"I am going . . . I am ill . . ." said Kistunov in a weary voice.

"I have dreadful palpitations."

When he had driven home Alexey Nikolaitch sent Nikita for some laurel drops, and, after taking twenty drops each, all the clerks set to work, while Madame Shtchukin stayed another two hours in the vestibule, talking to the porter and waiting for Kistunov to return. . . .

She came again next day.

AN ENIGMATIC NATURE

ON the red velvet seat of a first-cla.s.s railway carriage a pretty lady sits half reclining. An expensive fluffy fan trembles in her tightly closed fingers, a pince-nez keeps dropping off her pretty little nose, the brooch heaves and falls on her bosom, like a boat on the ocean. She is greatly agitated.

On the seat opposite sits the Provincial Secretary of Special Commissions, a budding young author, who from time to time publishes long stories of high life, or "Novelli" as he calls them, in the leading paper of the province. He is gazing into her face, gazing intently, with the eyes of a connoisseur. He is watching, studying, catching every shade of this exceptional, enigmatic nature. He understands it, he fathoms it. Her soul, her whole psychology lies open before him.

"Oh, I understand, I understand you to your inmost depths!" says the Secretary of Special Commissions, kissing her hand near the bracelet. "Your sensitive, responsive soul is seeking to escape from the maze of ---- Yes, the struggle is terrific, t.i.tanic. But do not lose heart, you will be triumphant! Yes!"

"Write about me, Voldemar!" says the pretty lady, with a mournful smile. "My life has been so full, so varied, so chequered. Above all, I am unhappy. I am a suffering soul in some page of Dostoevsky.

Reveal my soul to the world, Voldemar. Reveal that hapless soul.

You are a psychologist. We have not been in the train an hour together, and you have already fathomed my heart."

"Tell me! I beseech you, tell me!"

"Listen. My father was a poor clerk in the Service. He had a good heart and was not without intelligence; but the spirit of the age --of his environment--_vous comprenez?_--I do not blame my poor father. He drank, gambled, took bribes. My mother--but why say more? Poverty, the struggle for daily bread, the consciousness of insignificance--ah, do not force me to recall it! I had to make my own way. You know the monstrous education at a boarding-school, foolish novel-reading, the errors of early youth, the first timid flutter of love. It was awful! The vacillation! And the agonies of losing faith in life, in oneself! Ah, you are an author. You know us women. You will understand. Unhappily I have an intense nature.

I looked for happiness--and what happiness! I longed to set my soul free. Yes. In that I saw my happiness!"

"Exquisite creature!" murmured the author, kissing her hand close to the bracelet. "It's not you I am kissing, but the suffering of humanity. Do you remember Raskolnikov and his kiss?"

"Oh, Voldemar, I longed for glory, renown, success, like every-- why affect modesty?--every nature above the commonplace. I yearned for something extraordinary, above the common lot of woman! And then--and then--there crossed my path--an old general--very well off. Understand me, Voldemar! It was self-sacrifice, renunciation!

You must see that! I could do nothing else. I restored the family fortunes, was able to travel, to do good. Yet how I suffered, how revolting, how loathsome to me were his embraces--though I will be fair to him--he had fought n.o.bly in his day. There were moments --terrible moments--but I was kept up by the thought that from day to day the old man might die, that then I would begin to live as I liked, to give myself to the man I adore--be happy. There is such a man, Voldemar, indeed there is!"

The pretty lady flutters her fan more violently. Her face takes a lachrymose expression. She goes on:

"But at last the old man died. He left me something. I was free as a bird of the air. Now is the moment for me to be happy, isn't it, Voldemar? Happiness comes tapping at my window, I had only to let it in--but--Voldemar, listen, I implore you! Now is the time for me to give myself to the man I love, to become the partner of his life, to help, to uphold his ideals, to be happy--to find rest--but--how ign.o.ble, repulsive, and senseless all our life is! How mean it all is, Voldemar. I am wretched, wretched, wretched!

Again there is an obstacle in my path! Again I feel that my happiness is far, far away! Ah, what anguish!--if only you knew what anguish!"

"But what--what stands in your way? I implore you tell me! What is it?"

"Another old general, very well off----"

The broken fan conceals the pretty little face. The author props on his fist his thought--heavy brow and ponders with the air of a master in psychology. The engine is whistling and hissing while the window curtains flush red with the glow of the setting sun.

A HAPPY MAN

THE pa.s.senger train is just starting from Bologoe, the junction on the Petersburg-Moscow line. In a second-cla.s.s smoking compartment five pa.s.sengers sit dozing, shrouded in the twilight of the carriage.

They had just had a meal, and now, snugly ensconced in their seats, they are trying to go to sleep. Stillness.

The door opens and in there walks a tall, lanky figure straight as a poker, with a ginger-coloured hat and a smart overcoat, wonderfully suggestive of a journalist in Jules Verne or on the comic stage.

The figure stands still in the middle of the compartment for a long while, breathing heavily, s.c.r.e.w.i.n.g up his eyes and peering at the seats.

"No, wrong again!" he mutters. "What the deuce! It's positively revolting! No, the wrong one again!"

One of the pa.s.sengers stares at the figure and utters a shout of joy:

"Ivan Alexyevitch! what brings you here? Is it you?"

The poker-like gentleman starts, stares blankly at the pa.s.senger, and recognizing him claps his hands with delight.

"Ha! Pyotr Petrovitch," he says. "How many summers, how many winters!

I didn't know you were in this train."

"How are you getting on?"

"I am all right; the only thing is, my dear fellow, I've lost my compartment and I simply can't find it. What an idiot I am! I ought to be thrashed!"

The poker-like gentleman sways a little unsteadily and sn.i.g.g.e.rs.

"Queer things do happen!" he continues. "I stepped out just after the second bell to get a gla.s.s of brandy. I got it, of course. Well, I thought, since it's a long way to the next station, it would be as well to have a second gla.s.s. While I was thinking about it and drinking it the third bell rang. . . . I ran like mad and jumped into the first carriage. I am an idiot! I am the son of a hen!"

"But you seem in very good spirits," observes Pyotr Petrovitch.

"Come and sit down! There's room and a welcome."

"No, no. . . . I'm off to look for my carriage. Good-bye!"

"You'll fall between the carriages in the dark if you don't look out! Sit down, and when we get to a station you'll find your own compartment. Sit down!"

Ivan Alexyevitch heaves a sigh and irresolutely sits down facing Pyotr Petrovitch. He is visibly excited, and fidgets as though he were sitting on thorns.

"Where are you travelling to?" Pyotr Petrovitch enquires.

"I? Into s.p.a.ce. There is such a turmoil in my head that I couldn't tell where I am going myself. I go where fate takes me. Ha-ha! My dear fellow, have you ever seen a happy fool? No? Well, then, take a look at one. You behold the happiest of mortals! Yes! Don't you see something from my face?"

"Well, one can see you're a bit . . . a tiny bit so-so."

"I dare say I look awfully stupid just now. Ach! it's a pity I haven't a looking-gla.s.s, I should like to look at my counting-house.

My dear fellow, I feel I am turning into an idiot, honour bright.

Ha-ha! Would you believe it, I'm on my honeymoon. Am I not the son of a hen?"

"You? Do you mean to say you are married?"

"To-day, my dear boy. We came away straight after the wedding."

Congratulations and the usual questions follow. "Well, you are a fellow!" laughs Pyotr Petrovitch. "That's why you are rigged out such a dandy."

"Yes, indeed. . . . To complete the illusion, I've even sprinkled myself with scent. I am over my ears in vanity! No care, no thought, nothing but a sensation of something or other . . . deuce knows what to call it . . . beat.i.tude or something? I've never felt so grand in my life!"

Ivan Alexyevitch shuts his eyes and waggles his head.