"They're getting their answer to their prayer before they offer it,"

said Mr. Douglas to Clifford as they sat up on their rugs and listened to the downpour on the tent.

"It has no effect on them," replied Clifford. "The snake dance means a prayer for rain for the whole season. This rain the poor devils believe is an answer to their prayer made two years ago. It's a little late in getting here but every drop of water between the two dances is so accounted for."

By the middle of the forenoon it had cleared up and the two parties, increased by other tourist crowds that had come in during the night, proceeded to climb the trail into Oraibi.

Van Shaw and his two friends in spite of the rain had got up early and finished making the litter. When the moment came for Helen to be transferred to it there was an embarra.s.sing halt and the young men eyed one another. Felix was determined to be one of the carriers and Walter was bound to be another. Van Shaw seemed to take for granted that as he was the one who had suggested the affair he should be another. The two friends from Pittsburgh protested that they would be desolate if not allowed to help.

Felix and Walter had gone to the head of the cot and seized the ends of the tent poles and Van Shaw had stepped up to one of the poles at the other end when Esther, who perhaps sensed some electricity in the air not caused by the recent thunder storm, said to Paul:

"You take hold with Mr. Van Shaw, Paul, and let Mr. Coleman and Mr.

Calder take their turn later. The trail looks very steep. I'm sure you will need to be relieved occasionally."

They started accordingly and Helen laughingly complimented her cavaliers as they picked up the cot and after several trials discovered the most effective way of handling it.

The trail was bounded on one side by the Oraibi cemetery. The recent rains had washed some of the bodies out of their graves made in the loose gravel of the steep hill. The trail wound up sharply, disclosing at every turn some new marvel of the limitless expanse below. A Hopi came out on a ledge far above them and chanted his song to the sun.

Every step brought the party nearer the queer built houses and the kivas with their projecting ladders. Other visitors and tourists were on the trail in front and the progress was slow. Several stops were made and changes occurred in the order of carriers, but when the top of the rock was reached, Masters, who with Mrs. Masters and Miss Gray were close behind the litter, suddenly exclaimed, "There is Talavenka!" pointing to the roof of the first house fronting the trail. A Hopi maiden, distinguished by her whorl of hair as unmarried, stood up by the ladder, smiling down at the party.

Mrs. Douglas, who was walking with Mrs. Masters and who had during the trip heard of this one Christian Hopi, went over to the foot of the ladder with her. Paul, who was tremendously interested in all sorts of Indian lore, went into the house to examine some wedding baskets. The two Pittsburgh young men suddenly found themselves surrounded with an Indian group selling curios, Walter sauntered over in the direction of Miss Gray to ask her about the kivas. Felix stayed jealously for a while by Helen who was simply carried away with the wonderful sights all about her, but looking over in Mrs. Douglas's direction and seeing her for a moment alone, thought his opportunity to speak to her ought to be seized at once, and went over towards her. And so it happened naturally enough that for a moment Helen and Van Shaw were left together. The crowd of tourists, curious, chattering, laughing, careless, flowed up the trail past them and began scattering over the village seeking curios and poking their heads into the doors of the little houses. The sun flamed out in a clear blue sky, the grey rock turned red under its hot stroke, and Helen, who lay restfully on her litter which had been placed on top of one of the kivas, indulged her romance loving spirit to the full as she lay there almost forgetful of Van Shaw's presence until she was startled out of her day dream by his voice as he moved from where he had been standing and came and sat down on the edge of the kiva near her.

CHAPTER XV

"MISS DOUGLAS, I haven't had half a chance to talk to you and you'll forgive me, won't you, if I take advantage of this moment."

Helen was not in the slightest degree prepared for what Van Shaw was going to say. She was conscious, as every beautiful young woman must be, of her charms and of the effect of them on the young men she met, but she would have been a most remarkably vain and shallow person if she had ever imagined for herself such a scene as the one now being acted out on the top of the rock at Oraibi. The wildest stretch of her romantic temperament had never carried her so far, and when she first began to really grasp the sense of what Van Shaw was saying she was frightened and angry. At the same time there was a certain feeling of pride and exultation of which she was vaguely ashamed.

Helen quietly began to say some simple thing in reply to Van Shaw's first remark when he hurriedly went on, interrupting her:

"I won't have much time to speak now, but I'm going to risk everything, and tell you. I just can't keep it to myself. It may sound awfully absurd to you,--I suppose it does, but I can't help it. I'm just simply dead in love with you and I want you to know that I------"

"What!" said Helen sharply. She was so disturbed, so confused in her mind that Van Shaw's words seemed unreal, as unreal as the kiva on which she was sitting or the changing groups of vivid colour moving about on the tops of the houses.

"I can't help it," Van Shaw began again hurriedly, "You do not know how fascinating you are. It has just swept me off my feet."

This time Helen understood what Van Shaw was saying and her face was flooded with a swift wave of colour. And she said coldly:

"You have no right to talk to me like that. I will not listen." She turned her head and saw her mother just coming out of Talavenka's house, standing at the foot of the ladder as if preparing to go up with Mrs.

Masters to the house roof.

"Mother!" she called, in a dim way thinking of nothing except her desire somehow to escape a very embarra.s.sing scene with Van Shaw. But there was so much noise made by the clattering groups of tourists and the sudden arrival of new comers that Mrs. Douglas did not hear. Besides at that moment Helen saw Bauer speaking to her and the next moment he and her mother had walked slowly off together up the tortuous village street and were lost to sight in the crowd.

Van Shaw sat down on the kiva, and smiled a little. But his face was pale, and evidently for one of the rare occasions in his life he was truly and desperately in earnest.

"You can't blame me, can you?"

"It's--it's simply impossible. It's out of the question. I have not known you two days."

"It doesn't take lighting two days to hit," said Van Shaw doggedly.

"I won't listen. I forbid your talking to me," said Helen haughtily.

"All right. But you can't forbid my thinking of you."

"But I can and I will refuse to be in your company!" said Helen. She was angry now at something undefined in Van Shaw's manner. "If you do not leave me at once, I will try to leave you." She actually made a movement to rise and put her foot on the ground at the edge of the kiva. Van Shaw instantly got up and said quickly, "Of course I'll go. But I can't change my feelings and never shall. Promise me one thing. Don't believe all the stories you may hear about me."

He had turned and walked up the street and Helen sank back with a strange feeling of relief mingled with shame and again that other feeling--what was it, pride? The sense of power over men? The feeling that her beauty was a gift or something else? She was frightened at it all put together and felt irritated to be left alone by the rest of the party as she looked around at the medley of old and new jumbled together in that Hopi village. And then the next reaction left her nervous and somewhat hysterical as she tried to imagine such a thing in a book. She actually laughed and the next moment Miss Gray and Walter appeared, at the edge of the kiva. Miss Gray came running up to her.

"It's a shame to leave you here alone. How did that happen?"

"Oh, I don't know. I haven't been alone long. How strange everything is."

"Yes. And it gets stranger the more you see of it. Talavenka and her mother have asked us to eat with them. They will have something ready in about an hour. You had better go in and rest there a while. It's too hot out here. Where are your jinrikisha men?"

"Van Shaw just went up the street," said Walter looking closely at Helen.

"We don't need him," said Miss Gray. "Mr. Douglas, will you get Mr.

Coleman and Mr. Calder? There they are, over there. I'll help, and we'll take Helen over to Talavenka's."

Walter went over to call the Pittsburgh young men and Miss Gray and Helen were together a moment. Helen suddenly asked:

"Do you know Mr. Van Shaw, Lucy? Didn't I hear you say to mother yesterday that he was related distantly to your mother?"

"Yes," said Miss Gray slowly. "He is. What do you want to know?"

"Anything you can tell me."

Miss Gray looked troubled.

"Are you willing to tell me why you want to know?"

Helen hesitated. Walter and the young men were approaching.

"Give me your full confidence," Miss Gray smiled at Helen. "And I will know better what to tell."

"I will when there is time for it," Helen said and that was all she could say, before she was carried into Talavenka's house.

Once inside the little square room with its corn grinding boxes taking up one whole side of it there was so much of interest that Helen let everything else wait, as she watched the preparations for the meal soon to be served. It would be several hours before the snake dance and in that time there was no likelihood that Van Shaw would try to speak to her again. She was not afraid of that, but she felt uneasy at the thought of some future scene, just what she was not clear about, but it vexed and allured her until finally the surroundings compelled all her attention and drove everything else out of her imagination.

Her father and mother, Mr. and Mrs. Masters and Miss Gray were invited with her to the mid day meal in the house. The rest of the Tolchaco party ate out of doors on the platform by the door. There was boiled mutton, red, white and blue wafer bread made of corn meal that made one think he was eating wall paper, Elijah Clifford said, melons, green peas taken from a can that had a Ft. Wayne, Ind., label on it, and to Mr. and Mrs. Douglas's astonishment some delicious peaches brought by Talavenka's brother all the way from their little garden down by the Oraibi Wash. In reply to questions from Mr. Masters, who used Talavenka as interpreter, Schewingoiashchi said, as if it were an ordinary every day occurrence, that her oldest boy nineteen years old had run twenty-five miles that forenoon to get the peaches from the orchard for their antic.i.p.ated guests.

About an hour before sunset they all went out to the village plaza to witness the great event of the year in Oraibi. And as long as they live they will need no photographs or pictures to make the weird scene vivid to them.

Picture a grey ma.s.s of rock rising up abruptly above the desert, bare of tree or shrub; scattered over its irregular top, blocks of two and three story stone and dried brick houses, for the most part square in outward shape, with steps on the outside built into the wall, or heavy ladders with long projecting ends resting upon platforms built in front of small square topped doorways, the roofs flat and covered with dried gra.s.ses.

No stairways within these houses permitting pa.s.sage from lower to upper rooms, and all built after century old architectural plans, by the hands of women. Between the blocks of irregular houses picture rectangular slabs of stone rising two feet above the ground, containing an opening in the middle out of which project high in the air the two ends of a hard-wood ladder, the rungs of which have been worn almost through by the pa.s.sage of naked feet that have pressed up and down on these bits of wood for scores of years. It is not easy to imagine the real fact that down in those upstairs cellars the men of Oraibi lead their club life, weaving down there in the dim light that filters past the ladder, the rugs and belts and other material mysteriously used for religious ceremonial. And down in the snake priests' kiva, just over yonder, the venomous reptiles have been kept for weeks past in the sacrificial clay jars, out of which they have crawled during the rites of their purification and hung in twisted hissing knots out of the crevices between the sides of the kiva walls, from which places the brown hands of old Thisdoa, Talavenka's father, have only this morning taken them to put in the cottonwood booth out on the village plaza, where they are now awaiting their part in the coming ceremony. For old Thisdoa is the head priest and knows more of the mysteries of the snake nature than any being in Oraibi.

The sun is just on the edge of the desert. All traces of the morning storm are vanished. Out on the tops of the houses all about the open plaza, groups of men and women begin to appear, the unmarried girls distinguished from the married by the graceful whorls of black hair standing out in marked contrast with the two rolls that hang down past the ears of the matrons. Cowboys, Navajo hors.e.m.e.n, traders, all the non-acting part of Oraibi's population, tourists, photographers, visitors, crowd up in a rainbow coloured fringe about the sandy depression which now contains only one conspicuous object, the cottonwood booth or kisi, the size of a boy's wigwam, having a canvas flap on the side opening close by the broad board over which the feet of the priests will thump as they file past. A moving picture machine is installed on top of a near-by house. The Boston, New York, Pittsburgh, Cleveland and Chicago tourists and newspaper men are grouped about in what they believe are advantageous positions. The costumes vary from smart tailor made dresses worn by the tourist girls from Cincinnati to a Hopi child's dress made of a piece of a gunny sack bearing the name of a Minnesota flouring mill. Over all the jumble of old and new, modern and ancient, the setting sun floods the medley of colour and language and dress and Christian and pagan. And in the stillness that waits the coming of the twenty-four priests out of the kivas, the town crier walks out on the corner of a house top and cries aloud an announcement of a service to be held that night in the little mission chapel out there on the edge of the rock.