He was trying to think, to process what she was saying and what was happening, the taste of her, and also the fact that she had now, it seemed, climbed on top of him, straddling him near the waist, her face still pushed into his own-a collision of impulses and sensations that rendered him into a state of mute compliance. A baby? She wanted to have a baby? If she had a baby she didn't have to wear a ring?

"Mira!"

A moment of complete disorientation; the girl was gone, vaulted away. The room was suddenly full of men, large men in orange jumpsuits, crowding the space with their bulk. One of them caught Mira by the arm. Not a man: Billie.

"I'll pretend," she said to the girl, "that I didn't see this."

"Listen," Michael said, finding his voice, "it was my fault, whatever you think you saw-"

Billie nailed him with a cold glare. Behind her, one of the men snickered.

"Don't even pretend this was your idea." Billie pointed her eyes at Mira again. "Go home," she commanded. "Go home now."

"He's mine! He's for me!"

"Mira, enough. I want you to go straight home and wait there. Don't talk to anyone. Do I make myself understood?"

"He's not for the ring!" Mira cried. "Poppa said!"

That word again, Michael thought. The ring. What was the ring?

"He will be unless you get out of here. Now go."

These last words appeared to work; Mira fell silent and, without looking at Michael again, darted behind the screen. The feelings of the last few minutes-desire, confusion, embarrassment-were still whirling inside him while another part of him was also thinking: just my luck. Now she'll never come back.

"Danny, go bring the truck around back. Tip, you stay with me."

"What are you going to do with me?"

Billie had withdrawn a small metal tin from somewhere on her person. With thumb and forefinger she pinched a bit of dust from the tin and sprinkled it into a cup of water. She held it out to him.

"Bottoms up."

"I'm not drinking that."

She sighed impatiently. "Tip, a little help here?"

The man stepped forward, towering over Michael's bed.

"Trust me," Billie said. "You won't like the taste, but you'll feel better fast. And no more fat lady."

The fat lady, thought Michael. The fat lady in the kitchen in the Time Before.

"How did you-?"

"Just drink. We'll explain on the way."

There seemed no way to avoid it. Michael tipped the cup to his lips and poured it down. Flyers, it was awful.

"What the hell is that?"

"You don't want to know." Billie took the cup from him. "Feeling anything yet?"

He was. It was as if someone had plucked a long, tight string inside him. Waves of bright energy seemed to radiate from his very core. He'd opened his mouth to declare this discovery when a strong spasm shook him, a gigantic, whole-body hiccup.

"That happens the first time or two," said Billie. "Just breathe."

Michael hiccuped again. The colors in the room seemed unusually vivid, as if all the surfaces around him were part of this new nexus of energy.

"He better shut up," warned Tip.

"It's fantastic," Michael managed to say. He swallowed hard, pushing the urge to hiccup down inside him.

The second man had returned from the hallway. "We're losing the light," he said briskly. "We better get a move on."

"Get him his clothes." Billie steadied her gaze on Michael again. "Peter says you're an engineer. That you can fix anything. Is that true?"

He thought of the words on the paper Sara had slipped him. Tell them nothing.

"Well?"

"I guess."

"I don't want you to guess, Michael. It's important. You can or you can't."

He glanced toward the two men, who were looking at him expectantly, as if everything depended on his answer.

"Okay, yes."

Billie nodded. "Then put your clothes on and do everything we tell you."

FIFTY.

Mausami in darkness, dreaming of birds. She awoke to a quick bright fluttering beneath her heart, like a pair of wings beating inside her.

The baby, she thought. This baby is moving.

The feeling came again-a distinct aquatic pressure, rhythmic, like rings widening on the surface of a pool. As if someone were tapping at a pane of glass inside her. Hello? Hello out there!

She let her hands trace the curve of her belly under her shirt, damp with sweat. A warm contentment flooded her. Hello, she thought. Hello back, you.

The baby was a boy. She'd thought it was a boy since the start, since the first morning at the compost pile when she'd lost her breakfast. She didn't want to name him yet. It would be harder to lose a baby with a name, that's what everyone always said; but that wasn't the real reason, because the baby would be born. The idea was more than hope, more than belief. Mausami knew it for a fact. And when the baby was born, when he'd made his loud and painful entry into the world, Theo would be there, and they would name their son together.

This place. The Haven. It made her so tired. All she could do was sleep. And eat. It was the baby, of course; it was the baby that made her think about eating all the time. After all the hardtack and bean paste, and that awful strange food they'd found in the bunker-hundred-year-old goop vacuumed in plastic; it was a miracle they hadn't all poisoned themselves-how amazing to have real food. Beef and milk. Bread and cheese. Actual butter so creamy it made the top of her throat tickle. She shoveled it in, then licked her fingers clean. She could have stayed in this place forever, just for the food.

They'd all felt it right away: something wasn't right. Last night, all those women crowding around her, holding babies or pregnant themselves-some actually both-their faces beaming with a sisterly glow at the discovery that she was pregnant too. A baby! How wonderful! When was she due? Was it her first? Were any of the other women in their group also with child? It hadn't occurred to her at the time to wonder how they'd known-she was barely showing, after all-nor why none had asked who the father was or mentioned the fathers of their own children.

The sun was down. The last thing Mausami remembered was lying down for a nap. Peter and the others were probably in the other hut, deciding what to do. The baby was moving again, flipping around inside her. She lay with her eyes closed and let the sensation fill her. Standing the Watch: it seemed like years ago. A different life. That was what happened, she knew, when a person had a baby. This strange new being grew inside you and by the time it was all over, you were someone different, too.

Suddenly she realized: she wasn't alone.

Amy was sitting on the bunk next to hers. Spooky, the way she could make herself invisible like that. Mausami rolled to face her, tucking her knees to her chest as the baby went thump-thump inside her.

"Hey," Maus said, and yawned. "I guess I took a little nap there."

Everybody was always talking that way around Amy, stating the obvious, filling the silence of the girl's half of the conversation. It was a little unnerving, the way she looked at you with that intense gaze, as if she were reading your thoughts. Which was when Mausami realized what the girl was really looking at.

"Oh. I get it," she said. "You want to feel it?"

Amy cocked her head, uncertain.

"You can if you want. Come on, I'll show you."

Amy rose, taking a place on the edge of Mausami's cot. Mausami held her hand and guided it to the curve of her belly. The girl's hand was warm and a little damp; the tips of her fingers were surprisingly soft, not like Mausami's, which were callused from years of the bow.

"Just wait a minute. He was flipping around in there a second ago."

A bright flicker of movement. Amy drew her hand away quickly, startled.

"You feel that?" Amy's eyes were wide with pleasant shock. "It's okay, that's what they do. Here-" She took Amy's hand and pressed it to her belly once more. At once the baby flipped and kicked. "Whoa, that was a strong one."

Amy was smiling too now. How strange and wonderful, Mausami thought, in the midst of everything, all that had happened, to feel a baby moving inside her. A new life, a new person, coming into the world.

Mausami heard it then. Two words.

He's here.

She yanked her hand away, scurrying up the cot so she was sitting with her back pushed to the wall. The girl was looking at her with a penetrating stare, her eyes filling Maus's vision like two shining beams.

"How did you do that?" She was shaking; she thought she might be ill.

He's in the dream. With Babcock. With the Many.

"Who's here, Amy?"

Theo. Theo is here.

FIFTY-ONE.

He was Babcock and he was forever. He was one of Twelve and also the Other, the one above and behind, the Zero. He was the night of nights and he had been Babcock before he became what he was. Before the great hunger that was like time itself inside him, a current in the blood, endless and needful, infinite and without border, a dark wing spreading over the world.

He was made of Many. A thousand-thousand-thousand scattered over the night sky, like the stars. He was one of Twelve and also the Other, the Zero, but his children were within him also, the ones that carried the seed of his blood, one seed of Twelve; they moved as he moved, they thought as he thought, in their minds was an empty space of forgetting in which he lay, each to a one, saying, You will not die. You are a part of me, as I am a part of you. You will drink the blood of the world and fill me up.

They were his to command. When they ate, he ate. When they slept, he slept. They were the We, the Babcock, and they were forever as he was forever, all part of the Twelve and the Other, the Zero. They dreamed his dark dream with him.

He remembered a time, before he Became. The time of the little house, in the place called Desert Wells. The time of pain and silence and the woman, his mother, the mother of Babcock. He remembered small things-textures, sensations, visions. A box of golden sunlight falling on a square of carpet. A worn place on the stoop that fit his sneakered foot just so, and the ridges of rust on the rail that cut the skin of his fingers. He remembered his fingers. He remembered the smell of his mother's cigarettes in the kitchen where she talked and watched her stories, and the people on the television, their faces huge and close, their eyes wide and wet, the women with their lips painted and shimmering, like glossy pieces of fruit. And her voice, always her voice: Be quiet now, goddamnit. Cain't you see I'm trying to watch this? You make such a goddamn racket, it's a wonder I don't lose my goddamn mind.

He remembered being quiet, so quiet.

He remembered her hands, Babcock's mother's hands, and the starry bursts of pain when she struck him, struck him again. He remembered flying, his body lifted on a cloud of pain, and the hitting and the slapping and the burning. Always the burning. Don't you cry now. You be a man. You cry and I'll give you something to cry about, so much the worse for you, Giles Babcock. Her smoky breath, close to his face. The look of the red-hot tip of her cigarette where she rolled it against the skin of his hand, and the crisp wet sound of its burning, like cereal when he poured milk into it, the same crackle and pop. The smell of it mingling with the jets of smoke that puffed from her nostrils. And the way the words all stopped up inside him, so that the pain could end-so he could be a man, as she said.

It was her voice he remembered most of all. Babcock's mother's voice. His love for her was like a room without doors, filled with the scraping sound of her words, her talk-talk-talk. Taunting him, tearing into him, like the knife he took from the drawer that day as she sat at the table in the kitchen of the little house in the place called Desert Wells, talking and laughing and laughing and talking and eating her mouthfuls of smoke.

The boy isn't just dumb. I tell you, he's been struck dumb.

He was happy, so happy, he'd never felt such happiness in his life as the knife passed into her, the white skin of her throat, the smooth outer layer and the hard gristle below. And as he dug and pushed with his blade, the love he felt for her lifted from his mind so that he could see what she was at last-that she was a being of flesh and blood and bone. All her words and talk-talk-talk moving inside him, filling him up to bursting. They tasted like blood in his mouth, sweet living things.

They sent him away. He wasn't a boy after all, he was a man; he was a man with a mind and a knife, and they told him to die-die, Babcock, for what you have done. He didn't want to die, not then, not ever. And after-after the man, Wolgast, had come to where he was, like a thing foretold; and after the doctors and the sickness and the Becoming, that he should be one of Twelve, the Babcock-Morrison-Chvez-Baffes-Turrell-Winston-Sosa-Echols-Lambright-Martnez-Reinhardt-Carter-one of Twelve and also the Other, the Zero-he had taken the rest the same way, drinking their words from them, their dying cries like soft morsels in his mouth. And the ones he did not kill but merely sipped, the one of ten, as the tide of his own blood dictated, became his own, joining to him in mind. His children. His great and fearful company. The Many. The We of Babcock.

And This Place. He had come to it with a feeling of return, of a thing restored. He had drunk his fill of the world and here he rested, dreaming his dreams in the dark, until he awoke and he was hungry again and he heard the Zero, who was called Fanning, saying: Brothers, we're dying. Dying! For there was hardly anyone left in the world, no people and no animals even. And Babcock knew that the time had come to bring those that remained to him, that they should know him, know Babcock and the Zero also, assume their place within him. He had stretched out his mind and said to the Many, his children, Carry the last of humankind to me; do not kill them; bring them and their words that they should dream the dream and become one of us, the We, the Babcock. And first one had come and then another and more and more and they dreamed the dream with him and he told them, when the dreaming was done, Now you are mine also, like the Many. You are mine in This Place and when I am hungry you will feed me, feed my restless soul with your blood. You will bring others to me from beyond This Place that they should do the same, and I will let you live in this way and no other. And those that did not bend their wills to his, that did not take up the knife when the time had come in the dark place of dreaming where Babcock's mind met theirs, they were made to die so the others could see and know and refuse no longer.

And so the city was built. The City of Babcock, first in all the world.

But now there was Another. Not the Zero or the Twelve but Another. The same and not the same. A shadow behind a shadow, pecking at him like a bird that darted from sight whenever he tried to fix the gaze of his mind upon her. And the Many, his children, his great and fearful company, heard her also; he sensed her pull upon them. A force of great power, drawing them away. Like the helpless love he had felt so long ago, when he was just a boy, watching the red-hot tip rolling, rolling and burning against his flesh.

Who am I? they asked her. Who am I?

She made them want to remember. She made them want to die.

She was close now, very close. Babcock could feel it. She was a ripple in the mind of the Many, a tear in the fabric of night. He knew that through her, all that they had done could be undone, all that they had made could be unmade.

Brothers, brothers. She is coming. Brothers, she is already here.

FIFTY-TWO.