Molly, sharp as always, smiled, and I swear, even squeezed a tear out, shouts, "Cousin Lucas, I was believin my family washed their hands offa me."

I turned to the sheriff, asked, "Mind if I have me a moment with my kin?"

He minded, heck, he minded a lot. He spat right next to my boots, said, "You got five minutes and I'll be right outside."

I done already said about me and my running off mouth and even now, I had to go, "That'll be a comfort, sir."

His eyes sparked and he moved right in my face, drawled, real slow, "You sa.s.sing me, boy?"

Like I was nigrah.

I shot men for less.

I heard Molly say, "Now sheriff, he's just a country type, don't know a whole lot how to behave round decent folk."

He thought about it, said, "I'll be talking some more to you, boy."

He was closing a nickel to a dollar on that.

Course, a lard a.s.s like him, he ain't going to let it go easy, said, "I'll be needing that there Colt."

I gave it up, real slow, seeing another notch on the b.u.t.t already and this time, it would be a whole lot of funning.

He made lots of grunting on his way back to his coffee. I hoped it would choke him ... slow.

She gave that radiant smile, that d.a.m.n melt yer heart and yer senses, all in one, done make a fool outa a man everytime.

She reached out her hand, touched my arm, said, "You lookin real fine, darling."

Cold to her heart.

I'd made me some gold offa a claim that was already staked out and I was looking to spend it, met Molly in a saloon and she not only took off with my stash but my dumba.s.s heart as well.

Broke, hungover, I had me some real trouble to git on outa there with my skin.

I asked, "Why'd you throw me over, wasn't I good to you?"

She lowered her eyes, said, "I was real young, real reckless, what do you know at seventeen?"

I whistled, went, "Boy howdy."

She was caressing my arm and I got riled, said, "You didn't know enough that leaving me without cash could have got me killed. Them fellahs in that saloon didn't take kindly to some greenhorn saying he couldn't pay the freight, they done give me a horse whipping, took my boots and ran my a.s.s outa town."

She let her eyes melt in the honey way she had, said, "Lucas, I'm so d.a.m.n sorry, can you forgive me?"

Dammit.

Then she said, "You gotta get me on outa here."

I laughed, not with any merriment or anything, asked, "And how you fixing on me doing that, that fat a.s.s took my Colt."

Now her real smile showed, the smile of a woman who is one hundred years old and means to live another, said, "You telling me, darling, you ain't still got that derringer in your boot."

I always had that spooked feeling she knew things she never should have known and like a lovesick pup, I reached in my boot, took out the tiny pistol, two shots.

She said, "Give it here, hon."

The gun felt tiny in my hand, small as the focus of my thinking. I asked, "You're fixing to do what?"

A cloud pa.s.sed briefly over them lovely features, then was gone and she asked, "You want to see them hang me, see me spoil me bloomers as the rope bites in, you want that, lover?"

I handed it over and she hollered, "Sheriff, git on in here."

He did and she shot him in the face.

Now her voice was hard as the Rockies in that big snow we had a time back, she said, "Get the keys."

I did and took my Colt back, turned to see her level the derringer at me. She said, "I'm sorry, coz, but you'd only slow me down."

I pulled the trigger of the Colt and it jammed ... you believe it, she gave me that almost sad look and pulled the trigger on the second load. Took me right in the gut. She stepped over me, reached in my vest, took what money I had.

The Colt was lying a few feet from me. She glanced at it then stepped away, said, "They'll be coming, make sure it doesn't jam again."

And she was gone, I swear, leaving a trail of perfume that was warm as that first time I ever set my eyes on her.

The dead sheriff's dead eyes are staring at me and his cheroot is lying real close. If I could stop the blood for a moment, I might get a smoke before they come.

The Colt is a little outa reach and the d.a.m.n thing let me down, you think I'm gonna trust it again.

Another inch, I might grab me that cheroot.

OPEN AND SHUT CASE.

Marilyn Todd.

OFFICIAL PAPERWORK OR not, sir, I am the Great Rivorsky, and that is how I wish my name to be recorded. That's R-i-v but I see you're already familiar with the spelling from the posters. How rewarding. Though perhaps you'd be kind enough to cross out the words no fixed abode in the address line. The phrase smacks of gypsies, tramps and circus performers, whereas my show is a reputable spectacular that just happens to tour Europe on a continual basis. An extravaganza of mystery, magic and illusion that has performed in all the major cities, and in front of royalty on more occasions than I care to count.

Indeed, our last such performance was before Archduke Ferdinand and his charming wife, Sophie, last year in Vienna, and take it from me, Inspector, His Grace's proposals to grant ethnic minorities independence will guarantee him a long and glittering future. Unlike your own King Edward. How is his Majesty's health, by the way? Still shaky? We played for him in Biarritz not long after his mother died, and he was chesty even then. Indeed, half the audience thought the smoke from his cigars was part of the act, and it certainly made Pepe disappear. Sick as a dog behind the stage door he was, but then Pepe is a dwarf. Working the wires from the ceiling, he was subjected to the full force of the royal smoke as it rose. And though there is only half as much of him as the rest of us, he seems to be doubly absorbant when it comes to toxic pollution.

So you see, no fixed abode gives quite the wrong impression, and while we're about it, I wish to make clear that it is not customary for us to sleep in caravans and operate out of a marquee. Dear me, no. The Great Rivorsky? Working out of a tent? But after that unfortunate incident during rehearsals in Amsterdam you did not hear?

It all came about when the fire-eater coughed at an inopportune moment, causing the curtains of the backdrop to catch light. The props immediately fell victim to flames, and of course our boxes are wood and we can't have our contortionist squeezing herself into unseasoned timber, can we? To cut a long story short, Inspector, the theatre became an inferno before you could blink, and what else could an impresario do? With a troupe to pay and suddenly no income to cover the disburs.e.m.e.nt, my only option was to hop across the Channel and stage a series of impromptu shows.

What? Sack the fire-eater? Certainly not. It was hardly his fault Zorba the Freak chose that moment to drop his trousers and show Mimi his enormous- Which is why I'm not worried about the insurance claim. The company have agreed to settle, but these things take time, though Mimi has not been the same since. Such a sensitive soul. Not at all the type of girl to whom a man should expose his enormous- Oh, I was as shocked as you, sir. Absolutely. So when Mimi shrieked, it was quite understandable that the fire-eater jumped, causing him to cough on the kerosene. Terrible. A perfectly good spring season ruined, all thanks to one fist-sized navel.

Ooh. Tea. How very kind. But if I may be so bold as to correct your report while you stir in the sugar?

When I mentioned the contortionist a moment ago that's right, Jeannette Ridoux, though you've missed off the "x" at the end of her name. Not that she'd take offence. In fact, she'd bend over backwards to accommodate anyone, but my point is, you've written love affair in the margin and I feel I must take issue with that. Affair, certainly, but love? Perish the thought, though when you meet her and I see from your notes that you haven't yet you will understand the attraction. Not to put too fine a point on it, Inspector, the combination of raven-black hair, blue eyes and the ability to wrap her left ankle around her neck is quite powerful, though your observation was correct. All the ladies in the troupe are stunning, but then that is a requisite of the magician's trade. Their beauty is necessary to distract the eye, where even the slightest movement will suffice. She moves her hands in a natural gesture, and see? The ten of diamonds was the card you picked out earlier, was it not? Yes, yes, put it back anywhere you like, and oops, there it is again. Ten of diamonds. No, sir, not in the deck. Underneath your notes. Which, unfortunately, bring us back to my dalliance with the lovely Jeannette Ridoux, and the dispute it caused with Madame Rivorsky.

You say you have twenty-three witnesses who heard Carla screaming at me two days ago, and the only surprise is that the number is that low, Carla being theatrically trained. Then again, what virtuous woman wouldn't raise her voice when she walks in to find her husband playing "Find the Lady" with his contortionist in her own marital bed?

Very well, if you wish to split hairs, my arrangement with Carla did not actually const.i.tute a legal contract of marriage. But I am a gentleman, sir, and honour bound to protect a lady's reputation, even though, technically speaking, I am still married to the first Madame Rivorsky. And perhaps a couple of others, I can't be sure, though that ceremony in Rome was declared unlawful a year afterwards, and I still have my doubts about Lisbon.

But dear me, you have not brought me all the way to your police station to charge me with bigamy.

You have arrested me for Carla's murder.

Carla Bonetti had it all. Blonde hair, flawless skin, perfect memory, sleight of hand. Everything, in fact, that made her a first-rate mind-reading act.

The first time I saw her was in Prague. Our schedule took us there two years ago, during that particularly vicious hot August. I had wandered into St Nicholas' church to cool down, pa.s.sing a pleasant hour or two imagining the magnificent baroque paintings that used to adorn the interior, until the late Emperor Josef ordered them to be removed. Silly fool. Anyway, walking back into the square was like stepping into a furnace, in which the entire population seemed to be melting. Except one.

She'd set up a table in the shade of the Town Hall, well aware that each day, hundreds of people flock to see the famous astronomical clock. If you haven't seen this gigantic masterpiece of engineering and entertainment, allow me to enlighten you. Every hour, on the hour, larger-than-life-size figures of Christ and the apostles march past the upper window, turning to look out over the square as they pa.s.s, while the skeleton of death tolls the bell. It is a spectacle admired by princes and peasants alike and the crowds are ferociously large. But what attracted me to Carla, Inspector, wasn't that while her audience were mopping their foreheads and fanning themselves she remained cool as the proverbial cuc.u.mber, in her virgin white dress and blonde hair swept up, as she slid koruna after koruna into her tin. It was that she'd chosen to work the Mystical Card trick right under the great circle of the zodiac that is mounted directly beneath the clock.

Let me clarify. You see these? They are the very pieces she was using that day, and as you can see they are leather. They could just as easily have been parchment or wood, the material's irrelevant, but you see how she's painted mystical symbols round the edge of each of these five little sheets? Then inscribed four numbers across and four down in a square in the middle? Once the ink was dry, she'd have scrubbed the leather to make the pieces appear ancient, reinforcing her claim that these little treasures came from a pharaoh's tomb, an Indian mystic, an Aztec princess, whatever.

I shall dispense with the hocus-pocus for now. The power of the symbols ... The channelling of energy ... The transference of your thoughts to mine ... I shall simply point out what you will have already noticed, namely that the numbers range from one to thirty-one, and now ask you to tap each of the pages on which your birthday appears. Aha. 28 April. A most pleasant time of the year to be celebrating, though I see even you, an experienced police officer, are surprised. Of course, you are right. The numbers are not written randomly at all, and I confess, the date is not mind-reading, but basic arithmetic. Guessing the month, though? Sadly, I am not at liberty to disclose how that's done. The Magic Circle would have my head in a noose- Hm. A rather unfortunate expression, given the circ.u.mstances, so I shall quickly skip on.

From the moment I saw how Carla had not only positioned her pitch to catch those who flocked to the clock, but also primed their minds with the zodiac signs, I realized that here was a highly polished performer, who deserved a wider, and more lucrative, audience.

She jumped at the chance to tour with us, and from the moment I watched her opening act, in which she invited spectators to draw a picture on the blackboard, then opened a pre-sealed envelope to reveal that same drawing, I knew my instincts were right. Without resorting to stooges or trickery, she would manipulate the audience with her "psychic" abilities, and have them eating out of her hand. With her dazzling white dress and soft-spoken voice, who would suspect such a fragile creature of being an actress? Even Archduke Ferdinand was enchanted by Carla Bonetti. When she called for volunteers during our tour in Vienna, I clearly remember him jumping up and shouting, "I'll give it a shot!"

Inspector, you should have seen the look on his face, when she gave all three members of the Royal party a bundle of baggage labels bearing the name of a different city, asked them to memorize any one that took their fancy, then lifted the sheet on a black board on which she'd already written the names of the cities they'd chosen.

I was spellbound. Full of admiration for making fragility part of her act when, in fact, that soft-spoken voice carried to the back of the theatre. But at the same time, sir, Cupid never strays far from a theatrical troupe. In no time, I had lost my heart to this beautiful, talented but above all professional lady, and within three months of that meeting beneath the clock tower, Carla Bonetti was my wife.

That is to say, we went through the motions of a civil ceremony, for I know false papers when I see them. And whatever other characteristics the Italians might have, fair skin and blonde hair is rarely among them. Especially when accompanied by a Scandinavian accent.

Who cared? None of us is perfect, sir, none. The point is, her fame increased, her popularity grew, and within six months she was almost as famous as The Great Rivorsky himself, and I begrudged her none of the limelight. Quite the contrary, in fact. We were a team. We were in love. We had such a brilliant future ahead of us! She talked of expansion. Of America. New York, San Francisco, Boston, Chicago, dear me, she almost had the itinerary booked! But what I had forgotten the quickness of the hand deceiving the eye and all that is that, at heart, Carla Bonetti was a con-artist.

Fate may have brought us together that hot August day, but from that moment on, she had been feeding me the way she fed her audience. Were I not so besotted, I would have realized. Good Lord, I'd even remarked on the speed with which she'd pocketed those korunas, attributing this to a fear of thieves and pickpockets in Prague's crowded main square. With hindsight, though, it was obvious. Carla, Inspector, was motivated by one thing, and one thing only. Money.

She had no friends, no relatives (at least none with whom she kept in touch) and no desire to mix with the rest of the company. She led me to believe she was a lonely, damaged individual, and maybe that part was true. But in her eyes, I was nothing more than a stepping stone to bettering herself, and she threw herself into honing her act.

When I proposed marriage, she saw an even faster route to financial success. Half my takings, half my savings, possibly even more, had I coughed up for that ill-fated American Dream, for I feel sure she had no intention of remaining with me. I hand her the money for the transatlantic crossing, bearing in mind the number of berths this troupe needs and pff! Carla Bonetti disappears in the night, while Madame d'Orcale turns up in New York, an angelic psychic to whom you'd entrust your life.

And the silly thing is, she'd have got away with it, had greed not got the better of her.

Pardon me leaning closer, but what I am about to tell you is a delicate matter, and I would beg you to think carefully before you commit such confidences to paper. You see ... how can I put this? What with one city after another, the packing, the unpacking, the rehearsals, the hiring, the firing, that lawsuit with the Siamese twins (and despite what they claim, I am certain Pepe was not the father of the dark-haired one's baby; Zorba is not known as The Freak for nothing) ... But my point is, these activities take time and, ahem ... energy. For several months, the Rivorsky marital bed saw little activity other than sleeping, and when I finally had vigour enough to rekindle the spark, Carla made it clear she was no longer interested.

I worship you as a husband, a leader, a father-figure to myself and the group, she told me, and dear me, there were even tears in her eyes. The pedestal I have put you on is so high, that I need time to adjust and put a proper perspective on our marriage. She kissed my cheek. I will be a wife to you again, darling, I promise. Just give me time.

The brush-off didn't bother me, Inspector. I already had the measure of Carla by then, and it was around this point that Jeannette joined our company. You have seen my "Slicing the Lady in Three" trick? Oh, you should, sir, you should. Bring your wife, she'll be amazed. Far superior to "Sawing the Lady in Half", which has become somewhat overworked of late, and also requires two female a.s.sistants to be successful, whereas this relies on just the one. Let me explain how it works.

We start with a tall, upright box whose door has a large oval hole at the top for her head, two small round ones for her hands, and two more at the bottom to accommodate her feet. My beautiful a.s.sistant steps into the box. I close the door. She places her head, hands and feet through the openings, and I invite the audience to pa.s.s her any small object of their own for her to hold. Sometimes it is a comb, sometimes a pocket watch, sometimes an embroidered hankie or necklace, but whatever they choose, it is important that the items belong to members of the public and they can see there is no sleight of hand.

I now bring out my blades, and show people that these are not trick pieces that collapse or disappear into the handle, and that by heaven, the edges are sharp. Fashioned from the finest steel, these are truly the deadliest of weapons, which is why we always keep them under lock and key. And also why my a.s.sistant and I need to practise, practise, practise, sir. One false move could be fatal.

But of course it was not Jeannette Ridoux who was murdered.

Nor one of those blades that killed the lovely Carla ...

To continue. Having locked Jeannette in the box, where she is merrily waving the audience's personal effects, I brandish the first blade then proceed to push it across the full width of the box at roughly the level of her armpits. She twists her lip a bit, and frowns, but eventually it goes right the way in. I then repeat the process at a point about mid-thigh which, incidentally, is a very shapely one and, as you would expect of a knife sawing off your legs, she winces even harder. But my a.s.sistant is no cry-baby, sir. She continues to wave the pocket watch, hankie or whatever, her smile broader than ever.

Now for the moment of truth! I push on the side of the box. Heave, heave, heave, and hey presto! To a rumble of drums, the middle section, the part between the two blades, slides to the left, leaving Jeannette ta, da! in three separate pieces.

The top part is still in its original and upright position. You can see her smiling, and waving whatever the audience gave her to hold in her left hand. The bottom part hasn't moved either. You can still see her wriggling her pretty little toes through the cut-outs. But with the middle section pushed completely to one side, there is nothing now but a gaping hole where Jeannette's torso used to be, and yet, look! Her right hand, now stuck out way to the side, is still waggling the object she'd been given!

To prove there are no mirrors involved, I plunge my arm through the gap, then throw a ball through the s.p.a.ce, backwards and forwards, backwards and forwards, to prove there is nothing there except air. I walk behind it, bending down, making faces, pushing my hand through, then invite the owners of the items to come forward and verify that these are indeed their possessions. The middle section is then slid back into place, out come the blades, click, click, and when I open the door again, out steps Jeannette, all in one piece!

The applause is rapturous, as you can imagine. But because the trick is new and, I repeat, extremely dangerous, timing is everything. My new a.s.sistant and I spent many hours together, perfecting the act, and I suppose it was inevitable that contortion and illusion would eventually join in collusion.

Which is why I wanted to make clear just now that it was purely a physical attraction, one in which love played no part. Jeannette is supple and sultry, and whilst one could argue that one good turn deserves another especially in her case Cupid had already hit me with one misguided dart. I was in no hurry to lose my heart again, and besides. I needed to dislodge that first mischievous arrow, and here was a conundrum, if ever there was one. Do I fire Carla and lose the best mind-reading act I'd ever had? Or put up with the situation, no matter how difficult, and try to make the most of it?

A tricky predicament, as you'll agree. One that unfortunately pales in comparison to the one I find myself in now, though I do see the logic behind the arrest.

You find me covered in blood ... beside the body of my bigamous wife ... in the marital bed ... with a bread knife sticking out of her heart ... and the caravan locked from the inside.

Might I have another cup of tea, do you suppose?

Motive, means and opportunity. The Great Rivorsky has all three, and in terms of a police investigation, I fully understand why you see this as an open and shut case. So do I. Carla was looking to bleed me dry, and money is a magnificent incentive to murder. Knives are commonplace in a theatrical troupe, especially with Chief Red Sky's knife-throwing act, though how many Cherokee Indians you see in Glasgow is dubious. Or red skies, come to that. And finally, of course, who else had the opportunity to kill Carla, since all the bolts on the caravan doors were in place when you broke in, and with a wound like that, it was clearly not suicide.

It doesn't look good for me, does it?

On the other hand, you have to take into account that I am an illusionist, sir. A master of deception, disguise and dexterity, who makes his living from things that are not what they seem.

For instance, look how you found me. Dressed in my stage suit, with its hidden pockets, false b.u.t.tons, even this lovely white rabbit. Incidentally, you wouldn't have a lettuce leaf on the premises, would you? It's well past this little chap's breakfast. Thank you, thank you. Most kind.

Anyway, Inspector, as I was saying. Did you not think it odd that the police broke in this morning, to find me fast asleep and still in the clothes in which I had been performing? The prosecution could argue that I had fallen into a drunken stupor, and there's no denying I enjoy a port and brandy or two after the show. But if I had been so hammered as to fall asleep fully clothed, would I have had the presence of mind to lock the caravan doors four bolts, don't forget and then drive a knife into a sleeping Carla?

Or hadn't you noticed that she was killed as she slept?

No rumpled bedsheets. No arcing spurts of blood. No tangled nightdress or hair that had been messed up in a struggle.

And I know you will already have established from witnesses that she was alive when I entered the caravan, and this, I feel sure, is the reason you've charged me. Half the company would have seen us through the open doors, possibly overheard us dissecting the night's performance and debating how it could be improved on. For if there was one thing to be said in favour of that disastrous relationship, it was a sense of professionalism.