The Real Adventure - The Real Adventure Part 56
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The Real Adventure Part 56

CHAPTER XVI

ANTI-CLIMAX

It was a beastly day. A gusty rain, whipping up from the south, by way of answer to the challenge of a heavy snowfall the day before, inflicted a combination of the rigors of winter, with a debilitating, disquieting hint of spring. The train, for which they had been routed out that morning at seven o'clock, had been blistering hot and the necessarily open windows had let in choking clouds of smoke.

The hotel was hot, too. Rose and Dolly, as soon as they had registered, went up to their room and washed off the stains of travel, as well as they could in translucent water that was the color of weak coffee. Then Rose, in a kimono, stretched out on the bed to make up some of the rest their early departure from Cedar Rapids had deprived her of. She did this methodically whenever opportunity offered, but without any great conviction.

Dolly, though she looked a bit hollow-eyed and much more in need of rest than Rose (for she hadn't any stamina at all. She was an under-nourished, and probably anemic little thing, and was always train-sick when their jumps began too early in the morning), went straight ahead with her toilet, tried to correct her pallor with a little too much rouge, and with the glaring falsehood that it was clearing up, put on the pathetic little fifteen-dollar suit that she religiously guarded for occasions.

She was very fidgety, a little bit furtive, and elaborately over-casual about all this; a fact to which Rose was, also a little artificially, oblivious.

Their partnership had not proved, from Dolly's point of view, at any rate, an unqualified success. They'd not been on the road three days before she'd begun to wonder whether she hadn't been hasty in the selection of her chum. Doris Dane was a very magnificent person, of course. She made the rest of the company, including the principals, look (this was a phrase Dolly had unguardedly used the day Rose first appeared at rehearsal) like a bunch of rummies. And of course it was an immense compliment to be singled out by an awe-inspiring person like that, for her particular chum. Only, once the compliment had been paid, its value as an abiding possession became a little doubtful. Awe is not a very comfortable sort of emotion to eat breakfast with.

Evidently the rest of the company felt that way about it, for Dane was not popular. She gave no handle for an active grievance, to be sure. She wasn't superior in the sense in which Dolly used the word. She didn't look haughty nor say withering things to people, nor tell passionately-believed stories designed to convince her hearers that her rightful place in the world was immensely higher than the one she now occupied. One didn't hear her exclaiming under some bit of managerial tyranny, that never, in the course of her whole life, had she been subjected to such an affront. But she had a blank, rather tired way of keeping silence when other people told stories like that, or made protests like that, which was subtly infuriating. The very fact that she never tried to impress the company, was presumptive evidence that the company didn't very greatly impress her. If their common feeling about her had ever crystallized into a phrase, its effect would have been, that all their affairs, personal and professional, past, present and to come, even those she shared with them, were not of sufficient importance to her ever to get quite the whole of her attention. It was a notion that irritated the women and frightened off the men. Probably nothing else could have kept a young woman of Rose's physical attractions from being, on a tour like that, with that sort of company, the object of, at least, experiments.

Men may consider these experiments worth trying in the face of a determined hostility on the part of the subject of them. The most rigorous primness of behavior does not daunt them, nor the assertion of an icily virtuous intangibility. But the sort of good-humored preoccupation that doesn't see them at all, that sees the pattern in the wall-paper behind their backs, that tries, half-heartedly, to be adequately courteous, is too much for them. And the more experienced they are in conquests, and the higher, on the basis of their own experience, they rate the irresistibility of their powers, the less of his particular sort of treatment they can stand. The mere sight of her, after the first day or two, was enough to give a professional "killer"

like Max Webber, the creeps.

But Rose's manner not only kept the men away from herself. It kept them away from Dolly. Poor Dolly didn't know what the matter was, at first.

She had been told terrible stories by her mother and her elder brother, about the perils that beset young girls who ran away from good respectable homes. She had been told them with the misguided purpose of keeping her from running away from her own home, which was no doubt respectable, but was also deadly dull. She had run away and it was perils she was looking for. She didn't mean to succumb to them. None of the heroines of the only literature she knew--of the movies, that is to say--succumbed to perils. They were beset by the most terrific perils.

It was over perils that they climbed to soul-entrancing heights of romance. It was because they were the almost certain victims of diabolical machinations, that wonderful heroes, with long eyelashes and curly hair, came to their rescue and clasped them in their arms and looked unutterable things into their eyes, just as the picture faded out.

Dolly had joined the chorus of a musical comedy, because that profession offered more alluring wares in the way of perils than any other that was open to her. And then she discovered that her calculations had gone awry. The impalpable shield her formidable friend carried with her, turned the perils aside. The little group of half-grown boys one sometimes found waiting at the stage door, never even spoke to Rose, and Dolly, in her company, partook of this unwelcomed immunity. As for the men in the company, Dolly found them letting her entirely alone.

She was bitterly unhappy at first about this, taking it as an indication of the insufficiency of her charms. But once she got the clue, she set about righting matters. She began taking tentative little strolls about the hotel lobbies by herself, and on her train journeys, when the motion and the odor of the men's pipes didn't make her too sick, she'd kneel upon a seat and look over the back of it into one of the perpetual poker-games they used to pass the time. It was astonishing how quickly she got results.

She wandered over to the cigar-stand at one of their hotels, one afternoon, a week before the arrival in Dubuque, to look at a rack of picture postcards. One of the chorus-men came over to buy some cigarettes. She felt him look at her, and she felt herself flush a little. And then he came a step closer to look at the postcards for himself, and sighed and said he wished he had somebody to send postcards to. He supposed she sent _him_ one every day. Whereupon Dolly said she wasn't going to send him one to-day, anyway. They strolled across the lobby together and sat down in two of the wide-armed unsatisfactory chairs they have at such places; chairs that kept them so far apart they had to shout at each other. So, after a few minutes, it being a fine day, he suggested they go out for a walk. She had on her outdoor wraps and his overcoat lay across a chair.

She had already nodded acquiescence to his proposal, when she saw Rose coming in through the door.

"Wait," she whispered to him. "Don't come out with me. I'll wait outside." And with that she walked up to Rose and told her she was going out to get some cold cream.

Five per cent., perhaps, of the motive that prompted this maneuver, was what it pretended to be, a fear of Rose's disapprobation and a wish to avoid it. The other ninety-five per cent. of it was just instinctive love of intrigue.

The chorus-boy waited, blankly wooden enough to have attracted the suspicion of any eye less preoccupied than Rose's, until she had got around the curve of the stair. Then, joining Dolly on the pavement, he demanded to be told what it was all about.

Dolly, making up her little mystery as she went along, and making herself more interesting at every step, told him. They took a long walk, and by the time they got back to the hotel, they were in love. But they were separated by the malign influence of Dolly's friend. They developed a code of signals for circumventing her watchful eye. They slipped unsigned notes to each other.

So Dolly, on this blustering morning in Dubuque, fidgeting about the room, thinking up a perfectly unnecessary excuse for going out, to give to Rose, answered a knock at the door very promptly and took the folded bit of paper the bell-boy handed her, without listening to what he said, if indeed he said anything at all to her.

She carried it over to the window, turned her back to Rose, unfolded the bit of paper and read it; read it again, frowned in a puzzled way, and said:

"I didn't know there was anybody in the company named Rodney."

"What's his last name?" asked Rose. There was nothing in her tone that challenged Dolly's attention, though the quality of it would have caught a finer ear. And even if Dolly had looked up, she'd have seen nothing.

Rose lay there just as she had been lying a moment ago. It would have needed a better observer than Dolly to see that she had stopped breathing.

"There ain't any last name," said Dolly. "He seems to think I'll know him by the first one." It pleased Dolly to make a parade of frankness about this note. She couldn't be sure Rose had been as oblivious as she seemed, to those the chorus-man had been sending her. This, to her rudimentary mind, seemed a good opportunity to allay Dane's suspicions.

"See if you can make anything out of it," she said, and handed it over to Rose.

Rose got up off the bed and carried the note to the window. She stood there with it a long time.

"What's the matter?" said Dolly. "Can't you read his writing?"

"Yes," said Rose. "I know who he is. It's meant for me."

The tone, though barely audible, was automatic. It brushed Dolly away as if she had been a buzzing fly, and she felt distinctly aggrieved by it. That Dane, with all her loftily assumed indifference to men, even to a star like Max Webber, should get a note like that, and should have the nerve to betray no confusion over having her pretense thus confounded!

Dolly had read the note thoroughly, and it had struck her as cryptic and suggestive in the extreme.

"I want to sec you very much," it said, "and shall wait in the lobby unless you say impossible. I'll submit to any conditions you wish to make. No bad news."

It sounded like a code to Dolly.

Rose stood there a long time. When she turned around, Dolly saw she was pale. She'd crumpled the note tight in one palm, and her hands were trembling. Then, with great swiftness, she began to dress. But though her haste was evident, she didn't ask Dolly to help her; didn't seem to know, indeed, that she was in the room. It was no way for a friend to act!

The thing that had moved Rose to an extent that terrified her was that last phrase. The desire it showed to play fair with her; the unwillingness to take advantage of a fear his coming like that might have inspired her with. And then the way he had made it possible for her, with a single word, to send him away! And the restraint of that "I want to see you very much!" It wasn't like any Rodney she knew, to be humble like that. His humility stripped her of her armor. If he'd been imperious, exigeant, she could have gone down to meet him with her head up. Suppose she found him broken, aged, with a dumb need for her crying out in his eyes, what would she do? What could she trust herself not to do? But just in human mercy to him she mustn't let him see she was wavering.

The Rose he was waiting for, there in the lobby, the only Rose he had been able to picture to himself for more than a fortnight of distressful days, was the Rose he'd last seen in that North Clark Street room; the Rose with a look of dumb frozen agony in her face. The one idea he'd clung to since starting for Dubuque, had been that he mustn't frighten her. She must see, with her first glance at him, that she had nothing to fear from a repetition of his former behavior. She must see that the brute in him--that was the way he put it to himself--was completely tamed.

Their meeting was a shock to both of them; an incredible mocking sort of anti-climax.

He was standing near the foot of the stairs when she came down, with a raincoat on, and a newspaper twisted up in his hands, and at sight of her, he took off his soft wet hat, and crunched it up along with the newspaper. He moved over toward her, but stopped two or three feet away.

"It's very good of you to come," he said, his voice lacking a little of the ridiculous stiffness of his words, not much. "Is there some place where we can talk a little more--privately than here? I shan't keep you long."

"There's a room here somewhere," she said. "I noticed it this morning when we came in. Oh, yes! It's over there."

The room she led him to, was an appropriately preposterous setting for the altogether preposterous talk that ensued between them. It had a mosaic floor with a red plush carpet on it, two stained glass windows in yellow and green, flanking an oak mantel, which framed an enormous expanse of mottled purple tile, with a diminutive gas log in the middle.

A glassy looking oak table occupied most of the room, and the chairs that were crowded in around it were upholstered in highly polished coffee-colored horse-hide, with very ornate nails. A Moorish archway with a spindling grill across the top, gave access to it. The room served, doubtless, to gratify the proprietor's passion for beauty. The flagrant impossibility of its serving any other purpose, had preserved it in its pristine splendor. One might imagine that no one had ever been in there, barring an occasional awed maid with a dust cloth, until Rodney and Rose descended on it.

"It's dreadfully hot in here," Rose said. "You'd better take off your coat." She squeezed in between the table and one of the chairs, and seated herself.

Rodney threw down his wet hat, his newspaper, and then his raincoat, on the table, and slid into a chair opposite her.

If only one of them could have laughed! But the situation was much too tragic for that.

"I want to tell you first," Rodney said, and his manner was that of a schoolboy reciting to his teacher an apology that has been rehearsed at home under the sanction of paternal authority, "I want to tell you how deeply sorry I am for ... I want to say that you can't be any more horrified over what I did--that night than I am."

He had his newspaper in his hands again and was twisting it up. His eyes didn't once seek her face. But they might have done so in perfect safety, because her own were fixed on his hands and the newspaper they crumpled.

He didn't presume to ask her forgiveness, he told her. He couldn't expect that; at least not at present. He went on lamely, in broken sentences, repeating what he'd said, in still more inadequate words. He was unable to stop talking until she should say something, it hardly mattered what. And she was unable to say anything. There was a reason for this:

The thing that had amazed her by crowding up into her mind, demanding to be said, was that she forgave him utterly--if indeed she had anything more to forgive than he. She'd never thought it before. Now she realized that it was true. He was as guiltless of premeditation on that night as she. If he had yielded to a rush of passion, even while his other instincts felt outraged by the things she had done, hadn't she yielded too, without ever having tried to tell him certain material facts that might change his feeling? They'd both been victims, if one cared to put it like that, of an accident; had ventured, incautiously, into the rim of a whirlpool whose irresistible force they both knew.

She fought the realization down with a frantic repression. It wasn't--it couldn't be true! Why hadn't she seen it was true before? Why must the reflection have come at a moment like this, while he sat there, across the table from her in a public room, laboriously apologizing?

The formality of his phrases got stiffer and finally congealed into a blank silence.