On 31st day of March A.D. 1911 31st day of March A.D. 1911 The Sacrament of HOLY BAPTISM.

With Water In the Name of the Father, and of the Son, and of the Holy Spirit "Find something juicy?" Joanna asked, pausing to look over my shoulder on her way to the copy machine.

"Yes, actually-I think I did. I found her name. Rose Jarrett." I thought of the papers from the cupola, the letter about Iris going away, signed with the single letter R R. This must be her-Rose. I felt such a sense of frisson then, as if this woman who had lived and dreamed and suffered a hundred years ago had just stepped into the office. "She must have been my great-grandfather's sister. We never heard a thing about her, yet here she is in 1911, a widow with a daughter."

Joanna sighed. "It gives you chills, doesn't it, really? When you see these forms, black and white and just filed away in boxes, and then you think how all these people were here once, maybe standing right where we are now, having conversations, living out their lives."

I nodded, thinking of the cloth, wrapped in layers of paper, hidden behind the lining of my great-grandfather's trunk. Maybe it had been for Iris. A baby blanket, perhaps-that made sense, given its size, its delicacy, and the care put into its weaving. But why had it been hidden away? "I wonder what happened to her-to them both?"

"I hate to say it," Joanna said, handing me the copy of the receipt, "but I can check the burial records if you want. Lots of children didn't make it in those days. She'd have just been little when the flu epidemic hit."

"That could be," I said, feeling oddly relieved; as sad as that story would be, at least I'd have an answer. "That would explain why no one in the family ever talked about them." Then I remembered the other note, the one about sending Iris away, but I asked Joanna to check the records anyway.

"Could I have a copy of this birth certificate, too?"

"No problem." She slid it onto the gla.s.s and closed the lid. "I won't get back to the archives today. Maybe not tomorrow, either. But if you leave me your number, I'll call when I can and let you know. You could check the cemetery records, too. Marriage records, that sort of thing. Newspaper archives."

"Thanks very much."

"Glad to help. It's kind of a fascinating mystery, isn't it?"

It was, I thought, but it was more than that, too. I felt such a quickening to think there was a family story I hadn't yet heard, a way of thinking about the past that might break open everything I'd understood. It was exhilarating and a little frightening, too; alluring.

"Yes," I said, taking the papers. "Yes, indeed, it is."

Chapter 6.

IN A LABYRINTH, WALKING THE SINUOUS PATH THAT LEADS finally to the center, people once carried clews, round b.a.l.l.s made of twine, to help them find their way back out. As I left the church, I felt I'd just discovered such a clue, tangible and full in my hands, unraveling slowly to mark my way through this unexpected landscape of the past. I threaded my way back through the byzantine corridors, questions about Rose Jarrett and the artist Frank Westrum rising one after another. She must have known him, somehow; she must have been responsible for the border in the windows, a kind of signature. She might even have commissioned the windows, or been involved in their design somehow. If the papers from the cupola were any indication, she'd been an adventurous person, pa.s.sionate and thoughtful, interested in women's suffrage. It was as if a window had appeared where I'd imagined only a wall, so now I could look through it to discover another way to see the story. Whatever had happened to Rose had happened long ago, was ancient history, really, yet I felt instinctively that there was a connection to my own life, and this was both thrilling and a little frightening, too-because what if in the end I discovered something I didn't want to know?

I wanted to see the window again, to see if there was anything I'd missed. Keegan had already gone, however; the door to the vestment room was locked. I probably could have eased it open if I'd tried, but the eyes of all those rectors lined up along the wall made me too uncomfortable. I had a sense, also, that I should not trespa.s.s, which echoed the feeling I'd always had growing up that the mystery of this place was ultimately sealed against me, no matter how much I might long to enter. I was a girl, and so my picture would never look like the long line of men whose faces lined the wall and whose domain this seemed. Though in the Episcopal Church women were regularly ordained starting in 1976, Suzi was the first female priest I had ever met. Likewise, in my family, the stories never had women at the center, which was one reason why the discovery of Rose-an ancestor I'd never heard of before-felt so astonishing and intriguing.

I walked on. The sanctuary was very still, my footsteps echoing on the tiles. Near the front doors, at the end of the aisle, I paused and turned. Light filtered through the stained-gla.s.s windows, muted and serene. Each one told a story, invisible in darkness, taking life only when the sun rose and filled the colors, and each was the story also of the people who had given it, long dead now, whose names ran along the bottom in gold letters. In honor of James, Hannah, Our Beloved Mother, The Evans Family, Sarah, Virginia, child of Susan and Samuel In honor of James, Hannah, Our Beloved Mother, The Evans Family, Sarah, Virginia, child of Susan and Samuel. What had Joanna said in the office as she handed me these papers? It gives you chills . . . all these people . . . standing right where we are now . . . living out their lives It gives you chills . . . all these people . . . standing right where we are now . . . living out their lives. My father had grown up in this church, and his father. My great-grandfather Joseph had walked these aisles before anyone alive today was born.

And Rose. She had stood here, too, decades before the chapel on the depot land was built yet somehow connected to it, holding her infant daughter, trying to soothe her perhaps, tucking the edge of blanket closer against the coolness radiating from the stone walls, even in May. Then she had walked out into the world and disappeared.

A door fell shut; footsteps sounded on the choir stairs, and then the Reverend Suzi emerged into the sanctuary.

"Ah, Lucy," she said, looking momentarily startled. "Still here? Can I help you with something?"

"I'm just leaving. I just wanted to stand in the church for a minute, I guess. I hope that's okay. I was thinking about all the people who've stood here before me. I haven't been here since my father died," I added.

"Of course it's okay. I heard about his accident," she said. "I'm sorry. It must have been very hard."

I nodded. "It was. But it was a long time ago."

"Some moments resonate in powerful ways," she said.

Our voices were soft amid the stone walls, the wood. I didn't know what else to say, and anyway my throat had thickened with the memory. Suzi let the silence gather for a moment.

"You're Evie Jarrett's daughter, aren't you?" she asked, finally. "How's your mother doing? How's her arm?"

"She's fine," I said. "Better than I could have imagined, actually; she's even got a date this afternoon."

Again, Suzi didn't respond right away, which made me really have to think about the words I'd spoken, to hear the sharp edge my tone had carried.

"You know, your mother's very glad you're here," she said. "I went to see her after the accident and she was so excited that you might come. It must be a little strange for you, though. Are things very different?"

"Oh, very! Everything has changed so much. Even here. Maybe especially here. It wasn't that long ago, but I was the first girl allowed to be an acolyte in this church."

"Really? So you were breaking new ground." Suzi spoke rather pensively, which made me wonder about the path she'd taken.

"I suppose I was. I didn't think about it that way, though. I just wanted to be an acolyte. I hate to say it, looking back, but it didn't cross my mind even then that women could be priests."

"Some changes take a very long time. Like water on stone. That's why I'm so especially interested in these windows." She nodded at the manila folder Joanna had given me. "Did you find anything?"

"Yes, actually. I did." The photocopies of the baptismal certificate and the window receipt were still faintly warm from the machine when I handed them to her. "Rose. Her name was Rose Jarrett. She would have been my great-great-aunt, though I've never heard of her before. She had a daughter, Iris."

"Reverend David Prescott-he's in one of the photos on the wall," she noted, pointing out the signature. "Such a long time ago. No one would remember her, which is too bad. Whoever she was, she seems to have found a way to see herself-and women in general-in the sacred texts. To imagine herself into the story, so to speak. I think that must have been exceptionally difficult at the time."

"I know. I wonder what happened to her. And to Iris, too. Plus there's the border pattern, which is so fascinating. Keegan said the windows dated to the 1930s, but the papers I have are much earlier."

"Keegan, yes." She nodded, smiling, as she gave me back the photocopies. "Well, he would know, wouldn't he? I've become very fond of Keegan, working with him on these windows. He has enormous expertise, and he's been good enough to donate his time, which is a real blessing. The windows are a treasure, but they turn out to be so incredibly expensive to maintain."

"It's been good to see him again," I said, remembering Keegan lifting Max into the air, their jokes back and forth, their laughter. I thought about Blake and Avery with a baby on the way, the elegant vase of gladioli sent to my mother by a stranger, the mysterious old papers, fragile and gritty to the touch.

Her cell phone rang, shattering the quiet, and the Reverend Suzi slipped it from her pocket, glancing at the number.

"Sorry-I have to take this," she said, gesturing toward the door. "It's good to meet you, Lucy. Come by anytime. And keep me posted on whatever you find, okay?"

Outside the muted sanctuary, the world seemed bright, newly washed and vibrant. Summer traffic was already backing up the hill and the sidewalks were crowded with tourists in their loose bright cotton clothes. I walked without intention for a while, absorbed by my discoveries, wandering through shops without really seeing what I was looking at. In the park I wove my way through the art fair to the seawall and tried to call Keegan; he didn't pick up, so I left a message about the baptismal certificate as I wandered on through the village. At last I found myself at the pier where Blake moored his boat. The Fearful Symmetry Fearful Symmetry was graceful, thirty feet long with a tall white mast, bobbing gently on the water. I stepped down onto the deck and called his name, but the voice that floated up from the cabin was Avery's, light and questioning. She appeared at the bottom of the stairs wearing jeans and a gauzy yellow blouse, her dark hair pulled back in a ponytail. was graceful, thirty feet long with a tall white mast, bobbing gently on the water. I stepped down onto the deck and called his name, but the voice that floated up from the cabin was Avery's, light and questioning. She appeared at the bottom of the stairs wearing jeans and a gauzy yellow blouse, her dark hair pulled back in a ponytail.

"Oh, Lucy," she said. "Hi there. Blake's at work. I was just going over some papers. Come on down, if you want."

The stairs were narrow, opening into a paneled room as compact and complete as a studio apartment, with a v-berth in the bow, a galley kitchen, a tiny bathroom, and a sitting area. I'd always marveled at how sparely furnished Blake's life was. He didn't care much for things; he liked the uncluttered feeling that came from owning very little. Avery moved some pillows to make room on the built-in sofa. The table was covered with drawings, and I recognized my mother's drafting paper, her neat lines and handwriting.

"Want some iced tea?"

"I'd love some, thanks," I said.

Avery moved as deftly in the narrow galley as she did in her restaurant. She piled up all the papers on the table and placed tall gla.s.ses of tea, with sprigs of fresh mint, on two bright yellow coasters she pulled from a drawer. I had to smile: never in a million years would it have crossed Blake's mind to buy coasters. "Those are some sketches your mom did," she said as she sat down. "They're plans for organic vegetable gardens, actually. That's my dream someday-to have organic gardens to supply the restaurant. I hate paying to ship all that stuff, using all that energy just to move produce around. She drew these up for me for my birthday last month. It was really nice of her."

I sipped my tea: cold, faintly raspberry. I remembered Avery from high school as quiet, so shy she'd hardly spoken the few times we'd met before. But that was years ago, before she'd gone away to school, before she and Blake had ended their romance and started it again several times. She seemed so different now, confident and sure of what she wanted. She was at least two years younger than I, and yet she already had her own business and a baby on the way. I felt a pang of unexpected envy. Envy, and the feeling I'd had so often in j.a.pan that despite my wild adventures, I'd really been circling around the same still point for years.

"I think you're brave," I said.

"What? Dating Blake?"

"Well, that, of course." I laughed. "No-taking all this on, I mean."

"I'm nuts, actually." She laughed, too, relaxing back on the cushions. "Really nuts, I sometimes think. It's exciting, sure, but there's so much pressure. And it never ends. Still, I love working with food. I love it when the place is full and I look out and see everyone happy, eating healthy things."

"My meal was so good."

She grew serious. "Thanks, but it could have been better. If I had everything fresh, it would have been tons tons better. Your artichokes were canned, I don't like that. We were hoping-Blake and I were hoping-that maybe we could get some acreage when the depot land is sold. Or else down the road, when your mother sells her place." better. Your artichokes were canned, I don't like that. We were hoping-Blake and I were hoping-that maybe we could get some acreage when the depot land is sold. Or else down the road, when your mother sells her place."

I caught my breath a little to hear how far my mother's plans had traveled, trying to sort out my complex feelings before I spoke. Loss, of course, and anger that I hadn't known, and the feeling that I'd been left out, which wasn't fair; I'd been gone for years, after all. Avery didn't notice and went on speaking.

"Not the lake lots, of course. Too pricey. But that land is black earth, as rich as Iowa soil, and it used to all be farms, before all the bunkers and airstrips. There's a black walnut tree just inside the depot gates-my great-grandfather planted that tree decades ago when that part of the land belonged to him. I'd like to get it back."

There was wistfulness in her voice, and hard determination, too, and I thought about the day I'd arrived-was it only two days ago?-Pete leaning into the truck and saying, You sure you don't have a dog in this fight, Blake? You sure you don't have a dog in this fight, Blake?

"Were you at the rally?" I asked.

She shook her head and gave a short laugh. "It seems I'm only ever at the restaurant anymore. But I heard about it-people came in for lunch after it was over. Were you?"

"I saw it, that's all. Driving by with Blake the day I arrived." The boat swayed gently with a wave; one of my mother's drawings slipped from the table and I leaned over to pick it up. "So many people were there."

"So many-it's true. It's a huge controversy. The wetlands people may be getting together with the white deer people, though. They had lunch together, anyway-eggplant souffles and white wine." many-it's true. It's a huge controversy. The wetlands people may be getting together with the white deer people, though. They had lunch together, anyway-eggplant souffles and white wine."

I thought of the deer emerging from the trees and moving like clouds against the sea of tall gra.s.s. My father used to tell us stories about them, growing up, and sometimes we'd go out in the evenings to search for them, driving slowly on the gravel roads around the depot. People came to school with stories of having glimpsed one standing in the road or disappearing into the trees, but that was rare, and in all our searching, we'd never seen one. I asked Avery if she had.

"Just once. A long time ago. We were on our way home early one morning when one leaped in front of our car. My father slammed on the brakes, barely missed it. We watched it disappear into the trees, and then five or six others followed, pure white. I was little, so they seemed magical, like unicorns or something. I remember we all just sat there, not speaking, for a long time. Even my dad."

I sipped my tea and studied the three framed photos on the wall behind Avery. The first had been taken on the deck, Blake standing behind Avery with his arms around her waist. Her head was tipped back against his shoulder, she was laughing, and he was smiling down at her, the wind sweeping a piece of her hair across his cheek. The other two were more formal, the two of them standing side by side, smiling at the camera in front of a lighthouse, an anchor.

"Do you like those?" Avery asked, turning to look. "I just had them framed last week. Those two on the left are from the trip we took to Nova Scotia last spring."

"You look so happy, both of you." I was hoping she would tell me about the baby, so I could stop pretending that I didn't know.

"We were. It was a good trip, mostly." She paused, as if choosing her words. "Lucy, is Blake very much like your dad was?"

I thought about this. I never would have said so before, but knowing that Blake was working at Dream Master made me reconsider. He'd given me his reasons, and they made sense, but all the same I wondered if the lure of the past had something to do with it; he could have worked anywhere else in town. "I don't know. In little ways, maybe. The same laugh, the same eyes, that sort of thing. But I can't really say. Why?"

Avery sighed. "I guess I'm just trying to figure him out. Sometimes he just seems so far away. So lonely, somehow."

I didn't answer right away. A very sad and lonely person A very sad and lonely person-those were Yoshi's words to me. I liked to think that the past had no power over me, but maybe I was caught in it, too. Avery half-stood and reached to the counter for a bag of pistachios, and I glimpsed the faint swell of her stomach beneath the gauzy blouse, so slight I might not have noted it unless I already knew. When Blake had visited me in Indonesia, he and Avery had broken up, and one evening he'd struck up a deep flirtation with a woman at the next table. I wouldn't have guessed then that he'd be here now, back with Avery, about to have a baby. The boat swayed gently, making little ripples in the iced tea, and I thought of the waves that had run through the earth, and of Yoshi's hand running the length of my thigh as I woke amid the earthquakes. I thought of his kindness, and his kiss on the train platform, which seemed a very long time ago.

"Lucy?" Avery said, offering me the pistachios. "Earth to Lucy? Did you want some of these? Some more tea?"

"No, thanks." I smiled. "Sorry to be so s.p.a.cey. I guess I'm still a little jet-lagged. I should probably get going, actually."

"Well, it's good to see you. Can I give Blake a message?"

I shook my head, imagining the sort of message I could leave: Discovered lost ancestor, please call ASAP Discovered lost ancestor, please call ASAP. "That's okay. I'll track him down eventually."

Upstairs, I lingered on the deck, thinking about Yoshi, about loneliness, mine and Blake's and maybe everyone's. It was still a clear day, but low clouds were scattered on the horizon and the wind had come up; the lake was decorated now with whitecapped waves. The fire siren sounded; it was noon. Even though I didn't want to go to Dream Master, I did want to tell Blake what I'd discovered, and so I left the pier and crossed the main road, following the outlet away from the center of town.

For all his talk of progress, Art had let Dream Master go quite a bit. The plate-gla.s.s windows were filmy, and one of the gutters on the third floor was hanging askew. The brick needed tuckpointing, too, and the gra.s.s in front was long. It struck me that maybe Art's hiring of Blake was less an act of generosity than it was of desperation. There was something weirdly comforting about that thought-there seemed to be some sort of balance in the universe as long as Art was doing poorly-except that now Blake was involved. I took a deep breath, cut across the gravel parking lot, and climbed the concrete steps. A little bell rang when I opened the door, just as it had in my childhood. I paused on the threshold, taking in the scents of metal and paint and sawdust, the underlying odor of dust.

Aisles of locks and hardware and tools-hammers and saws, planes and screwdrivers-ran the length of the store. There were bins of nails in addition to the prepackaged kinds. Wooden rulers and yardsticks sat beside tape measures in their flashy yellow cases. Dozens of different light fixtures hung from the ceiling.

I took a step and called out, "h.e.l.lo." Nothing. "h.e.l.lo?" I called again, louder, but no one came.

I walked up and down the aisles, noting the little changes. Art had put gray speckled linoleum down over the planked floor I remembered; he'd taken down the old flypaper strips, probably long ago. The offices were still there, though, off a corridor that ran behind the storefront, still paneled in dark wood. My father's, at the end of the hall, was completely changed-the rolltop desk gone, the windows shaded with plastic blinds, and a new conference table set up in the middle of the room, shiny black laminate, with sleek black chairs around it. A nondescript gray carpet covered the floor. I looked hard for the room where I'd played with Blake and Joey, the room where my father had unlocked so many secrets, but I found no trace.

"Lucy?"

I hadn't heard Art coming, and I started. Tall and broad-shouldered, he blocked much of the hall. Again, he looked so much like my father that I found it difficult to speak.

"I was looking for Blake," I said.

"I sent him to take an order in Union Springs. He should be back pretty soon."

"Oh. I see." There was an awkward silence. "Do you have a minute, then?" I asked. I realized I hadn't really spoken to Art in years-even at my father's funeral we'd exchanged only the most formal of condolences-but maybe my mother was right and he'd be able to shed some light on the discoveries I'd made.

He glanced at his watch. "A few minutes," he said. "I've got to meet with the zoning office. But come on in, why don't you, and sit down."

I sat in a leather chair with wooden arms. It would spin, I remembered; we used to play on it when we were kids.

"So, Lucy," Art said. "It's been a while. What's on your mind?"

"It has been a long time, hasn't it? Well, I guess I just had some questions."

He put his elbows on the desk, made a tent with his fingers, and nodded.

"Happy to help if I can," he said.

I was still carrying the papers from the church. Rose Jarrett would have been Art's great-aunt; Iris would have been some kind of cousin. Yet I found myself reluctant to mention Rose, the discovery of her existence still too new for me to want to share it. Instead, I explained about the papers and pamphlets I'd found in the cupola and asked if he knew anything about them.

Art listened closely. "In the cupola, you say? What sort of papers?"

"Oh, a hodgepodge, really. Old newspaper articles, some magazines. I was interested in them because they looked like they had to do with the women's suffrage movement. I thought they might be historical. I thought you might know."

His lower lip jutted out slightly as he thought, and he shook his head. "Doesn't sound at all familiar. Before my time, of course."

"Right. I thought they might have belonged to my greatgrandmother-your grandmother. Cora, wasn't that her name? The dates seem about right for that. I never knew her, of course. I don't even remember hearing stories about her."

I'd found the key; he relaxed back into his chair.

"My grandmother was a lovely person. At least as much as I remember her. I was only about ten when she died. She loved children, doted on us. She made beautiful pies, too; it seemed there was always a fresh one on her kitchen counter. That was in the house you lived in, which was where I grew up, too. We moved in after our grandfather died; Grandma Cora was a widow by then and not in good health. She slept in the big room at the front of the house-I think you've got the piano where her bed used to be-and my mother took care of her until she died. Now, my mother-your grandmother-she was a wonderful woman, too."