He nodded at the men, then turned and started walking, feeling their stares.

A light rain, delicate as mist, began to fall. He walked, though his legs ached. He thought of his bright office, a lifetime or a dream away. It was late afternoon. Norah would still be at work and Paul would be up in his room, pouring his loneliness and anger into music. They expected him home tonight, but he would not be there. He'd have to call, later, once he knew what he was doing. He could get on another bus and go back to them right now. He knew this, but it also seemed impossible for that life to exist in the same world as this one.

The sidewalk, uneven, was soon broken up by lawns on the edge of town, a stop-and-start pattern like some sort of Morse code, abandoned for intervals and then gone entirely. Shallow ditches ran along the edges of the narrow road; he remembered them full of daylilies, swelling orange ma.s.ses like running flames. He slid his hands under his arms to warm them. It was a season earlier here. The lilacs of Pittsburgh and the warm rain were nowhere. Crusts of snow broke under his feet. He kicked the blackened edges into the ditches, where more snow lingered, broken through with weeds, debris.

He'd reached the local highway. Speeding cars forced him to the gra.s.sy shoulder, spraying him with a fine mist of slush. This had once been a quiet road, cars audible for miles before they came in sight, and usually it was a familiar face behind the windshield, the car slowing, stopping, and a door swinging open to let him in. He was known, his family was, and after the small talk-How's your mama, your daddy; how's the garden doing this year?-a silence would fall, in which the driver and the other pa.s.sengers thought carefully about what might be said and what might not to this boy so smart he had a scholarship, to this boy with a sister too sick to go to school. There was in the mountains, and perhaps in the world at large, a theory of compensation that held that for everything given something else was immediately and visibly lost. Well, you've got the smarts, even if your cousin did get the looks. Well, you've got the smarts, even if your cousin did get the looks. Compliments, seductive as flowers, th.o.r.n.y with their opposites: Compliments, seductive as flowers, th.o.r.n.y with their opposites: Yes, you may be smart but you sure are ugly; You may look nice but you didn't get a brain. Yes, you may be smart but you sure are ugly; You may look nice but you didn't get a brain. Compensation; balance in the universe. David heard accusation in each remark about his studies-he'd taken too much, taken everything-and in the cars and trucks silence had swelled until it seemed impossible that a human voice could ever break it. Compensation; balance in the universe. David heard accusation in each remark about his studies-he'd taken too much, taken everything-and in the cars and trucks silence had swelled until it seemed impossible that a human voice could ever break it.

The road curved, then curved again: June's dancing road. The hillsides steepened and streams cascaded down and the houses grew steadily spa.r.s.er, poorer. Mobile homes appeared, set into the hills like tarnished dime-store jewelry, turquoise and silver and yellow faded to the color of cream. Here was the sycamore, the heart-shaped rock, the curve where three white crosses, decorated with faded flowers and ribbons, had been pounded into the earth. He turned and went up the next stream, his stream. The path was overgrown; almost, but not quite, disappeared.

It took him nearly an hour to reach the old house, now weather-beaten a soft gray, the roof sagging at the center of the ridgepole and some of the shingles missing. David stopped, taken so powerfully into the past that he expected to see them again: his mother coming down the steps with a galvanized tin tub to collect water for the laundry, his sister sitting on the porch, and the sound of the ax striking logs from where his father chopped firewood, just out of sight. He had left for school and June had died, and his parents had stayed on here as long as they could, reluctant to leave the land. But they had not thrived, and then his father died, too young, and his mother finally went north, traveling to her sister and the promise of work in the auto factories. David had come home from Pittsburgh rarely and never again since his mother died. The place was as familiar as breath but as far from his life now as the moon.

The wind rose. He walked up the steps. The door hung crookedly on its hinges and would not close. The air inside was chilly, musty. It was a single room, the sleeping loft compromised now by the sagging ridgepole. The walls were water-stained; through c.h.i.n.ks, he glimpsed pale sky. He'd helped his father put this roof on, sweat pouring down their faces and sap on their hands, their hammers rising into the sun, into the sharp fragrance of fresh-cut cedar.

As far as David knew, no one had been here for years. Yet a frying pan sat on the old stove, cold, the grease congealed but not, when he leaned to smell it, rancid. In the corner there was an old iron bed covered with a worn quilt like his grandmother and his mother had made. The cloth was cool, faintly damp, beneath his hand. There was no mattress, only a thick layering of blankets against boards set into the frame. The plank floor was swept clean, and there were three crocuses in a jar in the window.

Someone was living here. A breeze moved through the room, stirring the paper cutouts that hung everywhere-from the ceiling, from the windows, above the bed. David walked around, examining them with a growing sense of wonder. They were a little like the snowflakes he'd cut out in school, but infinitely more intricate and detailed, showing entire scenes to the last detail: the state fair, a tidy living room before a fire, a picnic with exploding fireworks. Delicate and precise, they gave the old house an air of rustling mystery. He touched the scalloped edge of a hay-wagon scene, the girls wearing lace-trimmed bonnets, the boys with their pants rolled to their knees. Ferris wheels, fluttering carousels, cars traveling down highways: these hung above the bed, moving lightly in the drafts, as fragile as wings.

Who had made these with such skill and patience? He thought of his own photographs: he tried so hard to catch each moment, pin it in place, make it last, but when the images emerged in the darkroom they were already altered. Hours, days had pa.s.sed by then; he had become a slightly different person. Yet he had wanted so much to catch the fluttering veil, to capture the world even as it disappeared, once and again and then again.

He sat on the hard bed. His head still throbbed. He lay down and pulled the damp quilt around him. There was a soft gray light in all the windows. The bare table, and the stove: everything smelled faintly of mildew. The walls were covered with layers of newspaper that had begun to peel. His family had been so poor; everyone they knew had been poor. It wasn't a crime, but it might as well have been. That's why things got saved, old engines and tin cans and milk bottles scattered across the lawns and hills: a spell against need, a hedge against want. When David was small, a boy named Daniel Brinkerhoff had climbed into an old refrigerator and suffocated to death. David remembered the hushed voices, and then the body of a boy his own age lying in a cabin much like this one, with candles lit. The mother had wept, which had made no sense to him; he had been too young to understand grief, the magnitude of death. But he remembered what had been said, outside but within his mother's hearing, by the anguished father who had lost his son: Why my child? He was whole, he was strong. Why not that sickly girl? If it had to be someone, why not her? Why my child? He was whole, he was strong. Why not that sickly girl? If it had to be someone, why not her?

He closed his eyes. It was so quiet. He thought of all the sounds that filled up his life in Lexington: footsteps and voices in the hallways and the phone ringing, shrill in his ear; his pager beeping through the sounds of the radio as he drove; and at home, always, Paul on the guitar and Norah with the phone cord wrapped around one wrist as she talked to clients; and in the middle of the night more calls, he was needed at the hospital, he must come. And, rising in the darkness, the cold, he went.

Not here. Here there was only the sound of the wind fluttering the old leaves and, distantly, the soft murmuring of water in the stream beneath the ice. A branch tapped on the exterior wall. Cold, he lifted himself up, rising on his heels and the upper part of his back so he could tug the quilt free and pull it more fully over him. The photos in his pocket poked his chest as he turned, pulling the quilt closer. Still, he shivered for a few minutes longer, from the cold and the residue of travel, and when he closed his eyes he thought of the two rivers meeting, converging, and the dark waters swirling. Not to fall but to jump: that was what had hung there in the balance.

He closed his eyes. Just for a few minutes, to rest. There was, beneath the mustiness and mildew, the scent of something sweet, sugary. His mother had bought sugar in town, and he could almost taste the birthday cake, yellow and dense, so rich and sweet it seemed to explode in his mouth. Neighbors from below, their voices carrying all the way up the hollow, the dresses of the women multicolored and joyous, brushing against the tall gra.s.s. The men in their dark trousers and their boots, the children scattering wildly, shouting, across the yard, and later they all gathered and made ice cream, packed in salty brine beneath the porch, freezing hard, until they lifted the icy metal lid and scooped the sweet cold cream high into their bowls.

Maybe that was after June was born, after her baptism maybe, that day with the ice cream. June was like other babies, her small hands waving in the air, brushing against his face when he leaned down to kiss her. In the heat of that summer day, ice cream cooling under the porch, they celebrated. Fall came, and winter, and June did not sit up and did not, and then it was her first birthday and she was too weak to walk far. Fall came again and a cousin visited with her son, almost the same age, her son not only walking but running through the rooms and starting to talk, and June was still sitting, watching the world so quietly. They knew, then, that something was wrong. He remembered his mother watching the little boy cousin, tears sliding silently down her face for a long time before she took a deep breath and turned back into the room and went on. This was the grief he had carried with him, heavy as a stone in his heart. This was the grief he had tried to spare Norah and Paul, only to create so many others.

"David," his mother had said that day, drying her eyes briskly, not wanting him to see her cry, "pick up those papers from the table and go outside for wood and water. Do it right now. Make yourself useful."

And he had. And they had all gone on, that day and every day. They had drawn into themselves, not even visiting people except for the rare christening or funeral, until the day Daniel Brinkerhoff had shut himself in the refrigerator. They came home from that wake in the dark, working their way up the streamside path by feel, by memory, June in his father's arms, and his mother had never left the mountain again, not until the day she moved to Detroit....

"Don't suppose you're anyways useful," the voice was saying, and David, still half asleep, not sure if he was dreaming or hearing voices in the wind, shifted at the tugging at his wrists, at the muttering voice, and ran his dry tongue against the roof of his mouth. Their lives were hard, the days long and full of work, and there was no time and no patience for grief. You had to move on, that was all you could do, and since talking about her would not bring June back, they had never mentioned her again. David turned and his wrists hurt. Startled, he half woke, his eyes opening and drifting over the room.

She was standing at the stove, just a few feet away, olive fatigues tight around her slim hips, flaring fuller around her thighs. She wore a sweater the color of rust shot through with luminous strands of orange, and over this a man's green-and-black plaid flannel shirt. She had cut the fingertips from her gloves, and she moved around the stove with deft efficiency, poking at some eggs in the frying pan. It had grown dark outside-he had slept a long time-and candles were strewn around the room. Yellow light softened everything. The delicate paper scenes stirred softly.

Grease spattered and the girl's hand flew up. He lay still for several minutes, watching her, every detail vivid: the black stove handles his mother had scrubbed, and this girl's bitten nails, and the flicker of candles in the window. She reached to the shelf above the stove for salt and pepper, and he was struck by the way light traveled across her skin, her hair, as she moved in and out of shadow, by the fluid nature of everything she did.

He had left his camera in the hotel safe.

He tried to sit up then, but was stopped again by his wrists. Puzzled, he turned his head: a filmy red chiffon scarf tied him to one bedpost; the strings from a mop to the other. She noticed his movement and turned, tapping her palm lightly with a wooden spoon.

"My boyfriend's coming back any minute now," she announced.

David let his head fall back heavily on the pillow. She was slight, no older and perhaps even younger than Paul, out here in this abandoned house. Shacking up, Shacking up, he thought, wondering about the boyfriend, realizing for the first time that maybe he ought to be afraid. he thought, wondering about the boyfriend, realizing for the first time that maybe he ought to be afraid.

"What's your name?" he asked.

"Rosemary," she said, and then looked worried. "You can believe that or not," she added.

"Rosemary," he said, thinking of the piney bush Norah had planted in a sunny spot, its wands of fragrant needles, "I wonder if you would be good enough to untie me."

"No." Her voice was swift and bright. "No way."

"I'm thirsty," he said.

She looked at him for a moment; her eyes were warm, sherry-tinted brown, wary. Then she went outside, releasing a wedge of cold air into the room, setting all the paper cuttings fluttering. She came back with a metal cup of water from the stream.

"Thanks," he said, "but I can't drink this lying down."

She attended to the stove for a minute, turning the sputtering eggs, then rummaged through a drawer, coming up with a plastic straw from some fast-food place, dirty at one end, which she thrust into the metal cup.

"I suppose you'll use it," she said, "if you're thirsty enough."

He turned his head and sipped, too thirsty to do more than note the taste of dust in the water. She slid the eggs onto a blue metal plate speckled with white and sat down at the wooden table. She ate quickly, pushing the eggs onto a plastic fork with the forefinger of her left hand, delicately, without thinking, as if he weren't in the room at all. In that moment he understood somehow that the boyfriend was fiction. She was living here alone.

He drank until the straw sputtered dry, water like a dirty river in his throat.

"My parents used to own this place," he said, when he finished. "In fact, I still do own it. I have the deed in a safe. Technically, you're trespa.s.sing."

She smiled at this and put her fork down carefully in the center of the plate. "You come here to claim it then? Technically?"

Her hair, her cheeks, caught the flickering light. She was so young, yet there was something fierce and strong about her too, something lonely but determined.

"No." He thought of his strange journey from an ordinary morning in Lexington-Paul taking forever in the bathroom and Norah frowning as she balanced the checkbook at the counter, coffee steaming-to the art show, and the river, and now here.

"Then why did you come?" she said, pushing the plate to the middle of the table. Her hands were rough, her fingernails broken. He was surprised that they could have made the delicate, complex paper art that filled the room.

"My name is David Henry McCallister." His real name, so long unspoken.

"I don't know any McCallisters," she said. "But I'm not from around here."

"How old are you?" he asked. "Fifteen?"

"Sixteen," she corrected. And then, primly, "Sixteen or twenty or forty, take your pick."

"Sixteen," he repeated. "I have a son older than you. Paul."

A son, he thought, and a daughter. he thought, and a daughter.

"Is that so?" she said, indifferent.

She picked up the fork again, and he watched her eating the eggs, taking such delicate bites and chewing them carefully, and with a sudden powerful rush he was living another moment in this same house, watching his sister June eat eggs in this same way. It was the year she died, and it was hard for her to sit up at the table, but she did; she had dinner with them every night, lamplight in her blond hair and her hands moving slowly, with deliberate grace.

"Why don't you untie me," he suggested softly, his voice hoa.r.s.e with emotion. "I'm a doctor. Harmless."

"Right." She stood and carried her blue metal plate to the sink.

She was pregnant, he realized with shock, catching her profile as she turned to take the soap from the shelf. Not very far along, just four or five months, he guessed.

"Look, I really am a doctor. There's a card in my wallet. Take a look."

She didn't answer, just washed her plate and fork and dried her hands carefully on a towel. David thought how strange it was that he should be here, lying once again in this place where he'd been conceived and born and mostly raised, how strange that his own family should have disappeared so completely and that this girl, so young and tough and so clearly lost, should have tied him to the bed.

She crossed the room and pulled his wallet from his pocket. One by one she placed his things on the table: cash, credit cards, the miscellaneous notes and bits of paper.

"This says photographer," she said, reading his card in the wavering light.

"That's right," he said. "I'm that, too. Keep going."

"Okay," she said a moment later, holding up his ID. "So you're a doctor. So what? What difference does that make?"

Her hair was pulled back in a ponytail and stray wisps fell around her face; she pushed them back over her ear.

"It means I'm not going to hurt you, Rosemary. First, do no harm. First, do no harm."

She gave him a quick, a.s.sessing glance. "You'd say that no matter what. Even if you meant me harm."

He studied her, the untidy hair, the clear dark eyes.

"There are some pictures," he said. "Somewhere here...." He shifted and felt the sharp edge of the envelope through the cloth of his shirt pocket. "Please. Take a look. These are pictures of my daughter. She's just about your age."

When she slipped her hand into his pocket, he felt the heat of her again and smelled her scent, natural but clean. What was sugary? he wondered, remembering his dream and the tray of cream puffs that had pa.s.sed by at the opening of his show.

"What's her name?" Rosemary asked, studying first one photo, then the other.

"Phoebe."

"Phoebe. That's pretty. She's pretty. Is she named for her mother?"

"No," David said, remembering the night of her birth, Norah telling him just before she went under the names she wanted for her child. Caroline, listening, had heard this and had honored it. "She was named for a great-aunt. On her mother's side. Someone I didn't know."

"I was named after both my grandmothers," Rosemary said softly. Her dark hair fell across her pale cheek again and she brushed it back, her gloved finger lingering near her ear, and David imagined her sitting with her family around another lamplit table. He wanted to put his arm around her, take her home, protect her. "Rose on my father's side, Mary on my mother's."

"Does your family know where you are?" he asked.

She shook her head. "I can't go back," she said, both anguish and anger woven in her voice. "I can't ever go back. I won't."

She looked so young, sitting at the table, her hands closed in loose fists and her expression dark, worried. "Why not?" he asked.

She shook her head and tapped the photo of Phoebe. "You say she's my age?"

"Close, I'm guessing. She was born March sixth, 1964."

"I was born in February, 1966." Her hands trembled a little as she put the photos down. "My mom was planning a party for me: sweet sixteen. She's into all the pink frilly stuff."

David watched her swallow, brush her hair behind her ear again, gaze out the dark window. He wanted to comfort her somehow, just as he had so often wanted to comfort others-June, his mother, Norah-but now, as then, he couldn't. Stillness and motion: there was something here, something he needed to know, but his thoughts kept scattering. He felt caught, as fixed in time as any of his photographs, and the moment that held him was deep and painful. He had only wept once for June, standing with his mother on the hillside in the raw evening wind, holding the Bible in one hand as he recited the Lord's Prayer over the newly turned earth. He wept with his mother, who hated the wind from that day on, and then they hid their grief away and went on. That was the way of things, and they did not question it.

"Phoebe is my daughter," he said, astonished to hear himself speaking, yet compelled beyond reason to tell his story, this secret he'd kept for so many years. "But I haven't seen her since the day she was born." He hesitated, then forced himself to say it. "I gave her away. She has Down's syndrome, which means she's r.e.t.a.r.ded. So I gave her away. I never told anyone."

Rosemary's glance was darting, shocked. "I see that as harm," she said.

"Yes," he said. "So do I."

They were silent for a long time. Everywhere David looked he was reminded of his family: the warmth of June's breath against his cheek, his mother singing as she folded laundry at the table, his father's stories echoing against these walls. Gone, all of them gone, and his daughter too. He struggled against grief from old habit, but tears slipped down his cheeks; he could not stop them. He wept for June, and he wept for the moment in the clinic when he handed Phoebe to Caroline Gill and watched her turn away. Rosemary sat at the table, grave and still. Once their eyes met and he held her gaze, a strangely intimate moment. He remembered Caroline watching him from the doorway as he slept, her face softened with love for him. He might have walked with her down the museum steps and back into her life, but he'd lost that moment too.

"I'm sorry," he said, trying to pull himself together. "I haven't been here for a long time."

She didn't answer and he wondered if he sounded crazy to her. He took a deep breath.

"When is your baby due?" he asked.

Her dark eyes widened in surprise. "Five months, I guess."

"You left him behind, didn't you?" David said softly. "Your boyfriend. Maybe he didn't want the baby."

She turned her head, but not before he saw her eyes fill.

"I'm sorry," he said at once. "I don't mean to pry."

She shook her head a little. "It's okay. No big deal."

"Where is he?" he asked, keeping his voice soft. "Where's home?"

"Pennsylvania," she said, after a long pause. She took a deep breath, and David understood that his story, his grief, had made it possible for her to reveal her own. "Near Harrisburg. I used to have an aunt here in town," she went on. "My mother's sister, Sue Wallis. She's dead now. But when I was a little girl we came here, to this place. We used to wander all over these hills. This house was always empty. We used to come here and play, when we were kids. Those were the best times. This was the best place I could think of."

He nodded, remembering the rustling silence of the woods. Sue Wallis. An image stirred, a woman walking up the hill, carrying a peach pie beneath a towel.

"Untie me," he said, softly still.

She laughed bitterly, wiping her eyes. "Why?" she asked. "Why would I do that, with us alone up here and no one around? I'm not a total idiot."

She rose and gathered her scissors and a small stack of paper from the shelf above the stove. Shards of white flew as she cut. The wind moved, and the candle flames flickered in the drafts. Her face was set, resolute, focused and determined like Paul when he played music, setting himself against David's world and seeking another place. Her scissors flashed and a muscle worked in her jaw. It had not occurred to him before that she might harm him.

"Those paper things you make," he said. "They're beautiful."

"My Grandma Rose taught me. It's called scherenschnitte. scherenschnitte. She grew up in Switzerland, where I guess they make these all the time." She grew up in Switzerland, where I guess they make these all the time."

"She must be worried about you."

"She's dead. She died last year." She paused, concentrating on her cutting. "I like making these. It helps me remember her."

David nodded. "Do you start with an idea?" he asked.