At this moment Jeanne dropped her sunshade. I picked it up for her.

"Thank you, Monsieur," she said.

Of course these words were no more than ordinarily polite. She would have said the same to the first comer. Nothing in her att.i.tude or her look displayed any emotion which might put a value on this common form of speech. But it was her voice, that music I so often dream of. Had it spoken insults, I should have found it sweet. It inspired me with the sudden resolution of detaining this fugitive apparition, of resting, if possible, another hour near her to whose side an unexpected stroke of fortune had brought me.

M. Charnot had already left the room; his rotund shadow rested on the wall of the pa.s.sage. He held a travelling-bag in his hand.

"Monsieur," said I, "I am sorry that you are obliged to return already to Milan. I am quite certain of admission to the Villa Dannegianti, and it would have given me pleasure to repair a mistake which is clearly due only to the stupidity of the servants."

He stopped; the stroke had told.

"It is certainly quite possible that they never looked at my card or my letters. But allow me to ask, since my card did not reach the host, what secret you possess to enable yours to get to him?"

"No secret at all, still less any merit of my own. I am the bearer of news of great importance to the owners of the villa, news of a purely private nature. They will be obliged to see me. My first care, when I had fulfilled my mission, would have been to mention your name. You would have been able to go over the house, and inspect a collection of medals which, I have heard, is a very fine one."

"Unique, Monsieur!"

"Unfortunately you are going away, and to-morrow I have to leave Milan myself, for Paris."

"You have been some time in Italy, then?"

"Nearly a fortnight."

M. Charnot gave his daughter a meaning look, and suddenly became more friendly.

"I thought you had just come. We have not been here so long," he added; "my daughter has been a little out of sorts, and the doctor advised us to travel for change of air. Paris is not healthful in this very hot weather."

He looked hard at me to see whether his fib had taken me in. I replied, with an air of the utmost conviction, "That is putting it mildly. Paris, in July, is uninhabitable."

"That's it, Monsieur, uninhabitable; we were forced to leave it. We soon made up our minds, and, in spite of the time of the year, we turned our steps toward the home of the cla.s.sics, to Italy, the museum of Europe.

And you really think, then, that by means of your good offices we should have been admitted to the villa?"

"Yes, Monsieur, but owing only to the missive with which I am entrusted."

M. Charnot hesitated. He was probably thinking of the blot of ink, and certainly of M. Mouillard's visit. But he doubtless reflected that Jeanne knew nothing of the old lawyer's proceedings, that we were far from Paris, that the opportunity was not to be lost; and in the end his pa.s.sion for numismatics conquered at once his resentment as a bookworm and his scruples as a father.

"There is a later train at ten minutes to eight, father," said Jeanne.

"Well, dear, do you care to try your luck again, and return to the a.s.sault of that Annia Faustina?"

"As you please, father."

We left the inn together by the by-road down the hill. I could not believe my eyes. This old man with refined features who walked on my left, leaning on his malacca cane, was M. Charnot. The same man who received me so discourteously the day after I made my blot was now relying on me to introduce him to an Italian n.o.bleman; on me, a lawyer's clerk. I led him on with confidence, and both of us, carried away by our divers hopes, he dreaming of medals, I of the reopened horizon full of possibilities, conversed on indifferent subjects with a freedom hitherto unknown between us.

And this charming Parisienne, whose presence I divined rather than saw, whom I dared not look in the face, who stepped along by her father's side, light of foot, her eyes seeking the vault of heaven, her ear attentive though her thoughts were elsewhere, catching her Parisian sunshade in the hawthorns of Desio, was Jeanne, Jeanne of the flower-market, Jeanne whom Lamp.r.o.n had sketched in the woods of St.

Germain! It did not seem possible.

Yet it was so, for we arrived together at the gates of the Villa Dannegianti, which is hardly a mile from the inn.

I rang the bell. The fat, idle, insolent Italian porter was beginning to refuse me admission, with the same words and gestures which he had so often used. But I explained, in my purest Tuscan, that I was not of the ordinary kind of importunate tourist. I told him that he ran a serious risk if he did not immediately hand my card and my letter--Lamp.r.o.n's card in an envelope--to the Comtesse Dannegianti.

From his stony glare I could not tell whether I had produced any impression, nor even whether he had understood. He turned on his heel with his keys in one hand and the letter in the other, and went on his way through the shady avenue, rolling his broad back from side to side, attired in a jacket which might have fitted in front, but was all too short behind.

The shady precincts of which Lamp.r.o.n wrote did not seem to have been pruned. The park was cool and green. At the end of the avenue of plane-trees, alternating with secular hawthorns cut into pyramids, we could see the square ma.s.s of the villa just peeping over the immense clumps of trees. Beyond it the tops and naked trunks of a group of umbrella pines stood silhouetted against the sky.

The porter returned, solemn and impa.s.sive. He opened the gate without a word. We all pa.s.sed through--M. Charnot somewhat uneasy at entering under false pretenses, as I guessed from the way he suddenly drew up his head. Jeanne seemed pleased; she smoothed down a fold which the wind had raised in her frock, spread out a flounce, drew herself up, pushed back a hairpin which her fair tresses had dragged out of its place, all in quick, deft, and graceful movements, like a goldfinch preening its feathers.

We reached the terrace, and arranged that M. and Mademoiselle Charnot should wait in an alley close at hand till I received permission to visit the collections.

I entered the house, and following a lackey, crossed a large mosaic-paved hall, divided by columns of rare marbles into panels filled with mediocre frescoes on a very large scale. At the end of this hall was the Countess's room, which formed a striking contrast, being small, panelled with wood, and filled with devotional knick-knacks that gave it the look of a chapel.

As I entered, an old lady half rose from an armchair, which she could have used as a house, the chair was so large and she was so small. At first I could distinguish only two bright, anxious eyes. She looked at me like a prisoner awaiting a verdict. I began by telling her of the death of Lamp.r.o.n's mother. Her only answer was an attentive nod. She guessed something else was coming and stood on guard, so to speak. I went on and told her that the portrait of her daughter was on its way to her. Then she forgot everything--her age, her rank, and the mournful reserve which had hitherto hedged her about. Her motherly heart alone spoke within her; a ray of light had come to brighten the incurable gloom which was killing her; she rushed toward me and fell into my arms, and I felt against my heart her poor aged body shaking with sobs. She thanked me in a flood of words which I did not catch. Then she drew back and gazed at me, seeking to read in my eyes some emotion responsive to her own, and her eyes, red and swollen and feverishly bright, questioned me more clearly than her words.

"How good are you, sir! and how generous is he! What life does he lead?

Has he ever lived down the sorrow which blasted his youth here? Men forget more easily, happily for them. I had given up all hope of obtaining the portrait. Every year I sent him flowers which meant, 'Restore to us all that is left of our dead Rafaella.' Perhaps it was unkind. I did reproach myself at times for it. But I was her mother, you know; the mother of that peerless girl! And the portrait is so good, so like! He has never altered it? tell me; never retouched it? Time has not marred the lifelike coloring? I shall now have the mournful consolation I have so long desired; I shall always have before me the counterpart of my lost darling, and can gaze upon that face which none could depict save he who loved her; for, dreadful though it be to think of, the image of the best beloved will change and fade away even in a mother's heart, and at times I doubt whether my old memory is still faithful, and recalls all her grace and beauty as clearly as it used to do when the wound was fresh in my heart and my eyes were still filled with the loveliness of her. Oh, Monsieur, Monsieur! to think that I shall see that face once more!"

She left me as quickly as she had come, and went to open a door on the left, into an adjoining room, whose red hangings threw a ruddy glow upon the polished floor.

"Cristoforo!" she cried, "Cristoforo! come and see a French gentleman who brings us great news. The portrait of our Rafaella, Cristoforo, the portrait we have so long desired, is at last to be given to us!"

I heard a chair move, and a slow footstep. Cristoforo appeared, with white hair and black moustache, his tall figure b.u.t.toned up in an old-fashioned frockcoat, the petrified, mummified remains of a once handsome man. He walked up to me, took both my hands and shook them ceremoniously. His face showed no traces of emotion; his eyes were dry, and he had not a word to say. Did he understand? I really do not know.

He seemed to think the affair was an ordinary introduction. As I looked at him his wife's words came back to me, "Men forget sooner." She gazed at him as if she would put blood into his veins, where it had long ceased to flow.

"Cristoforo, I know this will be a great joy to you, and you will join with me in thanking Monsieur Lamp.r.o.n for his generosity. You, sir, will express to him all the Count's grat.i.tude and my own, and also the sympathy we feel for him in his recent loss. Besides, we shall write to him. Is Monsieur Lamp.r.o.n rich?"

"I had forgotten to tell you, Madame, that my friend will accept nothing but thanks."

"Ah, that is truly n.o.ble of him, is it not, Cristoforo?"

All the answer the old Count made was to take my hands and shake them again.

I used the opportunity to put forward my request in behalf of M.

Charnot. He listened attentively.

"I will give orders. You shall see everything--everything."

Then, considering our interview at an end, he bowed and withdrew to his own apartments.

I looked for the Countess Dannegianti. She had sunk into her great armchair, and was weeping hot tears.

Ten minutes later, M. Charnot and Jeanne entered with me into the jealously guarded museum.

Museum was the only name to give to a collection of such artistic value, occupying, as it did, the whole of the ground floor to the right of the hall. Two rooms ran parallel to each other, filled with pictures, medals, and engravings, and were connected by a narrow gallery devoted to sculpture.

Hardly was the door opened when M. Charnot sought the famous medals with his eye. There they were in the middle of the room in two rows of cases.

He was deeply moved. I thought he was about to make a raid upon them, attracted after his kind by the 'auri sacra fames', by the yellow gleam of those ancient coins, the names, family, obverse and reverse of which he knew by heart. But I little understood the enthusiast.

He drew out his handkerchief and spectacles, and while he was wiping the gla.s.ses he gave a rapid and impatient glance at the works that adorned the walls. None of them could charm the numismatist's heart. After he had enjoyed the pleasure of proving how feeble in comparison were the charms of a t.i.tian or a Veronese, then only did M. Charnot walk step by step to the first case and bend reverently over it.