The Life, Studies, And Works Of Benjamin West, Esq.
by John Galt.
Part I.
Preface.
The professional life of Mr. West const.i.tutes an important part of an historical work, in which the matter of this volume could only have been introduced as an episode, and, perhaps, not with much propriety even in that form. It was my intention, at one time, to have prepared the whole of his memoirs, separately, for publication; but a careful review of the ma.n.u.script convinced me, that the transactions in which he has been engaged, subsequently to his arrival in England, are so much of a public nature, and belong so immediately to the history of the Arts, that such a separation could not be effected without essentially impairing the interest and unity of the main design; and that the particular nature of this portion of his memoirs admitted of being easily detached and arranged into a whole, complete within itself.
I do not think that there can be two opinions with respect to the utility of a work of this kind. Mr. West, in relating the circ.u.mstances by which he was led to approximate, without the aid of an instructor, to those principles and rules of art, which it is the object of schools and academies to disseminate, has conferred a greater benefit on young Artists than he could possibly have done by the most ingenious and eloquent lectures on the theories of his profession; and it was necessary that the narrative should appear in his own time, in order that the authenticity of the incidents might not rest on the authority of any biographer.
_April_ 25,1816.
John Galt.
Chap. I.
The Birth and Paternal Ancestry of Mr. West.--His Maternal Family.--His Father.--The Origin of the Abolition of Slavery by the Quakers.--The Progress of the Abolition.--The Education of the Negroes.--The Preaching of Edmund Peckover.--His Admonitory Prediction to the Father of West.--The first Indication of Benjamin's Genius.--State of Society in Pennsylvania.--The Indians give West the Primary Colours.--The Artist's first Pencils.--The Present of a Box of Colours and Engravings.--His first Painting.
Benjamin West, the subject of the following Memoirs, was the youngest son of John West and Sarah Pearson, and was born near Springfield, in Chester County, in the State of Pennsylvania, on the 10th of October, 1738.
The branch of the West family, to which he belongs, has been traced in an unbroken series to the Lord Delawarre, who distinguished himself in the great wars of King Edward the Third, and particularly at the battle of Cressy, under the immediate command of the Black Prince. In the reign of Richard the Second, the ancestors of Mr. West settled at Long Crandon in Buckinghamshire. About the year 1667 they embraced the tenets of the Quakers; and Colonel James West, the friend and companion in arms of the celebrated Hampden, is said to have been the first proselyte of the family. In 1699 they emigrated to America.
Thomas Pearson, the maternal grandfather of the Artist, was the confidential friend of William Penn, and accompanied him to America. On their first landing, the venerable Founder of the State of Pennsylvania said to him, "Providence has brought us safely hither; thou hast been the companion of my perils, what wilt thou that I should call this place?" Mr.
Pearson replied, that "since he had honoured him so far as to desire him to give that part of the country a name, he would, in remembrance of his native City, call it Chester." The exact spot where these patriarchs of the new world first landed, is still pointed out with reverence by the inhabitants. Mr. Pearson built a house and formed a plantation in the neighbourhood, which he called Springfield, in consequence of discovering a large spring of water in the first field cleared for cultivation; and it was near this place that Benjamin West was born.
When the West family emigrated, John, the father of Benjamin, was left to complete his education at the great school of the Quakers at Uxbridge, and did not join his relations in America till the year 1714. Soon after his arrival he married the mother of the Artist; and of the worth and piety of his character we have a remarkable proof in the following transactions, which, perhaps, reflect more real glory on his family than the achievements of all his heroic ancestors.
As a part of the marriage portion of Mrs. West he received a negro slave, whose diligence and fidelity very soon obtained his full confidence.
Being engaged in trade, he had occasion to make a voyage in the West Indies, and left this young black to superintend the plantation in his absence, During his residence in Barbadoes, his feelings were greatly molested, and his principles shocked, by the cruelties to which he saw the negroes subjected in that island; and the debasing effects were forcibly contrasted in his mind with the morals and intelligence of his own slave.
Conversing on this subject with Doctor Gammon, who was then at the head of the community of Friends in Barbadoes, the Doctor convinced him that it was contrary to the laws of G.o.d and Nature that any man should retain his fellow-creatures in slavery. This conviction could not rest long inactive in a character framed like that of Mr. West. On his return to America he gave the negro his freedom, and retained him as a hired servant.
Not content with doing good himself, he endeavoured to make others follow his example, and in a short time his arguments had such an effect on his neighbours, that it was agreed to discuss publicly the general question of Slavery. This was done accordingly; and, after debating it at many meetings, it was resolved by a considerable majority THAT IT WAS THE DUTY OF CHRISTIANS TO GIVE FREEDOM TO THEIR SLAVES. The result of this discussion was soon afterwards followed by a similar proposal to the head meeting of the Quakers in the township of Goshen in Chester County; and the cause of Humanity was again victorious. Finally, about the year 1753, the same question was agitated in the annual general a.s.sembly at Philadelphia, when it was ultimately established as one of the tenets of the Quakers, that no person could remain a member of their community who held a human creature in slavery. This transaction is perhaps the first example in the history of communities, of a great public sacrifice of individual interest, not originating from considerations of policy or the exigences of public danger, but purely from moral and religious principles.
The benevolent work of restoring their natural rights to the unfortunate Negroes, did not rest even at this great pecuniary sacrifice. The Society of Friends went farther, and established Schools for the education of their children; and some of the first characters among themselves volunteered to superintend the course of instruction.
In the autumn of 1738, Edmund Peckover, a celebrated Orator among the Quakers, came to the neighbourhood of Springfield, and on the 28th of September preached in a meeting-house erected by the father of Mrs. West at the distance of about a mile and a half from his residence. Mrs. West was then the mother of nine children, and far advanced in her pregnancy with Benjamin.--Peckover possessed the most essential qualities of an impressive speaker, and on this occasion the subject of his address was of extraordinary interest to his auditors. He reviewed the rise and progress of society in America, and with an enthusiastic eloquence which partook of the sublimity and vehemence of the prophetic spirit, he predicted the future greatness of the country. He described the condition of the European nations, decrepid in their inst.i.tutions, and corrupt in their morality, and contrasted them with the young and flourishing establishments of the New World. He held up to their abhorrence the licentious manners and atheistical principles of the French, among whom G.o.d was disregarded or forgotten; and, elevated by the importance of his subject, he described the Almighty as mustering his wrath to descend on that nation, and disperse it as chaff in a whirlwind. He called on them to look towards their home of England, and to see with what eager devotion the inhabitants worshiped the golden image of Commerce, and laid the tribute of all their thoughts on its altars; believing that with the power of the idol alone, they should be able to withstand all calamities. "The day and the hour are, however, hastening on, when the image shall be shaken from its pedestal by the tempest of Jehovah's descending vengeance, its altars overturned, and the worshipers terribly convinced that without the favour of the Almighty G.o.d there is no wisdom in man! But," continued this impa.s.sioned orator, "from the woes and the crimes of Europe let us turn aside our eyes; let us turn from the worshipers of Commerce, clinging round their idols of gold and silver, and, amidst the wrath, the storm, and the thunder, endeavouring to hold them up; let us not look at the land of blasphemies; for in the crashing of engines, the gushing of blood, and the shrieking of witnesses more to be pitied than the victims, the activity of G.o.d's purifying displeasure will be heard; while turning our eyes towards the mountains of this New World, the forests shall be seen fading away, cities rising along the sh.o.r.es, and the terrified nations of Europe flying out of the smoke and the burning to find refuge here."--All his auditors were deeply affected, particularly Mrs. West, who was taken with the pains of labour on the spot. The meeting was broken up; the women made a circle round her as they carried her home, and such was the agitation into which she was thrown, that the consequences had nearly proved fatal both to the mother and the infant, of which she was prematurely delivered.
This occurrence naturally excited much attention, and became the subject of general conversation. It made a deep impression on the mind of Mr.
West, who could not divest himself of a feeling that it indicated something extraordinary in the future fortunes of his child; and when Peckover, soon afterwards, on his leaving that part of the country, paid him a farewell visit, he took an opportunity of introducing the subject.
The warm imagination of the Preacher eagerly sympathised with the feelings of his friend. He took him by the hand, and, with emphatic solemnity, said that a child sent into the world under such remarkable circ.u.mstances would prove no ordinary man; and he charged him to watch over the boy's character with the utmost degree of paternal solicitude. It will appear in the sequel, that this singular admonition was not lost on Mr. West.
The first six years of Benjamin's life pa.s.sed away in calm uniformity; leaving only the placid remembrance of enjoyment. In the month of June 1745, one of his sisters, who had been married some time before, and who had a daughter, came with her infant to spend a few days at her father's.
When the child was asleep in the cradle, Mrs. West invited her daughter to gather flowers in the garden, and committed the infant to the care of Benjamin during their absence; giving him a fan to flap away the flies from molesting his little charge. After some time the child happened to smile in its sleep, and its beauty attracted his attention. He looked at it with a pleasure which he had never before experienced, and observing some paper on a table, together with pens and red and black ink, he seized them with agitation, and endeavoured to delineate a portrait: although at this period he had never seen an engraving or a picture, and was only in the seventh year of his age.
Hearing the approach of his mother and sister, he endeavoured to conceal what he had been doing; but the old lady observing his confusion, enquired what he was about, and requested him to show her the paper. He obeyed, entreating her not to be angry. Mrs. West, after looking some time at the drawing with evident pleasure, said to her daughter, "I declare he has made a likeness of little Sally," and kissed him with much fondness and satisfaction. This encouraged him to say, that if it would give her any pleasure, he would make pictures of the flowers which she held in her hand; for the instinct of his genius was now awakened, and he felt that he could imitate the forms of those things which pleased his sight.
This curious incident deserves consideration in two points of view. The sketch must have had some merit, since the likeness was so obvious, indicating how early the hand of the young artist possessed the power of representing the observations of his eye. But it is still more remarkable as the birth of the fine arts in the New World, and as one of the few instances in the history of art, in which the first inspiration of genius can be distinctly traced to a particular circ.u.mstance. The drawing was shown by Mrs. West to her husband, who, remembering the prediction of Peckover, was delighted with this early indication of talent in his son.
But the fact, though in itself very curious, will appear still more remarkable, when the state of the country at that period, and the peculiar manners of the Quakers, are taken into consideration.
The inst.i.tutions of William Penn had been sacredly preserved by the descendants of the first settlers, with whom the remembrance of the causes which had led their ancestors to forsake their native country, was cherished like the traditions of religion, and became a motive to themselves, for indulging in the exercise of those blameless principles, which had been so obnoxious to the arrogant spirit of the Old World. The a.s.sociates of the Wests and the Pearsons, considered the patriarchs of Pennsylvania as having been driven from England, because their endeavours to regulate their conduct by the example of Jesus Christ, mortified the temporal pretensions of those who satisfied themselves with attempting to repeat his doctrines; and they thought that the asylum in America was chosen, to facilitate the enjoyment of that affectionate intercourse which their tenets enjoined, free from the military predilections and political jealousies of Europe. The effect of this opinion tended to produce a state of society more peaceful and pleasing than the World had ever before exhibited. When the American Poets shall in future times celebrate the golden age of their country, they will draw their descriptions from the authentic history of Pennsylvania in the reign of King George the Second.
From the first emigration in 1681, the colony had continued to thrive with a rapidity unknown to the other European Settlements. It was blessed in the maxims upon which it had been founded, and richly exhibited the fruits of their beneficent operation. At the birth of Benjamin West it had obtained great wealth, and the population was increasing much more vigorously than the ordinary reproduction of the human species in any other part of the world. In the houses of the princ.i.p.al families, the patricians of the country, unlimited hospitality formed a part of their regular economy. It was the custom among those who resided near the highways, after supper and the last religious exercise of the evening, to make a large fire in the hall, and to set out a table with refreshments for such travellers as might have occasion to pa.s.s during the night; and when the families a.s.sembled in the morning they seldom found that their tables had been unvisited. This was particularly the case at Springfield.
Poverty was never heard of in the land. The disposition to common charity having no objects, was blended with the domestic affections, and rendered the ties of friendship and kindred stronger and dearer. Acts of liberality were frequently performed to an extent that would have beggared the munificence of the Old World. With all these delightful indications of a better order of things, society in Pennsylvania retained, at this time, many of those respectable prejudices which gave a venerable grace to manners, and are regarded by the practical philosopher as little inferior in dignity to the virtues. William Penn was proud of his distinguished parentage, and many of his friends traced their lineage to the antient and n.o.ble families of England. In their descendants the pride of ancestry was so tempered with the meekness of their religious tenets, that it lent a kind of patriarchal dignity to their benevolence.
In beautiful contrast to the systematic morality of the new inhabitants, was the simplicity of the Indians, who mingled safe and harmless among the Friends. In the annual visits which they were in the practice of paying to the Plantations, they raised their huts in the fields and orchards without asking leave, nor were they ever molested. Voltaire has observed, that the treaty which was concluded between the Indians and William Penn was the first public contract which connected the inhabitants of the Old and New World together, and, though not ratified by oaths, and without invoking the Trinity, is still the only treaty that has never been broken. It may be further said, that Pennsylvania is the first country which has not been subdued by the sword, for the inhabitants were conquered by the force of Christian benevolence.
When the great founder of the State marked out the site of Philadelphia in the woods, he allotted a piece of ground for a public library. It was his opinion, that although the labour of clearing the country would long employ the settlers, hours of relaxation would still be requisite; and, with his usual sagacity, he judged that the reading of books was more conducive to good morals and to the formation of just sentiments, than any other species of amus.e.m.e.nt. The different counties afterwards inst.i.tuted libraries, which the townships have also imitated: where the population was insufficient to establish a large collection of books, the neighbouring families formed themselves into societies for procuring the popular publications. But in these arrangements for cultivating the powers of the understanding, no provision was made, during the reign of George the Second, for improving the faculties of taste. The works of which the libraries then consisted, treated of useful and practical subjects. It was the policy of the Quakers to make mankind wiser and better; and they thought that, as the pa.s.sions are the springs of all moral evil when in a state of excitement, whatever tends to awaken them is unfavourable to that placid tenour of mind which they wished to see diffused throughout the world. This notion is prudent, perhaps judicious; but works of imagination may be rendered subservient to the same purpose. Every thing in Pennsylvania was thus unpropitious to the fine arts. There were no cares in the bosoms of individuals to require public diversions, nor any emulation in the expenditure of wealth to encourage the ornamental manufactures. In the whole Christian world no spot was apparently so unlikely to produce a painter as Pennsylvania. It might, indeed, be supposed, according to a popular opinion, that a youth, reared among the concentrating elements of a new state, in the midst of boundless forests, tremendous waterfalls, and mountains whose summits were inaccessible to "the lightest foot and wildest wing," was the most favourable situation to imbibe the enthusiasm either of poetry or of painting, if scenery and such accidental circ.u.mstances are to be regarded as every thing, and original character as nothing. But it may reasonably be doubted if ever natural scenery has any a.s.signable influence on the productions of genius.
The idea has probably arisen from the impression which the magnificence of nature makes on persons of cultivated minds, who fall into the mistake of considering the elevated emotions arising in reality from their own a.s.sociations, as being naturally connected with the objects that excite them. Of all the nations of Europe the Swiss are the least poetical, and yet the scenery of no other country seems so well calculated as that of Switzerland to awaken the imagination; and Shakespeare, the greatest of all modern Poets, was brought up in one of the least picturesque districts of England.
Soon after the occurrence of the incident which has given rise to these observations, the young Artist was sent to a school in the neighbourhood.
During his hours of leisure he was permitted to draw with pen and ink; for it did not occur to any of the family to provide him with better materials. In the course of the summer a party of Indians came to pay their annual visit to Springfield, and being amused with the sketches of birds and flowers which Benjamin shewed them, they taught him to prepare the red and yellow colours with which they painted their ornaments. To these his mother added blue, by giving him a piece of indigo, so that he was thus put in possession of the three primary colours. The fancy is disposed to expatiate on this interesting fact; for the mythologies of antiquity furnish no allegory more beautiful; and a Painter who would embody the metaphor of an Artist instructed by Nature, could scarcely imagine any thing more picturesque than the real incident of the Indians instructing West to prepare the prismatic colours. The Indians also taught him to be an expert archer, and he was sometimes in the practice of shooting birds for models, when he thought that their plumage would look well in a picture.
His drawings at length attracted the attention of the neighbours; and some of them happening to regret that the Artist had no pencils, he enquired what kind of things these were, and they were described to him as small brushes made of camels' hair fastened in a quill. As there were, however, no camels in America, he could not think of any subst.i.tute, till he happened to cast his eyes on a black cat, the favourite of his father; when, in the tapering fur of her tail, he discovered the means of supplying what he wanted. He immediately armed himself with his mother's scissors, and, laying hold of Grimalkin with all due caution, and a proper attention to her feelings, cut off the fur at the end of her tail, and with this made his first pencil. But the tail only furnished him with one, which did not last long, and he soon stood in need of a further supply. He then had recourse to the animal's back, his depredations upon which were so frequently repeated, that his father observed the altered appearance of his favourite, and lamented it as the effect of disease. The Artist, with suitable marks of contrition, informed him of the true cause; and the old gentleman was so much amused with his ingenuity, that if he rebuked him, it was certainly not in anger.
Anecdotes of this kind, trifling as they may seem, have an interest independent of the insight they afford into the character to which they relate. It will often appear, upon a careful study of authentic biography, that the means of giving body and effect to their conceptions, are rarely withheld from men of genius. If the circ.u.mstances of Fortune are unfavourable, Nature instructs them to draw a.s.sistance immediately from herself, by endowing them with the faculty of perceiving a fitness and correspondence in things which no force of reasoning, founded on the experience of others, could enable them to discover. This aptness is, perhaps, the surest indication of the possession of original talent. There are minds of a high cla.s.s to which the world, in the lat.i.tude of its expressions, often ascribes genius, but which possess only a superior capacity for the application of other men's notions, unconnected with any unusual portion of the inventive faculty.
In the following year Mr. Pennington, a merchant of Philadelphia, who was related to the West family, came to pay a visit to Mr. West. This gentleman was also a member of the Society of Friends, and, though strictly attentive to the peculiar observances of the sect, was a man of pleasant temper and indulgent dispositions. He noticed the drawings of birds and flowers round the room, unusual ornaments in the house of a Quaker; and heard with surprise that they were the work of his little cousin. Of their merit as pictures he did not pretend to judge, but he thought them wonderful productions for a boy only entering on his eighth year, and being told with what imperfect materials they had been executed, he promised to send the young Artist a box of paints and pencils from the city. On his return home he fulfilled his engagement, and at the bottom of the box placed several pieces of canva.s.s prepared for the easel, and six engravings by Grevling.
The arrival of the box was an aera in the history of the Painter and his art. It was received with feelings of delight which only a similar mind can justly appreciate. He opened it, and in the colours, the oils, and the pencils, found all his wants supplied, even beyond his utmost conceptions. But who can describe the surprise with which he beheld the engravings; he who had never seen any picture but his own drawings, nor knew that such an art as the Engraver's existed! He sat over the box with enamoured eyes; his mind was in a flutter of joy; and he could not refrain from constantly touching the different articles, to ascertain that they were real. At night he placed the box on a chair near his bed, and as often as he was overpowered by sleep, he started suddenly and stretched out his hand to satisfy himself that the possession of such a treasure was not merely a pleasing dream. He rose at the dawn of day, and carried the box to a room in the garret, where he spread a canva.s.s, prepared a pallet, and immediately began to imitate the figures in the engravings. Enchanted by his art he forgot the school hours, and joined the family at dinner without mentioning the employment in which he had been engaged. In the afternoon he again retired to his study in the garret; and for several days successively he thus withdrew and devoted himself to painting. The schoolmaster, observing his absence, sent to ask the cause of it. Mrs.
West, affecting not to take any particular notice of the message, recollected that she had seen Benjamin going up stairs every morning, and suspecting that the box occasioned his neglect of the school, went to the garret, and found him employed on the picture. Her anger was appeased by the sight of his performance, and changed to a very different feeling. She saw, not a mere copy, but a composition from two of the engravings. With no other guide than that delicacy of sight which renders the Painter's eye, with respect to colours, what the Musician's ear is with respect to sounds, he had formed a picture as complete, in the scientific arrangement of the tints, notwithstanding the necessary imperfection of the pencilling, as the most skilful Artist could have painted, a.s.sisted by the precepts of Newton. She kissed him with transports of affection, and a.s.sured him that she would not only intercede with his father to pardon him for having absented himself from school, but would go herself to the master, and beg that he might not be punished. The delightful encouragement which this well-judged kindness afforded to the young Painter may be easily imagined; but who will not regret that the mother's over-anxious admiration would not suffer him to finish the picture, lest he should spoil what was already in her opinion perfect, even with half the canva.s.s bare? Sixty-seven years afterwards the writer of these Memoirs had the gratification to see this piece in the same room with the sublime painting of "Christ Rejected," on which occasion the Painter declared to him that there were inventive touches of art in his first and juvenile essay, which, with all his subsequent knowledge and experience, he had not been able to surpa.s.s.
Chap. II.
The Artist visits Philadelphia.--His second Picture.--Williams the Painter gives him the works of Fresnoy and Richardson.--Anecdote of the Taylor's Apprentice.--The Drawings of the Schoolboys.--Anecdote relative to Wayne.--Anecdote relative to Mr. Flower.--Anecdote relative to Mr. Ross,--Anecdote of Mr. Henry.--The Artist's first Historical Picture.--Origin of his Acquaintance with Dr. Smith of Philadelphia.--The friendship of Dr. Smith, and the character of the early companions of West.--Anecdote of General Washington.
In the course of a few days after the affair of the painting, Mr.
Pennington paid another visit to Mr. West; and was so highly pleased with the effect of his present, and the promising talents of his young relation, that he entreated the old gentleman to allow Benjamin to accompany him for a few days to Philadelphia. This was cheerfully agreed to, and the Artist felt himself almost, as much delighted with the journey as with the box of colours. Every thing in the town filled him with astonishment; but the view of the shipping, which was entirely new, particularly attracted his eye, and interested him like the imaginary spectacles of magic.
When the first emotions of his pleasure and wonder had subsided, he applied to Mr. Pennington to procure him materials for painting. That gentleman was desirous of getting possession of the first picture, and had only resigned what he jocularly alleged were his just claims, in consideration of the mother's feelings, and on being a.s.sured that the next picture should be purposely painted for him. The materials were procured, and the Artist composed a landscape, which comprehended a picturesque view of a river, with vessels on the water, and cattle pasturing on the banks.
While he was engaged in this picture, an incident occurred which, though trivial in itself, was so much in unison with the other circ.u.mstances that favoured the bent of his genius, that it ought not to be omitted.
Samuel Shoemaker [Footnote: This gentleman was afterwards introduced by Mr. West to the King, at Windsor, as one of the American Loyalists.], an intimate friend of Mr. Pennington, one of the princ.i.p.al merchants of Philadelphia, happened to meet in the street with one Williams, a Painter, carrying home a picture. Struck by the beauty of the performance, he enquired if it was intended for sale, and being told that it was already disposed of, he ordered another to be painted for himself. When the painting was finished, he requested the Artist to carry it to Mr.
Pennington's house, in order that it might be shewn to young West. It was very well executed, and the boy was so much astonished at the sight of it, that his emotion and surprise attracted the attention of Williams, who was a man of observation, and judged correctly in thinking that such an uncommon manifestation of sensibility in so young a boy, indicated something extraordinary in his character. He entered into conversation with him, and enquired if he had read any books, or the lives of great men, The little amateur told him that he had read the Bible, and was well acquainted with the history of Adam, Joseph, David, Solomon, and the other great and good men whose actions are recorded in the Holy Scriptures.
Williams was much pleased with the simplicity of the answer; and it might have occurred to him that histories more interesting have never been written, or written so well. Turning to Mr. Pennington, who was present, he asked if Benjamin was his son; advising him at the same time to indulge him in whatever might appear to be the bent of his talents, a.s.suring him that he was no common boy.
This interview was afterwards much spoken of by Williams, who in the mean time lent him the works of Fresnoy and Richardson on Painting, and invited him to see his pictures and drawings. The impression which these books made on the imagination of West finally decided his destination. He was allowed to carry them with him into the country; and his father and mother, soon perceiving a great change in his conversation, were referred to the books for an explanation of the cause. They read them for the first time themselves, and treasuring in their minds those anecdotes of the indications of the early symptoms of talent with which both works abound, they remembered the prophetic injunction of Edmund Peckover.
The effect of the enthusiasm inspired by Richardson and Fresnoy may be conceived from the following incident. Soon after the young Artist had returned to Springfield, one of his schoolfellows, on a Sat.u.r.day's half holiday, engaged him to give up a party at trap-ball to ride with him to one of the neighbouring plantations. At the time appointed the boy came, with the horse saddled. West enquired how he was to ride; "Behind me,"
said the boy; but Benjamin, full of the dignity of the profession to which he felt himself destined, answered, that he never would ride behind any body. "O! very well then," said the good-natured boy, "you may take the saddle, and I will get up behind you." Thus mounted, they proceeded on their excursion; and the boy began to inform his companion that his father intended to send him to be an apprentice. "In what business?" enquired West; "A taylor," answered the boy. "Surely," said West, "you will never follow that trade;" animadverting upon its feminine character. The other, however, was a shrewd, sound-headed lad, and defended the election very stoutly, saying that his father had made choice of it for him, and that the person with whom he was to learn the business was much respected by all his neighbours. "But what do you intend to be, Benjamin?" West answered, that he had not thought at all on the subject, but he should like to be a painter. "A painter!" exclaimed the boy, "what sort of a trade is a painter? I never heard of such a thing." "A painter," said West, "is a companion for Kings and Emperors." "Surely you are mad,"
replied the boy, "for there are no such people in America." "Very true,"
answered Benjamin, "but there are plenty in other parts of the world." The other, still more amazed at the apparent absurdity of this speech, reiterated in a tone of greater surprise, "You are surely quite mad." To this the enthusiast replied by asking him if he really intended to be a taylor. "Most certainly," answered the other. "Then you may ride by yourself, for I will no longer keep your company," said West, and, alighting, immediately returned home.