"Eleven o'clock, midnight, one o'clock... . I did not sleep. I did not go to my chamber. It is stupid to lie stretched out all alone, and to wait. But in my study I did not rest. I tried to busy myself, to write letters, to read. Impossible! I was alone, tortured, wicked, and I listened. Toward daylight I went to sleep. I awoke. She had not returned. Everything in the house went on as usual, and all looked at me in astonishment, questioningly. The children's eyes were full of reproach for me.

"And always the same feeling of anxiety about her, and of hatred because of this anxiety.

"Toward eleven o'clock in the morning came her sister, her amba.s.sadress.

Then began the usual phrases: 'She is in a terrible state. What is the matter?' 'Why, nothing has happened.' I spoke of her asperity of character, and I added that I had done nothing, and that I would not take the first step. If she wants a divorce, so much the better! My sister-in-law would not listen to this idea, and went away without having gained anything. I was obstinate, and I said boldly and determinedly, in talking to her, that I would not take the first step. Immediately she had gone I went into the other room, and saw the children in a frightened and pitiful state, and there I found myself already inclined to take this first step. But I was bound by my word.

Again I walked up and down, always smoking. At breakfast I drank brandy and wine, and I reached the point which I unconsciously desired, the point where I no longer saw the stupidity and baseness of my situation.

"Toward three o'clock she came. I thought that she was appeased, or admitted her defeat. I began to tell her that I was provoked by her reproaches. She answered me, with the same severe and terribly downcast face, that she had not come for explanations, but to take the children, that we could not live together. I answered that it was not my fault, that she had put me beside myself. She looked at me with a severe and solemn air, and said: 'Say no more. You will repent it.' I said that I could not tolerate comedies. Then she cried out something that I did not understand, and rushed toward her room. The key turned in the lock, and she shut herself up. I pushed at the door. There was no response.

Furious, I went away.

"A half hour later Lise came running all in tears. 'What! Has anything happened? We cannot hear Mamma!' We went toward my wife's room. I pushed the door with all my might. The bolt was scarcely drawn, and the door opened. In a skirt, with high boots, my wife lay awkwardly on the bed.

On the table an empty opium phial. We restored her to life. Tears and then reconciliation! Not reconciliation; internally each kept the hatred for the other, but it was absolutely necessary for the moment to end the scene in some way, and life began again as before. These scenes, and even worse, came now once a week, now every month, now every day. And invariably the same incidents. Once I was absolutely resolved to fly, but through some inconceivable weakness I remained.

"Such were the circ.u.mstances in which we were living when the MAN came.

The man was bad, it is true. But what! No worse than we were."

CHAPTER XXI.

"When we moved to Moscow, this gentleman--his name was Troukhatchevsky--came to my house. It was in the morning. I received him. In former times we had been very familiar. He tried, by various advances, to re-establish the familiarity, but I was determined to keep him at a distance, and soon he gave it up. He displeased me extremely.

At the first glance I saw that he was a filthy debauche. I was jealous of him, even before he had seen my wife. But, strange thing! some occult fatal power kept me from repulsing him and sending him away, and, on the contrary, induced me to suffer this approach. What could have been simpler than to talk with him a few minutes, and then dismiss him coldly without introducing him to my wife? But no, as if on purpose, I turned the conversation upon his skill as a violinist, and he answered that, contrary to what I had heard, he now played the violin more than formerly. He remembered that I used to play. I answered that I had abandoned music, but that my wife played very well.

"Singular thing! Why, in the important events of our life, in those in which a man's fate is decided,--as mine was decided in that moment,--why in these events is there neither a past nor a future? My relations with Troukhatchevsky the first day, at the first hour, were such as they might still have been after all that has happened. I was conscious that some frightful misfortune must result from the presence of this man, and, in spite of that, I could not help being amiable to him. I introduced him to my wife. She was pleased with him. In the beginning, I suppose, because of the pleasure of the violin playing, which she adored. She had even hired for that purpose a violinist from the theatre. But when she cast a glance at me, she understood my feelings, and concealed her impression. Then began the mutual trickery and deceit.

I smiled agreeably, pretending that all this pleased me extremely. He, looking at my wife, as all debauches look at beautiful women, with an air of being interested solely in the subject of conversation,--that is, in that which did not interest him at all.

"She tried to seem indifferent. But my expression, my jealous or false smile, which she knew so well, and the voluptuous glances of the musician, evidently excited her. I saw that, after the first interview, her eyes were already glittering, glittering strangely, and that, thanks to my jealousy, between him and her had been immediately established that sort of electric current which is provoked by an ident.i.ty of expression in the smile and in the eyes.

"We talked, at the first interview, of music, of Paris, and of all sorts of trivialities. He rose to go. Pressing his hat against his swaying hip, he stood erect, looking now at her and now at me, as if waiting to see what she would do. I remember that minute, precisely because it was in my power not to invite him. I need not have invited him, and then nothing would have happened. But I cast a glance first at him, then at her. 'Don't flatter yourself that I can be jealous of you,' I thought, addressing myself to her mentally, and I invited the other to bring his violin that very evening, and to play with my wife. She raised her eyes toward me with astonishment, and her face turned purple, as if she were seized with a sudden fear. She began to excuse herself, saying that she did not play well enough. This refusal only excited me the more. I remember the strange feeling with which I looked at his neck, his white neck, in contrast with his black hair, separated by a parting, when, with his skipping gait, like that of a bird, he left my house. I could not help confessing to myself that this man's presence caused me suffering. 'It is in my power,' thought I, 'to so arrange things that I shall never see him again. But can it be that I, _I_, fear him? No, I do not fear him. It would be too humiliating!'

"And there in the hall, knowing that my wife heard me, I insisted that he should come that very evening with his violin. He promised me, and went away. In the evening he arrived with his violin, and they played together. But for a long time things did not go well; we had not the necessary music, and that which we had my wife could not play at sight.

I amused myself with their difficulties. I aided them, I made proposals, and they finally executed a few pieces,--songs without words, and a little sonata by Mozart. He played in a marvellous manner. He had what is called the energetic and tender tone. As for difficulties, there were none for him. Scarcely had he begun to play, when his face changed. He became serious, and much more sympathetic. He was, it is needless to say, much stronger than my wife. He helped her, he advised her simply and naturally, and at the same time played his game with courtesy.

My wife seemed interested only in the music. She was very simple and agreeable. Throughout the evening I feigned, not only for the others, but for myself, an interest solely in the music. Really, I was continually tortured by jealousy. From the first minute that the musician's eyes met those of my wife, I saw that he did not regard her as a disagreeable woman, with whom on occasion it would be unpleasant to enter into intimate relations.

"If I had been pure, I should not have dreamed of what he might think of her. But I looked at women, and that is why I understood him and was in torture. I was in torture, especially because I was sure that toward me she had no other feeling than of perpetual irritation, sometimes interrupted by the customary sensuality, and that this man,--thanks to his external elegance and his novelty, and, above all, thanks to his unquestionably remarkable talent, thanks to the attraction exercised under the influence of music, thanks to the impression that music produces upon nervous natures,--this man would not only please, but would inevitably, and without difficulty, subjugate and conquer her, and do with her as he liked.

"I could not help seeing this. I could not help suffering, or keep from being jealous. And I was jealous, and I suffered, and in spite of that, and perhaps even because of that, an unknown force, in spite of my will, impelled me to be not only polite, but more than polite, amiable. I cannot say whether I did it for my wife, or to show him that I did not fear HIM, or to deceive myself; but from my first relations with him I could not be at my ease. I was obliged, that I might not give way to a desire to kill him immediately, to 'caress' him. I filled his gla.s.s at the table, I grew enthusiastic over his playing, I talked to him with an extremely amiable smile, and I invited him to dinner the following Sunday, and to play again. I told him that I would invite some of my acquaintances, lovers of his art, to hear him.

"Two or three days later I was entering my house, in conversation with a friend, when in the hall I suddenly felt something as heavy as a stone weighing on my heart, and I could not account for it. And it was this, it was this: in pa.s.sing through the hall, I had noticed something which reminded me of HIM. Not until I reached my study did I realize what it was, and I returned to the hall to verify my conjecture. Yes, I was not mistaken. It was his overcoat (everything that belonged to him, I, without realizing it, had observed with extraordinary attention). I questioned the servant. That was it. He had come.

"I pa.s.sed near the parlor, through my children's study-room. Lise, my daughter, was sitting before a book, and the old nurse, with my youngest child, was beside the table, turning the cover of something or other.

In the parlor I heard a slow arpeggio, and his voice, deadened, and a denial from her. She said: 'No, no! There is something else!' And it seemed to me that some one was purposely deadening the words by the aid of the piano.

"My G.o.d! How my heart leaped! What were my imaginations! When I remember the beast that lived in me at that moment, I am seized with fright. My heart was first compressed, then stopped, and then began to beat like a hammer. The princ.i.p.al feeling, as in every bad feeling, was pity for myself. 'Before the children, before the old nurse,' thought I, 'she dishonors me. I will go away. I can endure it no longer. G.o.d knows what I should do if... . But I must go in.'

"The old nurse raised her eyes to mine, as if she understood, and advised me to keep a sharp watch. 'I must go in,' I said to myself, and, without knowing what I did, I opened the door. He was sitting at the piano and making arpeggios with his long, white, curved fingers. She was standing in the angle of the grand piano, before the open score. She saw or heard me first, and raised her eyes to mine. Was she stunned, was she pretending not to be frightened, or was she really not frightened at all? In any case, she did not tremble, she did not stir. She blushed, but only a little later.

"'How glad I am that you have come! We have not decided what we will play Sunday,' said she, in a tone that she would not have had if she had been alone with me.

"This tone, and the way in which she said 'we' in speaking of herself and of him, revolted me. I saluted him silently. He shook hands with me directly, with a smile that seemed to me full of mockery. He explained to me that he had brought some scores, in order to prepare for the Sunday concert, and that they were not in accord as to the piece to choose,--whether difficult, cla.s.sic things, notably a sonata by Beethoven, or lighter pieces.

"And as he spoke, he looked at me. It was all so natural, so simple, that there was absolutely nothing to be said against it. And at the same time I saw, I was sure, that it was false, that they were in a conspiracy to deceive me.

"One of the most torturing situations for the jealous (and in our social life everybody is jealous) are those social conditions which allow a very great and dangerous intimacy between a man and a woman under certain pretexts. One must make himself the laughing stock of everybody, if he desires to prevent a.s.sociations in the ball-room, the intimacy of doctors with their patients, the familiarity of art occupations, and especially of music. In order that people may occupy themselves together with the n.o.blest art, music, a certain intimacy is necessary, in which there is nothing blameworthy. Only a jealous fool of a husband can have anything to say against it. A husband should not have such thoughts, and especially should not thrust his nose into these affairs, or prevent them. And yet, everybody knows that precisely in these occupations, especially in music, many adulteries originate in our society.

"I had evidently embarra.s.sed them, because for some time I was unable to say anything. I was like a bottle suddenly turned upside down, from which the water does not run because it is too full. I wanted to insult the man, and to drive him away, but I could do nothing of the kind.

On the contrary, I felt that I was disturbing them, and that it was my fault. I made a presence of approving everything, this time also, thanks to that strange feeling that forced me to treat him the more amiably in proportion as his presence was more painful to me. I said that I trusted to his taste, and I advised my wife to do the same. He remained just as long as it was necessary in order to efface the unpleasant impression of my abrupt entrance with a frightened face. He went away with an air of satisfaction at the conclusions arrived at. As for me, I was perfectly sure that, in comparison with that which preoccupied them, the question of music was indifferent to them. I accompanied him with especial courtesy to the hall (how can one help accompanying a man who has come to disturb your tranquillity and ruin the happiness of the entire family?), and I shook his white, soft hand with fervent amiability."

CHAPTER XXII.

"All that day I did not speak to my wife. I could not. Her proximity excited such hatred that I feared myself. At the table she asked me, in presence of the children, when I was to start upon a journey. I was to go the following week to an a.s.sembly of the Zemstvo, in a neighboring locality. I named the date. She asked me if I would need anything for the journey. I did not answer. I sat silent at the table, and silently I retired to my study. In those last days she never entered my study, especially at that hour. Suddenly I heard her steps, her walk, and then a terribly base idea entered my head that, like the wife of Uri, she wished to conceal a fault already committed, and that it was for this reason that she came to see me at this unseasonable hour. 'Is it possible,' thought I, 'that she is coming to see me?' On hearing her step as it approached: 'If it is to see me that she is coming, then I am right.'

"An inexpressible hatred invaded my soul. The steps drew nearer, and nearer, and nearer yet. Would she pa.s.s by and go on to the other room?

No, the hinges creaked, and at the door her tall, graceful, languid figure appeared. In her face, in her eyes, a timidity, an insinuating expression, which she tried to hide, but which I saw, and of which I understood the meaning. I came near suffocating, such were my efforts to hold my breath, and, continuing to look at her, I took my cigarette, and lighted it.

"'What does this mean? One comes to talk with you, and you go to smoking.'

"And she sat down beside me on the sofa, resting against my shoulder. I recoiled, that I might not touch her.

"'I see that you are displeased with what I wish to play on Sunday,'

said she.

"'I am not at all displeased,' said I.

"'Can I not see?'

"'Well, I congratulate you on your clairvoyance. Only to you every baseness is agreeable, and I abhor it.'

"'If you are going to swear like a trooper, I am going away.'

"'Then go away. Only know that, if the honor of the family is nothing to you, to me it is dear. As for you, the devil take you!'

"'What! What is the matter?'

"'Go away, in the name of G.o.d.'

"But she did not go away. Was she pretending not to understand, or did she really not understand what I meant? But she was offended and became angry.

"'You have become absolutely impossible,' she began, or some such phrase as that regarding my character, trying, as usual, to give me as much pain as possible. 'After what you have done to my sister (she referred to an incident with her sister, in which, beside myself, I had uttered brutalities; she knew that that tortured me, and tried to touch me in that tender spot) nothing will astonish me.'

"'Yes, offended, humiliated, and dishonored, and after that to hold me still responsible,' thought I, and suddenly a rage, such a hatred invaded me as I do not remember to have ever felt before. For the first time I desired to express this hatred physically. I leaped upon her, but at the same moment I understood my condition, and I asked myself whether it would be well for me to abandon myself to my fury. And I answered myself that it would be well, that it would frighten her, and, instead of resisting, I lashed and spurred myself on, and was glad to feel my anger boiling more and more fiercely.

"'Go away, or I will kill you!' I cried, purposely, with a frightful voice, and I grasped her by the arm. She did not go away. Then I twisted her arm, and pushed her away violently.

"'What is the matter with you? Come to your senses!' she shrieked.