The reply came haltingly, as though the witness were feeling her way over uneven ground. "My brother and I had consulted Mr. Jarvis about that and he had advised against it. He didn't wish to arouse any suspicions in--in the prisoner's mind just then. And--well, you see, Mr.

Kenwick and I had not seen each other since his--illness and during that first meeting we both avoided everything connected with--with the tragedy as much as possible. Of course if we had known that this charge of--of crime was to be preferred against him, I suppose we would have acted differently."

This was no carefully rehea.r.s.ed response, but nothing that she could have said would have disclosed more clearly the inside workings of the opposition's conspiracy. The web that had been woven around the prisoner had enmeshed with him every one who had ever been intimately a.s.sociated with his past.

And now that romance had entered upon the sordid scene the whole aspect of the case was changed. The air became charged all at once with an electric current of sympathy. To every man and woman in the room Richard Glover now appeared in the guise of a baffled adventurer, and Roger Kenwick as a man who had loved, and because of cruel circ.u.mstance had lost. But had he really lost? The crux of public interest shifted with the abruptness of a weatherc.o.c.k, from mystery to romance.

"You a.s.sert, Miss Morgan, that you knew this story, 'A Brother of Bluebeard,' to be the one which the prisoner had read to you before he left for the East almost two years ago. What proof could you furnish of this?"

"At the time that Mr. Glover read the story to me I had in my possession the sequel to it, which Mr. Kenwick had sent me in ma.n.u.script for my criticism, just before he left for training-camp. It used many of the same characters and was rooted in the same plot."

"Could you produce that ma.n.u.script?"

"Mr. Jarvis can produce it. I turned it over to him."

The former witness leaned forward and laid a heap of pencil-written ma.n.u.script upon the table. But Dayton scarcely glanced at it. With one hand he pushed it aside, and then shifted the current of his interest into another channel. "When, and by what means, Miss Morgan, did you discover that Roger Kenwick had returned from France mentally disabled?"

Her reply to this question came in a voice that was struggling against heavy odds for composure. "It was exactly one year ago to-day that I received that news. Several letters of mine to--the prisoner were returned to me unopened. And with them came a communication from Mr.

Everett Kenwick telling me that--that it had become necessary for them to send his brother to a private asylum."

"Did you know where that asylum was?"

"Not then. He told me that he was debating over several different places but that he had almost decided upon a friend's home in southern California. He didn't tell me where this home was. I think he realized that--that I would rather not know."

"And when did you discover that that place was Mont-Mer?"

"On the night that Mr. Kenwick was reported dead."

A murmur that was distinctly a wave of sympathy filled the chamber. But eagerness to catch the next question quieted it.

"After that first letter telling you about the prisoner's misfortune, did you ever hear from Mr. Everett Kenwick again?"

"Only once. Just a week before he died, he wrote again. He had just lost his wife and he seemed to have a premonition that he was not going to live very long."

She was feeling for her handkerchief in the pocket of the fur-trimmed coat. Some of the men in the court-room averted their eyes. The face of more than one woman softened. Clinton Morgan sat regarding his sister with a curious composure. In his eyes was that mixture of compa.s.sion and awe that he had worn on the night when the gold and ivory book had betrayed to him her secret.

"Yes?" Dayton went on gently, but with the same relentless persistence.

"He wrote to you again? And what did he say?"

"He said that he wanted me to have something that had belonged--to his brother. He told me that he felt that Roger Kenwick would have wished me to have it. And with the letter there came a box in which I found----"

She had finished her search in the pocket of the motor-coat, and now she held something between her gloved fingers. "Mr. Everett Kenwick himself had only received it a short time before. There had been some delay and confusion about it, owing I suppose to his brother having been sent home--in just the way that he was. He himself never knew that he had won it. But it was such a wonderful display of courage----And the French officer whose life he had saved sent a letter, too, saying that France was grateful and wanted to express her appreciation in some way so----"

And then she held it up before them; before the lawyers and the jury and the crowd of spectators--a bit of metal on its patch of ribbon.

Holding it out before them, she sat there like a sovereign waiting to confer a peerage. And not the judge's gavel nor the commanding voice of the district attorney could still the tumult that rose and swelled into tumultuous applause.

On the day following the notorious Kenwick murder trial, the Mont-Mer papers carried little other news. A special representative from the "San Francisco Clarion" and several Los Angeles journalists fed their copy over the wires and had extras out in both cities by eight o'clock.

"Kenwick Acquitted" was the head-line which his own paper ran, with his picture and one of Richard Glover sharing prominence upon the front page. And because of Kenwick's previous connection with this daily and the fact that the two star witnesses for the defense were well known in the Bay region, the "Clarion's" story was the most comprehensive and colorful.

It opened with a report of Dayton's speech which, it appeared, had electrified every one in the court-room, including the prisoner himself.

But it had been unnecessary for the attorney to make a plea for his client, after the quietly dramatic testimony of the last witness for the defense. In thrilling terms the "Clarion" described Kenwick's final service at the front, when he had made his way alone across No-Man's-Land and saved for France one of her most gallant officers, and had given in exchange that thing which is more precious than life itself. Only through an accident, which had killed the man who had meant to batten upon his misery, had he been released from a pitiable bondage.

Having thus sketched in his "human interest," the reporter proceeded to tell the story which had proved so overwhelmingly convincing to the jury and audience. How, in his skilfully planned narrative, Richard Glover had transposed the ident.i.ties of the two dead men. How, upon receiving his commission from Everett Kenwick, he had first turned over his charge to Ralph Regan, admitted by his own sister to be an addict to drugs and a ne'er-do-well whom she was helping, in a surrept.i.tious way, to support. How the accounts, forwarded from the Kenwick lawyer in New York, showed that Regan must have received out of the arrangement only his living and enough of the drug to keep him satisfied but not wholly irresponsible. How, upon his own infrequent visits to the patient (whom he himself had conducted across the continent instead of the mythical Bailey) Glover had foreseen two months before the tragedy that Regan could no longer be relied upon and had told him that he was about to be dismissed.

How he had then secured the services of one Edward Marstan, whom he believed to be without family, and who represented himself as a physician in good standing but heavily in debt. How the arrangement had been made that he a.s.sume charge of the patient at the Mont-Mer depot, whither Kenwick was to be brought up from a day's sojourn in Los Angeles by Regan. How the physician, accompanied by his wife, had arrived from San Francisco that very day; how Marstan had quarreled with his wife, and leaving her unconscious in a room at Rest Hollow, had gone into town to get his charge. How, on the way out from town he had been killed in an accident while driving his own car, and how, by a curious fate, Kenwick had been restored to sanity and had found his way back alone to his former asylum.

The story then went on to relate how Ralph Regan, evidently desperate over his loss of a home and drug supplies, had returned to Rest Hollow by stealth the following night, either to make a plea to the new caretaker or to search for drugs, and of how, finding the house dark and apparently deserted, he had forsaken all hope of reinstatement and had ended his life with the revolver which he had brought either for murder of Marstan or for suicide. The shot which he fired, the paper stated, had evidently been used to test his own nerve or the cartridges; and it had done its work. Letters written to his sister a few weeks before the tragedy, and produced by her in court, indicated a depression amounting to acute melancholia.

Recalled to the witness-stand and subjected to crucial cross-examination, the gardener at Rest Hollow had broken down in his testimony, admitted that he was afraid of Glover, and that although he had been in too dazed a condition on the fatal night to examine the body of the dead man, he knew Ralph Regan to have been the former attendant and had frequently talked to him about the patient's symptoms, about which Regan appeared to know little and care less.

The narrative then went on to tell how Richard Glover had discovered among the possessions of his charge certain ma.n.u.scripts which he deemed suitable for publication, and how he had, after the death of the elder Kenwick, sold one of them under the name of Ralph Regan, choosing a real rather than a fict.i.tious name in order that he might shift the theft to helpless shoulders if it were ever discovered. How he had, with the Kenwick capital entrusted to him, invested in large realty holdings which had completely absorbed his attention. How he had padded his accounts in order to wring extra money from Everett Kenwick under the guise of "special treatments" for the patient and so on. How on the night of the fatality he had driven to Rest Hollow from Los Angeles to give some final instructions to the new employee, and how, stumbling upon the dead body of Regan, he had been shocked to find himself involved in a tragedy. How he had then cold-bloodedly decided to have the body identified as Kenwick, partly to save himself from the charge of criminal neglect and partly because he knew that Everett Kenwick had left in his will a bequest that was to come to him "for faithful service" upon the death or recovery of his brother. How, not dreaming that his charge would ever recover, he had thus used his death as a means of gaining extra funds which he badly needed just at that time.

How he had accordingly selected certain of the patient's personal possessions with which he had been entrusted, to deceive the coroner.

How all the subsequent action had seemed to play into his hands: the coroner's easy acquiescence in the suicide theory and the ident.i.ty of the body; the chance discovery, through Arnold Rogers, that the story of Kenwick's self-destruction had already been accepted by the community.

How, preceding the coroner's inquest, Glover had spent the morning tracing the antecedent action of the tragedy and had heard of the accident which had killed Marstan. How he had erred in suspecting that the real victim of the tragedy was Kenwick and that the attendant had had the body identified as his own and then made his escape, fearing to communicate the news of the disaster to his employer. How he, Glover, had been startled to discover later that Kenwick was not only alive but had apparently recovered his mental health.

The remainder of the story was given as the testimony of Madeleine Marstan, well-known favorite in the former Alcazar stock company, and Granville Jarvis, expert psychologist, whose skilful work was a strong plea for the admission of that newest of the sciences into court-room procedure.

During this latter testimony, the "Clarion" a.s.serted, interest had been divided between the ultimate fate of the accused and the valuable contributions which the laboratory experiments of the witness had given the case. The word-tests which he had provided to the medium were, he had explained, one of the surest means of discovering the train of a.s.sociations which lodge in the guilty mind. He had never been convinced that Glover himself had committed a murder, but suspected that his crime lay in trying to fasten it upon a man whom he knew to be both innocent and helpless. The cards, containing a mixture of irrelevant and relevant words, had been shown him and then he had been instructed to turn his head in the opposite direction. These instructions he had carefully observed except in the cases of terms which held evil a.s.sociations. In such cases his eyes almost invariably turned back to the card with the printed word. Such terms as "gravel" and "oleander" had produced this attraction. But they had also aroused his suspicions. And from the day of his first call upon "Madame Rosalie" the situation between them had been a succession of clever manoeuvers. Neither one of them had dared to let the other go. But in this encounter Mrs. Marstan had had the advantage. What he was able to find out about her was little compared with what she had discovered concerning him.

That she possessed unmistakable psychic powers could not be disputed. By a means of communication, which she could not herself explain, she had received at the time of Roger Kenwick's interview with her a message from the spirit of Isabel Kenwick, confessing that it was she who had unwittingly brought Richard Glover into his life, and entreating his forgiveness.

As to the concluding story of the actress, it was concerned with her description of how she had identified the body of her husband at the morgue on the evening of her flight from Rest Hollow; of how she had turned all arrangements for its shipment and burial over to the Mont-Mer and San Francisco undertakers, desiring to figure as little as possible in connection with the death of the man who had ruined her life. Of how she had succeeded in paying the debts against his name and had recently signed a stage contract with an eastern theatrical company.

When the trial was ended the crowd that jammed the room rose and surged toward the man in the prisoner's box, like a human tidal wave. "Keep them back, Dayton," Kenwick implored. "I don't want to talk to them."

Somehow his attorney managed to check the onrush, and the throng of congratulatory spectators was headed toward the exits. The room was almost empty when some one touched the prisoner's arm.

"Can you give me a few words?" It was one of the local reporters.

"You're a newspaper man yourself, Mr. Kenwick, and you know how it is about these things."

Kenwick shook him off. "Come around later, to the hotel, if you like,"

he said, and turned to take a hand that was timidly held out to him.

"I didn't know whether you'd be willing to speak to me or not, Mr.

Kenwick. But I just wanted to tell you that I'm satisfied, more than satisfied with--the way it has all come out."

"I am glad to hear that, Mrs. Fanwell," Kenwick told her gravely. "I would never have been quite satisfied myself unless I had heard you say that. I wish you would leave your address with Dayton, for, you see, I feel a little bit responsible for you, and I would like to put you in the way of getting a new hold on life."

The only other person in the room with whom he stopped to talk was Madeleine Marstan, who stood in conversation with Dayton near the door.

To her his words of thanks were the more eloquent perhaps because they came haltingly, impeded by an emotion which he could not master.

"It was nothing," she told him. "Nothing that I didn't owe you, Mr.

Kenwick."