The sudden vehemence of this question, the shrill note of reproach in Hannah's voice that revealed, even more than the terrible inertia from which she had emerged, the extent of her suffering, for the instant left Janet utterly dismayed. "Oh mother!" she exclaimed. "I tried--I--I couldn't."

Hannah pushed back her chair.

"I'll go to her, I'll make her come. She's disgraced us, but I'll make her. Where is she? Where is the house?"

Janet, terrified, seized her mother's arm. Then she said:--"Lise isn't there any more--she's gone away."

"Away and you let her go away? You let your sister go away and be a--a woman of the town? You never loved her--you never had any pity for her."

Tears sprang into Janet's eyes--tears of pity mingled with anger. The situation had grown intolerable! Yet how could she tell Hannah where Lise was!

"You haven't any right to say that, mother!" she cried. "I did my best. She wouldn't come. I--I can't tell you where she's gone, but she promised to write, to send me her address."

"Lise" Hannah's cry seemed like the uncomprehending whimper of a stricken child, and then a hidden cadence made itself felt, a cadence revealing to Janet with an eloquence never before achieved the mystery of mother love, and by some magic of tone was evoked a new image of Lise--of Lise as she must be to Hannah. No waywardness, no degradation or disgrace could efface it. The infant whom Hannah had clutched to her breast, the woman, her sister, whom Janet had seen that day were one--immutably one. This, then, was what it meant to be a mother! All the years of deadening hope had not availed to kill the craving--even in this withered body it was still alive and quick. The agony of that revelation was scarcely to be borne. And it seemed that Lise, even in the place where she was, must have heard that cry and heeded it. And yet--the revelation of Lise's whereabouts, of Lise's contemplated act Janet had nearly been goaded into making, died on her lips. She could not tell Hannah! And Lise's child must not come into a world like this.

Even now the conviction remained, fierce, exultant, final. But if Janet had spoken now Hannah would not have heard her. Under the storm she had begun to rock, weeping convulsively.... But gradually her weeping ceased. And to Janet, helplessly watching, this process of congealment was more terrible even than the release that only an unmitigated violence of grief had been able to produce. In silence Hannah resumed her shrunken duties, and when these were finished sat awhile, before going to bed, her hands lying listless in her lap. She seemed to have lived for centuries, to have exhausted the gamut of suffering which, save for that one wild outburst, had been the fruit of commonplace, pa.s.sive, sordid tragedy that knows no touch of fire....

The next morning Janet was awakened by the siren. Never, even in the days when life had been routine and commonplace, had that sound failed to arouse in her a certain tremor of fear; with its first penetrating shriek, terror invaded her: then, by degrees, overcoming her numbness, came an agonizing realization of tragedy to be faced. The siren blew and blew insistently, as though it never meant to stop; and now for the first time she seemed to detect in it a note of futility. There were those who would dare to defy it. She, for one, would defy it. In that reflection she found a certain fierce joy. And she might lie in bed if she wished--how often had she longed to! But she could not. The room was cold, appallingly empty and silent as she hurried into her clothes. The dining-room lamp was lighted, the table set, her mother was bending over the stove when she reached the kitchen. After the pretence of breakfast was gone through Janet sought relief in housework, making her bed, tidying her room. It was odd, this morning, how her notice of little, familiar things had the power to add to her pain, brought to mind memories become excruciating as she filled the water pitcher from the kitchen tap she found herself staring at the nick broken out of it when Lise had upset it. She recalled Lise's characteristically flippant remark. And there was the streak in the wall-paper caused one night by the rain leaking through the roof. After the bed was made and the room swept she stood a moment, motionless, and then, opening the drawer in the wardrobe took from it the rose which she had wrapped in tissue paper and hidden there, and with a perverse desire as it were to increase the bitterness consuming her, to steep herself in pain, she undid the parcel and held the withered flower to her face. Even now a fragrance, faint yet poignant, clung to it.... She wrapped it up again, walked to the window, hesitated, and then with a sudden determination to destroy this sole relic of her happiness went to the kitchen and flung it into the stove. Hannah, lingering over her morning task of cleaning, did not seem to notice the act. Janet turned to her.

"I think I'll go out for a while, mother," she said.

"You'd ought to," Hannah replied. "There's no use settin' around here."

The silence of the flat was no longer to be endured. And Janet, putting on her coat and hat, descended the stairs. Not once that morning had her mother mentioned Lise; nor had she asked about her own plans--about Ditmar. This at least was a relief; it was the question she had feared most. In the street she met the postman.

"I have a letter for you, Miss Janet," he said. And on the pink envelope he handed her, in purple ink, she recognized the unformed, childish handwriting of Lise. "There's great doings down at the City Hall," the postman added "the foreigners are holding ma.s.s meetings there." Janet scarcely heard him as she tore open the envelope. "Dear Janet," the letter ran. "The doctor told me I had a false alarm, there was nothing to it. Wouldn't that jar you? Boston's a slow burg, and there's no use of my staying here now. I'm going to New York, and maybe I'll come back when I've had a look at the great white way. I've got the coin, and I gave him the mit to-night. If you haven't anything better to do, drop in at the Bagatelle and give Walters my love, and tell them not to worry at home. There's no use trying to trail me. Your affectionate sister Lise."

Janet thrust the letter in her pocket. Then she walked rapidly westward until she came to the liver-coloured facade of the City Hall, opposite the Common. Pushing through the crowd of operatives lingering on the pavement in front of it, she entered the building....

CHAPTER XV

Occasionally the art of narrative may be improved by borrowing the method of the movies. Another night has pa.s.sed, and we are called upon to imagine the watery sunlight of a mild winter afternoon filtering through bare trees on the heads of a mult.i.tude. A large portion of Hampton Common is black with the people of sixteen nationalities who have gathered there, trampling down the snow, to listen wistfully and eagerly to a new doctrine of salvation. In the centre of this throng on the bandstand--reminiscent of concerts on sultry, summer nights--are the itinerant apostles of the cult called Syndicalism, exhorting by turns in divers tongues. Antonelli had spoken, and many others, when Janet, impelled by a craving not to be denied, had managed to push her way little by little from the outskirts of the crowd until now she stood almost beneath the orator who poured forth pa.s.sionate words in a language she recognized as Italian. Her curiosity was aroused, she was unable to cla.s.sify this tall man whose long and narrow face was accentuated by a pointed brown beard, whose lips gleamed red as he spoke, whose slim hands were eloquent. The artist as propagandist--the unsuccessful artist with more facility than will. The nose was cla.s.sic, and wanted strength; the restless eyes that at times seemed fixed on her were smouldering windows of a burning house: the fire that stirred her was also consuming him. Though he could have been little more than five and thirty, his hair was thinned and greying at the temples. And somehow emblematic of this physiognomy and physique, summing it up and expressing it in terms of apparel, were the soft collar and black scarf tied in a flowing bow. Janet longed to know what he was saying. His phrases, like music, played on her emotions, and at last, when his voice rose in crescendo at the climax of his speech, she felt like weeping.

"Un poeta!" a woman beside her exclaimed.

"Who is he?" Janet asked.

"Rolfe," said the woman.

"But he's an Italian?"

The woman shrugged her shoulders. "It is his name that is all I know."

He had begun to speak again, and now in English, with an enunciation, a distinctive manner of turning his phrases new to such gatherings in America, where labour intellectuals are little known; surprising to Janet, diverting her attention, at first, from the meaning of his words.

"Labour," she heard, "labour is the creator of all wealth, and wealth belongs to the creator. The wage system must be abolished. You, the creators, must do battle against these self-imposed masters until you shall come into your own. You who toil miserably for nine hours and produce, let us say, nine dollars of wealth--do you receive it? No, what is given you is barely enough to keep the slave and the slave's family alive! The master, the capitalist, seizes the rightful reward of your labour and spends it on luxuries, on automobiles and fine houses and women, on food he can't eat, while you are hungry. Yes, you are slaves,"

he cried, "because you submit like slaves."

He waited, motionless and scornful, for the noise to die down. "Since I have come here to Hampton, I have heard some speak of the state, others of the unions. Yet the state is your enemy, it will not help you to gain your freedom. The legislature has shortened your hours,--but why?

Because the politicians are afraid of you, and because they think you will be content with a little. And now that the masters have cut your wages, the state sends its soldiers to crush you. Only fifty cents, they say--only fifty cents most of you miss from your envelopes. What is fifty cents to them? But I who speak to you have been hungry, I know that fifty cents will buy ten loaves of bread, or three pounds of the neck of pork, or six quarts of milk for the babies. Fifty cents will help pay the rent of the rat-holes where you live." Once more he was interrupted by angry shouts of approval. "And the labour unions, have they aided you? Why not? I will tell you why--because they are the servile instruments of the masters. The unions say that capital has rights, bargain with it, but for us there can be only one bargain, complete surrender of the tools to the workers. For the capitalists are parasites who suck your blood and your children's blood. From now on there can be no compromise, no truce, no peace until they are exterminated. It is war." War! In Janet's soul the word resounded like a tocsin. And again, as when swept along East Street with the mob, that sense of ident.i.ty with these people and their wrongs, of submergence with them in their cause possessed her. Despite her ancestry, her lot was cast with them. She, too, had been precariously close to poverty, had known the sordidness of life; she, too, and Lise and Hannah had been duped and cheated of the fairer things. Eagerly she had drunk in the vocabulary of that new and terrible philosophy. The master cla.s.s must be exterminated! Was it not true, if she had been of that cla.s.s, that Ditmar would not have dared to use and deceive her? Why had she never thought of these things before?... The light was beginning to fade, the great meeting was breaking up, and yet she lingered. At the foot of the bandstand steps, conversing with a small group of operatives that surrounded him, she perceived the man who had just spoken. And as she stood hesitating, gazing at him, a desire to hear more, to hear all of this creed he preached, that fed the fires in her soul, urged her forward. Her need, had she known it, was even greater than that of these toilers whom she now called comrades. Despite some qualifying reserve she felt, and which had had to do with the redness of his lips, he attracted her. He had a mind, an intellect, he must possess stores of the knowledge for which she thirsted; he appeared to her as one who had studied and travelled, who had ascended heights and gained the wider view denied her. A cynical cosmopolitanism would have left her cold, but here, apparently, was a cultivated man burning with a sense of the world's wrongs. Ditmar, who was to have led her out of captivity, had only thrust her the deeper into bondage.... She joined the group, halting on the edge of it, listening. Rolfe was arguing with a man about the labour unions, but almost at once she knew she had fixed his attention. From time to time, as he talked, his eyes sought hers boldly, and in their dark pupils were tiny points of light that stirred and confused her, made her wonder what was behind them, in his soul. When he had finished his argument, he singled her out.

"You do not work in the mills?" he asked.

"No, I'm a stenographer--or I was one."

"And now?"

"I've given up my place."

"You want to join us?"

"I was interested in what you said. I never heard anything like it before."

He looked at her intently.

"Come, let us walk a little way," he said. And she went along by his side, through the Common, feeling a neophyte's excitement in the freemasonry, the contempt for petty conventions of this newly achieved doctrine of brotherhood. "I will give you things to read, you shall be one of us."

"I'm afraid I shouldn't understand them," Janet replied. "I've read so little."

"Oh, you will understand," he a.s.sured her, easily. "There is too much learning, too much reason and intelligence in the world, too little impulse and feeling, intuition. Where do reason and intelligence lead us? To selfishness, to thirst for power-straight into the master cla.s.s.

They separate us from the ma.s.s of humanity. No, our fight is against those who claim more enlightenment than their fellowmen, who control the public schools and impose reason on our children, because reason leads to submission, makes us content with our station in life. The true syndicalist is an artist, a revolutionist!" he cried.

Janet found this bewildering and yet through it seemed to shine for her a gleam of light. Her excitement grew. Never before had she been in the presence of one who talked like this, with such a.s.surance and ease. And the fact that he despised knowledge, yet possessed it, lent him glamour.

"But you have studied!" she exclaimed.

"Oh yes, I have studied," he replied, with a touch of weariness, "only to learn that life is simple, after all, and that what is needed for the social order is simple. We have only to take what belongs to us, we who work, to follow our feelings, our inclinations."

"You would take possession of the mills?" she asked.

"Yes," he said quickly, "of all wealth, and of the government. There would be no government--we should not need it. A little courage is all that is necessary, and we come into our own. You are a stenographer, you say. But you--you are not content, I can see it in your face, in your eyes. You have cause to hate them, too, these masters, or you would not have been herein this place, to-day. Is it not so?"

She shivered, but was silent.

"Is it not so?" he repeated. "They have wronged you, too, perhaps,--they have wronged us all, but some are too stupid, too cowardly to fight and crush them. Christians and slaves submit. The old religion teaches that the world is cruel for most of us, but if we are obedient and humble we shall be rewarded in heaven." Rolfe laughed. "The masters approve of that teaching. They would not have it changed. But for us it is war.

We'll strike and keep on striking, we'll break their machinery, spoil their mills and factories, and drive them out. And even if we do not win at once, it is better to suffer and die fighting than to have the life ground out of us--is it not?"

"Yes, it is better!" she agreed. The pa.s.sion in her voice did not escape him.

"Some day, perhaps sooner than we think, we shall have the true Armageddon, the general strike, when the last sleeping toiler shall have aroused himself from his lethargy to rise up and come into his inheritance." He seemed to detach himself from her, his eyes became more luminous.

"'Like unseen music in the night,'--so Sorel writes about it. They may scoff at it, the wise ones, but it will come. 'Like music in the night!'

You respond to that!"

Again she was silent. They had walked on, through familiar streets that now seemed strange.

"You respond--I can tell," he said. "And yet, you are not like these others, like me, even. You are an American. And yet you are not like most of your countrywomen."