Father Bernard took it and said, 'Good to meet you.'

The old lady said nothing.

'Go and wait in the van,' said Clement.

She remained expressionless.

'I said wait in the van.' Clement nudged her and she set off with her stick, driving a wedge through the crowd of us standing there.

As she went past, she lifted up her gla.s.ses and looked at me with her grey milky eyes that were slick and glossy like the underside of a slug.

'Do you want to come inside?' said Clement.

'Aye, 'tis a bit raw,' said Father Bernard.

'Rooks say we'll have a good summer, though.'

'How's that?'

Clement pointed past the house to the woods where several dozen of the birds were going in and out of their nests.

'Building them right high up this year,' he said.

'That's good,' said Father Bernard.

'Aye, but it's not normal,' Clement mumbled.

He turned up the path to the front door along the miniature boulevard of apple trees that were still winter-naked, their branches speckled with blight like the putrefying windfallen fruit that lay underneath them. There was always something rather sad about those trees, I thought. The way they dutifully grew their produce every summer only for it to blacken and fall off uncollected.

Every movement of Clement's was slow and heavy and it took an age for him to find the right key. Once the house was open, Mummer muscled her way through to the front and led everyone along the hall that, as it had always done in the past, smelled of cigars and spent matches and the air had a hard, porcelain coldness to it.

'Sitting room, drawing room, lavatory,' she said as she turned the handle of each door.

Mr and Mrs Belderboss followed her down the hall and back, delighted at finding things in exactly the same place as they had always been and having new people to show around, although Miss Bunce seemed reluctant to go much further than the dead grandfather clock by the front door. She looked up anxiously as the bare bulb that illuminated the hallway faded and then came back on, brighter than it had been before.

'It's only the wind,' said Mummer.

'It catches on the wires,' said Clement who was still lingering at the threshold.

I noticed for the first time that he was wearing a wooden crucifix around his neck. One he had made himself by the look of it. Two chunks of split wood bound with string.

'There you are,' said Mummer. 'It catches on the wires.'

Clement adjusted his cap and turned to go.

'I'll bring thee some more firewood in a day or two,' he said, nodding to the bags lined up in the hallway.

'Are you sure you need to, Clement? It looks like there's enough there for a month,' said Father Bernard.

Clement frowned and looked very serious. 'Quite sure, Father. When the wind gets down the chimney it draws the heart out of the fire in no time,' he said.

'Is there bad weather on the way?' asked Father Bernard.

'There usually is,' Clement replied.

Miss Bunce smiled thinly as he looked at us all one last time and closed the door.

'Now, come on Joan,' said Mr Belderboss, once Clement had left. 'There's nothing to worry about.'

And he took her arm and led her past the peeling wallpaper and the oil paintings of wild seascapes into the sitting room to show her the amount of expensive objects that had been left by the taxidermist. Something that charmed him and bewildered him in equal measure.

At his bidding, everyone else followed and listened as he pointed out the delicate knick-knacks worth hundreds apiece.

'Ah, now then,' he said, plucking out a small clay pipe from a wooden box lying on the windowledge. 'This is interesting. You can still see the teeth marks on the stem. Look.'

He offered it to Mummer but she frowned and he put it back where he found it, making a beeline for Miss Bunce whose attention had been taken by the books on the rosewood Davenport by the window.

Among them was a first edition of The Island of Doctor Moreau, one bound in leather that looked to have been signed by Longfellow, and a children's pop-up book of Goldilocks and the Three Bears, that Miss Bunce began to read, turning the fragile pages slowly. Late Victorian, Mr Belderboss reckoned, about the same time Moorings was finished.

'Chap called Gregson built it,' said Mr Belderboss. 'Cotton mill owner. That's what they were round here, wasn't it, Esther? Cotton men?'

'Yes,' said Mummer. 'Cotton or linen.'

'There's a photograph of him and his missus somewhere,' said Mr Belderboss looking around the room. 'Was it seven children they had, Mary? It might have been more. I don't think many of them saw their fifth birthday, mind you. TB and all that. That's why they built these sorts of places. To keep their little 'uns alive. They thought the sea air would do them good.'

'They built them to last, as well,' said Farther, smoothing his hand over the plaster. 'They must be a yard thick these walls.'

Miss Bunce looked around her and then out of the window, unconvinced, it seemed, that anyone who stayed here would leave the place healthier than when they came in.

It came as no surprise to her when Mr Belderboss explained how the house had changed hands many times since it had been built and carefully renamed by each successive occupant in an attempt to make it deliver what it seemed to promise sometimes, sitting there quietly under the gentle ruffling of the wood and the flour soft clouds.

Gregson had christened it Sunny Vale; then it was Rose Cottage, Softsands, Sea Breezes, and lastly Moorings by the taxidermist.

'It must have been lovely, though, in its heyday,' said Mrs Belderboss, pushing aside the curtains a little more. 'What with that view and everything.'

'Clever landscapers, the Victorians,' said Farther.

'Oh, yes,' said Mr Belderboss. 'The view was all part of the prophylactic, wasn't it?'

'There's something timeless about it,' said Mrs Belderboss, looking out at the sea. 'Don't you think?'

'Well, it's a very old part of the country,' said Mr Belderboss.

Mrs Belderboss rolled her eyes. 'It must be the same age as everywhere else, you fool.'

'Oh, you know what I mean,' he replied. 'Untrodden, then. Some of the yew trees up in the woods must have been ancient in the time of Bede. And they do say there are places around here that haven't been set foot in since the Vikings came.'

Mrs Belderboss scoffed again.

'It's true,' Mr Belderboss replied. 'A century in this place is nothing. I mean, it's quite easy to imagine that that book,' he said, nodding to Miss Bunce's hands, 'could have been read by some poor little consumptive only yesterday.'

Miss Bunce put the book down and wiped her hands on her duffle coat, as Mr Belderboss went over to the other side of the room, enthusing over the seascapes of tiny ships under colossal stormclouds that the taxidermist had spent his last years painting. His brushes were still there in a jam jar. His palette had a dry crust of dark oils. And under the dust a rag, a chewed pencil, some loose, pre-decimal change all contributed to the uneasy feeling I always had when I stayed at Moorings, that the taxidermist had merely stepped out to smoke one of his expensive cigars and that he might return at any moment and pop through a door like one of the three bears in the old book, to find a Goldilocks sleeping in every room.

Chapter Five.

The room Hanny and I shared was at the top of the house where the rooks scrabbled across the slates for the insects in the moss. Every so often, one of the more daring would come to the window-ledge, quite unperturbed that we were watching it, and rake its pencil-sharp beak down the gla.s.s with a horrible squeal to nibble out the things living in the decaying woodwork of the frame.

Only when I banged on the window did it finally disappear, flapping away in a peal of grating laughter and sailing in a smooth scoop back up to the others in the woods. Hanny was sad to see it go, but I couldn't let it stay there. Mummer didn't care much for those kinds of birds. Crows, ravens, jackdaws and the like. She would even shoo the jays and magpies out of the back garden in London. There was an old saying in her village that they prevented the sick from getting better, and that when they gathered in numbers a death was imminent.

'Sorry, Hanny,' I said. 'We can go and look at them later if you like.'

He took his face away from the window, leaving a little oval of condensation.

'We ought to unpack,' I said and nodded to the duffle-bag at his feet. He bent down and handed it to me, looking over my shoulder, his face suddenly brightening at the abundance of interesting junk in the room.

I suppose it was like looking at it anew for him, but to my eyes nothing much had changed. Only the water stains on the ceiling had grown. The dark patches had a.s.sumed the shapes of foreign countries, and a succession of tide lines showed how the empire of dampness had expanded year on year since we'd last been.

I put Hanny's clothes away for him, hung up his coat on the back of the door and set his Lives of the Saints book down on the bedside table. At Pinelands they encouraged them to do these sorts of things for themselves, but Hanny was too excited by what was in the room to care about anything else and took the various objects down one by one to look at them: all the colourful stones and sh.e.l.ls, the splints of driftwood, the bottles, cuttlebone, hornwrack, dried twists of coral, mermaids' purses. There was a whole shelf of scrimshaw: whale teeth polished to the delicacy of bone china and engraved with intricately detailed pictures of schooners and battleships. Against one wall was a chest of drawers that contained specimens of birds' eggs, each one labelled with common and Latin name and the date it had been found. Some were decades old.

On the floor and on top of the long wardrobes were Victorian curios under dusty gla.s.s domes that had always frightened me to death when I was a child. Exotic b.u.t.terflies, horribly bright, impaled to a stump of silver birch, two squirrels playing cricket in caps and pads, a spider monkey wearing a fez and smoking a pipe.

There were music boxes and broken wind-up toys, grinning marionettes and tin humming tops, and between our beds sat a clock on which the hours were indicated by little paintings of the apostles. Mummer thought it wonderful, of course, and when we were children she told us the story of each of them: how Andrew had elected to be crucified on a saltire; how James was chosen to be with Jesus during the transfiguration and how he was beheaded by Herod Agrippa on his return to Judea; how Matthias had replaced the treacherous Judas and converted the cannibals of Ethiopia.

They had all suffered and toiled so that we could do the same. For G.o.d's work should never be easy.

I touched Hanny lightly on the shoulder and he turned around.

'Mummer says I've to give you a bath,' I said.

I mimed washing under my armpits and Hanny smiled and went over to a shelf where there was a stuffed mallard.

'You can't take that in the bath,' I said.

He frowned and held onto it tightly.

'You'll ruin it, Hanny.'

I fetched some towels and he followed me down the landing to the bathroom. He insisted on bringing the duck with him and sat it on the rim of the bath while he lay there in the foam listening to the wind playing in the pipework and the drains. He nodded and listened and then nodded again.

'It's just the wind, Hanny,' I said. 'It's not talking to you.'

He smiled at me and slipped under the water, sending a mushroom of bubbles to the surface. He stayed there for a moment longer than I was comfortable with, and then, just as I was about to reach in and pull him out, he resurfaced open-mouthed and blinking, his mop slapped down over his ears.

I got him out after half an hour. The water was cold and the suds had all dissolved. I dried him slowly in a ritual drummed into me by Mummer. One of the many she insisted Hanny and I follow for the sake of our health, like cleaning our teeth with hot water and cutting our fingernails every other day.

Once he was completely dry, I helped him on with his pyjamas. But he had stopped smiling. His whole body was stiff and uncooperative, making it difficult to get his arms down the sleeves and the b.u.t.tons done up. I noticed that he was staring past me at the darkening sky outside and then I understood what was wrong. He had realised that we were staying here and he didn't like it. He wanted to go home.

I settled him into bed and let him pet a stuffed hare that he'd taken a fancy to, hoping it might send him off to sleep. He held it close to him and stroked its ears as I went and sat by the window and tried to look beyond my reflection to the sea, which was rapidly fading in the dusk.

The room went suddenly silent. The rooks had stopped croaking. A stillness settled around the house and over the fields, and everything seemed watchful and timorous.

The night crept in at The Loney, in a way that I've never known anywhere else. At home in London, it kept its distance from us, skulking behind the streetlights and the office blocks and could be easily knocked aside in a second by the rush of light and metal from the Metropolitan Line trains that flashed past the end of our garden. But here it was different. There was nothing to keep it away. The moon was cold and distant and the stars were as feeble as the tiny specks of light from the fishing boats way out at sea.

Like the shadow of a huge predatory bird, darkness moved slowly down the hillside, past Moorings, across the marshes, across the beach, across the sea, until all that was left was a muddy orange on the horizon as the last of England's light ebbed away.

I was about to draw the curtains when I saw someone cross the lane that led up to the house and then start across the fields where the Panzer lay. A moment later someone else followed carrying a large haversack and once he had caught up with the first, I saw them both head over to the hedgerow on the far side. Farmers, I thought, taking a short cut home. I looked to see where they were going, but it was too dark and the rain was teeming down again.

Behind me, I heard Hanny getting out of bed and scratting about on the floor, rubbing his hands over the bare wood and knocking here and there with his knuckles.

'What are you doing?' I said. 'You should be in bed. Mummer will be cross if you don't go to sleep.'

He pointed to the floor.

'What?'

He pointed again.

'No, you can't go downstairs, Hanny.'

He smiled and pulled me by the sleeve so that I knelt like him next to the grubby pink rug in the centre of the room. He turned it back and underneath there was a floorboard with a knothole pushed through. It was where we used to hide things we didn't want Mummer to see. I'd forgotten all about it.

'Can you open it?' I said and Hanny jammed his finger into the hole and lifted up the board. It creaked against the others but came out easily enough and Hanny shuffled forward and peered into the hole.

'Reach in, Hanny,' I said and mimed with my hand and Hanny stuck his arm into the cavity and felt around. A penknife came out, mottled with rust and blunt as a brick. The p.o.r.nographic photographs Billy Tapper had pressed into my hand that day we saw him in the bus shelter. One, two, three, half a dozen stuffed rats that Hanny took out and threw into a pile without so much as flinching.

Reaching further than he'd been able to do the last time we came, he brought out a leather strap. He pulled it and something large banged against the underside of the floorboards.

It was an M1 Garand. I remembered from Commando that all the Yanks had them in the war. Bullets came in a metal clip that slotted into the top and jumped out with a loud ping when all the rounds had been used up-an unfortunate signal to the enemy that you were out of ammunition, but the rifle's only fault. It could put a bullet through an oak tree.

Protected by the bedsheet in which it had been wrapped, its wooden stock was still polished to a chestnut gloss and made of solid, sural curves like a muscle extracted from the leg of a racehorse. The sight mounted on top looked as if it would pull in a thousand yards or more.

G.o.d knows where the taxidermist had got it from.

I dusted down the barrel with my sleeve and we took it in turns to hold it. Then, uncertain what else there was to do, we laid it on the bed and looked at it.

'This is ours now,' I said. 'It belongs to you and me. But you mustn't touch it without me. Alright?'