He pointed modestly to a diploma in a gold frame hanging above the piano against a tricolored flag. It was one of the papers sold in the streets, a certificate of residence in the Capital during the week of danger. He had filled in the blanks with his name and description of his person; and at the foot were very conspicuous the signatures of two residents of the rue de la Pompe--a tavern-keeper, and a friend of the concierge. The district Commissary of Police, with stamp and seal, had guaranteed the respectability of these honorable witnesses. n.o.body could remain in doubt, after such precautions, as to whether he had or had not witnessed the siege of Paris. He had such incredulous friends! ...

In order to bring the scene more dramatically before his amiable listener, he recalled the most striking of his impressions for her special benefit. Once, in broad daylight, he had seen a flock of sheep in the boulevard near the Madeleine. Their tread had resounded through the deserted streets like echoes from the city of the dead. He was the only pedestrian on the sidewalks thronged with cats and dogs.

His military recollections excited him like tales of glory.

"I have seen the march of the soldiers from Morocco... . I have seen the Zouaves in automobiles!"

The very night that Julio had gone to Bordeaux, he had wandered around till sunrise, traversing half of Paris, from the Lion of Belfort, to the Gare de l'Est. Twenty thousand men, with all their campaign outfit, coming from Morocco, had disembarked at Ma.r.s.eilles and arrived at the Capital, making part of the trip by rail and the rest afoot. They had come to take part in the great battle then beginning. They were troops composed of Europeans and Africans. The vanguard, on entering through the Orleans gate, had swung into rhythmic pace, thus crossing half Paris toward the Gare de l'Est where the trains were waiting for them.

The people of Paris had seen squadrons from Tunis with theatrical uniforms, mounted on horses, nervous and fleet, Moors with yellow turbans, Senegalese with black faces and scarlet caps, colonial artillerymen, and light infantry from Africa. These were professional warriors, soldiers who in times of peace, led a life of continual fighting in the colonies--men with energetic profiles, bronzed faces and the eyes of beasts of prey. They had remained motionlesss in the streets for hours at a time, until room could be found for them in the military trains... . And Argensola had followed this armed, impa.s.sive ma.s.s of humanity from the boulevards, talking with the officials, and listening to the primitive cries of the African warriors who had never seen Paris, and who pa.s.sed through it without curiosity, asking where the enemy was.

They had arrived in time to attack von Kluck on the banks of the Ourq, obliging him to fall back or be completely overwhelmed.

A fact which Argensola did not relate to his sympathetic guest was that his nocturnal excursion the entire length of this division of the army had been accompanied by the amiable damsel within, and two other friends--an enthusiastic and generous coterie, distributing flowers and kisses to the swarthy soldiers, and laughing at their consternation and gleaming white teeth.

Another day he had seen the most extraordinary of all the spectacles of the war. All the taxicabs, some two thousand vehicles, conveying battalions of Zouaves, eight men to a motor car, had gone rolling past him at full speed, bristling with guns and red caps. They had presented a most picturesque train in the boulevards, like a kind of interminable wedding procession. And these soldiers got out of the automobiles on the very edge of the battle field, opening fire the instant that they leaped from the steps. Gallieni had launched all the men who knew how to handle a gun against the extreme right of the adversary at the supreme moment when the most insignificant weight might tip the scales in favor of the victory which was hanging in the balance. The clerks and secretaries of the military offices, the orderlies of the government and the civil police, all had marched to give that final push, forming a ma.s.s of heterogenous colors.

And one Sunday afternoon when, with his three companions of the "siege"

he was strolling with thousands of other Parisians through the Bois de Boulogne, he had learned from the extras that the combat which had developed so near to the city was turning into a great battle, a victory.

"I have seen much, Madame Desnoyers... . I can relate great events."

And she agreed with him. Of course Argensola had seen much! ... And on taking her departure, she offered him all the a.s.sistance in her power.

He was the friend of her son, and she was used to his pet.i.tions. Times had changed; Don Marcelo's generosity now knew no bounds ... but the Bohemian interrupted her with a lordly gesture; he was living in luxury.

Julio had made him his trustee. The draft from America had been honored by the bank as a deposit, and he had the use of the interest in accordance with the regulations of the moratorium. His friend was sending him regularly whatever money was needed for household expenses.

Never had he been in such prosperous condition. War had its good side, too ... but not wishing to break away from old customs, he announced that once more he would mount the service stairs in order to bear away a basket of bottles.

After her sister's departure, Dona Luisa went alone to the churches until Chichi in an outburst of devotional ardor, suddenly surprised her with the announcement:

"Mama, I am going with you!"

The new devotee was no longer agitating the household by her rollicking, boyish joy; she was no longer threatening the enemy with imaginary dagger thrusts. She was pale, and with dark circles under her eyes. Her head was drooping as though weighed down with a set of serious, entirely new thoughts on the other side of her forehead.

Dona Luisa observed her in the church with an almost indignant jealousy.

Her headstrong child's eyes were moist, and she was praying as fervently as the mother ... but it was surely not for her brother. Julio had pa.s.sed to second place in her remembrance. Another man was now completely filling her thoughts.

The last of the Lacours was no longer a simple soldier, nor was he now in Paris. Upon her return from Biarritz, Chichi had listened anxiously to the reports from her little sugar soldier. Throbbing with eagerness, she wanted to know all about the dangers which he had been experiencing; and the young warrior "in the auxiliary service" told her of his restlessness in the office during the interminable days in which the troops were battling around Paris, hearing afar off the boom of the artillery. His father had wished to take him with him to Bordeaux, but the administrative confusion of the last hour had kept him in the capital.

He had done something more. On the day of the great crisis, when the acting governor had sent out all the available men in automobiles, he had, unasked, seized a gun and occupied a motor with others from his office. He had not seen anything more than smoke, burning houses, and wounded men. Not a single German had pa.s.sed before his eyes, excepting a band of Uhlan prisoners, but for some hours he had been shooting on the edge of the road ... and nothing more.

For a while, that was enough for Chichi. She felt very proud to be the betrothed of a hero of the Marne, even though his intervention had lasted but a few hours. In a few days, however, her enthusiasm became rather clouded.

It was becoming annoying to stroll through the streets with Rene, a simple soldier and in the auxiliary service, besides... . The women of the town, excited by the recollection of their men fighting at the front, or clad in mourning because of the death of some loved one, would look at them with aggressive insolence. The refinement and elegance of the Republican Prince seemed to irritate them. Several times, she overheard uncomplimentary words hurled against the "embusques."

The fact that her brother who was not French was in the thick of the fighting, made the Lacour situation still more intolerable. She had an "embusque" for a lover. How her friends would laugh at her! ...

The senator's son soon read her thoughts and began to lose some of his smiling serenity. For three days he did not present himself at the Desnoyers' home, and they all supposed that he was detained by work at the office.

One morning as Chichi was going toward the Bois de Boulogne, escorted by one of the nut-brown maids, she noticed a soldier coming toward her. He was wearing a bright uniform of the new gray-blue, the "horizon blue"

just adopted by the French army. The chin strap of his kepi was gilt, and on his sleeve there was a little strip of gold. His smile, his outstretched hands, the confidence with which he advanced toward her made her recognize him. Rene an officer! Her betrothed a sub-lieutenant!

"Yes, of course! I could do nothing else... . I had heard enough!"

Without his father's knowledge, and a.s.sisted by his friends, he had in a few days, wrought this wonderful transformation. As a graduate of the Ecole Centrale, he held the rank of a sub-lieutenant of the Reserve Artillery, and he had requested to be sent to the front. Good-bye to the auxiliary service! ... Within two days, he was going to start for the war.

"You have done this!" exclaimed Chichi. "You have done this!"

Although very pale, she gazed fondly at him with her great eyes--eyes that seemed to devour him with admiration.

"Come here, my poor boy... . Come here, my sweet little soldier! ...

I owe you something."

And turning her back on the maid, she asked him to come with her round the corner. It was just the same there. The cross street was just as thronged as the avenue. But what did she care for the stare of the curious! Rapturously she flung her arms around his neck, blind and insensible to everything and everybody but him.

"There... . There!" And she planted on his face two vehement, sonorous, aggressive kisses.

Then, trembling and shuddering, she suddenly weakened, and fumbling for her handkerchief, broke down in desperate weeping.

CHAPTER II

IN THE STUDIO

Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

An old gentleman was greeting him with an amiable smile.

"I am the father of Julio."

And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control. He had heard so much about Don Marcelo and his bad temper, that he was very uncomfortable at this unexpected appearance in the studio... . What could the fearful man want?

His tranquillity was restored after a furtive, appraising glance. His friend's father had aged greatly since the beginning of the war. He no longer had that air of tenacity and ill-humor that had made him unapproachable. His eyes were sparkling with childish glee; his hands were trembling slightly, and his back was bent. Argensola, who had always dodged him in the street and had thrilled with fear when sneaking up the stairway in the avenue home, now felt a sudden confidence.

The transformed old man was beaming on him like a comrade, and making excuses to justify his visit.

He had wished to see his son's home. Poor old man! He was drawn thither by the same attraction which leads the lover to lessen his solitude by haunting the places that his beloved has frequented. The letters from Julio were not enough; he needed to see his old abode, to be on familiar terms with the objects which had surrounded him, to breathe the same air, to chat with the young man who was his boon companion.

His fatherly glance now included Argensola... . "A very interesting fellow, that Argensola!" And as he thought this, he forgot completely that, without knowing him, he had been accustomed to refer to him as "shameless," just because he was sharing his son's prodigal life.

Desnoyers' glance roamed delightedly around the studio. He knew well these tapestries and furnishings, all the decorations of the former owner. He easily remembered everything that he had ever bought, in spite of the fact that they were so many. His eyes then sought the personal effects, everything that would call the absent occupant to mind; and he pored over the miserably executed paintings, the unfinished dabs which filled all the corners.

Were they all Julio's? ... Many of the canvases belonged to Argensola, but affected by the old man's emotion, the artist displayed a marvellous generosity. Yes, everything was Julio's handiwork ... and the father went from canvas to canvas, halting admiringly before the vaguest daubs as though he could almost detect signs of genius in their nebulous confusion.

"You think he has talent, really?" he asked in a tone that implored a favorable reply. "I always thought him very intelligent ... a little of the diable, perhaps, but character changes with years... . Now he is an altogether different man."