"Out in Tarrytown," he muttered, weakly, "that night--I suspected--and--saw--" His voice trailed off into nothingness. Even the motion of his lips was too feeble to follow.

In an instant I grasped the cruel injustice I had done this man in my mind. It was now that I remembered, in a flash, Kennedy's att.i.tude and was glad that Kennedy had not suspected him.

"See!" I faced Mackay, speaking in quick, low tones so the others could not hear. "I--we--have been totally and absolutely wrong in suspecting Werner. Instead, it was he who has been playing our game--trying to confirm his own suspicions. I've been entirely wrong in my deductions from the discovery of his dope and needles."

"What do you mean, Jameson?" The district attorney had been taken completely off his feet by the unexpected developments. His eyes were rather dazed, his expression baffled. "What do you mean?"

"Why he was out at Tarrytown that night, all right, don't you see--but--but he was the second man, the man who watched!"

Mackay still seemed unable to comprehend.

"There were two men," I went on, excitedly; covering my own chagrin in my impatience at the little district attorney. "The one your deputy struggled with was short, rather than tall, and very strong. That's Werner! Can't you see it? Haven't you noticed how stockily and powerfully the director is built?"

"Werner must really have had some clue," murmured Mackay, dazed.

It left me wondering whether the stimulation of the dope might not have heightened Werner's imagination and urged him on in following something that our more sluggish minds had never even dreamed.

Meanwhile I saw that the doctor had arrived and that Kennedy had helped carry Werner to a dressing room where first aid could be given more conveniently. Now Kennedy hurried back into the studio, glancing quickly this way and that, as though to catch signs of confusion or guilt upon the faces of those about us.

I colored. Instead of making explanations to Mackay, explanations which could have waited, I might have used what faculties of observation I possessed to aid Kennedy while he was giving first consideration to the life of a man. As it was, I didn't know what had become of any of the various people upon our list of possible suspects. As far as I was concerned, any or every sign and clue to the attack upon Werner might have been removed or destroyed.

A sudden hush caused all of us to turn toward the door leading to the dressing rooms. It was the physician. He raised a hand for attention.

His voice was low, but it carried to every corner of the studio:

"Mr. Werner is dead," he announced.

XXI

MERLE SHIRLEY OVERACTS

Appalled, I wondered who it was who had, to cover up one crime, committed another? Who had struck down an innocent man to save a guilty neck?

Kennedy hurried to the side of the physician and I followed.

"What symptoms did you observe?" asked Kennedy, quickly, seeking confirmation of his own first impressions.

"His mouth seemed dry and I should say he suffered from a quick prostration. There seemed to be a complete loss of power to swallow or speak. The pupils were dilated as though from paralysis of the eyes.

Both pharynx and larynx were affected. There was respiration paralysis.

It seemed also as though the cranial nerves were partially paralyzed.

It was typically a condition due to some toxic substance which paralyzed and depressed certain areas of the body."

Kennedy nodded. "That fits in with a theory I have."

I thought quickly, then inquired; "Could it be the snake venom again?"

"No," Kennedy replied, shaking his head; "there's a difference in the symptoms and there is no mark on any exposed part of the body, as near as I could see in a superficial examination."

He turned to the physician. "Could you give me blood smears and some of the stomach contents, at once? Twice, now, some one has been stricken down before the very eyes of the actors. This thing has gone too far to trifle with or delay a moment."

The doctor hurried off toward the dressing room, anxious to help Kennedy, and as excited, I thought, as any of us. Next Kennedy faced me.

"Did you watch the people at all, Walter?"

"I--I was too upset by the suddenness of it," I stammered.

All seemed to have suspicion of some one else, and there was a general constraint, as though even the innocent feared to do or say something that might look or sound incriminating.

I turned. All were now watching every move we made, though just yet none ventured to follow us. It was as though they felt that to do so was like crossing a dead line. I wondered which one of them might be looking at us with inward trepidation--or perhaps satisfaction, if there had been any chance to remove anything incriminating.

Kennedy strode over toward the ill-fated set, Mackay and I at his heels. As we moved across the floor I noticed that everyone cl.u.s.tered as close as he dared, afraid, seemingly, of any action which might hinder the investigation, yet unwilling to miss any detail of Kennedy's method. In contrast with the clamor and racket of less than a half hour previously there was now a deathlike stillness beneath the arched ground-gla.s.s roof. The heat was more oppressive than ever before. In the faces and expressions of the awed witnesses of death's swift hand there was horror, and a growing fear. No one spoke, except in whispers.

When anybody moved it was on tiptoe, cautiously. Millard's creation, "The Black Terror," could have inspired no dread greater than this.

Of the people we wished to study, Phelps caught our eyes the first.

Dejected, crushed, utterly discouraged, he was slouched down in a chair just at the edge of the supposed banquet hall. I had no doubt of the nature of his thoughts. There was probably only the most perfunctory sympathy for the stricken director. Without question his mind ran to dollars. The dollar-angle to this tragedy was that the death of Werner was simply another step in the wrecking of Manton Pictures. Kennedy, I saw, hardly gave him a pa.s.sing glance.

Manton we observed near the door. With the possible exception of Millard he seemed about the least concerned. The two, scenario writer and producer, had counterfeited the melodrama of life so often in their productions that even the second sinister chapter in this film mystery failed to penetrate their sang-froid. Inwardly they may have felt as deeply as any of the rest, but both maintained their outward composure.

On Manton's shoulders was the responsibility for the picture. I could see that he was nervous, irritable; yet, as various employees approached for their instructions in this emergency he never lost his grasp of affairs. In the vibrant quiet of this studio chamber, still under the shadow of tragedy, we witnessed as cold-blooded a bit of business generalship as has ever come to my knowledge. We overheard, because Manton's voice carried across to us in the stillness.

"Kauf!" The name I remembered as that of the technical, or art, director under Werner, responsible for the sets of "The Black Terror."

"Yes, Mr. Manton!" Kauf was a slim, stoop-shouldered man, gray, and a dynamo of energy in a quiet, subservient way. He ran to Manton's side.

"Remember once telling me you wanted to become a director, that you wanted to make pictures for me?"

"Yes, sir!"

"You are familiar with the script of 'The Black Terror,' aren't you?

You know the people and how they work and you have sets lined up. How would you like to finish the direction?"

"But--but--" To the credit of the little man he dabbed at his eyes. I guess he had been fond of his immediate superior. "Mr.--Mr. Werner is d-dead--" he stammered.

"Of course!" Manton's voice rose slightly. "If Werner wasn't dead I wouldn't need another director at a moment's notice. Some one has to complete 'The Black Terror.' We have all these people on salary, and all the studio expense, and the release date's settled, so that we can't stop. It's your chance, Kauf! Do you want it?"

"Y-yes, sir!"

"Good! I'll double your salary, including all this week. Now can you finish this banquet set to-night, while you have the people--"

"To-night!" Kauf's eyes went wide, then he started to flush.

"Well, to-morrow, then! We simply can't lay off a day, Kauf!"

"All--all right, sir!"