I was sitting down, my back resting on the dry mossy stone at the foot of Cree's Top, the river on my left flowing away, the last screwed up pieces of paper floating round the curve, the elms on the edge of the woods to my right.

Without any prompting I was able to stand up and turn round. The river was now on my right flowing towards me and away behind me, the elms and the woods were on my left. Now I was looking at the path winding up the slope of Cree's Top. There were thick bushes by its side, and it occasionally disappeared from view as it snaked its way up the slope, but I could see almost all of it. It was all more vivid than before. The leaves were greener and more defined against the sunlight from above. As I moved my head round I could focus on any part of my surroundings and move in on them, on to the small stones on the path that had been pushed to the sides by the pa.s.sage of feet that had also worn the ground down, exposing larger stones and the roots of trees. Almost without an impulse on my part I started to step forward along the path. Looking down, I saw my feet wearing black gym shoes of a kind I hadn't owned since I was at school. I was now well along the path and moving up the hill and away from where I had been sitting. When I turned to my right, I was looking down the slope at the river. When I turned to my left, I was looking into the woods towards the Stead. Suddenly all became dark. I looked up and a heavy black cloud was pa.s.sing overhead. The air turned cold, a shiver pa.s.sed through me and I turned and ran down the hill. I carefully sat myself in my original position, the stone crusty against my spine.

I described to Alex what had happened.

'Why didn't you go on?'

'I was afraid.'

'Big girls don't need to be afraid.'

Nineteen.

'Yes.'

'May I speak to Jane Martello, please.'

'Yes, what is it?'

I wasn't in a good mood. This would be the fourth time in one morning that someone from the council had rung me about changes to the hostel. The next day, the committee was going to meet to give the go-ahead - or not - to the revised budget for a building that had already been so cut back, compromised and revised that I hardly wanted my name attached to it any more.

'Jane, this is Caspar, Caspar Holt.'

'What?'

'It wasn't necessary, but thank you for your postcard.'

It was the philosopher. I sat down, and breathed deeply.

'Oh, yes, well, I wanted to apologise for my behaviour that evening.'

'In the circ.u.mstances, I think that you behaved with aplomb. I wondered if you'd like to meet?'

Oh G.o.d, a date.

'Um, fine, I mean, when did you have in mind?'

'How about now?'

'Now?'

'Well, in half an hour, then.'

I needed to sort out the final details for the next day's committee meeting, I needed to go to the office, I desperately needed to wash my hair. It wasn't a good day; it was my day for a rush and a sour bad mood.

'Give me an hour. Where shall we meet?'

'Number thirteen, Lincoln's Inn Fields. I'll meet you outside.'

I didn't manage to sort out the committee details or phone the office. But I did wash my hair.

He was standing outside wearing the same bulky tweed coat he had worn at the ICA. He was engrossed in a paperback book so I was able to observe him before he saw me. His hair was ash-blond, long, curly and swept back off his forehead. He had round wire-framed gla.s.ses.

'Sir John Soane's Museum,' I said to him. 'Is this where you usually take girls on their first date?'

He looked up in surprise.

'Yes, it probably explains my luck with women. But it's free and it's like walking around inside a man's brain.'

'Is that good?'

He put his hand lightly on my shoulder as we went through the front door, and into the strange interior, the s.p.a.ce extending into the upper floors and down into the bas.e.m.e.nt. He steered me into a room that was painted a dark rusty red. There were strange objects, architectural fragments, archaic instruments, eccentric works of art on every surface.

'Look at that,' said Caspar, pointing out something shapeless. 'That's a fungus from Sumatra.'

'A what?'

'Actually, it's a sponge.'

We walked on through improbably tiny corridors giving on to sudden even more improbable vistas, up and down, everything lined with a baffling array of objects.

'Each room is like a separate part of the mind that planned it,' he said. I noticed his hands were splashed with red paint at the knuckles, and his shirt collar was frayed.

'Like a man's brain, perhaps,' I said.

He smiled. 'You mean compartmentalised. Full of objects. Maybe. Maybe you're right. It's not a woman's house, is it? I come here sometimes at lunchtime. I marvel at how a lifetime can be packed into a house. It's such an introverted place, don't you think? And extroverted as well, of course.'

'Is this your standard lecture?' I asked.

'Sorry, am I irritating you?'

'I was only joking.'

We went upstairs, into the high picture room painted green and deep saffron yellow. The winter sun flooding in through the arched windows illuminated the dull, rich colours; the room felt cool and grave as a church. We walked together along Hogarth's The Rake's Progress The Rake's Progress, all that savagery and anger. Caspar paused in front of 'The rake in Bedlam'.

'Look,' he said. 'By cell fifty-five, that man with a sceptre and a pot on his head, he's urinating. Can you see the look on the faces of those two fashionable ladies?'

I peered at the grotesque scene, making out dim and writhing figures, and shivered.

'It's Bethlehem Hospital, Bedlam. It was in Moorfields, just outside the city wall. Hogarth's father was in prison for debt, it made a great impression on him. Look at the face of that old woman on her knees, Jane, she seems only half-human.'

I watched his face, his steady grey eyes. I noticed how he used my name. It suddenly occurred to me that it had been a very long time since I had last felt happy. Standing with Caspar, in a house like a man's brain, it was as if I was looking out from the gloom I had inhabited for so long, through a window, into a different kind of future: brighter. I could see views, sky. For a minute, I stood quite still, while hope clutched me. I caught his eye for a moment.

'Hang on,' he said. 'I want to show you something.'

We descended the stairs again and crossed two rooms.

'Look through there.'

I saw what looked like a totem pole made up of fragments from different columns. On it was carved the name 'f.a.n.n.y'. I turned to Caspar with raised eyebrows.

'Yes?' I asked.

'That's the tomb of the dog that belonged to John Soane's wife. But it's also the name of my little daughter.'

'I thought f.a.n.n.y was one of those names we can't use any more.'

'I've tried to revive it.'

'Are you married?'

'No. I live on my own.'

'I'm sorry.'

'Don't be.'

Outside, blinking in the chilly light, we grinned stupidly at each other. Then Caspar glanced at his watch.

'Lunch?'

'I shouldn't.'

'Please.'

'All right.'

We walked to Soho, past the delicatessens and the p.o.r.n shops, and stopped at an Italian cafe-c.u.m-restaurant. We had goat's cheese half-melted on crisp toast, and green salad, and a gla.s.s of white wine each. He looked at my ringless hands and asked if I was married, and I told him I was separated. And I asked him how old his daughter was. She was five. Lots of people, he said, thought he was some kind of superman just because he did what hundreds of thousands of women did without anyone noticing them at all.

'I didn't know about love before f.a.n.n.y, silly thing that she is,' he said.

I told him about Robert and Jerome, how grown-up and tall they were, how they protected me, were always on my side, and he said he'd love to meet them one day. And then the possibility of there being a future to this, a 'one day', opened up before me and I felt dizzy and scared, and I lit a cigarette. I said I had to go. He didn't try to stop me, just saw me to my bike and watched as I got tangled up with the lock and the helmet and wobbled off.

I felt like an adolescent, dizzy with excitement, and I felt like a terrified old woman being dragged back into a prison by hundreds of thin, sharp ties. I could have an affair with Caspar no, I knew when I thought of his hand lightly on my shoulder, or his straight grey gaze, that I could have a relationship relationship with Caspar. We wouldn't just climb into bed with each other one night after a bottle of wine, we'd dig back into each other's past, uncover old wounds, give ourselves up to the addictive grief of love. And it wasn't that I wasn't ready that's what counsellors always say, that you have to wait, to grow strong again, to learn to live with loneliness. I was ready, all right. It had been a long time since I'd lost myself to love. I was ready, but I was scared. I felt tired. A mild headache thrummed in my temples. Wine at lunchtime. with Caspar. We wouldn't just climb into bed with each other one night after a bottle of wine, we'd dig back into each other's past, uncover old wounds, give ourselves up to the addictive grief of love. And it wasn't that I wasn't ready that's what counsellors always say, that you have to wait, to grow strong again, to learn to live with loneliness. I was ready, all right. It had been a long time since I'd lost myself to love. I was ready, but I was scared. I felt tired. A mild headache thrummed in my temples. Wine at lunchtime.

I rode my bike along Oxford Street, which, in the winter afternoon, was already lit up by its Christmas lights. G.o.d, I hate the way we now have ma.s.sive Disney characters hanging across the roads. I hadn't finished Christmas shopping yet, though I'd bought a pair of binoculars for Dad, and lots of ridiculous stocking presents from Father Christmas, who had always come to the house, long after the children had discovered he was me. It had always been my favourite bit of Christmas Day the early morning, when everyone would crowd into my bedroom, sit on the bed, pull knickers and soap and corkscrews from their pillow cases. It suddenly occurred to me that I might be alone this Christmas morning: the boys would come for dinner, of course, and so would Dad, and maybe I should invite Claud because I couldn't bear to think of him eating a neat meal for one, though probably he'd go to Alan's and Martha's. But maybe I'd wake up on Christmas morning in an empty house.

For a moment I contemplated going into the hot jaws of one of the department stores, thick with perfume, to grasp wildly at shirts and ties and jerseys for the boys. But they hated shirts and ties from department stores, and it had been a long time since I'd stopped choosing their clothes for them. On an impulse, I rode to one of my favourite shops in London, the hat shop in Jermyn Street, and I bought three fabulous and expensive trilbys: a brown one for Jerome, a black one for Robert, and a bottle-green one for Kim. I hung the bag on my handlebars, and pedalled towards Camden, where I bought lots of tiny paper cases for the chocolate truffles I was going to make for everyone, and some handsome green jars. In one shop, I saw a pair of earrings in the shape of tiny silver boxes. Far too expensive. I bought them for Hana and carried them away in a pretty, ribboned box.

That evening, I played my three Neil Young alb.u.ms while I made tomato chutney and ladled it into the green jars, which I labelled, and I made chocolate truffles with bitter dark chocolate. I rolled them in cocoa, and laid them in their little cases. Tomorrow I would make boxes for them. The kitchen smelt of vinegar and bitter chocolate. I still felt excitedly energetic, so I poured myself a gla.s.s of red wine, lit a cigarette, and with a satisfyingly sharp pencil and my favourite ruler (long, with one flat edge), I made an architect's drawing of my house. I doodled a fat kitsch cherub against the clean lines of the roof. When I went to the office, I would photocopy the drawing onto white card, and send off the copies as Christmas cards.

I poured another gla.s.s of wine the headache was gone and smoked a cigarette. Perhaps I would give up smoking for New Year. Through the window, I saw that the moon was quite full, and on an impulse I put on a thick overcoat, belonging to Robert, and went into the garden. It was a beautiful night, clear and bitingly cold. The stars looked close, and the branches of the pear and cherry trees were stark.

At one end, under the overgrown bay tree, was the unmarked graveyard of the boys' numerous pets: hamsters, guinea pigs, two rabbits, a budgie. The boys used to play football on the lawn, churning it into mud. In spring and autumn, we would have binge gardening weekends, planting seeds that the neighbourhood cats would dig up. In April, the trees would blossom, the froth of pear and cherry and the waxy candles of the magnolia tree, and for a few weeks the garden would become a place of astonishing loveliness and grace. Claud and I used to sit out here with our drinks when the weather was fine. We'd had summer parties, with Pimm's and strawberries, and the boys had handed out crisps. We'd had loads of barbecues, some of the hot dogs and fizzy drink kind, some with prawns on kebabs, and cajun mackerel, and flat mushrooms marinaded in a spicy sauce. My recall snagged again: there was something I wasn't remembering. What had Alex told me to do let let myself remember. myself remember.

Clutching my wine and cigarette, I made my private New Year's resolution early: that I would not rest until I had walked through the landscape of my memory and reached its heart, and that I would give myself permission to be happy.

It never occurred to me that I could make the second resolution without the first.

Twenty.

'He what?'

'He wants to come for Christmas dinner with a television crew.'

'But that's ridiculous. For a start, what television crew would agree to work on Christmas Day?'

'I think his would. It'll be like the Queen's message to the Commonwealth.'

'Jane, you haven't agreed?' Kim never squeaked; now she was squeaking.

'Well, it was so difficult. I mean, this clearly means so much to Paul, and he's already done so much work on it, and I suppose I feel that if I've gone this far down the road with it, I might as well go all the way.'

'Are you seriously suggesting that Paul and Erica should arrive on Christmas Day, plus Rosie, of course, with cameras rolling, and film you cooking turkey? Christ, Jane, your father's father's going to be there. And Robert and Jerome. And going to be there. And Robert and Jerome. And I'm I'm going to be there with Andreas.' going to be there with Andreas.'

'They're not going to be there all day. They'll just get an impression of a bit of the family at Christmas. They'll go away long before we eat.'

There was a gurgle from the other end of the phone, and I realised with relief and something approaching delight that Kim was giggling.

'Will you help me, Kim? Get through it, I mean?'

'Never mind that, what shall I wear? I've never been on telly before. Is it stripes or hoops that are verboten?'

'Here you are. One dry sherry, one mince pie.'

The sherry was pale yellow, the mince pie hot and spicy. I sat carefully on the sofa that looked as if it had just arrived, cushions plumped up, from the department store. I felt like a stranger, a polite guest.

'It's very nice here.'

The room was immaculate, like a s.p.a.ce that was about to be photographed for a colour supplement. On the ivory walls hung six small prints. A square rug lay exactly in the middle of the wooden floor. On either side of the new sofa sat two new armchairs. A book about Norman churches and the Guardian Guardian, folded, lay on the small table. A cactus flowered prettily on top of the old piano, newly polished. In the corner, on a clever elevated stand, was a small Christmas tree with white lights. From where I sat, delicately holding my sherry and mince pie, I could see a kitchen that was so immaculate that I wondered if Claud had ever cooked himself a meal in it.

'Yes, I'm pleased with it. I did it just as I wanted.'

We smiled nervously at each other across the ordered s.p.a.ce. I thought of the clutter in my kitchen: great bowls of squashy winter tangerines, piles of bills and unanswered letters, lists I'd made out to myself and then never looked at again, broken plates I'd been meaning to mend for days, Christmas cards I was going to hang on string along the eaves but hadn't yet got round to, a regretted but not discarded bunch of mistletoe tucked among the cups on the dresser, daffodils thrust into vases and dotted around the room in untidy bursts of yellow, bits of architectural drawings I'd started then abandoned, photographs I had not got round to putting in the alb.u.m, dozens of books, several recipes cut out from magazines and not filed, a half-finished bottle of wine. And, of course, a moulting spruce whose decorations, courtesy of the boys, looked as if they'd been thrown on in drunken handfuls. Indeed, they had been thrown on in drunken handfuls: Jerome and Robert had been horrified by the coordinated aestheticism I'd achieved this year. Christmas trees, they said, should be gaudy and brash. They'd dug out the great pink and turquoise globes and glittery stars, all the baubles we'd acc.u.mulated over the years, and hurled them at the tree.

I brightly suggested we have some music.