The Prisoner.

by Alice Brown.

I

There could not have been a more sympathetic moment for coming into the country town--or, more accurately, the inconsiderable city--of Addington than this clear twilight of a spring day. Anne and Lydia French with their stepfather, known in domestic pleasantry as the colonel, had hit upon a perfect combination of time and weather, and now they stood in a dazed silence, dense to the proffers of two hackmen with the urgency of twenty, and looked about them. That inquiring pause was as if they had expected to find, even at the bare, sand-encircled station, the imagined characteristics of the place they had so long visualised. The handsome elderly man, clean-shaven, close-clipped, and, at intervals when he recalled himself to a stand against discouragement, almost military in his bearing, was tired, but entrenched in a patient calm. The girls were profoundly moved in a way that looked like grat.i.tude: perhaps, too, exalted as if, after reverses, they had reached a pa.s.sionately desired goal. Anne was the elder sister, slender and sweet, grave with the protective fostering instinct of mothers in a maidenly hiding, ready to come at need. She wore her plain blue clothes as if unconscious of them and their incomplete response to the note of time. A woman would have detected that she trimmed her own hat, a flat, wide-brimmed straw with a formless bow and a feather worthy only in long service. A man would have cherished the memory of her thin rose-flushed face with the crisp touches of sedate inquiry about the eyes. "Do you want anything?" Anne's eyes were always asking clearly. "Let me get it for you." But even a man thus tenderly alive to her charm would have thought her older than she was, a sweet sisterly creature to be reverentially regarded.

Lydia was the product of a different mould. She was the woman, though a girl in years and look, not removed by chill timidities from woman's normal hopes, the clean animal in her curved mouth, the trick of parting her lips for a long breath because, for the gusto of life, the ordinary breath wouldn't always do, and showing most excellent teeth, the little square chin, dauntless in strength, the eyes dauntless, too, and hair all a brown gloss with high lights on it, very free about her forehead.

She was not so tall as Anne, but graciously formed and plumper.

Curiously, they did not seem racially unlike the colonel who, to their pa.s.sionate loyalties, was "father" not a line removed. In the delicacy of his patrician type he might even have been "grandfather", for he looked older than he was, the worsted prey of circ.u.mstance. He had met trouble that would not be evaded, and if he might be said to have conquered, it was only from regarding it with a perplexed immobility, so puzzling was it in a world where honour, he thought, was absolutely defined and a social crime as inexplicable as it was rending.

And while the three wait to have their outlines thus inadequately sketched, the hackman waits, too, he of a more persistent hope than his fellows who have gone heavily rolling away to the stable, it being now six o'clock and this the last train.

Lydia was a young woman of fervid recognitions. She liked to take a day and stamp it for her own, to say of this, perhaps: "It was the ninth of April when we went to Addington, and it was a heavenly day. There was a clear sky and I could see Farvie's beautiful nose and chin against it and Anne's feather all out of curl. Dear Anne! dear Farvie! Everything smelled of dirt, good, honest dirt, not city sculch, and I heard a robin. Anne heard him, too. I saw her smile." But really what Anne plucked out of the moment was a blurred feeling of peace. The day was like a cool, soft cheek, the cheek one kisses with calm affection, knowing it will not be turned away. It was she who first became aware of Denny, the hackman, and said to him in her liquid voice that laid bonds of kind responsiveness:

"Do you know the old Blake house?"

Denny nodded. He was a soft, loosely made man with a stubby moustache picked out in red and a cheerfully dishevelled air of having been up all night.

"The folks moved out last week," said he. "You movin' in?"

"Yes," Lydia supplied, knowing her superior capacity over the other two, for meeting the average man. "We're moving in. Farvie, got the checks?"

Denny accepted the checks and, in a neighbourly fashion, helped the station master in selecting the trunks, no large task when there was but a drummer's case besides. He went about this meditatively, inwardly searching out the way of putting the question that should elicit the ident.i.ty of his fares. There was a way, he knew. But they had seated themselves in the hack, and now explained that if he would take two trunks along the rest could come with the freight due at least by to-morrow; and he had driven them through the wide street bordered with elms and behind them what Addington knew as "house and grounds" before he thought of a way. It was when he had b.u.mped the trunks into the empty hall and Lydia was paying him from a smart purse of silver given her by her dancing pupils that he got hold of his inquisitorial outfit.

"I don't know," said Denny, "as I know you folks. Do you come from round here?"

Lydia smiled at him pleasantly.

"Good night," said she. "Get the freight round in the morning, won't you? and be sure you bring somebody to help open the crates."

Then Denny climbed sorrowfully up on his box, and when he looked round he found them staring there as they had stared at the station: only now he saw they were in a row and "holding hands".

"I think," said Lydia, in rather a hushed voice, as if she told the others a pretty secret, "it's a very beautiful place."

"You girls haven't been here, have you?" asked the colonel.

"No," said Anne, "you'd just let it when we came to live with you."

Both girls used that delicate shading of their adoptive tie with him.

They and their mother, now these three years dead, had "come to live with" him when they were little girls and their mother married him. They never suggested that mother married him any time within their remembrance. In their determined state of mind he belonged not only to the never-ending end when he and they and mother were to meet in a gardened heaven with running streams and bowery trees, but as well to the vague past when they were little girls. Their own father they had memory of only as a disturbing large person in rough tweed smelling of office smoke, who was always trying to get somewhere before the domestic exigencies of breakfast and carriage would let him, and who dropped dead one day trying to do it. Anne saw him fall right in the middle of the gravel walk, and ran to tell mother father had stubbed his toe. And when she heard mother scream, and noted father's really humorous obstinacy about getting up, and saw the cook even and the coachman together trying to persuade him, she got a strong distaste for father; and when about two years afterward she was asked if she would accept this other older father, she agreed to him with cordial expectation. He was gentle and had a smooth, still voice. His clothes smelled of Russia leather and lead pencils and at first of very nice smoke: not as if he had sat in a tight room all day and got cured in the smoke of other rank pipes like a helpless ham, but as if a pleasant acrid perfume were his special atmosphere.

"They haven't done much to the garden, have they?" he asked now, poking with his stick in the beds under the windows. "I suppose you girls know what these things are, coming up. There's a peony. I do know that. I remember this one. It's the old dark kind, not pink. I don't much care for a pink piny."

The big front yard sloping up to the house was almost full of shrubbery in a state of overgrown prosperity. There were lilacs, dark with buds, and what Anne, who was devotedly curious in matters of growing life, thought althea, s...o...b..ll and a small-leaved yellow rose. All this runaway shrubbery looked, in a way of speaking, inpenetrable. It would have taken so much trouble to get through that you would have felt indiscreet in trying it. The driveway only seemed to have been brave enough to pa.s.s it without getting choked up, a road that came in at the big gateway, its posts marked by haughty granite b.a.l.l.s, accomplished a leisurely curve and went out at another similar gateway as proudly decorated. The house held dignified seclusion there behind the shrubbery, waiting, Lydia thought, to be found. You could not really see it from the street: only above the first story and blurred, at that, by rowan trees. But the two girls facing it there at near range and the colonel with the charm of old affection playing upon him like airs of paradise, thought the house beautiful. It was of mellow old brick with white tr.i.m.m.i.n.gs and a white door, and at the left, where the eastern sun would beat, a white veranda. It came up into a kindly gambrel roof and there were dormers. Lydia saw already how fascinating those chambers must be. There was a trellis over the door and jessamine swinging from it. The birds in the shrubbery were eloquent. A robin mourned on one complaining note and Anne, wise also in the troubles of birds, looked low for the reason and found, sitting with tail wickedly twitching at the tip, a brindled cat. Being gentle in her ways and considering that all things have rights, she approached him with crafty steps and a murmured hypnotic, "kitty! kitty!" got her hands on him, and carried him off down the drive, to drop him in the street and suggest, with a warning pat and conciliating stroke, the desirability of home.

The colonel, following Lydia's excited interest, poked with his stick for a minute or more at a bed under the front window, where something lush seemed to be coming up, and Lydia, losing interest when she found it was only pudding-bags, picked three sprays of flowering almond for decorating purposes and drew him toward a gate at the east side of the house where, down three rotting steps, lay level land. The end of it next the road was an apple orchard coming into an amazingly early bloom, a small secluded paradise. A high brick wall shut it from the road and ran down for fifty feet or so between it and the adjoining place. There a grey board fence took up the boundary and ran on, with a less definite markedness to the eye, until it skirted a rise far down the field and went on over the rise to lands unknown, at least to Lydia.

"Farvie, come!" she cried.

She pulled him down the crumbling steps to the soft sward and looked about her with a little murmured note of happy expectation. She loved the place at once, and gave up to the ecstasy of loving it "good and hard," she would have said. These impulsive pa.s.sions of her nature had always made her greatest joys. They were like robust bewildering playmates. She took them to her heart, and into her bed at night to help her dream. There was nothing ever more warm and grateful than Lydia's acceptances and her trust in the bright promise of the new. Anne didn't do that kind of thing. She hesitated at thresholds and looked forward, not distrustfully but gravely, into dim interiors.

"Farvie, dear," said Lydia, "I love it just as much now as I could in a hundred years. It's our house. I feel as if I'd been born in it."

Farvie looked about over the orchard, under its foam of white and pink; his eyes suffused and he put his delicate lips firmly together. But all he said was:

"They haven't kept the trees very well pruned."

"There's Anne," said Lydia, loosing her hold of his sleeve. She ran light-footedly back to Anne, and patted her with warm receptiveness.

"Anne, look: apple trees, pear trees, peach in that corner. See that big bush down there."

"Quince," said Anne dreamily. She had her hat off now, and her fine soft brown hair, in silky disorder, attracted her absent-minded care. But Lydia had pulled out the pin of her own tight little hat with its backward pointing quill and rumpled her hair in the doing and never knew it; now she transfixed the hat with a joyous stab.

"Never mind your hair," said she. "What idiots we were to write to the Inn. Why couldn't we stay here to-night? How can we leave it? We can't.

Did you ever see such a darling place? Did you ever imagine a brick wall like that? Who built it, Farvie? Who built the brick wall?"

Farvie was standing with his hands behind him, thinking back, the girls knew well, over the years. A mournful quiet was in his face. They could follow for a little way the cause of his sad thoughts, and were willing, each in her own degree of impulse, to block him in it, make running incursions into the road, twitch him by the coat and cry, "Listen to us.

Talk to us. You can't go there where you were going. That's the road to hateful memories. Listen to that bird and tell us about the brick wall."

Farvie was used to their invasions of his mind. He never went so far as clearly to see them as salutary invasions to keep him from the melancholy accidents of the road, an ambulance dashing up to lift his bruised hopes tenderly and take them off somewhere for sanitary treatment, or even some childish sympathy of theirs commissioned to run up and offer him a nosegay to distract him in his walk toward old disappointments and old cares. He only knew they were welcome visitants in his mind. Sometimes the mind seemed to him a clean-swept place, the shades down and no fire lighted, and these young creatures, in their heavenly implication of doing everything for their own pleasure and not for his, would come in, pull up the shades with a rush, light the fire and sit down with their sewing and their quite as necessary laughter by the hearth.

"It's a nice brick wall," said Anne, in her cool clear voice. "It doesn't seem so much to shut other people out as to shut us in."

She slipped her hand through the colonel's arm, and they both stood there at his elbow like rosy champions, bound to stick to him to the last, and the bird sang and something eased up in his mind. He seemed to be let off, in this spring twilight, from an exigent task that had shown no signs of easing. Yet he knew he was not really let off. Only the girls were throwing their glamour of youth and hope and bravado over the apprehensive landscape of his fortune as to-morrow's sun would s.n.a.t.c.h a rosier light from the apple blooms.

"My great-grandfather built the wall," said he. He was content to go back to an older reminiscent time when there were, for him, no roads of gloom. "He was a minister, you know: very old-fashioned even then, very direct, knew what he wanted, saw no reason why he shouldn't have it. He wanted a place to meditate in, walk up and down, think out his sermons.

So he built the wall. The townspeople didn't take to it much at first, father used to say. But they got accustomed to it. He wouldn't care."

"There's a grape-vine over a trellis," said Anne softly. She spoke in a rapt way, as if she had said, "There are angels choiring under the trees. We can hum their songs."

"It makes an arbour. Farvie'll sit there and read his Greek," said Lydia. "We can't leave this place to-night. It would be ridiculous, now we've found it. It wouldn't be safe either. Places like this bust up and blow away."

"We can get up the beds to-morrow," said Anne. "Then we never'll leave it for a single minute as long as we live. I want to go ever the house.

Farvie, can't we go over the house?"

They went up the rotten steps, Lydia with a last proprietary look at the orchard, as if she sealed it safe from all the spells of night, and entered at the front door, trying, at her suggestion, to squeeze in together three abreast, so they could own it equally. It was a still, kind house. The last light lay sweetly in the room at the right of the hall, a large square room with a generous fireplace well blackened and large surfaces of old ivory paint. There was a landscape paper here, of trees in a smoky mist and dull blue skies behind a waft of cloud. Out of this lay the dining-room, all in green, and the windows of both rooms looked on a gigantic lilac hedge, and beyond it the glimmer of a white colonial house set back in its own grounds. The kitchen was in a lean-to, a good little kitchen brown with smoke, and behind that was the shed with dark cobwebbed rafters and corners that cried out for hoes and garden tools. Lydia went through the rooms in a rush of happiness, Anne in a still rapt imagining. Things always seemed to her the symbols of dearer things. She saw shadowy shapes sitting at the table and breaking bread together, saw moving figures in the service of the house, and generations upon generations weaving their webs of hope and pain and disillusionment and hope again. In the shed they stood looking out at the back door through the rolling field, where at last a fringe of feathery yellow made the horizon line.

"What's at the end of the field, Farvie?" Lydia asked.

"The river," said he. "Nothing but the river."

"I feel," said she, "as if we were on an island surrounded by jumping-off places: the bushes in front, the lilac hedge on the west, the brick wall on the east, the river at the end. Come, let's go back.

We haven't seen the other two rooms."

These were the northeast room, a library in the former time, in a dim, pink paper with garlands, and the southeast sitting-room, in a modern yet conforming paper of dull blue and grey.

"The hall is grey," said Lydia. "Do you notice? How well they've kept the papers. There isn't a stain."