It was unheard-of, this invasion of a man's argument by a woman, and by a young woman at that. He glared at her through his spectacles, took them off, wiped them, replaced them, and glared at her again. He did not like Janet; she was capable of what may be called a speaking silence, and he had never been wholly unaware of her disapproval and ridicule.

Perhaps he recognized in her, instinctively, the potential qualities of that emerging modern woman who to him was anathema.

"It is somethings I don't think about," he said.

He was a wizened little man with faience-blue eyes, and sat habitually hunched up with his hands folded across his shins.

"Nam fuit ante Helenam"--as Darwin quotes. Toward all the masculine residents of Fillmore Street, save one, the barber's att.i.tude was one of unconcealed scorn for an inability to recognize female perfidy. With Johnny Tiernan alone he refused to enter the lists. When the popular proprietor of the tin shop came sauntering along the sidewalk with nose uptilted, waving genial greetings to the various groups on the steps, Chris Auermann's expression would suddenly change to one of fatuous playfulness.

"What's this I hear about giving the girls the vote, Chris?" Johnny would innocently inquire, winking at Janet, invariably running his hand through the wiry red hair that resumed its corkscrew twist as soon as he released it. And Chris would as invariably reply:--"You have the dandruffs--yes? You come to my shop, I give you somethings...."

Sometimes the barber, in search of a more aggressive adversary than Edward, would pay visits, when as likely as not another neighbour with profound convictions and a craving for proselytes would swoop down on the defenceless b.u.mpuses: Joe Shivers, for instance, who lived in one of the tenements above the cleaning and dyeing establishment kept by the Pappas Bros., and known as "The Gentleman." In the daytime Mr. Shivers was a model of acquiescence in a system he would have designated as one of industrial feudalism, his duty being to examine the rolls of cloth as they came from the looms of the Arundel Mill, in case of imperfections handing them over to the women menders: at night, to borrow a vivid expression from Lise, he was "batty in the belfry" on the subject of socialism. Unlike the barber, whom he could not abide, for him the cleavage of the world was between labour and capital instead of man and woman; his philosophy was stern and naturalistic; the universe--the origin of which he did not discuss--just an accidental a.s.semblage of capricious forces over which human intelligence was one day to triumph.

Squatting on the lowest step, his face upturned, by the light of the arc sputtering above the street he looked like a yellow frog, his eager eyes directed toward Janet, whom he suspected of intelligence.

"If there was a G.o.d, a nice, kind, all-powerful G.o.d, would he permit what happened in one of the loom-rooms last week? A Polak girl gets her hair caught in the belt pfff!" He had a marvellously realistic gift when it came to horrors: Janet felt her hair coming out by the roots.

Although she never went to church, she did not like to think that no G.o.d existed. Of this Mr. Shivers was very positive. Edward, too, listened uneasily, hemmed and hawed, making ineffectual attempts to combat Mr.

Shivers's socialism with a deeply-rooted native individualism that Shivers declared as defunct as Christianity.

"If it is possible for the workingman to rise under a capitalistic system, why do you not rise, then? Why do I not rise? I'm as good as Ditmar, I'm better educated, but we're all slaves. What right has a man to make you and me work for him just because he has capital?"

"Why, the right of capital," Edward would reply.

Mr. Shivers, with the manner of one dealing with an incurable romanticism and sentimentality, would lift his hands in despair. And in spite of the fact that Janet detested him, he sometimes exercised over her a paradoxical fascination, suggesting as he did unexplored intellectual realms. She despised her father for not being able to crush the little man. Edward would make pathetic attempts to capture the role Shivers had appropriated, to be the practical party himself, to convict Shivers of idealism. Socialism scandalized him, outraged, even more than atheism, something within him he held sacred, and he was greatly annoyed because he was unable adequately to express this feeling.

"You can't change human nature, Mr. Shivers," Edward would insist in his precise but ineffectual manner. "We all want property, you would accept a fortune if it was offered to you, and so should I. Americans will never become socialists."

"But look at me, wasn't I born in Meriden, Connecticut? Ain't that Yankee enough for you?" Thus Mr. Shivers sought blandly to confound him.

A Yankee Shades of the Pilgrim fathers, of seven, generations of b.u.mpuses! A Yankee who used his hands in that way, a Yankee with a nose like that, a Yankee with a bald swathe down the middle of his crown and bunches of black, moth-eaten hair on either side! But Edward, too polite to descend to personalities, was silent....

In brief, this very politeness of Edward's, which his ancestors would have scorned, this consideration and lack of self-a.s.sertion made him the favourite prey of the many "characters" in Fillmore Street whose sanity had been disturbed by pressure from above, in whose systems had lodged the germs of those exotic social doctrines floating so freely in the air of our modern industrial communities.... Chester Glenn remains for a pa.s.sing mention. A Yankee of Yankees, this, born on a New Hampshire farm, and to the ordinary traveller on the Wigmore branch of the railroad just a good-natured, round-faced, tobacco-chewing brakeman who would take a seat beside ladies of his acquaintance aid make himself agreeable until it was time to rise and bawl out, in the approved manner of his profession, the name of the next station. Fillmore Street knew that the flat visored cap which his corporation compelled him to wear covered a brain into which had penetrated the maggot of the Single Tax. When he encountered Mr. Shivers or Auermann the talk became coruscating..

Eda Rawle, Janet's solitary friend of these days, must also be mentioned, though the friendship was merely an episode in Janet's life.

Their first meeting was at Grady's quick-lunch counter in Faber Street, which they both frequented at one time, and the fact that each had ordered a ham sandwich, a cup of coffee, and a confection--new to Grady's--known as a Napoleon had led to conversation.

Eda, of course, was the aggressor; she was irresistibly drawn, she would not be repulsed. A stenographer in the Wess.e.x National Bank, she boarded with a Welsh family in Spruce Street; matter-of-fact, plodding, commonplace, resembling--as Janet thought--a horse, possessing, indeed many of the n.o.ble qualities of that animal, she might have been thought the last person in the world to discern and appreciate in Janet the hidden elements of a mysterious fire. In appearance Miss Rawle was of a type not infrequent in Anglo-Saxon lands, strikingly blonde, with high malar bones, white eyelashes, and eyes of a metallic blue, cheeks of an amazing elasticity that worked rather painfully as she talked or smiled, drawing back inadequate lips, revealing long, white teeth and vivid gums. It was the craving in her for romance Janet a.s.suaged; Eda's was the love content to pour out, that demands little. She was capable of immolation. Janet was by no means ungrateful for the warmth of such affection, though in moments conscious of a certain perplexity and sadness because she was able to give such a meagre return for the wealth of its offering.

In other moments, when the world seemed all disorder and chaos,--as Mr.

Shivers described it,--or when she felt within her, like demons, those inexpressible longings and desires, leaping and straining, pulling her, almost irresistibly, she knew not whither, Eda shone forth like a light in the darkness, like the beacon of a refuge and a shelter. Eda had faith in her, even when Janet had lost faith in herself: she went to Eda in the same spirit that Marguerite went to church; though she, Janet, more resembled Faust, being--save in these hours of lowered vitality--of the forth-faring kind.... Unable to confess the need that drove her, she arrived in Eda's little bedroom to be taken into Eda's arms. Janet was immeasurably the stronger of the two, but Eda possessed the masculine trait of protectiveness, the universe never bothered her, she was one of those persons--called fortunate--to whom the orthodox Christian virtues come as naturally as sun or air. Pa.s.sion, when sanctified by matrimony, was her ideal, and now it was always in terms of Janet she dreamed of it, having read about it in volumes her friend would not touch, and never having experienced deeply its discomforts. Sanctified or unsanctified, Janet regarded it with terror, and whenever Eda innocently broached the subject she recoiled. Once Eda exclaimed:--"When you do fall in love, Janet, you must tell me all about it, every word!"

Janet blushed hotly, and was silent. In Eda's mind such an affair was a kind of glorified fireworks ending in a cl.u.s.ter of stars, in Janet's a volcanic eruption to turn the world red. Such was the difference between them.

Their dissipations together consisted of "sundaes" at a drug-store, or sometimes of movie shows at the Star or the Alhambra. Stereotyped on Eda's face during the legitimately tender pa.s.sages of these dramas was an expression of rapture, a smile made peculiarly infatuate by that vertical line in her cheeks, that inadequacy of lip and preponderance of white teeth and red gums. It irritated, almost infuriated Janet, to whom it appeared as the logical reflection of what was pa.s.sing on the screen; she averted her glance from both, staring into her lap, filled with shame that the relation between the s.e.xes should be thus exposed to public gaze, parodied, sentimentalized, degraded.... There were, however, marvels to stir her, strange landscapes, cities, seas, and ships,--once a fire in the forest of a western reserve with gigantic tongues of orange flame leaping from tree to tree. The movies brought the world to Hampton, the great world into which she longed to fare, brought the world to her! Remote mountain hamlets from j.a.pan, minarets and muezzins from the Orient, pyramids from Egypt, domes from Moscow resembling gilded beets turned upside down; grey houses of parliament by the Thames, the Tower of London, the Palaces of Potsdam, the Tai Mahal.

Strange lands indeed, and stranger peoples! booted Russians in blouses, naked Equatorial savages tattooed and amazingly adorned, soldiers and sailors, presidents, princes and emperors brought into such startling proximity one could easily imagine one's self exchanging the time of day! Incredible to Janet how the audiences, how even Eda accepted with American complacency what were to her never-ending miracles; the yearning to see more, to know more, became acute, like a pain, but even as she sought to devour these scenes, to drink in every detail, with tantalizing swiftness they were whisked away. They were peepholes in the walls of her prison; and at night she often charmed herself to sleep with remembered visions of wide, empty, treeshaded terraces reserved for kings.

But Eda, however complacent her interest in the scenes themselves, was thrilled to the marrow by their effect on Janet, who was her medium.

Emerging from the vestibule of the theatre, Janet seemed not to see the slushy street, her eyes shone with a silver light like that of a mountain lake in a stormy sunset. And they walked in silence until Janet would exclaim:

"Oh Eda, wouldn't you love to travel!"

Thus Eda Rawle was brought in contact with values she herself was powerless to detect, and which did not become values until they had pa.s.sed through Janet. One "educative" reel they had seen had begun with scenes in a lumber camp high in the mountains of Galicia, where grow forests of the priceless pine that becomes, after years of drying and seasoning, the sounding board of the Stradivarius and the harp. Even then it must respond to a Player. Eda, though failing to apply this poetic parallel, when alone in her little room in the Welsh boarding-house often indulged in an ecstasy of speculation as to that man, hidden in the mists of the future, whose destiny it would be to awaken her friend. Hampton did not contain him,--of this she was sure; and in her efforts to visualize him she had recourse to the movies, seeking him amongst that brilliant company of personages who stood so haughtily or walked so indifferently across the ephemeral brightness of the screen.

By virtue of these marvels of the movies: Hampton ugly and sordid Hampton!--actually began for Janet to take on a romantic tinge. Were not the strange peoples of the earth flocking to Hampton? She saw them arriving at the station, straight from Ellis Island, bewildered, ticketed like dumb animals, the women draped in the soft, exotic colours many of them were presently to exchange for the cheap and gaudy apparel of Faber Street. She sought to summon up in her mind the glimpses she had had of the wonderful lands from which they had come, to imagine their lives in that earlier environment. Sometimes she wandered, alone or with Eda, through the various quarters of the city. Each quarter had a flavour of its own, a synthetic flavour belonging neither to the old nor to the new, yet partaking of both: a difference in atmosphere to which Janet was keenly sensitive. In the German quarter, to the north, one felt a sort of ornamental bleakness--if the expression may be permitted: the tenements here were clean and not too crowded, the scroll-work on their superimposed porches, like that decorating the Turnverein and the stem Lutheran Church, was eloquent of a Teutonic inheritance: The Belgians were to the west, beyond the base-ball park and the car barns, their grey houses scattered among new streets beside the scarred and frowning face of Torrey's hill. Almost under the hill itself, which threatened to roll down on it, and facing a bottomless, muddy street, was the quaint little building giving the note of foreign thrift, of socialism and shrewdness, of joie de vivre to the settlement, the Franco-Belgian co-operative store, with its salle de reunion above and a stage for amateur theatricals. Standing in the mud outside, Janet would gaze through the tiny windows in the stucco wall at the baskets prepared for each household laid in neat rows beside the counter; at the old man with the watery blue eyes and lacing of red in his withered cheeks who spoke no English, whose duty it was to distribute the baskets to the women and children as they called.

Turning eastward again, one came to Dey Street, in the heart of Hampton, where Hibernian Hall stood alone and grim, sole testimony of the departed Hibernian glories of a district where the present Irish rulers of the city had once lived and gossiped and fought in the days when the mill bells had roused the boarding-house keepers at half past four of a winter morning. Beside the hall was a corner lot, heaped high with hills of ashes and rubbish like the vomitings of some filthy volcano; the unsightliness of which was half concealed by huge signs announcing the merits of chewing gums, tobaccos, and cereals. But why had the departure of the Irish, the coming of the Syrians made Dey Street dark, narrow, mysterious, oriental? changed the very aspect of its architecture? Was it the coffee-houses? One of these, in front of which Janet liked to linger, was set weirdly into an old New England cottage, and had, apparently, fathomless depths. In summer the whole front of it lay open to the street, and here all day long, beside the table where the charcoal squares were set to dry, could be seen saffron-coloured Armenians absorbed in a Turkish game played on a backgammon board, their gentleness and that of the loiterers looking on in strange contrast with their hawk-like profiles and burning eyes. Behind this group, in the half light of the middle interior, could be discerned an American soda-water fountain of a bygone fashion, on its marble counter oddly shaped bottles containing rose and violet syrups; there was a bottle-shaped stove, and on the walls, in gilt frames, pictures evidently dating from the period in American art that flourished when Franklin Pierce was President; and there was an array of marble topped tables extending far back into the shadows. Behind the fountain was a sort of cupboard--suggestive of the Arabian Nights, which Janet had never read--from which, occasionally, the fat proprietor emerged bearing Turkish coffee or long Turkish pipes.

When not thus occupied the proprietor carried a baby. The street swarmed with babies, and mothers nursed them on the door-steps. And in this teeming, prolific street one could scarcely move without stepping on a fat, almond eyed child, though some, indeed, were wheeled; wheeled in all sorts of queer contrivances by one another, by fathers with ragged black moustaches and eagle noses who, to the despair of mill superintendents, had decided in the morning that three days' wages would since to support their families for the week.... In the midst of the throng might be seen occasionally the stout and comfortable and not too immaculate figure of a shovel bearded Syrian priest, in a frock coat and square-topped "Derby" hat, sailing along serenely, heedless of the children who scattered out of his path.

Nearby was the quarter of the Canadian French, scarcely now to be called foreigners, though still somewhat reminiscent of the cramped little towns in the northern wilderness of water and forest. On one corner stood almost invariably a "Pharmacie Francaise"; the signs were in French, and the elders spoke the patois. These, despite the mill pallor, retained in their faces, in their eyes, a suggestion of the outdoor look of their ancestors, the coureurs des bois, but the children spoke English, and the young men, as they played baseball in the street or in the corner lots might be heard shouting out derisively the cry of the section hands so familiar in mill cities, "Doff, you beggars you, doff!"

Occasionally the two girls strayed into that wide thoroughfare not far from the ca.n.a.l, known by the cla.s.sic name of Hawthorne, which the Italians had appropriated to themselves. This street, too, in spite of the telegraph poles flaunting crude arms in front of its windows, in spite of the trolley running down its middle, had acquired a character, a unity all its own, a warmth and picturesqueness that in the lingering light of summer evenings a.s.sumed an indefinable significance. It was not Italy, but it was something--something proclaimed in the ornate, leaning lines of the pillared balconies of the yellow tenement on the second block, in the stone-vaulted entrance of the low house next door, in fantastically coloured walls, in curtained windows out of which leaned swarthy, earringed women. Blocking the end of the street, in stern contrast, was the huge Clarendon Mill with its sinister brick pillars running up the six stories between the gla.s.s. Here likewise the sidewalks overflowed with children, large-headed, with great, l.u.s.trous eyes, mute, appealing, the eyes of cattle. Unlike American children, they never seemed to be playing. Among the groups of elders gathered for gossip were piratical Calabrians in sombre clothes, descended from Greek ancestors, once the terrors of the Adriatic Sea. The women, lingering in the doorways, hemmed in by more children, were for the most part squat and plump, but once in a while Janet's glance was caught and held by a strange, sharp beauty worthy of a cameo.

Opposite the Clarendon Mill on the corner of East Street was a provision store with stands of fruit and vegetables encroaching on the pavement.

Janet's eye was attracted by a box of olives.

"Oh Eda," she cried, "do you remember, we saw them being picked--in the movies? All those old trees on the side of a hill?"

"Why, that's so," said Eda. "You never would have thought anything'd grow on those trees."

The young Italian who kept the store gave them a friendly grin.

"You lika the olives?" he asked, putting some of the shining black fruit into their hands. Eda bit one dubiously with her long, white teeth, and giggled.

"Don't they taste funny!" she exclaimed.

"Good--very good," he a.s.serted gravely, and it was to Janet he turned, as though recognizing a discrimination not to be found in her companion.

She nodded affirmatively. The strange taste of the fruit enhanced her sense of adventure, she tried to imagine herself among the gatherers in the grove; she glanced at the young man to perceive that he was tall and well formed, with remarkably expressive eyes almost the colour of the olives themselves. It surprised her that she liked him, though he was an Italian and a foreigner: a certain debonnair dignity in him appealed to her--a quality lacking in many of her own countrymen.

And she wanted to talk to him about Italy,--only she did not know how to begin,--when a customer appeared, an Italian woman who conversed with him in soft, liquid tones that moved her....

Sometimes on these walks--especially if the day were grey and sombre--Janet's sense of romance and adventure deepened, became more poignant, charged with presage. These feelings, vague and unaccountable, she was utterly unable to confide to Eda, yet the very fear they inspired was fascinating; a fear and a hope that some day, in all this Babel of peoples, something would happen! It was as though the conflicting soul of the city and her own soul were one....

CHAPTER III

Lise was the only member of the b.u.mpus family who did not find uncongenial such distractions and companionships as were offered by the civilization that surrounded them. The Bagatelle she despised; that was slavery--but slavery out of which she might any day be s.n.a.t.c.hed, like Leila Hawtrey, by a prince charming who had made a success in life.

Success to Lise meant money. Although what some sentimental sociologists might call a victim of our civilization, Lise would not have changed it, since it produced not only Lise herself, but also those fabulous financiers with yachts and motors and town and country houses she read about in the supplements of the Sunday newspapers. It contained her purgatory, which she regarded in good conventional fashion as a mere temporary place of detention, and likewise the heaven toward which she strained, the dwelling-place of light. In short, her philosophy was that of the modern, orthodox American, tinged by a somewhat commercialized Sunday school tradition of an earlier day, and highly approved by the censors of the movies. The peculiar kind of abstinence once euphemistically known as "virtue," particularly if it were combined with beauty, never failed of its reward. Lise, in this sense, was indeed virtuous, and her mirror told her she was beautiful. Almost anything could happen to such a lady: any day she might be carried up into heaven by that modern chariot of fire, the motor car, driven by a celestial chauffeur.

One man's meat being another's poison, Lise absorbed from the movies an element by which her sister Janet was repelled. A popular production known as "Leila of Hawtrey's" contained her creed,--Hawtrey's being a glittering metropolitan restaurant where men of the world are wont to gather and discuss the stock market, and Leila a beautiful, blonde and orphaned waitress upon whom several of the fashionable frequenters had exercised seductive powers in vain. They lay in wait for her at the side entrance, followed her, while one dissipated and desperate person, married, and said to move in the most exclusive circles, sent her an offer of a yearly income in five figures, the note being reproduced on the screen, and Leila pictured reading it in her frigid hall-bedroom.

There are complications; she is in debt, and the proprietor of Hawtrey's has threatened to discharge her and in order that the magnitude of the temptation may be most effectively realized the vision appears of Leila herself, wrapped in furs, stepping out of a limousine and into an elevator lifting her to an apartment containing silk curtains, a Canet bed, a French maid, and a Pomeranian. Virtue totters, but triumphs, being reinforced by two more visions the first of these portrays Leila, prematurely old, dragging herself along pavements under the metallic Broadway lights accosting gentlemen in evening dress; and the second reveals her in the country, kneeling beside a dying mother's bed, giving her promise to remain true to the Christian teachings of her childhood.

And virtue is rewarded, lavishly, as virtue should be, in dollars and cents, in stocks and bonds, in pearls and diamonds. Popular fancy takes kindly to rough but honest westerners who have begun life in flannel shirts, who have struck gold and come to New York with a fortune but despising effeteness; such a one, tanned by the mountain sun, embarra.s.sed in raiment supplied by a Fifth Avenue tailor, takes a table one evening at Hawtrey's and of course falls desperately in love. He means marriage from the first, and his faith in Leila is great enough to survive what appears to be an almost total eclipse of her virtue.

Through the machinations of the influential villain, and lured by the false pretence that one of her girl friends is ill, she is enticed into a mysterious house of a sinister elegance, and apparently irretrievably compromised. The westerner follows, forces his way through the portals, engages the villain, and vanquishes him. Leila becomes a Bride. We behold her, at the end, mistress of one of those magnificent stone mansions with grilled vestibules and negro butlers into whose sacred precincts we are occasionally, in the movies, somewhat breathlessly ushered--a long way from Hawtrey's restaurant and a hall-bedroom. A long way, too, from the Bagatelle and Fillmore Street--but to Lise a way not impossible, nor even improbable.

This work of art, conveying the moral that virtue is an economic a.s.set, made a great impression on Lise. Good Old Testament doctrine, set forth in the Book of Job itself. And Leila, pictured as holding out for a higher price and getting it, encouraged Lise to hold out also. Mr.

Wiley, in whose company she had seen this play, and whose likeness filled the plush and silver-plated frame on her bureau, remained ironically ignorant of the fact that he had paid out his money to make definite an ambition, an ideal hitherto nebulous in the mind of the lady whom he adored. Nor did Lise enlighten him, being gifted with a certain inscrutableness. As a matter of fact it had never been her intention to accept him, but now that she was able concretely to visualize her Lochinvar of the future, Mr. Whey's lack of qualifications became the more apparent. In the first place, he had been born in Lowell and had never been west of Worcester; in the second, his salary was sixteen dollars a week: it is true she had once fancied the Scottish terrier style of hair-cut abruptly ending in the rounded line of the shaven neck, but Lochinvar had been close-cropped. Mr. Wiley, close-cropped, would have resembled a convict.