The Easiest Way - Part 2
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Part 2

WILL. Any difference from the many you have known?

LAURA. Yes, from all I have known.

WILL. So that is why you didn't come into Denver to meet me to-day, but left word for me to come out here?

LAURA. Yes.

WILL. I thought that I was pretty decent to take a dusty ride half-way across the continent in order to keep you company on your way back to New York, and welcome you to our home; but maybe I had the wrong idea.

LAURA. Yes, I think you had the wrong idea.

WILL. In love, eh?

LAURA. Yes, just that,--in love.

WILL. A new sensation.

LAURA. No; the first conviction.

WILL. You have had that idea before. Every woman's love is the real one when it comes. [_Crosses up to_ LAURA.] Do you make a distinction in this case, young lady?

LAURA. Yes.

WILL. For instance, what?

LAURA. This man is poor--absolutely broke. He hasn't even got a [_Crosses to armchair, leans over and draws with parasol on ground_.]

good job. You know, Will, all the rest, including yourself, generally had some material inducement.

WILL. What's his business? [_Crosses to table and sits looking at magazine_.

LAURA. He's a newspaper man.

WILL. H'm-m. Romance?

LAURA. Yes, if you want to call it that,--romance.

WILL. Do I know him?

LAURA. How could you? You only came from New York to-day, and he has never been there.

_He regards her with a rather amused, indulgent, almost paternal expression, in contrast to his big, bluff, physical personality, with his iron-gray hair and his bulldog expression_. LAURA _looks more girlish than ever. This is imperative in order to thoroughly understand the character_.

WILL. How old is he?

LAURA. Twenty-seven. You're forty-five.

WILL. No, forty-six.

LAURA. Shall I tell you about him? Huh?

[_Crosses to_ WILL, _placing parasol on seat_.

WILL. That depends.

LAURA. On what?

WILL. Yourself.

LAURA. In what way?

WILL. If it will interfere in the least with the plans I have made for you and for me.

LAURA. And have you made any particular plans for me that have anything particularly to do with you?

WILL. Yes, I have given up the lease of our apartment on West End Avenue, and I've got a house on Riverside Drive. Everything will be quiet and decent, and it'll be more comfortable for you. There's a stable near by, and your horses and car can be kept over there. You'll be your own mistress, and besides I've fixed you up for a new part.

LAURA. A new part! What kind of a part?

WILL. One of Charlie Burgess's shows, translated from some French fellow. It's been running over in Paris, Berlin, and Vienna, and all those places, for a year or more, and appears to be an awful hit. It's going to cost a lot of money. I told Charlie he could put me down for a half interest, and I'd give all the money providing you got an important role. Great part, I'm told. Kind of a cross between a musical comedy and an opera. Looks as if it might stay in New York all season. So that's the change of plan. How does it strike you?

[LAURA _crosses to door, meditating; pauses in thought_.

LAURA. I don't know.

WILL. Feel like quitting? [_Turns to her._

LAURA. I can't tell.

WILL. It's the newspaper man, eh?

LAURA. That would be the only reason.

WILL. You've been on the square with me this summer, haven't you?

[_Crosses to table_.

LAURA. [_Turns, looks at_ WILL.] What do you mean by "on the square?"

WILL. Don't evade. There's only one meaning when I say that, and you know it. I'm pretty liberal. But you understand where I draw the line.

You've not jumped that, have you, Laura?

LAURA. No, this has been such a wonderful summer, such a wonderfully different summer. Can you understand what I mean by that when I say "wonderfully different summer?"

[_Crossing to WILL_.

WILL. Well, he's twenty-seven and broke, and you're twenty-five and pretty; and he evidently, being a newspaper man, has that peculiar gift of gab that we call romantic expression. So I guess I'm not blind, and you both think you've fallen in love. That it?

LAURA. Yes, I think that's about it; only I don't agree to the "gift of gab" and the "romantic" end of it. [_Crosses to table_.] He's a man and I'm a woman, and we both have had our experiences. I don't think, Will, that there can be much of that element of what some folks call hallucination.

[_Sits on chair; takes candy-box on lap; selects candy_.