The French Revolution.

by R. M. Johnston.

PREFACE

The object of this book is similar to that with which, a few years ago, I wrote a short biography of Napoleon. The main outlines of the Revolution, the proportion and relation of things, tend to become obscured under the acc.u.mulation of historical detail that is now proceeding. This is an attempt, therefore, to disentangle from the ma.s.s of details the shape, the movement, the significance of this great historical cataclysm. To keep the outline clear I have deliberately avoided mentioning the names of many subordinate actors; thinking that if nothing essential was connected with them the mention of their names would only tend to confuse matters. Similarly with incidents, I have omitted a few, such as the troubles at Avignon, and changed the emphasis on others, judging freely their importance and not following the footsteps of my predecessors, as in the case of the capture of the Bastille, the importance of which was vastly exaggerated by early writers on the subject.

The end of the Revolution I place at Brumaire,--as good a date as any, though like all others, open to criticism. The present narrative, however, will be found to merge into that of my _Napoleon_, which forms its natural continuation after that date.

CAMBRIDGE, Ma.s.s., Feb., 1909.

THE FRENCH REVOLUTION

CHAPTER I

THE PERSPECTIVE OF THE FRENCH REVOLUTION

The magnitude of an event is too apt to lie with its reporter, and the reporter often fails in his sense of historical proportion. The nearer he is to the event the more authority he has as a witness, but the less authority as a judge. It is time alone can establish the relation and harmony of things. This is notably the case with the greatest event of modern European history, the French Revolution, and the first task of the historian writing a century later, is to attempt to catch its perspective. To do this the simplest course will be to see how the Revolution has been interpreted from the moment of its close to the present day.

It was Madame de Stael, under the influence of Constant, who first made Europe listen to reason after the Bourbon restoration of 1815. {2} Her _Considerations sur la Revolution francaise_, published in 1818, one year after her death, was a bold though temperate plea for the cause of political liberty. At a moment of reaction when the Holy Alliance proclaimed the fraternity not of men but of monarchs, and the direct delegation by Divine Providence of its essential virtues to Alexander, Frederick William and Francis,--at a moment when the men of the Convention were proscribed as regicides, when the word Jacobin sent a thrill of horror down every respectable spinal chord, the daughter of Necker raised her voice to say that if, during the stormy years just pa.s.sed, the people of France had done nothing but stumble from crime to folly and from folly to crime, the fault did not, after all, lie with them, but with the old regime. If Frenchmen had failed to show the virtues of freemen, it was because they had for so many centuries been treated as slaves. This was in 1818, three years after Waterloo.

Madame de Stael was a pamphleteer; the historians soon followed.

Thiers in 1823, Mignet in 1824, produced the first important histories of the Revolution; the former more eloquent, more popular; the latter more ballasted with doc.u.mentary evidence, more {3} accurate, more pedestrian, in fact, to this day, in its negative manner, one of the best general histories of the matter. Both of these writers were too near their subject and too hampered by the reactionary surroundings of the moment to be successful when dealing with the larger questions the French Revolution involved. Thiers, going a step beyond Madame de Stael, fastened eagerly on the heroic aspects of his subject. It was with this emphasis that later, under the more liberal regime of Louis Philippe, he continued his work through the epoch of Napoleon and produced his immensely popular but extremely unsound history of the Consulate and the Empire. In 1840 the remains of Napoleon were transferred from St. Helena to Paris, and were processionally drawn to the Invalides surrounded by the striking figures and uniforms of a handful of surviving veterans, acclaimed by the ringing rhetoric of Victor Hugo, who in prose and in verse vividly formulated the Napoleonic legend. And just before and just after this event, so made to strike the imagination and to prepare changes of opinion, came a series of notable books. They were all similar in that they bore the stamp of the romanticism of the thirties and forties, interpreting history in terms of the {4} individual; but they differed in their political bias. These works were written by Carlyle, Louis Blanc, Lamartine and Michelet.

Carlyle's French Revolution belongs far more to the domain of literature than to that of history. Its brilliancy may still dazzle those who are able to think of Carlyle as no more than the literary artist; it will not blind those who see foremost in him the great humanitarian. He was too impulsive an artist to resist the high lights of his subject, and was hypnotized by Versailles and the guillotine just as his contemporary Turner was by the glories of flaming sunsets and tumbling waves. The book is a magnificent quest for an unfindable hero, but it is not the French Revolution.

Carlyle's French contemporaries add the note of the party man to his individualistic impressionism, and all three are strong apologists of the Revolution. Lamartine extols the Girondins; Blanc sanctifies Robespierre, whom he mistakes for an apostle of socialism; Michelet, as enthusiastic as either, but larger in his views and much more profound as a scholar, sees the Revolution as a whole and hails in it the regeneration of humanity. Within a few days of the publication of his {5} first volumes, France had risen in revolution once more and had proclaimed the Second Republic. She then, in the s.p.a.ce of a few months, pa.s.sed through all the phases of political thought which Thiers, Blanc, Lamartine and Michelet had glorified--the democratic, the bourgeois, the autocratic republic, and finally the relapse into the empire--the empire of Louis Napoleon.

And, essentially, the histories of the Revolution produced by these writers were special pleadings for a defeated cause, springing up in the year 1848 to a new a.s.sertion. Under the Second Empire, with autocracy even more triumphant than under the brothers of Louis XVI, they became the gospels of the recalcitrant liberalism of France; Michelet the gospel of the intellectuals, Blanc the gospel of the proletarians. De Tocqueville added his voice to theirs, his _Ancien Regime_ appearing in 1856. Then came 1870, the fall of the Empire, and 1871, the struggle between the middle cla.s.s republic of Thiers, and the proletarian republic of Paris. The latter, vanquished once more, disappeared in a nightmare of a.s.sa.s.sination and incendiarism.

It was under the impression of this disaster that Taine set to work to investigate the past {6} of his country, and particularly the great Revolution on which all else appeared to be founded. Between 1875 and 1894 he produced his _Origines de la France Contemporaine_, which in a sense supplanted all previous works on the Revolution. Behind it could be plainly perceived a huge scaffolding of erudite labour, and the working of an intellect of abnormal power; but what was not so apparent, and is now only being slowly recognised, was that much of this erudition was hasty and inspired by preconceived opinions, and that Taine's genius was more philosophic than historic. a.s.suming the validity of the impressions he had formed when witnessing the agony of Paris in the spring of 1871, his history of the Revolution was a powerful and brilliant vindication of those impressions. But it is only the philosopher who forms his opinions before considering the facts, the historian instinctively reverses the order of these phenomena. As it was, Taine's great work made a tremendous impact on the intellect of his generation, and nearly all that has been written on the Revolution since his day is marked with his mark. His thesis was that the Church and the State were the great inst.i.tutions whereby brute man had acquired his small share of justice and {7} reason, and that to hack at the root of both State and Church was fatal; it could only lead to the dictatorship of the soldier or to that of the mob. Of these two evils the former appeared to him the less, while the latter he could only think of in terms of folly and outrage. Taine's conservatism was the reaction of opinion against the violence of the Commune and the weak beginnings of the Third Republic, as Michelet's liberalism had been its reaction against Orleanist and Bonapartist middle cla.s.s and military dictation.

Since Taine's great book, the influence of which is, in this year 1909, only just beginning to fade, what have we had? Pa.s.sing over von Sybel's considerable and popular history of the Revolution, we have Sorel's _L'Europe et la Revolution francaise_, more historical, more balanced than Taine's work, clear in style and in arrangement, but on the whole superficial in ideas and incorrect in details. Of far deeper significance is the _Histoire Socialiste_ of Jean Jaures, of which the t.i.tle is too narrow; _Histoire du peuple_, or _Histoire des cla.s.ses ouvrieres_, would have more closely defined the scope of this remarkable work. Here we have a new phenomenon, history written for the labouring cla.s.s and from the point of {8} view of the labouring cla.s.s. And although not free from the taint of the party pamphlet, not of the first rank for historical erudition, intellectual force or artistic composition, Jaures' history presents the Revolution under the aspect that gives most food for thought and that places it most directly in touch with the problems of the present.

Last of all, what of the labours of the professed historian of to-day?

Few of the writers just named could stand the tests rigidly applied to the young men sent out in large numbers of recent years by the universities as technically trained historians. Of these many have turned their attention to the vast field offered by the Revolution and some have done good work. The trend of modern effort, however, is to straighten out the details but to avoid the large issues; to establish beyond question the precise shade of the colour of Robespierre's breeches, but to give up as unattainable having any opinion whatever on the French Revolution as a whole. Not but that, here and there, excellent work is being done. Aulard has published an important history of the Revolution which is a good corrective to Taine's; the Ministry of Public Instruction helps the publication of the doc.u.ments drawn {9} up to guide the States-General, a vast undertaking that sheds a flood of light on the economic condition of France in 1789. The historians have, in fact, reached a moment of more impartiality, more detachment, more strict setting out of facts; and with the general result that the specialist benefits and the public loses.

What has been said should explain why it is that the Revolution appears even more difficult to treat as a whole at the present day than it did at the time of Thiers and Mignet. The event was so great, the shock was so severe, that from that day to this France has continued to reel and rock from the blow. It is only within the most recent years that we can see going on under our eyes the last oscillations, the slow attainment of the new democratic equilibrium. The end is not yet, but what that end must eventually be now seems clear beyond a doubt. The gradual political education and coming to power of the ma.s.ses is a process that is the logical outcome of the Revolution; and the joining of hands of a wing of the intellectuals with the most radical section of the working men, is a sign of our times not lightly to be pa.s.sed over. From Voltaire before the Revolution to Anatole France, at {10} the present day, the tradition and development is continuous and logical.

It now remains to be said that if this is the line along which the perspective of the Revolution is to be sought, this is not the place in which the details of that perspective can be adequately set out. That must be reserved for a history of far larger dimensions, and of much slower achievement, of which a number of pages are already written. In this volume nothing more can be attempted than a sketch in brief form, affording a general view of the Revolution down to the year 1799, when Bonaparte seized power.

{11}

CHAPTER II

VERSAILLES

At the close of the 18th century France had more nearly reached her growth than any of her great European rivals; she was far more like the France of to-day, than might at first be supposed by an Englishman, American or German, thinking of what his own country accomplished during the 19th century. Her population of about 25,000,000 was three times more numerous than that of England. Paris, with 600,000 inhabitants or more, was much nearer the present-day city in size than any other capital of Europe, except Naples. Socially, economically, politically, notwithstanding gross abuses, there was great development; and the reformer who remodelled the inst.i.tutions of France in 1800 declared that the administrative machine erected by the Bourbons was the best yet devised by human ingenuity. Large manufacturing cities and a number of active ports indicated the advent of a great economic period.

{12} All this reposed, however, on a very incongruous foundation.

Feudalism, mediaevalism, autocracy, had built up a structure of caste distinction and cla.s.s privilege to which custom, age, stagnation and ignorance, lent an air of preordained and indispensable stability. The Church, most privileged of all corporations, turned her miracles and her terrors, both present and future, into the most powerful b.u.t.tress of the fabric. The n.o.blesse, supreme as a caste, almost divided influence with the Church. The two, hand in hand, dominated France outside the larger towns. Each village had its cure and its seigneur.

The cure collected his t.i.thes and inculcated the precepts of religion, precepts which at the close of the 18th century, preached Bourbonism as one of the essential manifestations of Providence on earth. The seigneur, generally owning the greater part of all freehold property, not only weighed as a landlord but exercised many exclusive privileges, and applied the most drastic of sanctions to the whole as the local administrator of justice. There were hundreds of devout priests and of humane seigneurs, but a proportion, conspicuous if small, were otherwise; and the system gave such an opportunity for evil doing, that opinion naturally, but unjustly, {13} converted the ill deeds of the few into the characteristic of the whole cla.s.s.

The culmination of this system, its visible and emphatic symbol, fastened on Paris like a great bloated tumour eating into the heart of France, was Versailles. But compared with cla.s.s privilege, the Church, and the seigneur, Versailles was a recent phenomenon, invented by Louis XIV little more than one hundred years before the outbreak of the Revolution. At the beginning of the 17th century the French monarchy had somewhat suddenly emerged from the wars of religion immensely strengthened. Able statesmen, Henry IV, Sully, Richelieu, Mazarin, Louis XIV, had brought it out of its struggle with the feudal aristocracy triumphant. Before the wars of religion began the French n.o.ble was still mediaeval in that he belonged to a caste of military specialists and that his provincial castle was both his residence and his stronghold. The struggle itself was maintained largely by his efforts, by the military and political power of great n.o.bles, Guises, Montmorencys and others. But when the struggle closes, both religion, its cause, and the great n.o.ble its supporter, sink somewhat into the background, while the king, the kingly power, fills the eye. And {14} the new divine right monarchy, triumphant over the feudal soldier and gladly accepted as the restorer of order by the middle cla.s.s, sets to work to consolidate this success; the result is Versailles.

The spectacular palace built by Louis XIV threw glamour and prestige about the triumphant monarchy. It drew the great n.o.bles from their castles and peasantry, and converted them into courtiers, functionaries and office holders. To catch a ray of royal favour was to secure the gilt edging of distinction, and so even the literature, the theology, the intellect of France, quickly learned to revolve about the dazzling Sun King of Versailles, Louis XIV.

Versailles could not, however, long retain such elements of vitality as it possessed. It rapidly accomplished its work on the feudal aristocracy, but only at a great price. With Louis XIV gone, it began to crumble from corruption within, from criticism without. Louis XV converted the palace into the most gorgeous of brothels, and its inmates into the most contemptible and degraded of harlots and pimps.

The policy of France, still royal under Louis XIV, was marked by the greed, lewdness and incapacity of Richelieu and Dubois, of Pompadour and du Barry. When {15} the effluvious corpse of Louis XV was hastily smuggled from Versailles to the Cathedral of St. Denis in 1774, that seemed to mark the final dissolution into rottenness of the Bourbon-Versailles regime. That regime already stank in the nostrils of public opinion, a new force which for half a century past had been making rapid progress in France.

The great religious and military struggle of the 16th and 17th centuries had in one direction resulted in enhancing the prestige and crystallizing the power of the French monarchy. In another direction it had resulted in establishing even more firmly the new intellectual position of Europe, the spirit of enquiry, of criticism, of freedom of thought. The Roman or supreme doctrine of authority had been questioned, and questioned successfully. It could not be long before the doctrine of Bourbon authority must also be questioned. Even if French thought and literature did for a moment pay tribute at the throne of Louis XIV the closing years of the century were marked by the names of Leibnitz, Bayle and Newton; the mercurial intelligence of France could not long remain stagnant with such forces as these casting their influence over European civilization. {16} The new century was not long in, the Regent Philip of Orleans had not long been in power, before France showed that Versailles had ceased to control her literature. A new Rabelais with an 18th century lisp, Montesquieu, by seasoning his _Lettres Persanes_ with a sauce piquante compounded of indecency and style, succeeded in making the public swallow some incendiary morsels. The King of France, he declared, drew his power from the vanity of his subjects, while the Pope was "an old idol to whom incense is offered from sheer habit"; nothing stronger has been said to this day. A few years later, in his _Esprit des Lois_, he produced a work of European reputation which eventually proved one of the main channels for the conveyance of English const.i.tutional ideas to the thinking cla.s.ses of France.

An even greater influence than Montesquieu was Voltaire. He exercised an irresistible fascination on the intellectual cla.s.s by the unrivalled lucidity and logic of his powerful yet witty prose. He carried common sense to the point of genius, threw the glamour of intellect over the materialism of his century, and always seized his pen most eagerly when a question of humanity and liberalism was at stake. He had weak sides, was materialistic in living as {17} in thinking, and had nothing of the martyr in his composition; yet, after his fashion, he battled against obscurantism with all the zeal of a reformer. He was, in fact, the successor of Calvin. But since Calvin's day Protestantism had been almost extirpated in France, so that the gradual growth of the spirit of enquiry, still proceeding below the surface, had brought it to a point beyond Protestantism. It was atheism that Voltaire stood for, and with the vast majority of the people of France from that day to this the alternative lay between rigid Catholicism on one hand and rigid atheism on the other. The innumerable shades of transition between these extremes, in which English and German Protestantism opened a pioneer track, remained a sealed book for them. In his _Letters on the English_, published in 1734, Voltaire dwells less on const.i.tutional than on religious questions. Liberty of conscience is what he struggles for, and he discerns not only that it is more prudent to attack the Church than the State but that it is more essential; religion is at the root of the monarchical system even if the 18th century ruler is apt to forget it. And the Church gives Voltaire ample opportunity for attack. The bishops and court abbes are often enough {18} sceptics and libertines, though every once in a while they turn and deal a furious blow to maintain the prestige and discipline of their ancient corporation. And when, for a few blasphemous words, they send a boy like the Chevalier de La Barre to the scaffold, to be mutilated and killed, Voltaire's voice rings out with the full reverberation of outraged humanity and civilization: _Ecrasez l'infame_! He believed that the Revolution, which he like so many others foresaw, would begin by an attack on the priests. It was the natural error of a thinker, a man of letters, concerned more with ideas than facts, with theology than economics.

Above all things, Voltaire stood out as a realist, in the modern sense of the word, and if he detested the Church it was largely because it represented untruth. He did not deflect opinion to the same extent as his great contemporary Rousseau, but he represented it more; and of the men of the Revolution, it was Robespierre, who reigned less than four months, who stood for Rousseau, while Bonaparte, who reigned fourteen years, was the true Voltairian.

Just at the side of Voltaire stood the Encyclopedists, led by Diderot and d'Alembert. The {19} great work of reference which they issued penetrated into every intellectual circle, not only of France but of Europe, and brought with it the doctrines of materialism and atheism.

However much they might be saturated with the ideas of Church and State in the Roman-Bourbon form, many of its readers became unconsciously shaken in their fundamental beliefs, and ready to question, to criticize and, when the edifice began to tremble, to accept the Revolution and the doctrine of the rights of the common man.

Voltaire, Diderot, d'Alembert, were at heart essentially aristocrats; for them the common man was an untrustworthy brute of low instincts, and their revolution would have meant the displacement of an aristocracy of the sword by an aristocracy of the intellect. Rousseau stood for the opposite view. To him it was only despotism that degraded man. Remove the evil conditions and the common man would quickly display his inherent goodness and amiability; tenderness to our fellows, or fraternity, was therefore the distinctive trait of manhood.

The irrepressible exuberance of Rousseau's kindliness overflowed from his novels and essays into a great stream of fashionable sensibility.

During the years of {20} terrific stress that followed, during the butcheries of the guillotine and of the Grande Armee, it was the vogue to be soft-hearted, and even such a fire eater as Murat would pour libations of tears over his friends' waistcoats at the slightest provocation. In his _Contrat Social_ Rousseau postulated the essential equality of the governor and the governed. But his sentimental att.i.tude towards man involved a corresponding one towards the Deity; unable to accept Catholicism or even Christianity, he sought refuge from atheism in the arms of the _Etre Supreme_. It was this Supreme Being of Rousseau that was to become the official deity of France during the last days of the Reign of Terror.

An influence of a slightly different sort to that exercised by these writers was that of the theatre. The century had seen the rise of the middle-cla.s.s man, and his attempts at self expression. The coffee-house and the Freemason's lodge gave facilities for conversation, discussion, opinion; and the increasing number of gazettes supplied these circles with information as to the course of political events. But the gazettes themselves might not venture into the danger-marked field of opinion, and for the fast growing public, especially in the {21} city of Paris, there was no opportunity for comment or criticism on the events of the day. In a tentative way the theatre proved itself a possible medium. In 1730, Voltaire produced his tragedy Brutus. It fell flat because of the lines

. . . et je porte en mon coeur La liberte gravee et les rois en horreur.

The audience was too loyal to Bourbonism to accept these sentiments; there were loud murmurs; and _Brutus_ had to be withdrawn. As late as 1766, a play on the subject of William Tell was given to an empty house; no one would go to see a republican hero. But from the sixties matters changed rapidly. Audiences show great enthusiasm over rivalries of art, of actors, of authors, of opinions, and every once in a while applaud or boo a sentiment that touches the sacred foundations of the social and political order. At last an author appears on the scene, keen, witty, unscrupulous, resourceful, to seize on this growing mood of the public and to play on it for his own glory and profit.

Beaumarchais, Mirabeau, Dumouriez, Bonaparte, these are the types of the adventurers of the Revolution, and the first only belongs {22} to the period of incubation and also to the domain of letters. Thrown into the war of American independence by his double vocation of secret diplomatic agent and speculator in war supplies, he had espoused the cause of the American people with an enthusiasm that always blazed most brightly when a personal interest was at stake. His enthusiasm for American liberty was easily converted into enthusiasm for the liberty of his own cla.s.s, and to vindicate that, he put Figaro on the stage.

The first public performance of the _Noces de Figaro_, in 1784, was the culmination of a three years' struggle. Louis XVI had declared the play subversive, and the author had raised a storm of protest in its behalf. A special performance was conceded for the Court; and the Parisian public, irritated at being thus excluded, then raised for the first time the cry of tyranny and oppression. When at last the Government in its weakness made the final concession, and permitted a public performance, the demand for seats was greater than had ever previously been known. The theatre was packed. Great lords and ladies sat elbow to elbow with bourgeois and fashionable women; and when Figaro came on and declaimed against social injustice, the opposite parties in {23} the house stormed approval or disfavour. Figaro is Beaumarchais, is the lower or middle cla.s.s man, with nothing but his wits with which to force his way through the barriers which privilege has erected across every path along which he attempts to advance. As the valet of Count Almaviva he has seen the man of privilege at close quarters and has sounded his rottenness and incapacity. Because you are a grand seigneur, he says, you think yourself a great genius; but, Monsieur le Comte, to what do you really owe your great privileges? To having put yourself to the inconvenience of being born, nothing more.

I, with all my ability and force, I who can work for myself, for others, for my country, I am driven away from every occupation.

That was what the pushing adventurer and witty dramatist had to say, but all through the country thousands of plain, inconspicuous men, doctors, lawyers, merchants, farmers, even here and there a peasant or a n.o.ble, the best representatives of the deep-rooted civilization of France, of her keen intelligence, of her uprightness, of her humanity, revolted inwardly at the inept.i.tude and injustice of her government.

As they saw it, the whole system seemed to revolve about Versailles, the abode {24} of the Bourbon King, the happy hunting ground of the privileged courtier, the glittering abode of vice and debauchery, the sink through which countless millions were constantly drained while the poor starved, the badge of dishonour and incapacity which had too frequently been attached to the conduct of France both in war and in peace. The twenty-five millions without the gates gazed at the hundred thousand within, and the more they gazed the louder and more bitter became their comment, the dimmer and the more tawdry did the glitter of it all appear to them, and the weaker and more half-hearted became the att.i.tude of the one hundred thousand as they attempted by insolence and superciliousness to maintain the pose of their inherited superiority.