Self-knowledge is a rare acquirement. But when a lady _does_ suspect herself to be deficient in all the essential qualifications of a ball-room, she should give up dancing entirely, and be magnanimous enough always to excuse herself positively, when asked to dance; especially if verging on "a certain age." Let all "trippings on the light fantastic toe" be left to the young and gay.

A deformed woman dancing is "a sorry sight." She should never consent to any such exhibition of her unhappy figure. She will only be asked out of mere compa.s.sion, or from some interested and unworthy motive. We are asked--"Why should not such a lady dance, if it gives her pleasure?" We answer--"It should _not_ give her pleasure."

When a lady is so unfortunate as to have a crooked, or misshapen person, it is well for her to conceal it as much as possible, by wearing a shawl, a large cape, a mantilla, a long sacque, (not a polka jacket;) and on no account a tight-bodied pelisse; or still worse, a spencer--than which last, nothing is more trying to the form of the waist, except a riding-habit.

We saw Frederika Bremer at an evening a.s.semblage, and she was so judiciously attired, that her personal defects did not prevent her from looking really well. Over a rich black satin dress, she wore a long loose sacque of black lace, lined with grey silk. From beneath the short sleeves of her sacque, came down long wide sleeves of white lace, confined with bracelets round her fair and delicate little hands. Her throat was covered closely with a handsome collar of French embroidered muslin, and her beautiful and becoming cap was of white lace, white flowers, and white satin ribbon--her light hair being simply parted on her broad and intellectual forehead. With her lively blue eyes, and the bright and pleasant expression of her countenance, no one seemed to notice the faults of her nose, mouth, and complexion--and those of her figure were so well concealed as to be scarcely apparent. And then her lady-like ease, and the total absence of all affectation, rendered her graceful and prepossessing. True it is, that with a good heart and a good mind no woman can be ugly; at least, they soon cease to be so considered, even if nature has been unkind to them in feature, figure, and complexion. An intelligent eye, and a good humoured mouth, are excellent subst.i.tutes for the want of regular beauty. Physiognomists say that the eye denotes the mind, and the mouth indicates the heart.

Now as a deformed lady may render herself very agreeable as a good conversationist, we repeat that she has no occasion to exhibit the defects of her person by treading the mazes of a cotillion, or above all, in going down a country dance, should those "never-ending, still beginning" performances come again into fashion. Young men say that an ugly, misshapen female, who waltzes, or joins in a polka, or redowa, or mazurka, deserves the penitentiary.

We deprecate the practice of keeping the small children of the family up all the evening, running and scampering in every one's way, or sleeping about on the chairs and sofas, and crying when wakened up to be carried to bed. Would it not be much better to have them sent to bed at their usual time? We knew two well-trained little boys, who submitted obediently to go to bed at their customary hour, on the night of their mother's party, of which they had seen nothing but the decorations of the parlours. They told their parents next morning, that still they had a great deal of pleasure, for after the carriages began to arrive, they had lain awake and "heard every ring."

At a large party, or at a wedding, there is generally a supper table; lemonade and cakes having been sent round during the evening. The host and hostess should see that _all_ the ladies are conducted thither, and that none are neglected, particularly those that are timid, and stand back. It is the business of the host to attend to those himself, or to send the waiters to them.

If the party is so large that all the ladies cannot go to the table at once, let the matrons be conducted thither first, and the young ladies afterwards. If there is a crowd, it is not unusual to have a cord (a handsome one, of course,) stretched across the door of the supper-room, and guarded by a servant, who explains that no more are to pa.s.s till after that cord is taken down. Meanwhile, the younger part of the company amuse themselves in the adjacent rooms. No lady should take the liberty of meddling with the flowers that ornament the table, or of secreting "good things" to carry home to her children.

Apropos to flowers.--The stiff, hard bouquets are now obsolete, where the flowers (stripped of their natural green leaves,) were tied _en ma.s.se_ on a wooden skewer, against a flat back-ground of cedar sprays.

The more elegant arrangement is revived of arranging them in a full round cl.u.s.ter, with a fair portion of their real leaves; the largest and finest flowers in the centre, (large white ones particularly); those of middle size next; and the light, long, and branchy sprays and tendrils at the extremities, the smallest near the bottom of the bouquet, which is not so large and ma.s.sy as formerly, but more graceful and select. The bouquet may be carried on the young lady's arm, suspended to a long and handsome white ribbon tied in a bow--a _coloured_ ribbon will disturb the effect of the flowers. There should be nothing to interfere with their various and beautiful tints.

At a ball, let no _coloured_ chalks or crayons be used for the floor.

They will rub off on the white shoes of the ladies, and spoil them.

When, instead of _setting_ a supper-table, refreshments are handed round to the ladies, the fashion has long since gone by of a gentleman walking beside each waiter, and "a.s.sisting the ladies." It is now found that if the articles are properly arranged, and of the proper sort, the ladies can much more conveniently help themselves, and with less risk of staining or greasing their dresses. Unless the gentleman was "a thorough-going party-man," and stereotyped as such, he often committed rather vexatious blunders, particularly if he was not _au-courant_ to the new improvements, and accustomed to being "at good men's feasts;" or rather, at _women's good feasts_. One evening at a party, we saw an "ingenuous youth," whose experience in that line must have been rather limited, officiously undertake the portioning out to the ladies of a composition hitherto quite new to himself. This was "a trifle," being the contents of a very large gla.s.s bowl, filled with macaroons, &c., dissolved in wine, &c., with profuse layers of custard, sweetmeats, &c., and covered in at the top with a dome of whipt cream heaped high and thick over the whole. The pea-green youth a.s.sisted the ladies to nothing but saucers of froth from the top, thinking that was the right way. At last, the mulatto man, whose superior tact must have been all this time in a state of suffering, explained to the novice in trifles, that a portion of all the various contents of the gla.s.s bowl should be allotted to each saucer. "That!" said the surprised doer of honours, "I thought all that was only the grounds!" The coloured man relieved him by taking the silver server round a second time to all the ladies, who had hitherto missed the sediment of the syllabub.

At a summer evening party, the refreshments are of a much lighter description than at a winter entertainment; consisting chiefly of ice-creams, water-ices, fresh fruit, lady-cake, and almond sponge-cake.

Also strawberry or raspberry charlottes, which are made by arranging in gla.s.s bowls slices of cake cut in even and regular forms, and spread thickly over with the fruit mashed to a jam with white sugar--the bowls being heaped with whipt cream.

The dresses of the ladies are of clear muslin, or some other light material, and without any elaborate tr.i.m.m.i.n.g. The hair is simply arranged--curls being inconvenient in warm weather; and the only head ornaments are ribbons, or _real_ flowers.

At summer evening-parties the veranda is always put into requisition, being cooler than any part of the house.

At summer dinner-parties, let the dessert be served in another and cooler apartment; the company quitting the dining-room as soon as they have done with the meats, &c. The beauties of the dessert appear to greater advantage, when seen all at one view on a fresh table.

We will introduce a minute account of a very fashionable English dinner-party, obtained from a friend who was one of the guests. It may afford some hints for the routine of an elegant entertainment, _a l'Anglais_, in our own country.

The guests were twenty-four in number, and they began to a.s.semble at half past seven, punctually. They were received in the library, where the host and hostess were standing ready to receive them, introducing those who were strangers to each other. When all had arrived, the butler entered, and going up to the lady of the house, told her in a low voice that "dinner was served." The hostess then arranged those that were not previously acquainted, and the gentlemen conducted the ladies to the dining-room; the princ.i.p.al stranger taking the mistress of the house, and the master giving his arm to the chief of the female guests. In England, these arrangements are made according to the rank of the ladies--that of the gentlemen is not considered. A d.u.c.h.ess takes precedence of a marchioness, a viscountess of a countess, a baroness of a baron_et_'s lady, &c.,--for a baron is above a baronet. Going into the dining-room, the company pa.s.sed by the butler and eight footmen, all of whom were stationed in two rows. The butler was dressed entirely in black--the footmen in their livery. According to a new fashion, they may now wear long gaiters. White kid gloves are indispensable to the footmen.

The table was set for twenty-six--and standing on it were elegant gilt candelabras. _All_ the lights were wax candles. Chandeliers were suspended from the ceiling. In the middle of the table was a magnificent plateau, or centre ornament of gold; flowers surmounted the summit; and the circular stages below were covered with confectionery elegantly arranged. On each side of the plateau, and above and below, were tall china fruit-baskets. In the centre of each basket were immense pine-apples of hot-house growth, with their fresh green leaves. Below the pine-apples were large bunches of purple and white hot-house grapes, beautifully disposed, with leaves and tendrils hanging over the sides of the baskets. Down each side of the whole long table, were placed large, round, saucer-shaped fruit-dishes, heaped up with peaches, nectarines, pears, plumbs, ripe gooseberries, cherries, currants, strawberries, &c. All the fruits not in season were supplied from hot-houses. And alternating with the fruit were all the _entremets_ in covered dishes, placed on long slips of damask the whole length of the table. All the plate was superb. The dinner-set was of French china, gilt, and painted with roses. At every plate was a caraffe of water, with a tumbler turned down over it, and several wine-gla.s.ses. The napkins were large. The side-board held only the show-silver and the wine. The side-tables were covered with elegant damask cloths. On these were ranged, laid along in numerous rows, the knives, forks, and spoons to be used at dinner. The dessert-spoons were in the form of hollow leaves, the stems being the handles. They were beautifully engraved in tasteful patterns. The fruit-knives had silver blades and pearl handles.

There were two soups (white and brown,) standing on a side-table. Each servant handed the things in his white kid gloves, and with a damask napkin under his thumb. They offered (mentioning its name in a low voice,) a plate of each soup to each guest. After the soup, Hock and Moselle wine were offered to each guest, that they might choose either.

A dish of fish was then placed at each end of the table--one was salmon, the other turbot. These dishes were immediately taken off to be helped by the servants, both sorts of fish being offered to each person. Then the appropriate sauce for the fish--also cuc.u.mbers to eat with the salmon. No castors were on the large table, but they were handed round by the servants. Directly after the fish came the _entremets_, or French dishes. The wine following the fish was Madeira and Sherry.

Afterwards, a saddle or haunch of Welsh mutton was placed at the master's end of the table, and at the lady's end a boiled turkey. These dishes being removed to the side-tables, very thin slices of each were handed round. The poultry was not dissected--nothing being helped but the breast. Ham and tongue was then supplied to those who took poultry; and currant-jelly to the eaters of mutton. Next came the vegetables, handed round on dishes divided into four compartments, each division containing a different sort of vegetable.

Next, two dishes of game were put on--one before the master of the house, and the other before the mistress. The game (which was perfectly well-done,) was helped by them, and sent round with the appropriate sauce. Then, placed along the table, were the sweet things--charlottes, jellies, frozen fruit, &c. A lobster salad, dressed and cut up large, was put on with the sweets. On a side-table were stilton and cream cheese, to be eaten with the salad. After this, port wine--the champagne being early in the dinner. Next the sweets were handed round. With the sweets were frozen fruits--fruits cut up, and frozen with isingla.s.s-jelly, (red, in moulds.)

Next, a dessert plate was given to each guest, and on it a ground gla.s.s plate, about the size of a saucer. Between these plates was a crochet-worked white doyly, of the size of the under-plate; the crochet-work done with thread, so as to resemble lace. These doylies were laid under the ground-gla.s.s plate, to deaden the noise of their collision. Then was brought from the side-table a ground-gla.s.s plate of ice-cream, or water-ice, which you took in exchange for that before you.

The water-ice was frozen in moulds, in the form of fruit, and suitably coloured. The baskets containing the fruit were then removed to the side-tables, where the servants had silver scissors, with which they clipped off small bunches of the grapes, and the green tops of the pine-apples, and a portion of the flesh of the fruit. The middle part was then pared and sliced. On each dessert-plate was placed a slice of pine-apple, and small bunches of white and blue grapes. After the grapes and pine-apples were thus handed round, the dishes of the other fruits were then offered successively to every guest. After the ground-gla.s.s and doylies, there was no farther change of plates.

After sitting a while over the fruit, the lady of the house gives the signal, by looking and bowing to the ladies on each side, and the ladies at this signal prepare to retire. The gentlemen all rise, and remain standing while the ladies depart--the master of the house holding the door open. The servants then all retire, except the butler, who remains to wait on the gentlemen, while they linger awhile (not more than a quarter of an hour,) over the fruit and wine.

FOOTNOTE:

[18] Miss Leslie's American Girl's Book (published by C. S. Francis,) contains a great variety of amusing plays, ways to redeem forfeits, &c., with an unusual number of conundrums.

CHAPTER XXV.

MISCELLANIES.

It may be well to caution our young friends against certain bad practices, easily contracted, but sometimes difficult to relinquish. The following are things not to be done:--Biting your nails. Slipping a ring up and down your finger. Sitting cross-kneed, and, jogging your feet.

Drumming on the table with your knuckles; or, still worse, tinking on a piano with _your fore-finger only_. Humming a tune before strangers.

Singing as you go up and down stairs. Putting your arm round the neck of another young girl, or promenading the room with arms encircling waists.

Holding the hand of a friend all the time she sits beside you; or kissing and fondling her before company. Sitting too closely.

Slapping a gentleman with your handkerchief, or tapping him with your fan. Allowing him to take a ring off your finger, to look at it.

Permitting him to unclasp your bracelet, or, still worse, to inspect your brooch. When these ornaments are to be shown to another person, always take them off for the purpose. Pulling at your own ringlets, or your own ear-rings--or fingering your neck ribbon. Suffering a gentleman to touch your curls. Reading with a gentleman off the same book or newspaper. Looking over the shoulder of any person who is reading or writing. Taking up a _written_ paper from the table, and examining it.

To listen at door-cracks, and peep through key-holes, is vulgar and contemptible. So it is to ask children questions concerning their parents, though such things are still done.

If you mean that you were angry, do not say you were "mad."--"It made me so mad"--"I was quite mad at her," are phrases not to be used by people considering themselves genteel. Anger and madness are not the same, or should not be; though it is true that ungoverned rage, is, sometimes, carried so far as to seem like insanity.

Enter into no freaks of fashion that are silly, unmeaning, and unlady-like; even if they _have_ been introduced by a belle, and followed by other belles. Commit no absurdity because a public singer or dancer has done so in her ignorance of good behaviour. During the Jenny Lind fever, there were young ladies who affected to skuttle into a drawing-room all of a sudden, somewhat as the fair Swede came skuttling in upon the concert stage, because in reality she knew not how to make her entrance gracefully. Other demoiselles twined and waved about, with body, head, and eyes, never a moment quiet. This squirming (as it was called) originated in a very bad imitation of f.a.n.n.y Elssler's dancing motions. At one time there were girls at parties, who stood on one foot, and with the other kicked up their dresses behind, while talking to gentlemen. This fashion began with a celebrated beauty who "dared do any thing." Luckily, these "whims and oddities" are always of short duration, and are never adopted by young ladies of good taste and refinement.

Do not nod your head, or beat time with fan or foot while listening to music.

Never at a party consent to accompany another lady in a duet, unless you are accustomed to singing with her. Still worse--do not volunteer to "a.s.sist" her in a song that is not a duet. Each voice will interrupt and spoil the other. A lady who sings by ear only, cannot accompany one that sings by note.

One of the most horrible sounds imaginable is that produced by several fine voices all singing different songs. This cats' concert (as school-girls call it) results in a shocking and yet ludicrous discord, equally frightful and laughable. And yet all the performers are singing individually well. Try it.

Raising a window-sash, in cold weather, without first ascertaining if the rest of the company are, like yourself, too warm. Leaving the parlour door open in winter--a perpetual occurrence at hotels and boarding-houses.

Talking so loudly that you can be heard all over the room. Or so low that you cannot be heard at all, even by those who are conversing with you. This last fault is the worst. To talk with one who has a habit of muttering unintelligibly, is like trying to read a letter illegibly written.

Using too often the word "madam" or "ma'am," which in fact, is now nearly obsolete in familiar conversation. In the old French tragedies the lovers addressed their mistresses as "madam." But then the stage Alexander wore a powdered wig, and a laced coat, knee-breeches, and a long-skirted waistcoat; and Roxana figured in a hoop-petticoat, a brocade gown, a flowered ap.r.o.n, and a towering gauze cap. The frequent use of "sir" is also out of fashion. "Yes, ma'am," "No, ma'am," "Yes, sir," "No, sir," no longer sounds well, except from children to their elders. If you have not distinctly heard what another lady has just said to you, do not denote it by saying, "Ma'am?" but remark to her, "Excuse me, I did not exactly hear you!"

Never, in a public parlour, place yourself in a position where you can secretly hear conversation that is not intended for you--for instance in a corner behind a pillar. If you hear yourself talked of, it is mean to stay and listen. It is a true adage that "Listeners seldom hear any good of themselves."

However smart and witty you may be considered, do not exercise your wit in rallying and bantering your friends. If you do so, their friendship will soon be worn out, or converted into positive enmity. A jest that carries a sting with it can never give a pleasant sensation to the object. The bite of a musquito is a very little thing, but it leaves pain and inflammation behind it, and the more it is rubbed the longer it rankles in the blood. No one likes to have their foibles or mishaps turned into ridicule--before other persons especially. And few can cordially join in a laugh that is raised against themselves.

The slightest jest on the personal defects of those you are conversing with, is an enormity of rudeness and vulgarity. It is, in fact, a sneer at the Creator that made them so. No human creature is accountable for being too small, or too large; for an ill-formed figure, or for ill-shaped limbs; for irregular features, or a bad complexion.

Still worse, to rally any person (especially a woman) on her age, or to ask indirect questions with a view of discovering what her age really is. If we continue to live, we must continue to grow old. We must either advance in age, or we must die. Where then is the shame of surviving our youth? And when youth departs, beauty goes along with it. At least as much beauty as depends on complexion, hair, and teeth. In arriving at middle age, (or a little beyond it,) a lady must compound for the loss of either face or figure. About that period she generally becomes thinner, or fatter. If thin, her features shrink, and her skin shrivels and fades; even though she retains a slender and perhaps a girlish form.

If she grows fat, her skin may continue smooth, and her complexion fine, and her neck and arms may be rounder and handsomer than in girlhood; but then symmetry of shape will cease--and she must reconcile herself to the change as best she can. But a woman with a good mind, a good heart, and a good temper, can never at any age grow ugly--for an intelligent and pleasant expression is in itself beauty, and the best sort of beauty.

Sad indeed is the condition of women in the decline of life when "No lights of age adorn them." When, having neglected in the spring and summer to lay up any stores for the winter that is sure to come, they find themselves left in the season of desolation with nothing to fall back upon--no pleasant recollections of the acquisition of knowledge or the performance of good deeds, and nothing to talk about but the idle gossip of the day--striving painfully to look younger than they really are; still haunting b.a.l.l.s and parties, and enduring all the discomforts of crowded watering-places, long after all pleasure in such scenes must have pa.s.sed away. But then they must linger in public because they are miserable at home, having no resources within themselves, and few enduring friends to enliven them with their society.