As Tom returned to his post in the cold corridor of the north wing, he heard heavy crashes, as of a battering-ram, against the great door that opened into the gallery. A shrill whistle brought Ezra Manners to his a.s.sistance. "Watch here!" he commanded. "If the door crashes in, shoot, and shoot to kill; then run into the bar and barricade the door between.

I've a plan."

He himself ran into the bar, blew out the candles, and risking perhaps too much on the chance of success, cautiously opened the front door. He could scarcely make out the group at the farther end of the gallery, as he stepped out; but he could hear the resounding crashes against the door into the north hall, each one of which seemed to be the last that even that ma.s.sive frame could hold out against. Leveling his pistol at the group; he took aim, and fired; s.n.a.t.c.hed another from his pocket, and fired a second time. Again, by good luck, the defender's shots had told.

There was a thud on the gallery floor, and the besiegers scurried to cover beyond the courtyard fence. Tom dashed safely back into the house, and slipped the great beam into place.

Upstairs Dan's attention had been attracted by the commotion in front of the inn. He opened a window on to the roof of the gallery, climbed out, and crawled along on his belly till his head just ab.u.t.ted over the eaves.

For a few moments, after the firing, he could hear the attackers moving about behind the fence across the courtyard. At length, a couple of them stole across the court and up on to the gallery beneath him. In a moment they returned carrying the dead or wounded comrade; then all of them seemed to go off together up the dark avenue of maples. He waited till they could be heard no more, then crept back into the house and ran down to tell Dan of their temporary withdrawal. For an hour or more the four defenders of the Inn kept themselves occupied parading the corridors and rooms, on the watch for a fresh attack. But nothing happened. They felt no security, however, and would feel none till daylight.

In the silent watching of that night Dan had ample opportunity to reflect upon his extraordinary interview with Madame de la Fontaine. He loved her. Good heavens how he loved her, but--had she been sincere in her refusal at the last to keep the sc.r.a.p of paper for the possession of which she had so desperately intrigued? Had she decoyed him to the rendezvous in the dark but to betray him to the bandits with whom she was in league? At first it would seem so. And yet the paper was in his possession; and, she it was who had rescued him from the a.s.sa.s.sin's knife. Where was she now? What had become of her? What was to be the end of this mad night's work? That she was the woman who had accompanied General Pointelle--or the Marechal de Boisdhyver--somehow did not surprise him. And for the time the full import of what that implied did not dawn upon him. But what mattered anything now that he loved her?

He determined at last to reconnoitre again from the roof of the gallery.

It still lay in shadow, but it would not be long before the moon, now rising over the eastern hills beyond the Strathsey flooded it with light.

In a moment, he had opened the window, was over the sill, and, creeping cautiously along the roof to the ledge, he worked his way toward the great oak at the farther end.

All was still and deserted below as the Inn courtyard would have been in the middle of any winter's night. While he stood peering into the darkness, listening intently, the moon, just showing above the distant tree tops, cast the first rays of its light into the courtyard beneath him. At the instant the figure of a woman stole across the flagged pavement and crept fearfully to the Red Oak. With a strange thrill he recognized Claire de la Fontaine. Reaching the shelter of the great tree, she stooped, gathered a handful of gravel from the road bed, and then cast it boldly at the shutters of the bar, calling softly, "Dan, Dan."

Instantly he replied. "Claire! Is that you? What is it? I am here, above you, on the roof."

"Ah, _mon Dieu_!" she exclaimed, as she looked up startled, and discerned his form leaning over the eaves, "for the love of heaven, my friend, open to me. I am in danger and I must tell you that which is of great importance to you. _Mais vite, mon ami_. In ten minutes they will return again."

It did not occur to Dan to doubt her. Careless of the risk, he rushed back to the window, climbed in, and in a few seconds had opened the door to the anxious woman without. She seemed physically exhausted as she stepped into the warm bar. Taking her in his arms, he carried her to a chair, and poured out a gla.s.s of wine, which she eagerly drank.

"It matters not what I have been doing," she murmured in reply to his questions, "I have but little time to give you my warning. _Ecoute_.

Bonhomme and his men are gone only to carry back their dead and wounded, and to bring cutla.s.ses, and the two or three sailors who were left on the schooner. I have followed them--G.o.d knows how--and heard something of their plans. They will make an attack--now, in a moment--in two different places. But these attacks will be shams,--is not that the word?--they will mean nothing. It is the Oak Parlour that they desire to enter. At the window of that so horrible room Bonhomme will try to make an entrance without alarm while the others hold your attention at the front and back of the Inn. Is it that you understand? It is necessary that you are prepared for these sham attacks, but the great danger is Bonhomme. The window in the Oak Parlour is not strong. They have information--recent information--from the Marquis probably,--that it will not be difficult to break in. One of you must conceal himself in the dark and shoot Bonhomme when he enters; you must shoot and shoot to kill, then we will be safe.

I have no fear of Monsieur le Marquis. The others--they are brutes--but they will flee. And they know nothing, they do this for money,--ah, _mon Dieu_, for money which I have furnished!"

For a moment, torn between his love and his deep distrust of this woman, poor Dan stood uncertainly. Suddenly he knelt at her side and clasped his arms about her. "Claire, you are on our side? You swear it."

"Ah, _mon Dieu_! is it that I deserve this?" she exclaimed bitterly.

"Ah! I tell you truth," she cried. "You must believe me--Listen! Are they come already?"

"No, no, there is nothing. But I trust you, I will go."

Suddenly she sprang to her feet. "Let me go with you. It is terrible to me to enter again that room; but I desire to prove myself of honour.

_Allous, allous_!"

"Tom is there."

"Ah! send him here to the bar. But do you come, _mon ami_. See, I go with you." She rose and forcing herself to the effort, led the way across the bar and into the corridor of the north wing, as if to show him that in sixteen years she had not forgotten.

CHAPTER XX

IN THE OAK PARLOUR

"You know the way?" Dan exclaimed as he caught up with her, and held open the door that led into the old north wing.

"But so well," she replied, catching her breath. "Would to G.o.d that I did not!"

"Ah!" he murmured, "I forgot that you have been here before."

They pressed on silently. At the turn of the corridor upon which the Oak Parlour gave, they discerned Tom Pembroke, a weird figure, in the dim light of the tallow dip upon the table, that cast fantastic shadows upon the whitewashed walls.

As he recognized them, he sprang forward in astonishment. "Madame de la Fontaine! Dan! What does this mean?" he cried.

"You know Madame?" Dan replied hastily and in evident confusion. "At great risk she has come to warn us--she is our friend, understand.--She has come to tell us how Bonhomme and his men will attack the Inn."

Tom listened to his explanation with unconcealed dismay. "Good heavens, Dan!" he protested, "You trust this woman? You know she is in league with these ruffians. Do you want us to fall into a trap?"

"No, no, Monsieur Pembroke," interrupted Madame de la Fontaine, "you must listen to me. I understand your fear. But at last you can trust me. I repent that which I have done. Ah, _mon Dieu_, with what bitterness! And now I desire to do all that is possible to save you. You must trust me."

"I do not--I can not trust you," Tom cried sternly. "Don't go in there, Dan. Don't I beg of you, trust this woman's word. It is a trick."

"Perhaps," said Dan grimly, "but go back. I take the responsibility. I do trust her, I shall trust her--to death. There is no time to lose, man. Go back!"

"What deviltry has bewitched you?" cried Tom pa.s.sionately. "Already once to-night you have risked our lives by your fool-hardiness,--for the sake of this woman, eh? By gad, man, I begin to see. But I tell you now, I refuse to be a victim to your madness."

"_Mais non_, Monsieur Pembroke," Claire cried again. "By all that is good and holy, I swear to you, that that which I have said is true. You must go. They will attack the bar and the kitchen. If those places are not defended, there will be danger."

"At any rate," said Dan, "I am going into the Oak Parlour. If you refuse to act with me, barricade the door between the bar and the north wing. If need be, I shall fight alone. Only now we lose time, precious time."

Pembroke looked at him as if he had gone mad, then shrugging his shoulders he turned back into the bar, whistling for Jesse and Ezra as he did so.

For a moment, glancing after Tom's retreating figure, shaken to his soul by conflicting emotions, Dan stood irresolute.

"But come," said Madame de la Fontaine, touching his arm. Again like the weird genius of this strange night she led the way on down the shadowy hall, and paused only when her hand rested upon the k.n.o.b of the door into the Oak Parlour. "It is here," she said simply.

As Dan reached her side, she opened the door. The light of the candle down the hallway did not penetrate the gloom of the disused room. A musty smell as of cold stagnant air came strong to their nostrils, and Dan felt, as they crossed the threshold together, that he was entering a place where no life had been for a long long time, a place full of dead nameless horrors.

The woman by his side was trembling violently. He put his arm about her to rea.s.sure her, and there shot through him a sensation of strange and terrible joy to be with her alone in this darkness and danger. For the moment he was exulting that for her sake he had risked his honour, that for her sake now he was risking life itself. He bent his head to hers.

"No! no!--not here!" she whispered hoa.r.s.ely, but yet clinging to him with shaking hands. "It is so cold, so dark. I have fear," she murmured.

"It is like a tomb," he said.

"The tomb of my hopes, of my youth," she breathed softly.

"Shall I strike a light?"

"No, no,--no light, I implore you. _Ecoute_! What is it that I hear?"

"I hear nothing. It is the wind in the Red Oak outside."

"But listen!"

"It is an owl hooting."