, and churned away like a Nile steamer, with a long brown ripple of Pekingese spaniel trailing in her wake.

"Pretend you don't know him," was her parting advice, tinged with the reckless courage of the non-combatant.

The next moment the overtures of an affably disposed gentleman were being received by Clovis with a "silent-upon-a-peak-in-Darien" stare which denoted an absence of all previous acquaintance with the object scrutinized.

"I expect you don't know me with my moustache," said the new-comer; "I've only grown it during the last two months."

"On the contrary," said Clovis, "the moustache is the only thing about you that seemed familiar to me. I felt certain that I had met it somewhere before."

"My name is Tarrington," resumed the candidate for recognition.

"A very useful kind of name," said Clovis; "with a name of that sort no one would blame you if you did nothing in particular heroic or remarkable, would they? And yet if you were to raise a troop of light horse in a moment of national emergency, 'Tarrington's Light Horse' would sound quite appropriate and pulse-quickening; whereas if you were called Spoopin, for instance, the thing would be out of the question. No one, even in a moment of national emergency, could possibly belong to Spoopin's Horse."

The new-comer smiled weakly, as one who is not to be put off by mere flippancy, and began again with patient persistence: "I think you ought to remember my name-"

"I shall," said Clovis, with an air of immense sincerity. "My aunt was asking me only this morning to suggest names for four young owls she's just had sent her as pets. I shall call them all Tarrington; then if one or two of them die or fly away, or leave us in any of the ways that pet owls are prone to, there will be always one or two left to carry on your name. And my aunt won't let me forget it; she will always be asking 'Have the Tarringtons had their mice?' and questions of that sort. She says if you keep wild creatures in captivity you ought to see after their wants, and of course she's quite right there."

"I met you at luncheon at your aunt's house once-" broke in Mr. Tarrington, pale but still resolute.

"My aunt never lunches," said Clovis; "she belongs to the National Anti-Luncheon League, which is doing quite a lot of good work in a quiet, unobtrusive way. A subscription of half a crown per quarter entitles you to go without ninety-two luncheons."

"This must be something new," exclaimed Tarrington.

"It's the same aunt that I've always had," said Clovis coldly.

"I perfectly well remember meeting you at a luncheon-party given by your aunt," persisted Tarrington, who was beginning to flush an unhealthy shade of mottled pink.

"What was there for lunch?" asked Clovis.

"Oh, well, I don't remember that-"

"How nice of you to remember my aunt when you can no longer recall the names of the things you ate. Now my memory works quite differently. I can remember a menu long after I've forgotten the hostess that accompanied it. When I was seven years old I recollect being given a peach at a garden-party by some Duchess or other; I can't remember a thing about her, except that I imagine our acquaintance must have been of the slightest, as she called me a 'nice little boy,' but I have unfading memories of that peach. It was one of those exuberant peaches that meet you halfway, so to speak, and are all over you in a moment. It was a beautiful unspoiled product of a hothouse, and yet it managed quite successfully to give itself the airs of a compote. You had to bite it and imbibe it at the same time. To me there has always been something charming and mystic in the thought of that delicate velvet globe of fruit, slowly ripening and warming to perfection through the long summer days and perfumed nights, and then coming suddenly athwart my life in the supreme moment of its existence. I can never forget it, even if I wished to. And when I had devoured all that was edible of it, there still remained the stone, which a heedless, thoughtless child would doubtless have thrown away; I put it down the neck of a young friend who was wearing a very decollete sailor suit. I told him it was a scorpion, and from the way he wriggled and screamed he evidently believed it, though where the silly kid imagined I could procure a live scorpion at a garden-party I don't know. Altogether, that peach is for me an unfading and happy memory-"

The defeated Tarrington had by this time retreated out of ear-shot, comforting himself as best he might with the reflection that a picnic which included the presence of Clovis might prove a doubtfully agreeable experience.

"I shall certainly go in for a Parliamentary career," said Clovis to himself as he turned complacently to rejoin his aunt. "As a talker-out of inconvenient bills I should be invaluable."

THE HOUNDS OF FATE.

In the fading light of a close dull autumn afternoon Martin Stoner plodded his way along muddy lanes and rut-seamed cart tracks that led he knew not exactly whither. Somewhere in front of him, he fancied, lay the sea, and towards the sea his footsteps seemed persistently turning; why he was struggling wearily forward to that goal he could scarcely have explained, unless he was possessed by the same instinct that turns a hard-pressed stag cliffward in its last extremity. In his case the hounds of Fate were certainly pressing him with unrelenting insistence; hunger, fatigue, and despairing hopelessness had numbed his brain, and he could scarcely summon sufficient energy to wonder what underlying impulse was driving him onward. Stoner was one of those unfortunate individuals who seem to have tried everything; a natural slothfulness and improvidence had always intervened to blight any chance of even moderate success, and now he was at the end of his tether, and there was nothing more to try. Desperation had not awakened in him any dormant reserve of energy; on the contrary, a mental torpor grew up round the crisis of his fortunes. With the clothes he stood up in, a halfpenny in his pocket, and no single friend or acquaintance to turn to, with no prospect either of a bed for the night or a meal for the morrow, Martin Stoner trudged stolidly forward, between moist hedgerows and beneath dripping trees, his mind almost a blank, except that he was subconsciously aware that somewhere in front of him lay the sea. Another consciousness obtruded itself now and then-the knowledge that he was miserably hungry. Presently he came to a halt by an open gateway that led into a spacious and rather neglected farm-garden; there was little sign of life about, and the farm-house at the further end of the garden looked chill and inhospitable. A drizzling rain, however, was setting in, and Stoner thought that here perhaps he might obtain a few minutes' shelter and buy a glass of milk with his last remaining coin. He turned slowly and wearily into the garden and followed a narrow, flagged path up to a side door. Before he had time to knock the door opened and a bent, withered-looking old man stood aside in the doorway as though to let him pass in.

"Could I come in out of the rain?" Stoner began, but the old man interrupted him.

"Come in, Master Tom. I knew you would come back one of these days."

Stoner lurched across the threshold and stood staring uncomprehendingly at the other.

"Sit down while I put you out a bit of supper," said the old man with quavering eagerness. Stoner's legs gave way from very weariness, and he sank inertly into the arm-chair that had been pushed up to him. In another minute he was devouring the cold meat, cheese, and bread, that had been placed on the table at his side.

"You'm little changed these four years," went on the old man, in a voice that sounded to Stoner as something in a dream, far away and inconsequent; "but you'll find us a deal changed, you will. There's no one about the place same as when you left; nought but me and your old Aunt. I'll go and tell her that you'm come; she won't be seeing you, but she'll let you stay right enough. She always did say if you was to come back you should stay, but she'd never set eyes on you or speak to you again."

The old man placed a mug of beer on the table in front of Stoner and then hobbled away down a long passage. The drizzle of rain had changed to a furious lashing downpour, which beat violently against door and windows. The wanderer thought with a shudder of what the sea-shore must look like under this drenching rainfall, with night beating down on all sides. He finished the food and beer and sat numbly waiting for the return of his strange host. As the minutes ticked by on the grandfather clock in the corner a new hope began to flicker and grow in the young man's mind; it was merely the expansion of his former craving for food and a few minutes' rest into a longing to find a night's shelter under this seemingly hospitable roof. A clattering of footsteps down the passage heralded the old farm servant's return.

"The old missus won't see you, Master Tom, but she says you are to stay. 'Tis right enough, seeing the farm will be yours when she be put under earth. I've had a fire lit in your room, Master Tom, and the maids has put fresh sheets on to the bed. You'll find nought changed up there. Maybe you'm tired and would like to go there now."

Without a word Martin Stoner rose heavily to his feet and followed his ministering angel along a passage, up a short creaking stair, along another passage, and into a large room lit with a cheerfully blazing fire. There was but little furniture, plain, old-fashioned, and good of its kind; a stuffed squirrel in a case and a wall-calendar of four years ago were about the only symptoms of decoration. But Stoner had eyes for little else than the bed, and could scarce wait to tear his clothes off him before rolling in a luxury of weariness into its comfortable depths. The hounds of Fate seemed to have checked for a brief moment.

In the cold light of morning Stoner laughed mirthlessly as he slowly realized the position in which he found himself. Perhaps he might snatch a bit of breakfast on the strength of his likeness to this other missing ne'er-do-well, and get safely away before anyone discovered the fraud that had been thrust on him. In the room downstairs he found the bent old man ready with a dish of bacon and fried eggs for "Master Tom's" breakfast, while a hard-faced elderly maid brought in a teapot and poured him out a cup of tea. As he sat at the table a small spaniel came up and made friendly advances.

"'Tis old Bowker's pup," explained the old man, whom the hard-faced maid had addressed as George. "She was main fond of you; never seemed the same after you went away to Australee. She died 'bout a year agone. 'Tis her pup."

Stoner found it difficult to regret her decease; as a witness for identification she would have left something to be desired.

"You'll go for a ride, Master Tom?" was the next startling proposition that came from the old man. "We've a nice little roan cob that goes well in saddle. Old Biddy is getting a bit up in years, though 'er goes well still, but I'll have the little roan saddled and brought round to door."

"I've got no riding things," stammered the castaway, almost laughing as he looked down at his one suit of well-worn clothes.

"Master Tom," said the old man earnestly, almost with an offended air, "all your things is just as you left them. A bit of airing before the fire an' they'll be all right. 'Twill be a bit of a distraction like, a little riding and wild-fowling now and agen. You'll find the folk around here has hard and bitter minds towards you. They hasn't forgotten nor forgiven. No one'll come nigh you, so you'd best get what distraction you can with horse and dog. They'm good company, too."

Old George hobbled away to give his orders, and Stoner, feeling more than ever like one in a dream, went upstairs to inspect "Master Tom's" wardrobe. A ride was one of the pleasures dearest to his heart, and there was some protection against immediate discovery of his imposture in the thought that none of Tom's aforetime companions were likely to favour him with a close inspection. As the interloper thrust himself into some tolerably well-fitting riding cords he wondered vaguely what manner of misdeed the genuine Tom had committed to set the whole countryside against him. The thud of quick, eager hoofs on damp earth cut short his speculations. The roan cob had been brought up to the side door.

"Talk of beggars on horseback," thought Stoner to himself, as he trotted rapidly along the muddy lanes where he had tramped yesterday as a down-at-heel outcast; and then he flung reflection indolently aside and gave himself up to the pleasure of a smart canter along the turf-grown side of a level stretch of road. At an open gateway he checked his pace to allow two carts to turn into a field. The lads driving the carts found time to give him a prolonged stare, and as he passed on he heard an excited voice call out, "'Tis Tom Prike! I knowed him at once; showing hisself here agen, is he?"

Evidently the likeness which had imposed at close quarters on a doddering old man was good enough to mislead younger eyes at a short distance.

In the course of his ride he met with ample evidence to confirm the statement that local folk had neither forgotten nor forgiven the bygone crime which had come to him as a legacy from the absent Tom. Scowling looks, mutterings, and nudgings greeted him whenever he chanced upon human beings; "Bowker's pup," trotting placidly by his side, seemed the one element of friendliness in a hostile world.

As he dismounted at the side door he caught a fleeting glimpse of a gaunt, elderly woman peering at him from behind the curtain of an upper window. Evidently this was his aunt by adoption.

Over the ample midday meal that stood in readiness for him Stoner was able to review the possibilities of his extraordinary situation. The real Tom, after four years of absence, might suddenly turn up at the farm, or a letter might come from him at any moment. Again, in the character of heir to the farm, the false Tom might be called on to sign documents, which would be an embarrassing predicament. Or a relative might arrive who would not imitate the aunt's attitude of aloofness. All these things would mean ignominious exposure. On the other hand, the alternative was the open sky and the muddy lanes that led down to the sea. The farm offered him, at any rate, a temporary refuge from destitution; farming was one of the many things he had "tried," and he would be able to do a certain amount of work in return for the hospitality to which he was so little entitled.

"Will you have cold pork for your supper," asked the hard-faced maid, as she cleared the table, "or will you have it hotted up?"

"Hot, with onions," said Stoner. It was the only time in his life that he had made a rapid decision. And as he gave the order he knew that he meant to stay.

Stoner kept rigidly to those portions of the house which seemed to have been allotted to him by a tacit treaty of delimitation. When he took part in the farm-work it was as one who worked under orders and never initiated them. Old George, the roan cob, and Bowker's pup were his sole companions in a world that was otherwise frostily silent and hostile. Of the mistress of the farm he saw nothing. Once, when he knew she had gone forth to church, he made a furtive visit to the farm parlour in an endeavour to glean some fragmentary knowledge of the young man whose place he had usurped, and whose ill-repute he had fastened on himself. There were many photographs hung on the walls, or stuck in prim frames, but the likeness he sought for was not among them. At last, in an album thrust out of sight, he came across what he wanted. There was a whole series, labelled "Tom," a podgy child of three, in a fantastic frock, an awkward boy of about twelve, holding a cricket bat as though he loathed it, a rather good-looking youth of eighteen with very smooth, evenly parted hair, and, finally, a young man with a somewhat surly dare-devil expression. At this last portrait Stoner looked with particular interest; the likeness to himself was unmistakable.

From the lips of old George, who was garrulous enough on most subjects, he tried again and again to learn something of the nature of the offence which shut him off as a creature to be shunned and hated by his fellow-men.

"What do the folk around here say about me?" he asked one day as they were walking home from an outlying field.

The old man shook his head.

"They be bitter agen you, mortal bitter. Aye, 'tis a sad business, a sad business."

And never could he be got to say anything more enlightening.

On a clear frosty evening, a few days before the festival of Christmas, Stoner stood in a corner of the orchard which commanded a wide view of the countryside. Here and there he could see the twinkling dots of lamp or candle glow which told of human homes where the goodwill and jollity of the season held their sway. Behind him lay the grim, silent farm-house, where no one ever laughed, where even a quarrel would have seemed cheerful. As he turned to look at the long grey front of the gloom-shadowed building, a door opened and old George came hurriedly forth. Stoner heard his adopted name called in a tone of strained anxiety. Instantly he knew that something untoward had happened, and with a quick revulsion of outlook his sanctuary became in his eyes a place of peace and contentment, from which he dreaded to be driven.

"Master Tom," said the old man in a hoarse whisper, "you must slip away quiet from here for a few days. Michael Ley is back in the village, an' he swears to shoot you if he can come across you. He'll do it, too, there's murder in the look of him. Get away under cover of night, 'tis only for a week or so, he won't be here longer."

"But where am I to go?" stammered Stoner, who had caught the infection of the old man's obvious terror.

"Go right away along the coast to Punchford and keep hid there. When Michael's safe gone I'll ride the roan over to the Green Dragon at Punchford; when you see the cob stabled at the Green Dragon 'tis a sign you may come back agen."

"But-" began Stoner hesitatingly.

"'Tis all right for money," said the other; "the old Missus agrees you'd best do as I say, and she's given me this."

The old man produced three sovereigns and some odd silver.

Stoner felt more of a cheat than ever as he stole away that night from the back gate of the farm with the old woman's money in his pocket. Old George and Bowker's pup stood watching him a silent farewell from the yard. He could scarcely fancy that he would ever come back, and he felt a throb of compunction for those two humble friends who would wait wistfully for his return. Some day perhaps the real Tom would come back, and there would be wild wonderment among those simple farm folks as to the identity of the shadowy guest they had harboured under their roof. For his own fate he felt no immediate anxiety; three pounds goes but little way in the world when there is nothing behind it, but to a man who has counted his exchequer in pennies it seems a good starting-point. Fortune had done him a whimsically kind turn when last he trod these lanes as a hopeless adventurer, and there might yet be a chance of his finding some work and making a fresh start; as he got further from the farm his spirits rose higher. There was a sense of relief in regaining once more his lost identity and ceasing to be the uneasy ghost of another. He scarcely bothered to speculate about the implacable enemy who had dropped from nowhere into his life; since that life was now behind him one unreal item the more made little difference. For the first time for many months he began to hum a careless lighthearted refrain. Then there stepped out from the shadow of an overhanging oak tree a man with a gun. There was no need to wonder who he might be; the moonlight falling on his white set face revealed a glare of human hate such as Stoner in the ups and downs of his wanderings had never seen before. He sprang aside in a wild effort to break through the hedge that bordered the lane, but the tough branches held him fast. The hounds of Fate had waited for him in those narrow lanes, and this time they were not to be denied.

THE RECESSIONAL.

Clovis sat in the hottest zone but two of a Turkish bath, alternately inert in statuesque contemplation and rapidly manoeuvring a fountain-pen over the pages of a note-book.

"Don't interrupt me with your childish prattle," he observed to Bertie van Tahn, who had slung himself languidly into a neighbouring chair and looked conversationally inclined; "I'm writing deathless verse."

Bertie looked interested.

"I say, what a boon you would be to portrait painters if you really got to be notorious as a poetry writer. If they couldn't get your likeness hung in the Academy as 'Clovis Sangrail, Esq., at work on his latest poem,' they could slip you in as a Study of the Nude or Orpheus descending into Jermyn Street. They always complain that modern dress handicaps them, whereas a towel and a fountain-pen-"

"It was Mrs. Packletide's suggestion that I should write this thing," said Clovis, ignoring the bypaths to fame that Bertie van Tahn was pointing out to him. "You see, Loona Bimberton had a Coronation Ode accepted by the New Infancy, a paper that has been started with the idea of making the New Age seem elderly and hidebound. 'So clever of you, dear Loona,' the Packletide remarked when she had read it; 'of course, anyone could write a Coronation Ode, but no one else would have thought of doing it.' Loona protested that these things were extremely difficult to do, and gave us to understand that they were more or less the province of a gifted few. Now the Packletide has been rather decent to me in many ways, a sort of financial ambulance, you know, that carries you off the field when you're hard hit, which is a frequent occurrence with me, and I've no use whatever for Loona Bimberton, so I chipped in and said I could turn out that sort of stuff by the square yard if I gave my mind to it. Loona said I couldn't, and we got bets on, and between you and me I think the money's fairly safe. Of course, one of the conditions of the wager is that the thing has to be published in something or other, local newspapers barred; but Mrs. Packletide has endeared herself by many little acts of thoughtfulness to the editor of the Smoky Chimney, so if I can hammer out anything at all approaching the level of the usual Ode output we ought to be all right. So far I'm getting along so comfortably that I begin to be afraid that I must be one of the gifted few."

"It's rather late in the day for a Coronation Ode, isn't it?" said Bertie.

"Of course," said Clovis; "this is going to be a Durbar Recessional, the sort of thing that you can keep by you for all time if you want to."

"Now I understand your choice of a place to write it in," said Bertie van Tahn, with the air of one who has suddenly unravelled a hitherto obscure problem; "you want to get the local temperature."

"I came here to get freedom from the inane interruptions of the mentally deficient," said Clovis, "but it seems I asked too much of fate."

Bertie van Tahn prepared to use his towel as a weapon of precision, but reflecting that he had a good deal of unprotected coast-line himself, and that Clovis was equipped with a fountain-pen as well as a towel, he relapsed pacifically into the depths of his chair.

"May one hear extracts from the immortal work?" he asked. "I promise that nothing that I hear now shall prejudice me against borrowing a copy of the Smoky Chimney at the right moment."

"It's rather like casting pearls into a trough," remarked Clovis pleasantly, "but I don't mind reading you bits of it. It begins with a general dispersal of the Durbar participants: 'Back to their homes in Himalayan heights The stale pale elephants of Cutch Behar Roll like great galleons on a tideless sea-'"