The Harbor - Part 53
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Part 53

The chance to show they were not afraid came late in the afternoon. The clear, sweet call of a bugle came floating gaily on the air, then the long, hard roll of drums, and from their camp on the Farm the troops came on the double-quick up along the waterfront. Now thousands of strikers were running that way. From the foot of a city street across the wide open s.p.a.ce to a pier the militia formed in two double lines, each line facing outward. Then down that street came mounted police and behind them a score of trucks loaded with freight.

At first I had hopes that the ma.s.s would not move. But out of the silence came angry shouts and those behind pushed forward. Those in front were pressed close up to the sharp lines of bayonets, were prodded savagely by the troops. Militia youngsters but half trained, in two thin lines opposing what appeared to them a furious sea of faces, fists and angry cries--no wonder they were nervous. Bricks came flying from all sides and even heavy paving-stones, and then a few pistol shots out of the ma.s.s. I saw a militia man drop on one knee and slowly topple over. I saw an excited young officer shout at his men and wave his sword. I saw long rows of guns make quick rhythmic movements, then level straight out, and there were two long flashes of fire.

Disordered throngs were running now. Only a few men here and there turned to fire their pistols or to shout back frenzied, quivering oaths.

Behind them a few soldiers were still shooting without orders. Near the sand-pile on which I stood I saw a young militia man enough like that little shoe-clerk to have been his brother. His face was white and his eyes wild, he was panting, pumping his lever and blindly firing shot after shot.

"G.o.d d.a.m.n 'em, slaughter 'em, slaughter 'em!"

An officer knocked up his gun.

That night the waterfront was still. Only the long, slow moving line of the figures of sentries was to be seen. The troops were back in their camp on the Farm. Bivouac fires were burning down there, but up here was only a dark, empty s.p.a.ce.

Here scattered about on the pavement, after the firing had ceased, I had seen the dark inert bodies of men. Most of them had begun to move, until fully half were crawling about. They had been picked up and counted.

Thirty-nine wounded, fourteen dead. These, too, had all been taken away.

From the high steel docksheds there came a deep, harsh murmur made up of faint whistles, the rattle of winches, the shouts of the foremen, the heavy jar and crash of crates. A tug puffed smoothly into a slip with three barges in her wake. I walked slowly out that way. The tugmen and the bargemen talked in quiet voices as they made fast their craft to the pier. Below them the water was lapping and slapping.

"The world's work has been clogged up a little. It's to go on again now."

The next day three heavy battleships steamed sluggishly through the Narrows and came to anchor in the bay. When interviewed by reporters, their commanders were vastly amused. No, they said, the United States Navy was not governed as to its movements by strikes. They simply happened to be here through orders issued weeks ago. But their coming was featured in headlines.

I saw something else in the papers that night, a force greater than all battleships. As a week before I had felt a whole country in revolt, I felt now a country of law and order, a whole nation of angry tradesmen impatiently demanding an end to all this "foreign anarchy."

"We want no more of your strikes," it said. "None of your new crowd spirit, none of your wild talk and dreams! We want no change in this country of ours!"

The authorities obeyed this will. Bail was denied to Marsh, Vasca and Joe, and for them a speedy trial was urged. The press now held them responsible not only for that first negro's death, but for all the deaths since their arrest. Let them pay the full penalty! Let them be made an example of! Let this business of anarchy be dealt with and settled once and for all!

The work of crushing the strike went on. More troops were brought to the harbor. On the docks there were not only negroes now, thousands of immigrant laborers were brought from Ellis Island and put to work at double pay, and on every incoming vessel the stokers were all kept on board. Among the strikers there was a break that swiftly spread and became a stampede. And in the following week the work of the harbor went on as before, with its regular commonplace weekly toll of a hundred killed and injured. Peace had come again at last.

On Sat.u.r.day morning of that week I stood on the deck of a ferryboat packed with little commuters who waved and cheered a huge ocean liner bound for Europe. Lying deep in the water, her hold laden heavy with the products of this teeming land, her decks thronged with travelers with money in their pockets, her band playing, her flags streaming out, and over all on the captain's bridge the officers up there in command--she was a mighty symbol of order and prosperity and of that Efficiency which to me had been a religion for so many years. We all followed the great ship with our eyes as, gathering headway, she steamed out past the Statue of Liberty toward the battleships beyond.

"Well," said an amused little man close by me, "I guess that'll be about all from the strikers."

"Oh my smiling little citizen--you've only seen the beginning," I thought.

What were the strikers thinking now, and what would they be thinking soon? They had wanted easier lives, they had wanted to feel themselves powers here. Caught up in the tide of democracy now sweeping all around the earth, they had wanted to feel themselves running themselves in all this work they were doing. So they had come out on strike and become a crowd, and in the crowd they had suddenly found such strength as they never dreamed could be theirs. And they would not easily forget. The harbor was already seeing to that, for already its work had gone on with a rush, and all its heavy labor was weighing down upon them--"like a million tons of brick on their chests." I remembered what Joe Kramer had said: "It's got so they can't even breathe without thinking."

Was the defeat of this one strike the end?

The grim battleships answered, "Yes, it is the end."

But the restless harbor answered, "No."

What change was coming in my life? I did not know. Of one thing only I was sure. The last of my G.o.ds, Efficiency, whose feet had stood firm on mechanical laws and in whose head were all the brains of all the big men at the top, had now come tottering crashing down. And in its place a huge new G.o.d, whose feet stood deep in poverty and in whose head were all the dreams of all the toilers of the earth, had called to me with one deep voice, with one tremendous burning pa.s.sion for the freedom of mankind.

BOOK IV

CHAPTER I

Once I saw the harbor in a February storm. And in the wind and skurrying snow I saw it all together like one whirling thing alive. But the next morning the storm had died away, and a wind from the south had brought banks of fog that moved sluggishly low down on the water dividing the whole region into many separate parts. And from above, a dazzling sun shone down upon three objects near me, a ferryboat, a puffing tug, and a tramp which lay at anchor, shone so brightly on these three they seemed alone, with nothing but mist all about them.

So it was now for a time with me. The strike, which had so suddenly drawn me into its whirling crowd-life, now as suddenly dropped away. And personal troubles piled one on the other. In place of that ma.s.s of thousands, I saw only a few people I loved, and I saw them so intensely that for a time we were quite alone, with nothing but mist all around us.

Sue sent for me one morning and I went over to our house. I was startled by the change in her face. It looked not only tired, it looked so disillusioned, done, so through with all the absorbing ideas and warm enthusiasms that had given it abundant life.

"I'm not going to marry Joe Kramer," she said. "And I want you to tell him so."

I stared at her blankly.

"I'm sorry," I said.

"Are you?" There was just a worn shadow of her old smile.

"I don't know why I said that," I replied. "My head's rather dull this morning. All right, Sis, I'll tell him." Still I watched her pityingly.

Poor old Sue. What a crash in her life.

"I'd like you to tell him the whole truth," my sister went on sharply, "just why I've decided as I have. Don't say it's because of father. When I wanted Joe, Dad didn't count, he was nothing to me but a back number.

But I _don't_ want him now--Joe, I mean--I don't love him any more. If I went to him to-day in his cell and said I'd stick by him no matter what happened because he was the man I loved--I'd be lying--that wouldn't be me. The real me is a much smaller person than that. I don't love Joe because I've been scared--because he's in a common jail--waiting to be tried for murder." Her face contracted slightly. "I suppose it's the way I've been brought up."

"But Sue----"

"Don't stop me, Billy, let me talk!" And she talked on intensely, so absorbed in this fierce impulsive confession that she seemed to forget I was there. "I've been thinking what's to become of me. I've been thinking about all the things I've been in, and none seem real any longer--I wanted a thrill and I got it--that's all. Then I met Joe and I got it again, I got a thrill out of all his life and the big things it was made of. I got a _great_ thrill out of the strike. Don't you remember how I talked three weeks ago when you were here? Dad was the Old and I was the New. I saw everything beginning. I read Walt Whitman's 'Open Road' and I felt like Joe's 'camarado.' Well, and I kept on like that. And like a little idiot I couldn't keep it to myself, I went and told some of my friends. That's what's really the hardest now, what hurts the most--I told my friends. I posed as a young Joan of Arc. I was going to marry, give up everything, chuck myself into this fight for the people, into revolution! Thrills, I tell you, thrills and thrills!

"But then Joe got arrested. I knew he was in a cell in the Tombs, in Murderers' Row. And that drove all the thrills away. That was real. Dad made it worse. He talked about the coming trial, Sing Sing and the death house there. One morning he tried to read to me an account of an execution. I ran away, but I came back and read it myself, I read all the hideous details right up to the iron chair. And just because there was a chance of Joe's being like that, all at once I stopped loving him.

Not just because I was frightened, it wasn't so simple as a scare. It was something inside of me shuddering, and saying 'how revolting!' I tried to shake it out of me, I tried to keep on loving him! But I couldn't shake it out of me! Joe had become--revolting, too! It's because of the way I've been brought up and because of the way I've always lived! I can't stand what's real--if it's ugly! That's me!"

She broke off and looked down. I came and sat beside her, and took her cold, quivering hands in mine:

"I guess I _am_ sorry, Sue old girl----"

"Don't be," she retorted. "I'm too sorry for myself as it is! That's another part of me!" Again she broke off with a hard little laugh.

"Let's forget me for a minute. What has this sweet strike done to _you_?"

"I'm not sure yet," I answered. "Where is Dad?"

"Up in his room."