II

The Red d.u.c.h.ess

At half after eight we sat down to dinner. Indiman, of course, took the head of the table, and opposite him, propped up on the arms of an enormous "bishop's chair" of Flemish oak, was Lely's portrait of the "Red d.u.c.h.ess." What a glorious picture it was, in the masterly sweep of its lines, in the splendor of its incomparable coloring! The jagged edges of the canvas showed plainly where the vandal knife had pa.s.sed, separating the painting from its frame. But the really big thing is always independent of its cadre; one hardly noticed the mutilation, and then immediately forgot about it.

I had been honored with a seat at the lady's right hand, and opposite me a fourth cover had been laid. Indiman noticed my look of inquiry.

"Only one of my fancies," he explained, smiling. "I always make provision for the unexpected guest. Who knows what supperless angels may be hovering around?"

We were hardly at the soup before a servant brought in a card.

"Roger W. Blake," read Indiman, aloud. "An honest-enough-sounding name.

Is the gentleman in evening dress, Bolder?"

"No, sir; I don't think so, sir."

"Hym! That is unfortunate. Still, if Madame la d.u.c.h.esse will permit, and you, Thorp, have no objection--Good! Ask Mr. Blake to do me the favor of joining us at dinner."

A few minutes later Mr. Roger Blake appeared at the door of the dining-room. He was a young man with a profusion of fair hair and a good deal of color, the latter heightened considerably by the somewhat embarra.s.sing circ.u.mstances attending his introduction. But Indiman relieved the situation immediately, going forward and greeting the new guest with unaffected cordiality.

"Mr. Blake, is it? You are very heartily welcome, I a.s.sure you. Let Bolder take your hat and stick; indeed, I insist upon it. Allow me now to present you: Her Grace the d.u.c.h.ess of Lackshire, more generally known as Lely's 'Red d.u.c.h.ess'--Mr. Roger W. Blake. My friend, Mr.

Thorp--Mr. Blake."

Evidently the young man was not overclear in his own mind as to how it had all happened, but there he was, sitting bolt upright in the vacant chair and drinking two gla.s.ses of wine in rapid succession to cover his confusion. A comedy, apparently, but to what purpose? Mr. Blake blushed painfully, and made no reply to the polite commonplaces that I ventured; Indiman smiled benevolently upon both of us, and in the most natural possible manner led the conversation to the subject of portrait-painting. There was his text before him--the famous "Red d.u.c.h.ess"--and he talked well. I found myself listening with absorbed attention, and even the shy Mr. Blake became oblivious of the keener agonies of self-consciousness. So we went on until the game course had been removed.

Our host rose to his feet, champagne gla.s.s in hand. "Gentlemen," he said, and we followed his example, Blake managing to upset a decanter of sherry in the process, "in life and in art--the fairest of her s.e.x.

I give you, gentlemen, 'La d.u.c.h.esse Rouge.'"

The toast was drunk with becoming decorum. I was about to resume my seat when I saw that Mr. Blake had screwed himself up to a desperate decision, and that the climax of the drama was at hand. He was quite pale, and he stuttered a little as he spoke.

"Very sorry, I--I'm sure," he blurted out, "but you are Mr. In-Indiman?"

"I am, and not in the least sorry for it. Go on."

"It is my d-duty, sir, to place you under arrest for complicity in the theft of that p-p-picture." Mr. Blake threw back his coat and displayed a detective's shield attached to an aggressively red suspender brace.

Esper Indiman bowed ironically. "I presume that my presence at Police Headquarters is necessary?" he inquired.

"Yes, sir. I have a coach in waiting outside, and we will start at once, if you please." Mr. Blake, under the stimulus of his professional functions, lost his embarra.s.sed air and became severely business-like and official. "This gentleman will have to accompany us," he continued, looking at me.

"The coffee, Bolder," called our host, "and never mind the sweets." I drank a demi-ta.s.se and lit a cigarette. "Ready," announced Indiman, and we descended to the coach, Mr. Blake bringing up the rear and carrying the precious picture enveloped in a silken table-cover.

"What reward is offered, officer?" asked Indiman as the carriage drove off.

"One hundred thousand dollars, sir. It will be a big thing for me if--if--" He stopped, a trifle embarra.s.sed.

"Ah, those ifs!" quoted Indiman, musingly.

The chief of the detective bureau received us in his private room. He listened attentively to Blake's report, but seemed rather puzzled than gratified by its triumphant peroration. Now the young man felt that he had done a big thing, and this non-committal att.i.tude of his superior chagrined him. He unrolled the covering in which the picture had been wrapped.

"There!" he said, half resentfully. The chief looked carefully at the picture and turned to Indiman.

"Do you desire to make any explanation, Mr. Indiman, as to how this picture happens to be in your possession?"

"Certainly," was the prompt reply. "I bought it for a small sum a month ago on the lower Bowery. The dealer's name was Gregory, I think."

Young Mr. Blake sniffed incredulously. A messenger handed a couple of telegrams to the chief. He read them with knitted brows and then touched a call-bell.

"Send in Officer Stone," he ordered.

Mr. Stone immediately made his appearance. In his hand he carried a flat, square parcel which, in obedience to a further order, he proceeded to unwrap. I uttered an involuntary cry, for it was nothing less than a replica of the famous portrait of the "Red d.u.c.h.ess." A replica, indeed!--it would take an expert to decide which of the two was the copy; they were absolutely alike, even to the detail of the rough edges, the marks of the blunted knife.

"This picture was discovered in an art dealer's window on Fourth Avenue near Twenty-ninth Street," explained the chief of the detective bureau.

"And now kindly listen to these despatches. The first from the chief of police of New Orleans:

"'Lely portrait discovered in p.a.w.n-shop. Officer Smith goes North to-night to return property and claim reward. J. H. BOWEN."

The other from Pittsburg, in substantially the same language, reports the finding of the portrait of the 'Red d.u.c.h.ess' in a private gallery.

This fourth picture is also on its way to New York for identification."

We all looked at one another, Blake the picture of puzzled anger and disappointment. "Which is the true picture?" asked the chief. "Mr.

Indiman, I should be glad of your opinion."

Indiman, who had been examining the canvas held by Stone, answered quickly: "Neither of these, and it is more than probable that the other two are also copies by the same hand. Wonderfully well done, too, but the study of portraiture is a hobby of mine; I have even contemplated a monograph on the subject, or, more particularly, a hand-book to the smaller galleries and private collections. But I doubt if I ever do it now," he concluded, meditatively.

"The 'Red d.u.c.h.ess'?" persisted the chief.

"Of course, I know it perfectly. I won't bore you with technical explanations, but on the back of the stretcher is the address of the American art dealer from whom the original canvas was purchased. That should be enough."

It was as Indiman said; each of the canvas stretchers carried a small gummed label, the address of a Fulton Street art-supply shop.

"That settles the question," remarked the chief of detectives. "I may say finally that I have this cable from the Minister of Police at St.

Petersburg, communicated to me through the Russian Consul-General:

"'Lely portrait recovered and replaced in the gallery at the Hermitage.

Withdraw published reward.

"'(Signed) SOBRIESKA.'

"A queer piece of business; but this appears to be the end of it,"

commented the chief. "Needless to say, gentlemen, that you are at liberty to depart. My apologies for the annoyance to which you have been subjected."