"After this, the neighbors began to flock in more generally. When any relation of the corpses would come, as soon, you see, as they'd get inside the door, whether man or woman, they'd raise the shout of a keena, and all the people about the dead would begin along with them, stooping over them and clapping their hands as before.

"Well, I said, it's it that was the merry wake, and that was only the thruth, neighbors. As soon as night came, all the young boys and girls from the countryside about them flocked to it in scores. In a short time the house was crowded; and maybe there wasn't laughing, and story-telling, and singing, and smoking, and drinking, and crying--all going on, h.e.l.ler-skelter, together. When they'd be all in full chorus this way, may be, some new friend or relation, that wasn't there before, would come in, and raise the keena; of coorse, the youngsters would then keep quiet; and if the person coming in was from the one neighborhood with any of them that were so merry, as soon as he'd raise the shout, the merry folks would rise up, begin to pelt their hands together, and cry along with him till their eyes would be as red as a ferret's.

That once over, they'd be down again at the songs, and divarsion, and divilment--just as if nothing of the kind had taken place: the other would then shake hands with the friends of the corpses, get a gla.s.s or two, and a pipe, and in a few minutes be as merry as the best of them."

"Well," said Andy Morrow, "I should like to know if the Scotch and English are such heerum-skeerum kind of people as we Irishmen are."

"Musha, in throth I'm sure they're not," says Nancy, "for I believe that Irishmen are like n.o.body in the wide world but themselves; quare crathurs, that'll laugh or cry, or fight with any one, just for nothing else, good or bad but company."

"Indeed, and you all know, that what I'm sayin's thruth, except Mr.

Morrow there, that I'm telling it to, bekase he's not in the habit of going to wakes; although, to do him justice he's very friendly in going to a neighbor's funeral; and, indeed, _kind father for you_* Mr. Morrow, for it's he that was a real good hand at going to such places.

* That is, in this point you are the, same kind as your father; possessing that prominent trait in his disposition or character.

"Well, as I was telling you, there was great sport going on. In one corner, you might see a knot of ould men sitting together, talking over ould times--ghost stores, fairy tales, or the great rebellion of '41, and the strange story of Lamh Dearg, or the _b.l.o.o.d.y hand_--that, maybe, I'll tell you all some other night, plase G.o.d: there they'd sit smoking--their faces quite plased with the pleasure of the pipe--amusing themselves and a crowd of people, that would be listening to them with open mouth. Or, it's odd, but there would be some droll young fellow among them, taking a rise out of them; and, positively, he'd often find, them able enough for him, particularly ould Ned Magin, that wanted at the time only four years of a hundred. The Lord be good to him, and rest his sowl in glory, it's he that was the pleasant ould man, and could tell a story with any one that ever got up.

"In another corner there was a different set, bent on some piece of divilment of their own. The boys would be sure to get beside their sweethearts, any how; and if there was a purty girl, as you may set it down there was, it's there the _skroodging_, (* pressure of the crowd) and the pushing, and the shoving, and, sometimes, the knocking down itself, would be, about seeing who'd get her. There's ould Katty Duffy, that's now as crooked as the hind leg of a dog, and it's herself was then as straight as a rush, and as blooming as a rose--Lord bless us, what an alteration time makes upon the strongest and fairest of us!--it's she that was the purty girl that night, and it's myself that gave Frank M'Shane, that's still alive to acknowledge it, the broad of his back upon the flure, when he thought to pull her off my knee. The very gorsoons and girshas were sporting away among themselves, and learning one another to smoke in the dark corners. But all this, Mr.

Morrow, took place in the corpse-house, before ten or eleven o'clock at night; after that time the house got too thronged entirely, and couldn't huld the half of them; so by jing, off we set, maning all the youngsters of us, both boys and girls, out to Tom's barn, that was _red up_ (*

Cleared up for us--set in order), there to commence the plays. When we were gone, the ould people had more room, and they moved about on the sates we had left them. In the mane time, lashings of tobacco and snuff, cut in platefuls, and piles of fresh new pipes, were laid on the table for any one that wished to use them.

"When we got to the barn, it's then we _took our pumps off_ (* Threw aside all restraint) in airnest--by the hokey, such sport you never saw.

The first play we began was _Hot-loof_; and maybe there wasn't skelping then. It was the two parishes of Errigle-Keeran and Errigle-Truagh against one another. There was the Slip from Althadhawan, for Errigle-Truagh, against Pat M'Ardle, that had married Lanty Gorman's daughter of Cargach, for Errigle-Keeran. The way they play it, Mr.

Morrow, is this--two young men out of each parish go out upon the flure--one of them stands up, then bends himself, sir, at a half bend, placing his left hand behind on the back part of his ham, keeping it there to receive what it's to get. Well, there he stands, and the other coming behind him, places his left foot out before him, doubles up the cuff of his coat, to give his hand and wrist freedom: he then rises his right arm, coming down with the heel of his hand upon the other fellow's palm, under him, with full force. By jing, it's the divil's own divarsion; for you might as well get a stroke of a sledge as a blow from one of them able, hard-working fellows, with hands upon them like lime-stone. When the fellow that's down gets it hot and heavy, the man that struck him stands bent in his place, and some friend of the other comes down upon him, and pays him for what the other fellow got.

"In this way they take it, turn about, one out of each parish, till it's over; for I believe if they were to pelt one another _since_ (* from that hour to this), that they'd never give up. Bless my soul, but it was terrible to hear the strokes that the Slip and Pat M'Ardle did give that night. The Slip was a young fellow upwards of six feet, with great able bones and little flesh, but terrible thick shinnins (*sinews); his wrist was as hard and strong as a bar of iron. M'Ardle was a low, broad man, with a rucket head and bull neck, and a pair of shoulders that you could hardly get your arms about, Mr. Morrow, long as they are; it's he, indeed, that was the firm, well built chap, entirely. At any rate, a man might as well get a kick from a horse as a stroke from either of them.

"Little Jemmy Teague, I remimber, struck a cousin of the Slip's a very smart blow, that made him dance about the room, and blow his fingers for ten minutes after it. Jemmy, himself, was a tight, smart fellow. When the Slip saw what his cousin had got, he rises up, and stands over Jemmy so coolly, and with such good humor, that every one in the house trembled for poor Jemmy, bekase, you see, whenever the Slip was bent on mischief, he used always to grin. Jemmy, however, kept himself bent firm; and to do him justice, didn't flinch from under the stroke, as many of them did--no, he was like a rock. Well, the Slip, as I said, stood over him, fixing himself for the stroke, and coming down with such a pelt on poor Jemmy's hand, that the first thing we saw was the blood acra.s.s the Slip's own legs and feet, that had burst out of poor Jemmy's finger-ends. The Slip then stooped to receive the next blow himself, and you may be sure there was above two dozen up to be at him. No matter; one man they all gave way to, and that was Pat M'Ardle.

"'Hould away,' says Pat,--'clear off, boys, all of you--this stroke's mine by right, any how;--and,' says he, swearing a terrible oath, 'if you don't sup sorrow for that stroke,' says he to the Slip, 'why Pat M'Ardle's not behind you here.'

"He, then, up with his arm, and came down--why, you would think that the stroke he gave the Slip had druv his right hand into his body: but, any way, it's he that took full satisfaction for what his cousin got; for if the Slip's fingers had been cut off at the tops, the blood couldn't spring out from under his nails more nor it did. After this the Slip couldn't strike another blow, bekase his hand was disabled out and out.

"The next play they went to was the _Sitting Brogue_. This is played by a ring of them sitting down upon the bare ground, keeping their knees up. A shoemaker's leather ap.r.o.n is then got, or a good stout brogue, and sent round under their knees. In the mane time one stands in the middle; and after the brogue is sent round, he is to catch it as soon as he can. While he stands there, of course, his back must be to some one, and accordingly those that are behind him thump him right and left with the brogue, while he, all the time, is striving to catch it. Whoever he catches this brogue with must stand up in his place, while he sits down where the other had been, and then the play goes on as before.

"There's another play called the _Standing Brogue_--where one man gets a brogue of the same kind, and another stands up facing him with his hands locked together, forming an arch turned upside down. The man that houlds the brogue then strikes him with it betune the hands; and even the smartest fellow receives several pelts before he is able to close his hands and catch it; but when he does, he becomes brogueman, and the man who held the brogue stands for him, until he catches it. The same thing is gone through, from one, to another, on each side, until it is over.

"The next is _Frimsy Framty_, and is played in this manner:--A chair or stool is placed in the middle of the flure, and the man who manages the play sits down upon it, and calls his sweetheart, or the prettiest girl in the house. She, accordingly, comes forward, and must kiss him.

He then rises up, and she sits down. 'Come, now,' he says, 'fair maid--Frimsy framsy, who's your fancy?' She then calls them she likes best, and when the young man she calls comes over and kisses her, he then takes her place, and calls another girl--and so on, smacking away for a couple of hours. Well, throth, it's no wonder that Ireland's full of people; for I believe they do nothing but coort from the time they're the hoith of my leg. I dunno is it true, as I hear Captain Sloethern's steward say, that the Englishwomen are so fond of Irishmen?"

"To be sure it is," said Shane Fadh; "don't I remimber myself, when Mr.

Fowler went to England--and he as fine looking a young-man, at the time, as ever got into a saddle--he was riding up the street of London, one day, and his servant after him--and by the same token he was a thousand pound worse than nothing; but no matter for that, you see luck was before him--what do you think, but a rich dressed livery servant came out, and stopping the Squire's man, axed whose servant he was?

"'Why, thin,' says Ned Magavran, who-was his body servant at the time, 'bad luck to you, you spalpeen, what a question do you ax, and you have eyes in your head!' says he--'hard feeling to you!' says he, 'you vagabone, don't you see I'm my master's?'

"The Englishman laughed. 'I know that, Paddy,' says he--for they call us all Paddies in England, as if we had only one name among us, the thieves; 'but I wish to know his name,' says the Englishman.

"'You do!' says Ned; 'and by the powers!' says he, 'but you must first tell me which side of the head you'd wish to hear it an.'

"'Oh! as for that,' says the Englishman--not up to him, you see----'I don't care much, Paddy, only let me hear it, and where he lives.'

"'Just keep your ground, then,' says Ned, 'till I light off this blood-horse of mine'--he was an ould garron that was fattened up, not worth forty shillings--'this blood-horse of mine,' says Ned, 'and I'll tell you.'

"So down he gets, and lays the Englishman sprawling in the channel.

"' Take that, you vagabone! says he, and it'll larn you to call people by their right names agin: I was christened as well as you, you spalpeen!'

"All this time the lady was looking out of the windy, breaking her heart laughing at Ned and the servant; but, behould!--she knew a thing or two, it seems; for, instead of sending a man at all at all, what does she do but sends her own maid--a very purty girl, who comes up to Ned, putting the same question to him.

"'What's his name, avourneen?' says Ned, melting, to be sure, at the sight of her 'Why, then, darling, who could refuse you anything?--but, you jewel! by the hoky, you must bribe me or I'm dumb,' says he.

"'How could I bribe you?' says she, with a sly smile--for Ned himself was a well-looking young fellow at the time.

"'I'll show you that,' says Ned, 'if you tell me where you live; but, for fraid you forget it--with them two lips of your own, my darling.'

"'There, in that great house,' says the maid; 'my mistress is one of the beautifullest and richest young ladies in London, and she wishes to know where your master could be heard of.'

"'Is that the house?' says Ned, pointing to it.

"'Exactly', says she: 'that's it.' 'Well, acushla,' says he, 'you've a purty and an innocent-looking face; but I'm tould there's many a trap in London well baited. Just only run over while I'm looking at you, and let me see that purty face of yours smiling at me out of the windy that that young lady is peeping at us from.'

"This she had to do.

"'My master,' thought Ned, while she was away, 'will aisily find out what kind of a house it is, any how, if that be it.'

"In a short time he saw her in the windy, and Ned then gave her a sign to come down to him.

"'My master,' says he, 'never was afeard to show his face, or tell his name to any one--he's a Squire Fowler,' says he--'a Sarjen-major in a great militia regiment: he shot five men in his time; and there's not a gentleman in the country he lives in that dare say Boo to his blanket.

And now, what's your name,' says Ned, 'you flattering little blackguard you?'

"'My name's Betty Cunningham,' says she.

"'And next, what's your mistress's, my darling?' says Ned.

"'There it is,' says she, handing him a card.

"'Very well,' says Ned, the thief, looking at it with a great air, making as if he could read; 'this will just do, a _colleen bawn_.'

"'Do you read in your country with the wrong side of the print up?' says she.

"'Up or down,' says Ned, 'it's all one to us in Ireland; but, any how, I'm left-handed, you deluder!'

"The upshot of it was, that her mistress turned out to be a great hairess, and a great beauty; and she and Fowler got married in less than a month. So, you see, it's true enough that the Englishwomen are fond of Irishmen," says Shane; "but, Tom, with, submission for stopping you, go on with your Wake."

"The next play, then, is Marrying----"

"Hooh!" says Andy Morrow, "why, all their plays are about kissing and marrying, and the like of that."

"Surely and they are, sir," says Tom.