"I don't believe you like it," said sharp Laurencine.
"I adore it," George protested. "Don't you?"
"Oh! _I_ do, of course," said Laurencine. "I knew I should."
Lucas, instinctively on the defence, said:
"The second act's much better than the first."
George's hopes, dashed but not broken, recovered somewhat. After all there had been one or two gleams of real jokes, and a catchiness in certain airs; and the spark possessed temperament in profusion. It was possible that the next act might be diverting.
"You do look tired," said Laurencine.
"Oh no, darling!" Lois objected. "I think he looks splendid."
She was intensely happy in the theatre. The box was very well placed--since Irene had bought it--with a view equally good of the stage and of the semicircle of boxes. Lois' glance wandered blissfully round the boxes, all occupied by gay parties, and over the vivacious stalls.
She gazed, and she enjoyed being gazed at. She bathed herself in the glitter and the gaudiness and the opulence and the humanity, as in tonic fluid. She seemed to float sinuously and voluptuously immersed in it, as in tepid water lit with sunshine.
"Do have a choc.," she invited eagerly.
George took a chocolate. She took one. They all took one. They all had the unconscious pride of youth that does not know itself young. Each was different from the others. George showed the reserve of the artist; Lucas the ease of the connoisseur of mundane spectacles; Laurencine the sturdy, catholic, girlish innocence that nothing can corrupt. And the sovereign was Lois. She straightened her shoulders; she leaned languorously; she looked up, she looked down; she spoke softly and loudly; she laughed and smiled. And in every movement and in every gesture and tone she symbolized the ecstasy of life. She sought pleasure, and she had found it, and she had no afterthought. She was infectious; she was irresistible, and terrible too. For it was dismaying, at any rate to George, to dwell on the fierceness of her instinct and on the fierceness of its satisfaction. To George her burning eyes were wistful, pathetic, in their simplicity. He felt a sort of fearful pity for her. And he admired her--she was something definite; she was something magnificently outright; she did live. Also he liked her; the implications in her glance appealed to him. The peculiar accents in which she referred to the enigma of Irene Wheeler were extraordinarily attractive to that part of his nature which was perverse and sophisticated. "At least she is not a simpleton," he thought. "And she doesn't pretend to be. Some day I shall talk to her."
The orchestra resumed; the lights went out. Lois settled herself to fresh enchantment as the curtain rolled up to disclose the bright halls and staircases of a supper-club. The second act was an amplification and inflammation of the themes of the first. As for the music, George listened in vain for an original tune, even for a tune of which he could not foretell the end from the beginning; the one or two engaging bits of melody which enlivened the first act were employed again in the second.
The disdainful, lethargic chorus was the same; the same trio of delicious wantons fondled and kissed the same red-nosed comedian, who was still in the same state of inebriety, and the gay spark flitted roysteringly through the same evolutions, in pursuit of the same simple ideals. The jocularity pivoted unendingly on the same twin centres of alcohol and concupiscence. Gradually the latter grew to more and more importance, and the piece became a high and candid homage to the impulse by force of which alone one generation succeeds another. No beautiful and graceful young girl on the stage blenched before the salacious witticisms of the tireless comedian; on the contrary he remained the darling of the stage. And as he was the darling of the stage, so was he the darling of the audience.
And if no beautiful and graceful young girl blenched on the stage, neither did the beautiful and graceful young girls in the audience blench. You could see them sitting happily with their fathers and mothers and cousins and uncles and aunts, savouring the spectacle from dim stalls and boxes in the most perfect respectability. Laurencine leaning her elbows on the ledge of the box, watched with eager, parted lips, and never showed the slightest sign of uneasiness.
George was uneasy; he was distressed. The extraordinary juxtaposition of respectability and a ribald sexual display startled but did not distress him. If the whole audience was ready to stand it he certainly was. He had no desire to protect people from themselves, nor to blush on behalf of others--whoever they might be. Had anybody accused him of saintliness he would have resented the charge, quite justifiably, and if the wit of _The Gay Spark_ had been witty, he would have enjoyed it without a qualm. What distressed him, what utterly desolated him, was the grossness, the poorness, the cheapness, the dullness, and the uninventive monotony of the interminable entertainment. He yawned, he could not help yawning; he yawned his soul away. Lois must have heard him yawning, but she did not move. He looked at her curiously, pitifully, speculating how much of her luxury was due to Irene Wheeler, and how little to 'Parisian' of _The Sunday Journal_--for he had been inquiring about the fruits of journalism. The vision of his own office and of the perspective drawing rose seductively and irresistibly in his mind. He could not stay in the theatre; he felt that if he stayed he would be in danger of dropping down dead, suffocated by tedium; and the drawing must be finished; it would not wait; it was the most urgent thing in the world. And not a syllable had any person in the box said to him about his great task. Lois's forearm, braceleted, lay on the front of the box. Unceremoniously he took her hand.
"Bye-bye."
"You aren't going?" Her whisper was incredulous.
"Must."
He gave her no chance to expostulate. With one movement he had seized his hat and coat and slid from the box, just as the finale of the act was imminent and the red-nosed comedian was measuring the gay spark for new _lingerie_ with a giant property-cigar. He had not said good-bye to Laurencine. He had not asked about their departure on the morrow. But he was free.
In the foyer a couple--a woman in a rose plush _sortie de bal_, and a blade--were mysteriously talking. The blade looked at him, smiled, and left the lady.
"Hal_lo_, old fellow!" It was Buckingham Smith, who had been getting on in the world.
They shook hands.
"You've left Chelsea, haven't you?"
"Yes," said George.
"So've I. Don't see much of the old gang nowadays. Heard anything of old Princey lately?"
George replied that he had not. The colloquy was over in a moment.
"You must come and see my show--next week," Buck Smith called out after the departing George.
"I will," cried George.
He walked quickly up to Russell Square, impatient to steep himself anew in his work. All sense of fatigue had left him. Time seemed to be flying past him, and he rushing towards an unknown fate. On the previous day he had received an enheartening, challenging, sardonic letter from his stepfather, who referred to politics and envisaged a new epoch for the country. Edwin Clayhanger was a Radical of a type found only in the Midlands and the North. For many years Clayhanger's party, to which he was passionately faithful, had had no war-cry and no programme worthy of its traditions. The increasing success of the campaign against Protection, and certain signs that the introduction of Chinese labour into South Africa could be effectively resisted, had excited the middle-aged provincial--now an Alderman--and he had managed to communicate fire to George. But in George, though he sturdily shared his stepfather's views, the resulting righteous energy was diverted to architectural creation.
III
The circumstances in which, about a month later, George lunched with the Ingram family at their flat in the Rue d'Athenes, near the Gare St.
Lazare, Paris, had an appearance of the utmost simplicity and ordinariness. He had been down to Staffordshire for a rest, and had returned unrested. And then Mr. Enwright had suggested that it would do him good to go to Paris, even to go alone. He went, with no plan, but having made careful arrangements for the telegraphing to him of the result of the competition, which was daily expected. By this time he was very seriously convinced that there was no hope of him being among the selected six or ten, and he preferred to get the news away from London rather than in it; he felt that he could not face London on the day or the morrow of a defeat which would of course render his youthful audacity ridiculous.
He arrived in Paris on a Wednesday evening, and took a room in a _maison meublee_ of the Rue de Seze. Every inexperienced traveller in Paris has a friend who knows a lodging in Paris which he alleges is better and cheaper than any other lodging--and which is not. The house in the Rue de Seze was the economical paradise of Buckingham Smith, whom George had encountered again at the Buckingham Smith exhibition. Buckingham Smith, with over half his pictures bearing the red seal that indicates 'Sold,'
felt justified in posing to the younger George as a cosmopolitan expert--especially as his opinions on modern French art were changing.
George spent three solitary and dejected days in Paris, affecting an interest in museums and architecture and French opera, and committing follies. Near the end of the third day, a Saturday, he suddenly sent a threepenny express note to Lois Ingram. He would have telephoned had he dared to use the French telephone. On Sunday morning, an aproned valet having informed him that Monsieur was demanded at the telephone, he had to use the telephone. Lois told him that he must come to lunch, and that afterwards he would be escorted to the races. Dejection was instantly transformed into a gay excitation. Proud of having spoken through a French telephone, he began to conceive romantically the interior of a Paris home--he had seen naught but a studio or so with Mr. Enwright--and to thrill at the prospect of Sunday races. Not merely had he never seen a horse-race on a Sunday--he had never seen a horse-race at all. He perhaps was conscious of a genuine interest in Lois and her environment, but what most satisfied and flattered him, after his loneliness, was the bare fact of possessing social relations in Paris at all.
The Ingram home was up four flights of naked oaken stairs, fairly swept, in a plain, flat-fronted house. The door of the home was opened by a dark, untidy, dishevelled, uncapped, fat girl, with a full apron, dazzling white and rectangularly creased, that had obviously just been taken out of a drawer. Familiarly and amicably smiling, she led him into a small, modest drawing-room where were Lois and her father and mother.
Lois was enigmatic and taciturn. Mr. and Mrs. Ingram were ingenuous, loquacious, and at ease. Both of them had twinkling eyes. Mrs. Ingram was rather stout and grey and small, and wore a quiet, inexpensive blue dress, embroidered at the neck in the Morrisian manner, of no kind of fashionableness. She spoke in a low voice, smiled to herself with a benevolence that was not without a touch of the sardonic, and often looked at the floor or at the ceiling. Mr. Ingram, very slim and neat, was quite as small as his wife, and seemed smaller. He talked much and rather amusingly, in a somewhat mincing tone, as it were apologetically, truly anxious to please. He had an extremely fair complexion, and his youthfulness was quite startling. His golden hair and perfect teeth might have belonged to a boy. George leapt immediately into familiarity with these two. But nobody could have less resembled his preconceived image of 'Parisian' than Mr. Ingram. And he could not understand a bit whence or how such a pair had produced their daughter Lois. Laurencine was a far more comprehensible offspring for them.
The dining-room was even less spacious than the drawing-room, and as unpretentious. The furniture everywhere was sparse, but there were one or two rich knick-knacks, and an abundance of signed photographs. The few pictures, too, were signed, and they drew attention. On the table the napkins, save George's, were in rings, and each ring different from the others. George's napkin had the air of a wealthy, stiff, shiny relative of the rest. Evidently in that home the long art of making both ends meet was daily practised. George grew light-hearted and happy, despite the supreme preoccupation which only a telegram could allay. He had keenly the sensation of being abroad. The multiplicity of doors, the panelling of the doors, the narrow planking of the oaken floor, the moulding of the cornices, the shape of the windows, the view of the courtyard from the dining-room and of attics and chimney-cowls from the drawing-room, the closed anthracite stoves in lieu of fires, the crockery, the wine-bottle, the mustard, the grey salt, the unconventional gestures and smiles and exclamations of the unkempt maid--all these strange details enchanted him, and they all set off very vividly the intense, nice, honest, reassuring Englishness of the host and hostess.
It was not until after the others were seated for the meal that Laurencine made her appearance. She was a magnificent and handsome virgin, big-boned, physically a little awkward, candid. How exquisitely and absurdly she flushed in shaking hands with George! With what a delicious mock-furious setting of the teeth and tossing of the head she frowned at her mother's reproaches for being late! This family knew the meaning of intimacy but not of ceremony. Laurencine sat down at her father's left; George was next to her on Mrs. Ingram's right. Lois had the whole of the opposite side of the table.
"Does he know?" Laurencine asked; and turning to George: "Do you know?"
"Know what?"
"You'd better tell him, dad. You like talking, and he ought to know. I shan't be able to eat if he doesn't. It would be so ridiculous sitting here and pretending."
Mrs. Ingram looked upwards across the room at a corner of the ceiling, and smiled faintly.
"You might," she said, "begin by asking Mr. Cannon if he particularly wants to be burdened with the weight of your secrets, my dear child."
"Oh! I particularly do," said George.
"There's no secret about it--at least there won't be soon," said Laurencine.
Lois spoke simultaneously:
"My dear mother, please call George George. If we call him George, you can't possibly call him Mr. Cannon."
"I quite admit," Mrs. Ingram replied to her eldest, "I quite admit that you and Laurencine are entitled to criticise my relations with my husband, because he's your father. But I propose to carry on my affairs with other men just according to my own ideas, and any interference will be resented. I've had a bad night, owing to the garage again, and I don't feel equal to calling George George. I've only known him about twenty minutes. Moreover, I might be misunderstood, mightn't I, Mr.
Cannon?"
"You might," said George.