The Greville Memoirs - Volume I Part 32
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Volume I Part 32

[Page Head: ANTIQUE PAINTING]

April 29th, 1830 {p.346}

On Tuesday again to the Museum and the King's Palace; rather fine, good house, very ridiculous pictures of the royal families of Naples and Spain. The d.u.c.h.ess of Floridia's apartment (old Ferdinand's wife) is delightful; the rooms are furnished with blue satin and white silk, opening upon a terrace covered with orange-trees, flowers, and shaded walks, and looks over the Bay.

A few fine pictures, but not many. There is a bath, built after one of those at Pompeii.

From what I saw at the Museum, I see no reason to doubt that the ancients were as excellent in painting as in sculpture; there are some very exquisite paintings taken from Pompeii. Then we are not to believe that the best have been found, or that a provincial town contained the finest specimens of the art. Painted on walls, they appear deficient in light and shade, but the drawing and expression, and sometimes the colouring (allowing for spoiling), are very good. There are some Cupids playing at games, and driving chariots, very like the Julio Romanos in the Lanti Villa at Rome, which indeed were borrowed from the ancient frescoes discovered in the Baths of t.i.tus. The bronzes taken out of Herculaneum and Pompeii are very interesting, because they display the whole domestic economy of the ancients, and their excellent taste in furniture, sacrificial instruments, &c., but there is nothing particularly curious in the fact of their pots and pans being like our pots and pans, for if they were to boil and stew they could not well have performed those operations with a different kind of utensils. However, all the people marvel at them; they seem to think the Romans must have been beings of a different organisation, and that everything that is not dissimilar is strange. What is really curious is a surgical instrument which was lately found, exactly similar to one invented thirty years ago in France. The lava would not touch bronze; the iron was always encrusted and spoilt, but the bronze things all look like new.

May 2nd, 1830 {p.347}

Went to the Lake of Agnano and the Grotto del Cane; very pretty lake, evidently the crater of a volcano; saw the dog perform; a sight neither interesting nor cruel; the dog did not mind it a bit, and the old woman must make a fortune, for she had eight carlins for it. The grotto is very hot and steaming; a torch goes out held near the ground, and when I put my face down the steam from the earth went up my nose like salts. Virgil's Tomb, which is very picturesque, and from whence the common view of Naples is taken; there has been plenty of discussion whether it really is Virgil's tomb or not. Forsyth seems to doubt it, with one of his off-hand flings at the authority for its being so, a sort of 'Who the Devil, I humbly beg to know, is Donatus?' but there is tradition in its favour, the fact of Virgil having been buried here or hereabouts, and the honour being claimed by no other spot. When there is probability it is unwise to be so very sceptical: take away names, and what are the places themselves?

Here not much, at Rome nothing.

[Page Head: RUINS ABOUT NAPLES]

Thursday. {p.348}

Went a long and most beautiful ride up to the Camaldoli, from which the view extends over sea and land to an immense distance in every direction.

Thus was this place A happy rural seat of various views.

The convent was once very rich, but the French stripped all the convents of their property, which they have never since recovered. It is remarkably clean and s.p.a.cious. Each monk has a house of his own containing two or three little rooms, and a little garden, and they only eat together on particular days. The old man who took us about said he had been there since he was eighteen, had been turned out by the French, but came back as soon as he could, and had never regretted becoming a monk. He showed me a bust of the founder of their order (I think San Romualdo), and when I asked him how many years ago it was founded, he said, 'Perhaps 2,000.' I said when I became a monk I would go to that convent, when he asked very seriously if I was going to be a monk. I said, 'Not just yet.' 'Very well,' he said; 'you must pay 120 ducats, and you can come here.' We went down a road cut for miles in the mountain, very narrow and steep, through shady lanes, groves, and vineyards (with magnificent views), through Pianura to Pozzuoli, entering by the old Roman road and Street of Tombs. The _columbaria_ in the Street of Tombs are the best worth seeing _ejus generis_ of any. Went to the Temple of Jupiter Serapis, of which there are very curious remains.

Hard by the reverent ruins Of a once glorious temple, reared to Jove, Whose very rubbish (like the pitied fall Of virtue, most unfortunate) yet bears A deathless majesty, though now quite rased, Hurl'd down by wrath and l.u.s.t of impious kings, So that where holy Flamens wont to sing Sweet hymns to Heaven, there the daw and crow, The ill-voiced raven, and still chattering pie Send out ungrateful sounds.

MARSTON.

To the ruins of the Amphitheatre, from the top of which there is one of the finest views I ever saw of the Bay of Baiae and the islands; and then to the Solfaterra. The ruins scattered about Naples (those at Pozzuoli, for instance) are far more extensive than most of those at Rome, but partly 'carent quia vate sacro,'

and partly because there are no well-known names attached to them, the ground is not so holy, and little is said or thought about them. If these temples were at Rome, what an uproar they would cause! The Solfaterra is remarkable as a sort of link between the quick and the dead volcanoes; it is considered extinct, but the earth is hot, the sulphur strong, and at a particular spot, when a hole is made, it hisses and throws up little stones and ashes, and exhibits a sort of volcano in miniature, but the surface of the crater is overgrown with vegetation. The road to Naples by the convent of the Jesuits and Chapel of St. Januarius is the most beautiful I ever saw, particularly towards sunset, when the colouring is so rich and varied. It lies over a crest commanding a prospect of the mountains on one side and the sea on the other.

Quid mille revolvam Culmina visendique vices.

May 3rd, 1830 {p.349}

We sailed across the Bay to Resina, to see Herculaneum, the old and new excavations. At the new there are only seven or eight men at work; the old are hardly worth seeing. So much earth and cinders are mixed with the lava in the new part, that they might excavate largely if they would spend money enough; at present they have only excavated one or two houses, but have found some bronzes and marbles. The houses are laid open, just like those at Pompeii.

[Page Head: ASCENT OF VESUVIUS]

The next day Morier, Watson, and I set off to ascend Vesuvius; we rode on donkeys from Salvatore's house to the bottom of the last ascent, which was rather less formidable than I expected, though fatiguing enough. Another party went up at the same time: one man of that party, Watson, and I walked up alone; the others were all lugged up. They take the bridles off the donkeys and put them on the men; the luggee holds by this tackle and the guide goes before him. After infinite puffing and perspiring, and resting at every big stone, I reached the top in thirty-five minutes. It was very provoking to see the facility with which the creatures who attended us sprang up. There was one fellow with nothing on but a shirt and half a pair of breeches, who walked the whole way from Resina with a basket on his head full of wine, bread, and oranges, and while we were slipping, and clambering, and toiling with immense difficulty he bounded up, with his basket on his head, as straight as an arrow all the time, and bothering us to drink when we had not breath to answer. I took three or four oranges, some bread, and a bottle of wine of him at the top, and when I asked Salvatore what I should pay him, he said two carlins (eightpence English). I gave him three (a shilling), and he was transported. It was a magnificent evening, and the sunset from the top of Vesuvius (setting in the sea) a glorious sight--

For the sun, Declined, was hastening now with p.r.o.ne career To the ocean's isles, and in th' ascending scale Of heaven the stars, that usher evening, rose.

The view, too, all round is very grand; the towns round the Bay appear so clear, yet so minute. I had formed to myself a very different idea of the crater, of which the dimensions are very deceitful; it is so much larger than it appears. The bottom of the crater is flat, covered with ma.s.ses of lava and sulphur, but anybody may walk all about it. At one end stands what looks like a little black hillock, from which smoke was rising, as it was from various crevices in different parts; that little hillock is the crater from which all eruptions burst. The mountain was provokingly still, and only gave one low grumble and a very small emission of smoke and fire while we were there; it has never been more tranquil. The descent is very good fun, galloping down the cinders; you have only to take care not to tumble over the stones; slipping is impossible. The whole ascent of the mountain is interesting, particularly in that part which is like a great ocean of lava, and where the guides point out the courses of the different eruptions, all of which may be distinctly traced. We got to the Hermitage just as it was dark; there was still a red tint round the western horizon, and the islands were dimly shadowed out, while the course of the Bay was marked by a thousand dancing lights. Salvatore has especial care of the mountain under the orders of Government, to whom he is obliged to make a daily report of its state, and he is as fond of it as a nurse of a favourite child, or a trainer at Newmarket of his best race-horse, and delights in telling anecdotes of old eruptions and phenomena, and of different travellers who have ascended it.

Two years ago an English merchant here laid a bet of 200 napoleons that he would go from Resina[2] to the top in an hour and a half. Salvatore went with him, and they did it in an hour and thirteen minutes. The Englishman rode relays of horses, but the guide went the whole way on foot, and the best part of the ascent had to drag up his companion He said it nearly killed him, and he did not recover from it for several weeks; he is 53 years old, but a very handsome man. He said, however, that the fatigue of this exploit was not so painful as what he went through in carrying the Duke of Buckingham to the top; he was carried up in a chair by twelve men, and the weight was so enormous that his shoulder was afterwards swelled up nearly to his head. When the Duke got down he gave a great dinner (on the mountain), which he had brought with him to celebrate the exploit. Salvatore said that he continues to write to many scientific men in various parts of Europe when anything remarkable occurs in the mountain, and talked of Buckland, Playfair, and Davy. We got down to Resina about half-past nine, and at ten embarked again and sailed over to Castel-a-Mare, where we arrived at one o'clock.

[2] From Salvatore's house at Resina to the top of the mountain is seven miles; from the Hermitage to the top, 3-1/3. It is a mile and 200 feet from the bottom of the ascent (on foot) to the top, 800 feet from the point we first gain to the bottom of the crater; the inner crater (or black hill, as I call it) is 230 feet high and 180 feet in circ.u.mference. The miles are Neapolitan miles, about three-fourths of an English mile.

The next morning Mr. Watson and I got a six-oared boat (with sails) and went to Sorrento. Castel-a-Mare and the whole coast are beautiful. Landed a mile from Sorrento, and walked by a path cut in the rock to the Cocomella, a villa with a magnificent prospect of the Bay exactly opposite Naples.

Placido lunata recessu Hinc atque hinc curvas perrumpunt aequora rupes.

Dat natura loc.u.m, montique intervenit imum Litus et in terras scopulis pendentibus exit.

Then to the town to see the curiosities, which are the Piscine, Ta.s.so's house, and some very romantic caverns in a wild dell under the bridge at Sorrento; all very well worth seeing, but Ta.s.so's house was locked, so we could not get to the terrace.

Just as we arrived at Sorrento we found they were performing a ceremony which takes place there every year on the 1st of May, and there only--the benediction of the flowers, the ushering in the may.

With songs and dance they celebrate the day, And with due honours usher in the may.

It was in the Archiepiscopal church, which was gaily adorned with hangings of various colours, gold and silver and flowers, full of people, all in their best attire. A priest in the pulpit opposite the Archbishop's throne called on the representatives of the different parishes (seven in number), who advanced in succession, each bearing a huge cross fifteen or twenty feet high, entirely made of flowers, and adorned with garlands and devices, all likewise of the most brilliant flowers, and, as each came up, a little cannon was fired off. They were blessed in succession, and then deposited around the throne of the Archbishop, who, after this ceremony was concluded, went up to the altar and celebrated High Ma.s.s. They told me that this festival had taken place at Sorrento from the remotest time.

After seeing the Piscine we went into a garden above, where there was a profusion of orange and lemon trees, loaded with ripe fruit; the oranges we pulled off the trees and ate; they were excellent, and as red as Morella cherries--

Whose fruit, burnished with golden rind, Hung amiable, Hesperian fables true, If true, here only, of delicious taste.

We could not stay long at Sorrento, and were four hours rowing across the Bay to Naples. Dined with Hill at the Villa Belvidere (a delicious villa on the Vomero), with a large, tiresome party, princ.i.p.ally English.

[Page Head: THE BLOOD OF SAN GENNARO]

Yesterday the miracle of the blood of San Gennaro was performed, and of course successfully; it will be repeated every morning for eight days. I went to-day to the Cathedral, where San Gennaro's silver bust was standing on one side of the altar, surrounded by lights, and the vessel containing the blood on the other. Round the altar were ranged silver heads of various saints, his particular friends, who had accompanied him there to do him honour, and who will be taken this evening with him in procession to his own chapel. Acton and I went together, and one of the people belonging to the church seeing us come in, and judging that we wanted to see the blood, summoned one of the canons, who was half asleep in a stall, who brought out the blood, which is contained in a gla.s.s vase mounted with silver. It liquefies in the morning, remains in that state all day, and congeals again at night. A great many people were waiting to kiss the vessel, which was handed to us first. We kissed it, and then it went round, each person kissing it and touching it with his head, as they do St. Peter's foot at Rome. San Gennaro and his silver companions were brought in procession from one of the other churches, all the n.o.bility and an immense crowd attending. I had fancied that the French had exposed and put an end to this juggle, but not at all. They found the people so attached to the superst.i.tion that they patronised it; they adorned the Chapel of St. Januarius with a magnificent altarpiece and other presents. The first time (after they came to Naples) that the miracle was to be performed the blood would not liquefy, which produced a great ferment among the people. It was a trick of the priests to throw odium on the French, and the French General Championnet thought it so serious that he sent word that if the blood did not liquefy forthwith the priests should go to the galleys. It liquefied immediately, and the people were satisfied. Acton told me that n.o.body believed it but the common people, but that they did not dare to leave it off. It is what is called a false position to be in, when they are obliged to go on pretending to perform a miracle in which no men of sense and education believe, and in which it is well known they don't any of them believe themselves. Miracles, if sometimes useful and profitable, are sometimes awkward inc.u.mbrances. Drove round the obscure parts of the town, and through dense ma.s.ses of population, by the old palace of Queen Joan and the market place, which was the scene of Masaniello's sedition. He was killed in the great church (in 1646).

May 4th, 1830 {p.354}

To the Museum, and saw the mummies which have been unrolled; they are like thin, black, shrivelled corpses; hair and shape of face perfect, even the eyelids. The canvas fold in which they are wrapped quite fresh-looking; the best preserved is 3,055 years old. Amongst the bronzes there is a bust of Livia with a wig.

Dined with Toledo, the Spanish Minister. The women put their knives into their mouths, and he is always kissing his wife's hand--an ugly little old woman. Toledo was Romana's aide-de-camp.

May 5th, 1830 {p.354}

To c.u.mae, and dined at the Lake of Fusaro with the Talbots and Lushingtons; not a pretty lake, but the country near it pretty enough. A splendid sunset, with real purple. 'Lumine vest.i.t purpureo.'

[Page Head: THE BLOOD OF SAN GENNARO]

May 7th, 1830 {p.355}

In the morning to the Chapel of St. Januarius, to see the blood liquefy. The grand ceremony was last Sat.u.r.day at the Cathedral, but the miracle is repeated every morning in the Chapel for eight days. I never saw such a scene, at once so ludicrous and so disgusting, but more of the latter. There was the saint, all bedizened with pearls, on the altar, the other silver ladies and gentlemen all round the chapel, with an abundance of tapers burning before them. Certain people were admitted within the rails of the altar; the crowd, consisting chiefly of women, and most of them old women, were without. There is no service, but the priests keep muttering and looking at the blood to see if it is melting. To-day it was unusually long, so these old Sibyls kept clamouring, 'Santa Trinita!' 'Santa Vergine!' 'Dio onnipotente!' 'San Gennaro!' in loud and discordant chorus; still the blood was obstinate,[3] so the priest ordered them to go down on their knees and to say the Athanasian Creed, which is one of the specifics resorted to in such a case. He drawled it out with his eyes shut, and the women screamed the responses. This would not do, so they fell to abuse and entreaties with a vehemence and volubility, and a shrill clamour, which was at once a proof of their sincerity and their folly. Such noise, such gesticulations.

One woman I never shall forget, with outstretched arm, distorted visage, and voice of piercing sharpness. In the meantime the priest handed about the phial to be kissed, and talked the matter over with the bystanders. 'e sempre duro?' 'Sempre duro, adesso v' e una piccola cosa.' At last, after all the handling, praying, kissing, screaming, entreating, and abusing, the blood did melt,[4] when the organ struck up, they all sang in chorus, and so it ended. It struck me as particularly disgusting, though after all it is not fair to abuse these poor people, who have all been brought up in the belief of the miracle, and who fancy that the prosperity of their city and all that it contains is somehow connected with its due performance. The priests could not discontinue it but by acknowledging the imposture, and by an imaginative people, who are the slaves of prejudice, and attached to it by force of inveterate habit, the acknowledgment would not be believed, and they would only incur odium by it; there it is, and (for some time at least) it must go on.

[3] I dined at Hill's; sat next to the d.u.c.h.ess de Dalberg, talked of the miracle, which she told me she firmly believed. I fancied none believed it but the lowest of the people, and was (very foolishly) astonished; for what ought ever to produce astonishment which has to do with credulity in matters of religion?

[4] Illarum lacrymae meditataque murmura praestant,-- Juvenal, 6.

Went up to Craven's villa (this is the villa at which the amour between the present Queen of Naples and Captain Hess was carried on), and sat there doing nothing in the middle of flowers, and sea breezes, and beautiful views. To comprehend all the luxury of the _bel far niente_ one must come to Naples, where idleness loses half its evil by losing all its enervating qualities; there is something in the air so elastic that I have never been at any place where I have felt as if I could make exertions so easily as here, and yet it is a great pleasure to sit and look at the Bay, the mountains, the islands, and the town, and watch its amusing inhabitants. At least half an hour of every morning is spent at my window, while I am dressing, watching the lazaroni, who fish, work, swim, dress, cook, play, and quarrel under it. At this moment the scene is as follows:--Half a dozen boats with awnings and flags moored off the landing-place, a few fishing-boats with men mending their nets, three fellows swimming about them, two with red caps on perched upon the wall playing at cards, two or three more looking on, one on the ground being shaved by a barber with a basin (the exact counterpart of Mambrino's helmet), and two or three more waiting their turn for the same operation-- always a certain number lounging about, others smoking or asleep.