For the moment he felt himself a donkey as Lady Claire turned quietly away and the victoria rattled off with brisk finality. Then the door opened again, and again the girl peered out, and furtively, stealthily slipped just outside.

Billy caught up a pad and a pencil and called out a request to sketch her, holding up some silver. Instantly she a.s.sumed a fixed pose, with a nervous giggle behind her veil, and he came quickly near her, pretending to be drawing. Her dark, curious eyes met his with questioning significance, and he threw all caution aside and plunged into his demands.

Did she want to earn money, he said quickly, in the Arabic he had been preparing for such an encounter, and on her eager a.s.sent, he asked if there was a foreign lady in the palace, an American.

The flash of her eyes told him that he had struck the mark before her half-frightened words came.

His heart quickened with excitement. He might have suspected this thing--but he had not really believed it! He asked, stammering in his haste, "Does she want to get away?"

Again that knowing nod and the quick a.s.sent. Then the girl burst into low-toned speech, glancing back constantly through the door she held nearly shut behind her. Billy was forced to shake his head. It was one thing to have picked up a little casual Arabic, and another, and horribly different, thing to comprehend the rapid outpourings behind that m.u.f.fling veil.

Baffled, he went hurriedly on with his own questionings. Was this lady safe? Again the nod and murmur of a.s.sent. Did she want help?

Vehement the confirmation. He repeated, with careful emphasis, "I will reward you well for your help," and this time the direct simplicity of her reply was entirely intelligible:

"How much?"

"One pound.... Two," he added, as she shook her head.

"Four," she demanded.

It was maddening to haggle, but it would be worse to yield.

"Two--and this," said Billy, drawing out the gold and some silver with it.

She gave a frightened upward glance at the windows over them and stepped closer. "I take it," she said. "Listen--" and that was all that Billy could understand of the swift words she whispered to him.

"Slower--slower," he begged. "Once more--slower."

She frowned, and then, very slowly and distinctly, she articulated, "_T'ala lil genaina ... 'end eltura_."

He wrote down what he thought it sounded like. "Go on."

"_Allailade_," she continued.

"That's to-night," he repeated. "What else?"

"_a.s.saa 'ashara_," she added hurriedly, and then, intelligible again, "Now, quick, the money."

"Hold on, hold on." He was in despair. "Go over that again, please,"

and hastily the girl whispered the words again and he wrote down his corrections. Then with a flourish he appeared to finish the sketch and held out the gold and silver to her, saying, "Thank you,"

carelessly.

Quick as a flash she seized the money, leaving a little crumpled ball of white linen in his hand, and then, apparently by lightning, she secreted the gold, and with the silver shining in her dark palm she came closer to him, urging him for another shilling, another shilling for having a picture made. In an undertone she demanded, "Is it yes? Shall I say yes to the lady?"

"Yes, yes, yes," said Billy, desperately, to whatever the unknown message might be. "Take a note to her for me?" he demanded, starting to scribble one, but she drew back with a quick negation, and as a sound came from the palace she slipped back through the door and was gone like a shadow when a blind is thrown open.

Only the crumpled little ball of linen remained in Billy's hand. He straightened it out. It was a lady's handkerchief, a dainty thing, delicately scented. In the corners were marvels of sheer embroidery and among the leaves he found the initial he was seeking. It was the letter B.

As he stared down on it, that tiny, telltale initial, his face went white under its tan and his mouth compressed till all the humor and kindliness of it were lost in a line of stark grimness. And then he swung on his heel and packed up his painting kit in a fury of haste, and with one last, upturned look at those mocking windows, he was off down the road like a shot.

There were just two things to do. The first was to discover the message hidden in those unknown words.

The second was to do exactly as that message bade.

CHAPTER XI

OVER THE GARDEN WALL

Two oil lamps flared in the little coffee-house. In one circle of yellow light two bearded Sheiks were playing dominoes with imperturbable gravity; the other lamp flickered over an empty table beneath which the thin, flea-bitten legs of a ragged urchin were showing in the oblivion of his tired sleep. In the shadow beyond sat a young American with a keen, impatient face, and a one-eyed Arab shrouded in a huge burnous.

"I make fine dragoman?" the Arab was saying proudly. "This is ver'

old coffee-house. Many things happen here, ver' strange----"

"Yes, but I'm sick of the doggone place," said Billy fiercely. "I can't sit still and swallow coffee any longer. Can't we start now?"

"Too soon--too soon before the time. You say ten? Come, we go next door. Nice place next door, perhaps--dancing, maybe."

There was noise enough next door, certainly, to promise dancing. The strident notes of Oriental music came shrieking out the open doorway, but as Billy stepped within and stared over the heads of the squatting throng, he saw no sinewy dancers, but only two tiny girls in bright colors huddled wearily against the wall. The music which was absorbing every look came from the brazen throat of a huge instrument in the corner.

"Lord--a phonograph!" thought the young man in disgust, resenting this intrusion of the genius of his race into foreign fields.

The squatting men, their dark lips parted in pleased smiles, were too intent upon the innovation to turn at his entrance, but the little girls caught sight of him and ran forward, begging clamorously, their bracelets clanking on their outstretched arms.

With a little silver he tried to soften the vigor of the one-eyed man's dismissal. "This cheap place--no good dancers any more," the Arab uttered in disgust. "New man here--no good. Maybe next door better--eh?"

But next door was only a flight of steps and a lone little doll of a sentinel, painted and hung like a bedizened idol. Only the dark eyes in the tinted sockets were alive, and these turned curiously after the strange young white man who had dropped a coin into her outstretched hand and pa.s.sed on so hurriedly.

"I don't want any more of these joints," Billy was saying vehemently to his hara.s.sed guide. "It's dark as the Styx now--let's be on our way."

The street they were on was narrow enough for any antiquarian, but the one into which the Arab guide now turned was so narrow that the jutting bays of the houses seemed pushing their faces impudently against their neighbors. A voice in one room could have been heard as clearly in the one over the way. It was a mean little street, squalid and poor and pitiful, but it maintained its stripped dignities of screened windows and isolation. It was better not to wonder what nights were like in those women's rooms in summer heat.

The lane-like path stopped at a rickety sort of wharf, and at their approach a black head bobbed quickly up from a waiting boat. It was the little boy who had shadowed the Captain that day--reporting his arrival at the Khedivial palace--and he climbed out now and sat on the wharf, watching curiously while Billy and his guide bestowed themselves in the long canoe, and pushed silently away.

It was an eerie backwater in which they were paddling, a sluggish stream which moved between dark houses. Sometimes it sc.r.a.ped against their sides and lapped their balconies; sometimes it was held in check by walls and narrow terraces. For Billy the water between the dark houses, the mirrored stars, the unexpected flare of some oil lamp and its still reflection, the long windings and the stagnant smells held their suggestions of Venice for his senses, and he thought the business he was going about was very similar to the business which had brought so many of the gentry of Venice to sudden and undesired ends.

The flies were horribly thick here. They settled upon the faces and arms of the paddlers, totally unapprehensive of rebuff. Billy's flesh crawled. He finished the swarm with a ringing slap that brought a low caution from his guide.

Now the ca.n.a.l was wider and shallower. The houses receded, and a field or so appeared, and frequent walls hedged the way. Then suddenly the houses came down again to the water, and the ruins of old mosques and palaces lined the banks for a time; to be replaced by walls again. The windings were interminable, and just when he was thinking that his silent guide was as confused as he was, the man made a sudden gesture to the right bank where a tiny strip of land showed above the water clinging to a high brick wall, and with careful, soundless strokes they brought the canoe up to that land.

Billy looked at his watch. It was nearly ten. Hurriedly he climbed out, taking out the stout, notched pole and the knotted rope with the iron hook at the end which he had prepared. The message which had been so unintelligible to him was very simple. "Escape by ca.n.a.l to-night--come to garden at ten," had been the words, and Billy, on hearing the description of the ca.n.a.l from the one-eyed man, had felt he understood.

"You're sure this is the place?" he demanded, and on the man's much injured protestation, "Because if it isn't I'll wring your neck instead of Kerissen's," he cheerfully promised and set his pole against the wall, showing the man how to steady it. It was not the best climbing arrangement in the world, but time had been extremely limited, and the one-eyed man not inclined to pursue any investigations which would advertise their expedition.

Wrapping the rope about his shoulders, he started to pull himself up that notched pole the Arab was holding against the wall, feeling desperately for any hold for toes and fingers in the rough chunks between the old bricks, and breathing hard he reached the top and threw one leg over. He felt something grind through the serge of his trousers and sting into the flesh.